Pub Date : 2014-06-01DOI: 10.17259/JCERL.2014.23.1.29
Hye-Kyoung Ryu
{"title":"The Emergence of the Urban Narrator in John Stow’s Survey of London","authors":"Hye-Kyoung Ryu","doi":"10.17259/JCERL.2014.23.1.29","DOIUrl":"https://doi.org/10.17259/JCERL.2014.23.1.29","url":null,"abstract":"","PeriodicalId":432663,"journal":{"name":"Journal of Classic and English Renaissance Literature","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131213619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-01DOI: 10.17259/JCERL.2013.22.2.5
Haeryong Kim
{"title":"The Study of the Remade Myths and Their Functions in the Iliad","authors":"Haeryong Kim","doi":"10.17259/JCERL.2013.22.2.5","DOIUrl":"https://doi.org/10.17259/JCERL.2013.22.2.5","url":null,"abstract":"","PeriodicalId":432663,"journal":{"name":"Journal of Classic and English Renaissance Literature","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115069572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-01DOI: 10.17259/JCERL.2013.22.2.51
Hyunju Lee
{"title":"A Study on Sir Thomas Malory’s Use of the Christian Calendar in Le Morte D’arthur","authors":"Hyunju Lee","doi":"10.17259/JCERL.2013.22.2.51","DOIUrl":"https://doi.org/10.17259/JCERL.2013.22.2.51","url":null,"abstract":"","PeriodicalId":432663,"journal":{"name":"Journal of Classic and English Renaissance Literature","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134620039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-01DOI: 10.17259/JCERL.2013.22.2.165
Yongeun Lee
{"title":"Stepping Out of the Limit of Exoticness in Performing Shakespeare’s Works —focusing on by Oh Taesuk","authors":"Yongeun Lee","doi":"10.17259/JCERL.2013.22.2.165","DOIUrl":"https://doi.org/10.17259/JCERL.2013.22.2.165","url":null,"abstract":"","PeriodicalId":432663,"journal":{"name":"Journal of Classic and English Renaissance Literature","volume":"216 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122001917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-01DOI: 10.17259/JCERL.2013.22.2.141
Han DoIn
{"title":"Measure for Measure: “Too Much Liberty,” Law-breaking Identity","authors":"Han DoIn","doi":"10.17259/JCERL.2013.22.2.141","DOIUrl":"https://doi.org/10.17259/JCERL.2013.22.2.141","url":null,"abstract":"","PeriodicalId":432663,"journal":{"name":"Journal of Classic and English Renaissance Literature","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121916825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-01DOI: 10.17259/JCERL.2013.22.2.207
Kwangsoon Cho
The sublime has been a key idea in Western aesthetics from Longinus of the third century to the present times. However, Edmund Burke formulated a very systematic, comprehensive theory of the sublime as well as the beautiful. In eighteenth century England, Burke`s idea permeated almost every sector of art, for example, literature, architecture, music, and painting. Edmund Burke enumerates eight factors of the sublime, that is, terror, obscurity, power, privation, vastness, infinity, difficulty, and magnificence. John Martin is a highly artistic printmaker who made illustrations to Paradise Lost by using the form of mezzotint. Martin masterfully delineates the sublime in his mezzotints, which effectively produce light and blackness, depth and height. In three mezzotints, Martin embodies the sublime which Milton expresses in words. In Pandemonium, Martin embodies the sublime of infinity and obscurity. In Creation of Light, he is concerned with power which is represented in the fast moving image of God. Bridge over Chaos vividly expresses terror. Martin is credited with employing the mezzotint, which enables him to deal with the sublime with its wide tonal range, and with perceptively responding to Paradise Lost. In this sense, John Martin`s mezzotints are not merely pictorial renderings of the poem but perceptive interpretations of the poem. Martin endows Paradise Lost with the sublime.
{"title":"The Iconography of the Sublime in John Martin`s Mezzotints to Paradise Lost","authors":"Kwangsoon Cho","doi":"10.17259/JCERL.2013.22.2.207","DOIUrl":"https://doi.org/10.17259/JCERL.2013.22.2.207","url":null,"abstract":"The sublime has been a key idea in Western aesthetics from Longinus of the third century to the present times. However, Edmund Burke formulated a very systematic, comprehensive theory of the sublime as well as the beautiful. In eighteenth century England, Burke`s idea permeated almost every sector of art, for example, literature, architecture, music, and painting. Edmund Burke enumerates eight factors of the sublime, that is, terror, obscurity, power, privation, vastness, infinity, difficulty, and magnificence. John Martin is a highly artistic printmaker who made illustrations to Paradise Lost by using the form of mezzotint. Martin masterfully delineates the sublime in his mezzotints, which effectively produce light and blackness, depth and height. In three mezzotints, Martin embodies the sublime which Milton expresses in words. In Pandemonium, Martin embodies the sublime of infinity and obscurity. In Creation of Light, he is concerned with power which is represented in the fast moving image of God. Bridge over Chaos vividly expresses terror. Martin is credited with employing the mezzotint, which enables him to deal with the sublime with its wide tonal range, and with perceptively responding to Paradise Lost. In this sense, John Martin`s mezzotints are not merely pictorial renderings of the poem but perceptive interpretations of the poem. Martin endows Paradise Lost with the sublime.","PeriodicalId":432663,"journal":{"name":"Journal of Classic and English Renaissance Literature","volume":"2016 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127354403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-01DOI: 10.17259/JCERL.2013.22.2.107
최경란
{"title":"Family, Maternity and Violence in Titus Andronicus: The Connected Meanings","authors":"최경란","doi":"10.17259/JCERL.2013.22.2.107","DOIUrl":"https://doi.org/10.17259/JCERL.2013.22.2.107","url":null,"abstract":"","PeriodicalId":432663,"journal":{"name":"Journal of Classic and English Renaissance Literature","volume":"118 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124150088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-01DOI: 10.17259/JCERL.2013.22.2.33
오세웅
{"title":"Reading Class in Chaucer’s “The Merchant’s Tale”","authors":"오세웅","doi":"10.17259/JCERL.2013.22.2.33","DOIUrl":"https://doi.org/10.17259/JCERL.2013.22.2.33","url":null,"abstract":"","PeriodicalId":432663,"journal":{"name":"Journal of Classic and English Renaissance Literature","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131901911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-01DOI: 10.17259/JCERL.2013.22.2.77
Youngme Cho
{"title":"A Study on Robert Greene's Cony-Catching Pamphlets: Early Modern Print Market and the Metropolitan City","authors":"Youngme Cho","doi":"10.17259/JCERL.2013.22.2.77","DOIUrl":"https://doi.org/10.17259/JCERL.2013.22.2.77","url":null,"abstract":"","PeriodicalId":432663,"journal":{"name":"Journal of Classic and English Renaissance Literature","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115595258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-01DOI: 10.17259/JCERL.2013.22.2.191
Byung-Eun Lee
{"title":"Milton and Jeremiah: The Biblical Characteristics of Milton’s “On the Late Massacre in Piemont”","authors":"Byung-Eun Lee","doi":"10.17259/JCERL.2013.22.2.191","DOIUrl":"https://doi.org/10.17259/JCERL.2013.22.2.191","url":null,"abstract":"","PeriodicalId":432663,"journal":{"name":"Journal of Classic and English Renaissance Literature","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127726740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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