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Minnie Riperton’s Come to My Garden 米妮·里珀顿的《来我的花园》
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 2023-06-01 DOI: 10.5040/9781501379185
Brittnay L. Proctor
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引用次数: 0
Seven Curses 七个诅咒
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 2023-06-01 DOI: 10.1525/jpms.2023.35.2.32
M. Gillespie
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引用次数: 0
Review: God Only Knows: The Story of Brian Wilson, the Beach Boys, and the California Myth, by David Leaf 评论:《上帝只知道:布莱恩·威尔逊、海滩男孩和加州神话的故事》,大卫·利夫著
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 2023-06-01 DOI: 10.1525/jpms.2023.35.2.127
Grant Wong
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引用次数: 0
Review: Shine Bright: A Very Personal History of Black Women in Pop, by Danyel Smith 书评:《闪亮:流行音乐黑人女性的个人历史》,丹尼尔·史密斯著
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 2023-06-01 DOI: 10.1525/jpms.2023.35.2.123
Philana Payton
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引用次数: 0
Review: The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation, by Keith Hatschek 评论:《真正的大使:Dave和Iola Brubeck以及Louis Armstrong挑战种族隔离》,作者:Keith Hatschek
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 2023-06-01 DOI: 10.1525/jpms.2023.35.2.113
Pierangelo Castagneto
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引用次数: 0
Contributors’ Notes Contributors‘记事本
3区 艺术学 0 MUSIC Pub Date : 2023-06-01 DOI: 10.1525/jpms.2023.35.2.130
Other| June 01 2023 Contributors’ Notes Journal of Popular Music Studies (2023) 35 (2): 130–131. https://doi.org/10.1525/jpms.2023.35.2.130 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Contributors’ Notes. Journal of Popular Music Studies 1 June 2023; 35 (2): 130–131. doi: https://doi.org/10.1525/jpms.2023.35.2.130 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Popular Music Studies Search Pierangelo Castagneto taught American History at the American University in Bulgaria. He has been an F. Ross Johnson-Connaught Distinguished Visitor at the University of Toronto, a Fulbright Scholar, and has worked at the Rockefeller Archive Center and at the Robert H. Smith International Center for Jefferson Studies. Among his publications: L’oceano dei suoni. Migrazioni, musica e razze nella formazione delle società euroatlantiche (2007); Old and New Republics: The Diplomatic Relations Between the Republic of Genoa and the US (2010); Hostilities against Malaria. The Rockefeller Foundation in Bulgaria (2013); Ambassador Dizzy: Jazz Diplomacy in the Cold War Era (2014). He is the editor of Frederick Douglass, L’età delle immagini (2020). Joshua Chambers-Letson is a professor of Performance Studies and Asian American Studies at Northwestern University and the author of After the Party: A Manifesto for Queer of Color Life (winner of the 2019 Outstanding Book... You do not currently have access to this content.
其他| 2023年6月1日编者笔记流行音乐研究(2023)35(2):130-131。https://doi.org/10.1525/jpms.2023.35.2.130查看图标查看文章内容图和表视频音频补充数据同行评审共享图标共享Facebook Twitter LinkedIn电子邮件工具图标工具获得权限引用图标引用搜索网站引文贡献者的笔记。《流行音乐研究杂志》2023年6月1日;35(2): 130-131。doi: https://doi.org/10.1525/jpms.2023.35.2.130下载引文文件:Ris (Zotero)参考资料管理器EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有内容流行音乐研究杂志搜索Pierangelo Castagneto在保加利亚的美国大学教美国历史。他曾是多伦多大学的F. Ross Johnson-Connaught杰出访问学者,富布赖特学者,并曾在洛克菲勒档案中心和罗伯特·h·史密斯国际杰斐逊研究中心工作。他的出版物包括:L 'oceano dei suoni。migazioni,《欧洲大西洋》(2007);新旧共和国:热那亚共和国与美国的外交关系(2010);对疟疾的敌对行动。保加利亚洛克菲勒基金会(2013);《迪兹大使:冷战时期的爵士乐外交》(2014)。他是弗雷德里克·道格拉斯,L ' et delle immagini(2020)的编辑。乔舒亚·钱伯斯-莱森(Joshua Chambers-Letson)是西北大学表演研究和亚裔美国人研究教授,著有《派对结束后:有色人种酷儿生活宣言》(获2019年杰出书籍奖)。您目前没有访问此内容的权限。
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引用次数: 0
Editors’ Note 编者注
3区 艺术学 0 MUSIC Pub Date : 2023-06-01 DOI: 10.1525/jpms.2023.35.2.1
Editorial| June 01 2023 Editors’ Note Journal of Popular Music Studies (2023) 35 (2): 1–4. https://doi.org/10.1525/jpms.2023.35.2.1 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Editors’ Note. Journal of Popular Music Studies 1 June 2023; 35 (2): 1–4. doi: https://doi.org/10.1525/jpms.2023.35.2.1 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Popular Music Studies Search As the upheavals of 2023 continue unabated in popular music, we bring you our second issue with hope for what scholarship and criticism can do to shift the cultural conversation. While this issue will be published just a few weeks before the biannual meeting of the International Association for the Study of Popular Music in Minneapolis, we write this introduction just a few weeks after the 2023 Grammy Awards. This year was remarkable in many ways. If you consider both the Latin Grammys (broadcast November 17, 2022) and the main show (broadcast February 5, 2023), two openly trans women took home trophies: Liniker and Kim Petras, respectively. In another remarkable feat, Beyoncé surpassed conductor Georg Solti’s record for the artist with the most Grammys while once again being passed over in the top categories. These landmark achievements can be a balm for some as we all reel from news of... You do not currently have access to this content.
