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Islam and the Politics of Culture in Europe最新文献

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Performing Vision 执行愿景
Pub Date : 2013-12-31 DOI: 10.1515/transcript.9783839421765.203
W. Shaw
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引用次数: 0
Veiled Bodies, Vile Speech 蒙着面纱的身体,恶毒的言语
Pub Date : 2013-12-31 DOI: 10.1515/transcript.9783839421765.127
Maha El Hissy
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引用次数: 0
Inhalt 内容
Pub Date : 2013-12-31 DOI: 10.1515/transcript.9783839421765.toc
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引用次数: 0
Istanbul’s Multiculturalism Reimagined in Contemporary British Fiction 伊斯坦布尔的多元文化主义在当代英国小说中的再现
Pub Date : 2013-12-31 DOI: 10.14361/transcript.9783839421765.61
Nagihan Haliloğlu
Any discussion of multiculturalism needs to take into account the fact that the word simultaneously means two related concepts of different register: as Kenan Malik points out, “the lived experience of diversity” and “manag[ing] diversity” (Malik, 2012). More and more, multiculturalism rears its head in public discourse as the management of different cultures living together, a political process which has been declared dead many times over in Europe. The proponents of multiculturalism, those who consider it more as ‘the lived experience’ and don’t want to let go of it simply because the political processes have failed, look further afield, to see in what kind of spaces a functioning multiculturalism was/is made possible. The need to discover ‘multiculturalism elsewhere’ is reflected in the popularity of both non-European books that deal with cultural diversity, and European writers’ own efforts to imagine multiculturalisms that are lived outside and/or on the margins of Europe. This explains the popularity of writers such as Alaa al Aswany in Cairo, Elif Shafak and Orhan Pamuk in Istanbul, as they write about the multicultural past and present of these cities. In this study I will look at two British efforts at trying to (re)locate multiculturalism in Istanbul, in Jason Goodwin’s The Janissary Tree (2007) and Barbara Nadel’s Passion for Killing (2007). I will start by situating Turkey historically within multiculturalism debates and then examine how in fiction Istanbul is re-imagined as an ersatz setting where one can observe how cultural diversity operates in different historical and geographical contexts. This instrumentalization of Istanbul, I argue, is a means of rapprochement between Europe and Turkey in Turkey’s bid to be a part of the European community. Construction of a future together requires a reconstruction of the past, and I suggest that this is what these books set in Istanbul are working towards. These British novels that re-imagine the Ottoman past also reveal Britain’s and by extension Europe’s strained relationship with the legacy of the Ottoman Empire. Politicians and writers make much of Istanbul’s heritage of cultural diversity and claim, emboldened by theorists of multiculturalism such as Chandra Kukathas and Will Kymlicka, that the Ottoman past can provide lessons in multiculturalism that Europe can learn from today. In contemporary political discussions, multiculturalism as a problem engendered and contained by the nation-state is discussed with reference to the millet system, which is perceived as the Ottoman state tool developed to organize the multicultural society of the Ottoman Empire. 1 Notwithstanding the detractors of the idea that the millet system was a full fledged apparatus with an easily identifiable structure (Braude, 1982), from Kukathas’ description of ‘imperial state that does not seek integration of the diverse peoples’ to Kymlicka’s ‘non-liberal religious tolerance’ (1995, p. 155), Ottoman multicultural
