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Round Table I: Perception and Cognition 圆桌1:感知和认知
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 1997-01-01 DOI: 10.2307/932794
Irène Deliège
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引用次数: 1
WRITINGS ON WESTERN PLAINCHANT IN THE 1980S AND 1990S 八、九十年代关于西方通俗歌曲的著述
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 1997-01-01 DOI: 10.2307/932802
D. Hiley
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引用次数: 2
"Befohlene Musik". Musik und Musikmißbrauch im Frauenlager von Auschwitz-Birkenau “Befohlene音乐”.在奥斯维辛伯克瑙女子夏令营玩音乐
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 1996-07-01 DOI: 10.2307/932775
G. Knapp
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引用次数: 1
Foundations or institutions ? On bringing the middle ages into the history of medieval music 基金会还是机构?论将中世纪带入中世纪音乐史
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 1996-07-01 DOI: 10.2307/932773
B. Haggh
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引用次数: 80
Nacht und Träume. Schubert, Beckett und das Fernsehen 夜与梦舒伯特贝克特还有电视
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 1996-07-01 DOI: 10.2307/932776
M. Maier
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引用次数: 1
Intertextualität als Problem: zum Finale von Mozarts D-Dur-Quintett, KV 593, und "Jupitersymphonie", KV 551 IV 实验体结构的问题:莫扎特d . s . s
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 1996-01-01 DOI: 10.2307/932677
J. Brügge
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引用次数: 1
Hans Mielichs bildliche Darstellung der Münchner Hofkapelle von 1570 汉斯•库希的形象再现,1570年的慕尼黑宫廷教堂
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 1996-01-01 DOI: 10.2307/932680
Nicole Schwindt
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引用次数: 13
"As I Went to Walshingham". Über den Sinn einer zyklischen Betrachtung der Liedvariationen von John Bull "我是沃辛汉姆。"的明显的周期性的观察约翰·布尔的歌曲的变化
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 1996-01-01 DOI: 10.2307/932679
T. Mäkelä
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引用次数: 1
Burney's Assessment of Leonardo Vinci 伯尼对达芬奇的评价
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 1995-07-01 DOI: 10.2307/932965
K. Markstrom
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引用次数: 1
The Prince of Salerno and the dynamics of oral transmission in songs of political exile 萨莱诺王子和政治流放歌曲中口头传播的动态
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 1995-07-01 DOI: 10.2307/932963
Donna G. Cardamone
L'etude du repertoire des chansons d'exil entre 1507 et 1569 (exil politique en France du Prince de Salerme) vise a etablir un contexte pour les personnages, genres et themes selectionnes qui contribuerent a la coherence de cette tradition au 16 eme siecle. Les chants d'adieu, composes de proposta et de riposta, sont destines a l'epouse laissee au pays mais ils etaient aussi une propagande politique sous forme musicale
通过对1507年至1569年流亡歌曲(Salerme王子在法国的政治流亡)的研究,旨在为16世纪这一传统的一致性所选择的人物、流派和主题建立一个背景。由提议和回应组成的告别歌曲是为留在这个国家的妻子准备的,但它们也是音乐形式的政治宣传
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引用次数: 20
期刊
ACTA MUSICOLOGICA
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