编者按:流行音乐研究(2023)35(2):1-4。https://doi.org/10.1525/jpms.2023.35.2.1查看图标查看文章内容图表和表格视频音频补充数据同行评审共享图标共享Facebook Twitter LinkedIn电子邮件工具图标工具获得权限引用图标引用搜索网站引文编辑的说明。《流行音乐研究杂志》2023年6月1日;35(2): 1-4。doi: https://doi.org/10.1525/jpms.2023.35.2.1下载引文文件:Ris (Zotero)参考文献管理人员EasyBib Bookends Mendeley论文EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索内容流行音乐研究杂志搜索随着2023年流行音乐的动荡继续有增无减,我们为您带来第二期希望奖学金和批评可以改变文化对话。虽然这期杂志将在明尼阿波利斯国际流行音乐研究协会两年一度的会议召开前几周出版,但我们在2023年格莱美颁奖典礼后几周就写了这篇介绍。今年在很多方面都是非凡的一年。如果你考虑一下拉丁格莱美奖(2022年11月17日播出)和主要颁奖典礼(2023年2月5日播出),就会发现有两位公开变性身份的女性拿回了奖杯:分别是利尼克和金·佩特拉斯(Kim Petras)。在另一项非凡的成就中,碧昂斯超越了指挥家乔治·索尔蒂(Georg Solti)创下的获得格莱美奖最多的艺术家纪录,但再次在顶级奖项中被淘汰。这些里程碑式的成就对一些人来说是一种安慰,因为我们都从……您目前没有访问此内容的权限。
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引用次数: 0
Review: Diminished Faculties: A Political Phenomenology of Impairment, by Jonathan Sterne 书评:《削弱的能力:一种损害的政治现象学》,乔纳森·斯特恩著
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 2023-06-01 DOI: 10.1525/jpms.2023.35.2.119
Michele Friedner, Ailsa Lipscombe
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引用次数: 0
Reassembling digital intimacy 重塑数字亲密关系
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 2023-06-01 DOI: 10.1525/jpms.2023.35.2.88
Artur Szarecki
ASMR, an online phenomenon comprising videos in which a performer employs technologically processed sounds to evoke a pleasurable, tingling sensation in the viewer and foster a sense of intimacy has been rapidly gaining popularity in recent years, with its aesthetic increasingly adopted in popular music. The paper investigates one example of such imbrication, Zaumne’s album, Emo Dub (2018), which samples voices from ASMR videos, transforming them into disembodied intensities, detached from their original context. As such, Zaumne’s music goes beyond either merely incorporating aspects of ASMR, or deconstructing it in a critical fashion; instead, it modulates its affective potential for affording mediated intimacy. Consequently, drawing on the concepts of networked affect and assemblages, the paper argues that Zaumne’s music exhibits a form of posthuman intimacy that does not pertain to relations between subjects, but rather to attunement with the impersonal dynamic of digital networks: the constant circulation of content, and the random and contingent affective encounters that produce transpersonal identities and subjectivities.
ASMR是一种由视频组成的在线现象,表演者在视频中使用经过技术处理的声音来唤起观众愉悦、刺痛的感觉,并培养亲密感。近年来,随着其美学在流行音乐中越来越多地被采用,ASMR迅速流行起来。本文研究了这种叠瓦的一个例子,Zaulne的专辑《Emo Dub》(2018),该专辑对ASMR视频中的声音进行了采样,将其转换为脱离原始背景的无实体强度。因此,Zaulne的音乐超越了仅仅融入ASMR的各个方面,或者以批判的方式解构它;相反,它调节其情感潜力,以提供介导的亲密关系。因此,本文借鉴了网络情感和组合的概念,认为Zaulne的音乐表现出一种后人类的亲密感,这种亲密感与主体之间的关系无关,而是与数字网络的非个人动态相协调:内容的不断循环,以及产生超个人身份和主观主义的随机和偶然的情感遭遇。
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引用次数: 0
Hello Stranger 你好陌生人
IF 0.2 3区 艺术学 0 MUSIC Pub Date : 2023-06-01 DOI: 10.1525/jpms.2023.35.2.10
Julie Beth Napolin
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引用次数: 0
期刊
Journal of Popular Music Studies
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