{"title":"Verdi's un giorno di regno: Two newly discovered movements and some questions of genre","authors":"F. Izzo","doi":"10.2307/932896","DOIUrl":"https://doi.org/10.2307/932896","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"73 1","pages":"165-188"},"PeriodicalIF":0.2,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932896","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69171390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Apres une introduction sur le projet intellectuel et theorique de Claude Levi-Strauss, l'A. montre comment les differents moments de son approche conditionnent sa pensee sur la musique. Il examine ensuite si l'analogie structurale etablie par Levi-Strauss entre mythe et musique est pertinente. Il discute ensuite deux exemples d'analyses musicales effectuees par Levi-Straus - l'etude sur le Bolero de M. Ravel et l'etude sur Castor et Pollux de J.-P. Rameau -, mettant en evidence certaines faiblesses caracteristiques de son mode de raisonnement. Finalement, l'A. examine de facon critique l'esthetique musicale de Levi-Strauss
{"title":"Enlightenment from Afar. The Structural Analogy of Myth and Music According to Claude Lévi-Strauss","authors":"Nikolaus Bacht","doi":"10.2307/932807","DOIUrl":"https://doi.org/10.2307/932807","url":null,"abstract":"Apres une introduction sur le projet intellectuel et theorique de Claude Levi-Strauss, l'A. montre comment les differents moments de son approche conditionnent sa pensee sur la musique. Il examine ensuite si l'analogie structurale etablie par Levi-Strauss entre mythe et musique est pertinente. Il discute ensuite deux exemples d'analyses musicales effectuees par Levi-Straus - l'etude sur le Bolero de M. Ravel et l'etude sur Castor et Pollux de J.-P. Rameau -, mettant en evidence certaines faiblesses caracteristiques de son mode de raisonnement. Finalement, l'A. examine de facon critique l'esthetique musicale de Levi-Strauss","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"73 1","pages":"1-20"},"PeriodicalIF":0.2,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932807","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shostakovich: 'The present-day master of the C major key'","authors":"D. Fanning","doi":"10.2307/932894","DOIUrl":"https://doi.org/10.2307/932894","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"8 1","pages":"101-140"},"PeriodicalIF":0.2,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932894","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69171327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Eustache Du Caurroy. Un compositeur francais aux confins du XVIe et du XVIIe siecle","authors":"Marie-Alexis Colin","doi":"10.2307/932897","DOIUrl":"https://doi.org/10.2307/932897","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"73 1","pages":"189-258"},"PeriodicalIF":0.2,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932897","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69171407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Überprüfung eines musikalischen Ausdrucksmodells von Freude und Trauer durch musikalische Inhaltsanalyse","authors":"P. Fröhlich, H. G. Wallbott","doi":"10.2307/932840","DOIUrl":"https://doi.org/10.2307/932840","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"20 1","pages":"107-119"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932840","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Liszt und die Suche nach dem \"TrisZtan\"-Akkord","authors":"Alexander Rehding","doi":"10.2307/932783","DOIUrl":"https://doi.org/10.2307/932783","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"72 1","pages":"169"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932783","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
L'A. explore la question de la forme musicale et du contenu expressif dans le roman de Jane Austen Sense & Sensibility, dans son adaptation cinematographique de Ang Lee (1995) et dans la partition musicale du film composee par Patrick Doyle. L'examen de la composition musicale montre comment, dans la musique de film, les preoccupations esthetiques formelles se heurtent de facon aigue aux exigences du contenu. Afin de mettre en evidence les implications de la musique dans le film, l'A. examine quelques conventions de forme musicale, ainsi que le contexte litteraire de la nouvelle de J. Austen. Il interprete les themes et les procedures formelles, tant narratives que musicales, comme historiquement contingents, n'engendrant pas de relation causale, c'est-a-dire comme le resultat d'une esthetique particuliere predominante, mais pouvant subir un mouvement de transformation
