{"title":"Minnie Riperton’s Come to My Garden","authors":"Brittnay L. Proctor","doi":"10.5040/9781501379185","DOIUrl":"https://doi.org/10.5040/9781501379185","url":null,"abstract":"","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44787186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jpms.2023.35.2.32
M. Gillespie
{"title":"Seven Curses","authors":"M. Gillespie","doi":"10.1525/jpms.2023.35.2.32","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.2.32","url":null,"abstract":"","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41591380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jpms.2023.35.2.127
Grant Wong
{"title":"Review: God Only Knows: The Story of Brian Wilson, the Beach Boys, and the California Myth, by David Leaf","authors":"Grant Wong","doi":"10.1525/jpms.2023.35.2.127","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.2.127","url":null,"abstract":"","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45601620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jpms.2023.35.2.123
Philana Payton
{"title":"Review: Shine Bright: A Very Personal History of Black Women in Pop, by Danyel Smith","authors":"Philana Payton","doi":"10.1525/jpms.2023.35.2.123","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.2.123","url":null,"abstract":"","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43351063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jpms.2023.35.2.113
Pierangelo Castagneto
{"title":"Review: The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation, by Keith Hatschek","authors":"Pierangelo Castagneto","doi":"10.1525/jpms.2023.35.2.113","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.2.113","url":null,"abstract":"","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46146243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jpms.2023.35.2.130
Other| June 01 2023 Contributors’ Notes Journal of Popular Music Studies (2023) 35 (2): 130–131. https://doi.org/10.1525/jpms.2023.35.2.130 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Contributors’ Notes. Journal of Popular Music Studies 1 June 2023; 35 (2): 130–131. doi: https://doi.org/10.1525/jpms.2023.35.2.130 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Popular Music Studies Search Pierangelo Castagneto taught American History at the American University in Bulgaria. He has been an F. Ross Johnson-Connaught Distinguished Visitor at the University of Toronto, a Fulbright Scholar, and has worked at the Rockefeller Archive Center and at the Robert H. Smith International Center for Jefferson Studies. Among his publications: L’oceano dei suoni. Migrazioni, musica e razze nella formazione delle società euroatlantiche (2007); Old and New Republics: The Diplomatic Relations Between the Republic of Genoa and the US (2010); Hostilities against Malaria. The Rockefeller Foundation in Bulgaria (2013); Ambassador Dizzy: Jazz Diplomacy in the Cold War Era (2014). He is the editor of Frederick Douglass, L’età delle immagini (2020). Joshua Chambers-Letson is a professor of Performance Studies and Asian American Studies at Northwestern University and the author of After the Party: A Manifesto for Queer of Color Life (winner of the 2019 Outstanding Book... You do not currently have access to this content.
其他| 2023年6月1日编者笔记流行音乐研究(2023)35(2):130-131。https://doi.org/10.1525/jpms.2023.35.2.130查看图标查看文章内容图和表视频音频补充数据同行评审共享图标共享Facebook Twitter LinkedIn电子邮件工具图标工具获得权限引用图标引用搜索网站引文贡献者的笔记。《流行音乐研究杂志》2023年6月1日;35(2): 130-131。doi: https://doi.org/10.1525/jpms.2023.35.2.130下载引文文件:Ris (Zotero)参考资料管理器EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有内容流行音乐研究杂志搜索Pierangelo Castagneto在保加利亚的美国大学教美国历史。他曾是多伦多大学的F. Ross Johnson-Connaught杰出访问学者,富布赖特学者,并曾在洛克菲勒档案中心和罗伯特·h·史密斯国际杰斐逊研究中心工作。他的出版物包括:L 'oceano dei suoni。migazioni,《欧洲大西洋》(2007);新旧共和国:热那亚共和国与美国的外交关系(2010);对疟疾的敌对行动。保加利亚洛克菲勒基金会(2013);《迪兹大使:冷战时期的爵士乐外交》(2014)。他是弗雷德里克·道格拉斯,L ' et delle immagini(2020)的编辑。乔舒亚·钱伯斯-莱森(Joshua Chambers-Letson)是西北大学表演研究和亚裔美国人研究教授,著有《派对结束后:有色人种酷儿生活宣言》(获2019年杰出书籍奖)。您目前没有访问此内容的权限。
{"title":"Contributors’ Notes","authors":"","doi":"10.1525/jpms.2023.35.2.130","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.2.130","url":null,"abstract":"Other| June 01 2023 Contributors’ Notes Journal of Popular Music Studies (2023) 35 (2): 130–131. https://doi.org/10.1525/jpms.2023.35.2.130 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Contributors’ Notes. Journal of Popular Music Studies 1 June 2023; 35 (2): 130–131. doi: https://doi.org/10.1525/jpms.2023.35.2.130 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Popular Music Studies Search Pierangelo Castagneto taught American History at the American University in Bulgaria. He has been an F. Ross Johnson-Connaught Distinguished Visitor at the University of Toronto, a Fulbright Scholar, and has worked at the Rockefeller Archive Center and at the Robert H. Smith International Center for Jefferson Studies. Among his publications: L’oceano dei suoni. Migrazioni, musica e razze nella formazione delle società euroatlantiche (2007); Old and New Republics: The Diplomatic Relations Between the Republic of Genoa and the US (2010); Hostilities against Malaria. The Rockefeller Foundation in Bulgaria (2013); Ambassador Dizzy: Jazz Diplomacy in the Cold War Era (2014). He is the editor of Frederick Douglass, L’età delle immagini (2020). Joshua Chambers-Letson is a professor of Performance Studies and Asian American Studies at Northwestern University and the author of After the Party: A Manifesto for Queer of Color Life (winner of the 2019 Outstanding Book... You do not currently have access to this content.","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136161756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jpms.2023.35.2.1
Editorial| June 01 2023 Editors’ Note Journal of Popular Music Studies (2023) 35 (2): 1–4. https://doi.org/10.1525/jpms.2023.35.2.1 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Editors’ Note. Journal of Popular Music Studies 1 June 2023; 35 (2): 1–4. doi: https://doi.org/10.1525/jpms.2023.35.2.1 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Popular Music Studies Search As the upheavals of 2023 continue unabated in popular music, we bring you our second issue with hope for what scholarship and criticism can do to shift the cultural conversation. While this issue will be published just a few weeks before the biannual meeting of the International Association for the Study of Popular Music in Minneapolis, we write this introduction just a few weeks after the 2023 Grammy Awards. This year was remarkable in many ways. If you consider both the Latin Grammys (broadcast November 17, 2022) and the main show (broadcast February 5, 2023), two openly trans women took home trophies: Liniker and Kim Petras, respectively. In another remarkable feat, Beyoncé surpassed conductor Georg Solti’s record for the artist with the most Grammys while once again being passed over in the top categories. These landmark achievements can be a balm for some as we all reel from news of... You do not currently have access to this content.