任何关于多元文化主义的讨论都需要考虑到这样一个事实,即这个词同时意味着两个不同语域的相关概念:正如Kenan Malik指出的那样,“多样性的生活经验”和“管理多样性”(Malik, 2012)。多元文化主义越来越多地在公共话语中抬头,作为对不同文化共存的管理,这是一个在欧洲多次被宣布死亡的政治进程。多元文化主义的支持者,那些认为多元文化主义更多的是“生活经验”,不想仅仅因为政治进程失败而放弃它的人,把目光投向更遥远的地方,看看在什么样的空间里,一种功能性的多元文化主义是可能的。发现“其他地方的多元文化主义”的需求反映在处理文化多样性的非欧洲书籍的流行,以及欧洲作家自己努力想象生活在欧洲以外和/或欧洲边缘的多元文化主义。这解释了为什么开罗的Alaa al Aswany、伊斯坦布尔的Elif Shafak和Orhan Pamuk等作家在写这些城市多元文化的过去和现在时很受欢迎。在本研究中,我将着眼于两个英国人试图(重新)定位伊斯坦布尔多元文化主义的努力,分别是杰森·古德温的《Janissary Tree》(2007)和芭芭拉·纳德尔的《Passion for Killing》(2007)。我将从土耳其历史上的多元文化辩论开始,然后研究在小说中伊斯坦布尔是如何被重新想象成一个人造的背景,人们可以观察到文化多样性是如何在不同的历史和地理背景下运作的。我认为,伊斯坦布尔的这种工具化是欧洲与土耳其和解的一种手段,土耳其试图成为欧洲共同体的一部分。共同建设未来需要重建过去,我认为这就是这些以伊斯坦布尔为背景的书所要努力的方向。这些重新想象奥斯曼帝国历史的英国小说也揭示了英国乃至欧洲与奥斯曼帝国遗产之间的紧张关系。政治家和作家们对伊斯坦布尔的文化多样性遗产大加赞赏,并在钱德拉·库卡塔斯(Chandra Kukathas)和威尔·基姆利卡(Will Kymlicka)等多元文化理论家的鼓励下,声称奥斯曼帝国的过去可以为欧洲提供今天可以学习的多元文化经验。在当代政治讨论中,多元文化主义作为一个由民族国家产生和控制的问题,被参考小米制度进行讨论,小米制度被认为是奥斯曼帝国用来组织多元文化社会的奥斯曼国家工具。尽管有人认为小米制度是一个具有易于识别结构的成熟机构(Braude, 1982),从库卡萨斯对“不寻求多元民族融合的帝国”的描述到Kymlicka的“非自由的宗教宽容”(1995,第155页),奥斯曼多元文化主义被认为是一种有效的方法,实际上是一种管理方法,它使不同的文化在同一个联邦中和平共处。为……所做的努力
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引用次数: 0
Confronting Images, Confronted Images 面对图像,面对图像
Pub Date : 2013-12-31 DOI: 10.1515/transcript.9783839421765.219
Valerie Gonzalez
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引用次数: 0
Fun and Faith, Music and Muslimness 乐趣与信仰,音乐与穆斯林
Pub Date : 2013-12-31 DOI: 10.1515/transcript.9783839421765.187
M. Gazzah
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引用次数: 0
From Haptic to Optical, Performance to Figuration 从触觉到光学,从性能到外形
Pub Date : 2013-12-31 DOI: 10.1515/transcript.9783839421765.237
Laura U. Marks
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引用次数: 0
Introduction: Islam and the Politics of Culture in Europe 导论:伊斯兰教与欧洲的文化政治
Pub Date : 2013-12-31 DOI: 10.1515/transcript.9783839421765.9
F. Peter, Sarah Dornhof, E. Arigita
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引用次数: 0
On Tattoos and other Bodily Inscriptions 关于纹身和其他身体铭文
Pub Date : 2013-12-31 DOI: 10.1515/transcript.9783839421765.143
D. Tyrer
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引用次数: 1
Seeing Difference, Seeing Differently 看到不同,看到不同
Pub Date : 2013-12-31 DOI: 10.14361/TRANSCRIPT.9783839421765.163
Sarah Dornhof
Culture is a constant reference in debates surrounding Islam in Europe. Yet the notion of culture is commonly restricted to conceptual frames of multiculturalism where it relates to group identities, collective ways of life and recognition. This volume extends such analysis of culture by approaching it as semiotic practice which conjoins the making of subjects with the configuration of the social. Examining fields such as memory, literature, film, and Islamic art, the studies explore culture as another element in the assemblage of rationalities governing European Islam. From this perspective, the transformations of European identities can be understood as a matter of cultural practice and politics, which extend the analytical frames of political philosophy, historical legacies, normative orders and social dynamics.
在欧洲围绕伊斯兰教的辩论中,文化是一个经常被提及的话题。然而,文化的概念通常被限制在多元文化主义的概念框架中,它与群体身份、集体生活方式和认可有关。本卷通过接近它作为符号学实践,结合主体与社会配置的制作,扩展了这种文化分析。这些研究考察了记忆、文学、电影和伊斯兰艺术等领域,将文化作为治理欧洲伊斯兰教的理性组合中的另一个元素进行了探索。从这个角度来看,欧洲身份的转变可以被理解为文化实践和政治问题,这延伸了政治哲学、历史遗产、规范秩序和社会动态的分析框架。
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引用次数: 0
期刊
Islam and the Politics of Culture in Europe
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