{"title":"Sense & Sensibility. Form, Genre, and Function in the Film Score","authors":"Robynn J. Stilwell","doi":"10.2307/932785","DOIUrl":"https://doi.org/10.2307/932785","url":null,"abstract":"L'A. explore la question de la forme musicale et du contenu expressif dans le roman de Jane Austen Sense & Sensibility, dans son adaptation cinematographique de Ang Lee (1995) et dans la partition musicale du film composee par Patrick Doyle. L'examen de la composition musicale montre comment, dans la musique de film, les preoccupations esthetiques formelles se heurtent de facon aigue aux exigences du contenu. Afin de mettre en evidence les implications de la musique dans le film, l'A. examine quelques conventions de forme musicale, ainsi que le contexte litteraire de la nouvelle de J. Austen. Il interprete les themes et les procedures formelles, tant narratives que musicales, comme historiquement contingents, n'engendrant pas de relation causale, c'est-a-dire comme le resultat d'une esthetique particuliere predominante, mais pouvant subir un mouvement de transformation","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"18 1","pages":"219-240"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932785","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Le theoricien tcheque Antoine Reicha (1770-1836) fut le premier a formaliser de facon coherente le concept de dialogue comme metaphore de l'interaction instrumentale dans la musique classique. L'A. montre que son interpretation du concept de dialogue s'inscrivait dans les references du 18 eme siecle sur le dialogue instrumental et sur le duo dialogue d'opera, et qu'il sut utiliser de facon originale, precise et imaginative les ecrits non-musicaux. Apres l'examen des caracteristiques musicales assignees au dialogue instrumental aux 18 eme et debut du 19 eme siecles, l'A. explore la dette de A. Reicha envers la notion de dialogue (instrumental et vocal) de ces deux periodes, ainsi que son depassement par sa contribution theorique dans ses differents traites musicaux. Il demontre ensuite que le concept de dialogue de Reicha est applicable a l'analyse musicale pour la musique classique instrumentale a partir de l'examen d'un passage du premier mouvement du concerto pour piano n° 14 en Eb, K. 449 de W.A. Mozart.
捷克理论家安托万·赖查(Antoine Reicha, 1770-1836)是第一个连贯地将对话概念形式化的人，将其作为古典音乐中乐器互动的隐喻。那样。表明他对对话概念的解释符合18世纪对器乐对话和歌剧二重奏对话的参考，他知道如何以一种原创的、精确的和富有想象力的方式使用非音乐作品。在考察了18世纪和19世纪初器乐对话的音乐特征后，a。探讨了A. Reicha在这两个时期对对话(器乐和声乐)的概念的债务，以及他在不同音乐作品中的理论贡献的超越。然后，通过对莫扎特《Eb, K. 449》第14号钢琴协奏曲第一乐章中的一段的考察，证明了赖查的对话概念适用于古典器乐的音乐分析。
{"title":"Antoine Reicha's dialogue : The emergence of a theoretical concept","authors":"S. Keefe","doi":"10.2307/932838","DOIUrl":"https://doi.org/10.2307/932838","url":null,"abstract":"Le theoricien tcheque Antoine Reicha (1770-1836) fut le premier a formaliser de facon coherente le concept de dialogue comme metaphore de l'interaction instrumentale dans la musique classique. L'A. montre que son interpretation du concept de dialogue s'inscrivait dans les references du 18 eme siecle sur le dialogue instrumental et sur le duo dialogue d'opera, et qu'il sut utiliser de facon originale, precise et imaginative les ecrits non-musicaux. Apres l'examen des caracteristiques musicales assignees au dialogue instrumental aux 18 eme et debut du 19 eme siecles, l'A. explore la dette de A. Reicha envers la notion de dialogue (instrumental et vocal) de ces deux periodes, ainsi que son depassement par sa contribution theorique dans ses differents traites musicaux. Il demontre ensuite que le concept de dialogue de Reicha est applicable a l'analyse musicale pour la musique classique instrumentale a partir de l'examen d'un passage du premier mouvement du concerto pour piano n° 14 en Eb, K. 449 de W.A. Mozart.","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"72 1","pages":"43-62"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932838","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sui progressi della percezione. Abramo Basevi e i fondamenti psicologici dell'armonia","authors":"A. Chegai","doi":"10.2307/932781","DOIUrl":"https://doi.org/10.2307/932781","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"72 1","pages":"121-143"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932781","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69171279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Winfried Zillig (1905-1963): Die Verlobung in St. Domingo. Analyse und Interpretation einer vergessenen Funkoper","authors":"A. V. Leeuwen","doi":"10.2307/932784","DOIUrl":"https://doi.org/10.2307/932784","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"72 1","pages":"189"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932784","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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