{"title":"Editors’ Note","authors":"","doi":"10.1525/jpms.2023.35.2.1","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.2.1","url":null,"abstract":"Editorial| June 01 2023 Editors’ Note Journal of Popular Music Studies (2023) 35 (2): 1–4. https://doi.org/10.1525/jpms.2023.35.2.1 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Editors’ Note. Journal of Popular Music Studies 1 June 2023; 35 (2): 1–4. doi: https://doi.org/10.1525/jpms.2023.35.2.1 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Popular Music Studies Search As the upheavals of 2023 continue unabated in popular music, we bring you our second issue with hope for what scholarship and criticism can do to shift the cultural conversation. While this issue will be published just a few weeks before the biannual meeting of the International Association for the Study of Popular Music in Minneapolis, we write this introduction just a few weeks after the 2023 Grammy Awards. This year was remarkable in many ways. If you consider both the Latin Grammys (broadcast November 17, 2022) and the main show (broadcast February 5, 2023), two openly trans women took home trophies: Liniker and Kim Petras, respectively. In another remarkable feat, Beyoncé surpassed conductor Georg Solti’s record for the artist with the most Grammys while once again being passed over in the top categories. These landmark achievements can be a balm for some as we all reel from news of... You do not currently have access to this content.","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136170487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jpms.2023.35.2.119
Michele Friedner, Ailsa Lipscombe
{"title":"Review: Diminished Faculties: A Political Phenomenology of Impairment, by Jonathan Sterne","authors":"Michele Friedner, Ailsa Lipscombe","doi":"10.1525/jpms.2023.35.2.119","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.2.119","url":null,"abstract":"","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44937212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jpms.2023.35.2.88
Artur Szarecki
ASMR, an online phenomenon comprising videos in which a performer employs technologically processed sounds to evoke a pleasurable, tingling sensation in the viewer and foster a sense of intimacy has been rapidly gaining popularity in recent years, with its aesthetic increasingly adopted in popular music. The paper investigates one example of such imbrication, Zaumne’s album, Emo Dub (2018), which samples voices from ASMR videos, transforming them into disembodied intensities, detached from their original context. As such, Zaumne’s music goes beyond either merely incorporating aspects of ASMR, or deconstructing it in a critical fashion; instead, it modulates its affective potential for affording mediated intimacy. Consequently, drawing on the concepts of networked affect and assemblages, the paper argues that Zaumne’s music exhibits a form of posthuman intimacy that does not pertain to relations between subjects, but rather to attunement with the impersonal dynamic of digital networks: the constant circulation of content, and the random and contingent affective encounters that produce transpersonal identities and subjectivities.
{"title":"Reassembling digital intimacy","authors":"Artur Szarecki","doi":"10.1525/jpms.2023.35.2.88","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.2.88","url":null,"abstract":"ASMR, an online phenomenon comprising videos in which a performer employs technologically processed sounds to evoke a pleasurable, tingling sensation in the viewer and foster a sense of intimacy has been rapidly gaining popularity in recent years, with its aesthetic increasingly adopted in popular music. The paper investigates one example of such imbrication, Zaumne’s album, Emo Dub (2018), which samples voices from ASMR videos, transforming them into disembodied intensities, detached from their original context. As such, Zaumne’s music goes beyond either merely incorporating aspects of ASMR, or deconstructing it in a critical fashion; instead, it modulates its affective potential for affording mediated intimacy. Consequently, drawing on the concepts of networked affect and assemblages, the paper argues that Zaumne’s music exhibits a form of posthuman intimacy that does not pertain to relations between subjects, but rather to attunement with the impersonal dynamic of digital networks: the constant circulation of content, and the random and contingent affective encounters that produce transpersonal identities and subjectivities.","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49193826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jpms.2023.35.2.10
Julie Beth Napolin
{"title":"Hello Stranger","authors":"Julie Beth Napolin","doi":"10.1525/jpms.2023.35.2.10","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.2.10","url":null,"abstract":"","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46255321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}