Journal Article L’Adhésion littéraire. Par Alain Viala Get access L’Adhésion littéraire. Par Alain Viala. (Essais littéraires.) Montreuil: Le Temps des cerises, 2022. 186 pp. Éric Méchoulan Éric Méchoulan Université de Montréal, Montréal, Canada eric.mechoulan@umontreal.ca Search for other works by this author on: Oxford Academic Google Scholar French Studies, knad216, https://doi.org/10.1093/fs/knad216 Published: 31 October 2023
报纸文章文学会员。获得文学会员资格。阿兰·维拉(Alain Viala)著。文学(测试。)蒙特勒伊:樱桃时代，2022年。186页eric mechoulan eric mechoulan universite de montreal, montreal, Canada eric.mechoulan@umontreal.ca搜索作者的其他作品:牛津学术谷歌学者法语研究，knad216, https://doi.org/10.1093/fs/knad216出版日期:2023年10月31日
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Abstract The lack of scholarly interest in Pierre Loti’s second Japanese novel, La Troisième Jeunesse de Madame Prune (1905), has obscured the fact that it modifies our understanding of how Japan functions in the author’s imaginary. This article begins by offering a new reading of its better-known predecessor, Madame Chrysanthème (1887), concentrating on the insistent and proliferating use of triads. These structures involve characters (such as Loti–Yves–Chrysanthème), places (Loti–Nagasaki–Istanbul), and intertexts (Loti–Madame Chrysanthème–Le Mariage de Loti). Unlike in Eve Kosovsky Sedgwick’s and René Girard’s theoretical treatments of triangularity, Loti’s use of triads foregrounds the absence of desire, making Madame Chrysanthème an atypical novel in his corpus. Comparison with La Troisième Jeunesse de Madame Prune underlines this: in the later novel, Loti reinstates a fascination with both sexuality and mortality that was absent in its predecessor. Furthermore, because of its status as a sequel, it allows Loti’s use of nostalgia to gain in complexity, offering the coexistence of multiple temporalities in the same experience of the Japanese space.
皮埃尔·洛蒂(Pierre Loti)的第二部日本小说《年轻的李子夫人》(La troisi me Jeunesse de Madame Prune, 1905)缺乏学术兴趣，掩盖了这样一个事实，即它改变了我们对作者想象中的日本如何运作的理解。本文首先对其更著名的前身《菊花夫人》(Madame chrysanth， 1887)进行了新的解读，重点关注三和弦的持续使用和大量使用。这些结构包括人物(如Loti - yves - chrysanth)、地点(Loti -长崎市-伊斯坦布尔)和互文(Loti - madame chrysanth - le Mariage de Loti)。与伊芙·科索夫斯基·塞奇威克和雷诺·吉拉德对三角关系的理论处理不同，洛蒂对三合会的使用凸显了欲望的缺失，使《菊花夫人》成为他语料中的一部非典型小说。与《年轻的普鲁娜夫人》的比较强调了这一点:在后一部小说中，罗蒂恢复了对性和死亡的迷恋，而这在前一部小说中是没有的。此外，由于其作为续集的地位，它允许Loti使用怀旧来获得复杂性，在日本空间的同一体验中提供多种时间性的共存。
{"title":"From <i>Madame Chrysanthème</i> to <i>Madame Prune</i>: Triads and Tribulations in Pierre Loti’s Japanese Novels","authors":"Roderick Cooke","doi":"10.1093/fs/knad224","DOIUrl":"https://doi.org/10.1093/fs/knad224","url":null,"abstract":"Abstract The lack of scholarly interest in Pierre Loti’s second Japanese novel, La Troisième Jeunesse de Madame Prune (1905), has obscured the fact that it modifies our understanding of how Japan functions in the author’s imaginary. This article begins by offering a new reading of its better-known predecessor, Madame Chrysanthème (1887), concentrating on the insistent and proliferating use of triads. These structures involve characters (such as Loti–Yves–Chrysanthème), places (Loti–Nagasaki–Istanbul), and intertexts (Loti–Madame Chrysanthème–Le Mariage de Loti). Unlike in Eve Kosovsky Sedgwick’s and René Girard’s theoretical treatments of triangularity, Loti’s use of triads foregrounds the absence of desire, making Madame Chrysanthème an atypical novel in his corpus. Comparison with La Troisième Jeunesse de Madame Prune underlines this: in the later novel, Loti reinstates a fascination with both sexuality and mortality that was absent in its predecessor. Furthermore, because of its status as a sequel, it allows Loti’s use of nostalgia to gain in complexity, offering the coexistence of multiple temporalities in the same experience of the Japanese space.","PeriodicalId":43650,"journal":{"name":"FRENCH STUDIES","volume":"15 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135977345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Diderot, Rousseau and the Politics of the Arts in the Enlightenment. By Gerardo Tocchini, Martin McLaughlin, Elisabetta Tarantino Get access Diderot, Rousseau and the Politics of the Arts in the Enlightenment. By Gerardo Tocchini, translated by Martin McLaughlin and Elisabetta Tarantino. (Oxford University Studies in the Enlightenment, 2023:01). Liverpool: Liverpool University Press, 2023. xxi + 419 pp., ill. Kevin Inston Kevin Inston University College London, London, United Kingdom k.inston@ucl.ac.uk Search for other works by this author on: Oxford Academic Google Scholar French Studies, knad229, https://doi.org/10.1093/fs/knad229 Published: 31 October 2023
期刊文章:狄德罗、卢梭与启蒙运动时期的艺术政治。作者:Gerardo Tocchini, Martin McLaughlin, elisisabetta Tarantino《狄德罗、卢梭和启蒙运动时期的艺术政治》作者:Gerardo Tocchini, Martin McLaughlin和elisabeth Tarantino翻译。(牛津大学《启蒙研究》，2013:01)。利物浦:利物浦大学出版社，2023。Xxi + 419页，伊利诺伊州。凯文·Inston凯文·Inston伦敦大学学院，伦敦，英国k.inston@ucl.ac.uk搜索作者的其他作品:牛津学术谷歌学者法国研究，knad229, https://doi.org/10.1093/fs/knad229出版日期:2023年10月31日
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Journal Article Claire de Duras, Œuvres romanesques, avec trois textes inédits. Édition de Marie-Bénédicte Diethelm Get access Claire de Duras, Œuvres romanesques, avec trois textes inédits. Édition de Marie-Bénédicte Diethelm. (Folio classique.) Paris: Gallimard, 2023. 619 pp., ill. Andrew J Counter Andrew J Counter New College, Oxford, United Kingdom andrew.counter@new.ox.ac.uk Search for other works by this author on: Oxford Academic Google Scholar French Studies, knad210, https://doi.org/10.1093/fs/knad210 Published: 31 October 2023
杜拉斯的日记文章克莱尔，小说作品，三篇未发表的文本。marie - benedicte Diethelm的版本获得克莱尔·德·杜拉斯的浪漫作品，有三篇未发表的文本。marie - benedicte Diethelm编辑。(传统的对开。)巴黎:Gallimard, 2023年。他的父亲是一名律师，母亲是一名律师。Andrew J Counter Andrew J Counter New College, Oxford, United Kingdom andrew.counter@new.ox.ac.uk搜索作者的其他作品，网址:Oxford Academic谷歌Scholar French Studies, knad210, https://doi.org/10.1093/fs/knad210出版日期:2023年10月31日
{"title":"Claire de Duras, <i>Œuvres romanesques, avec trois textes inédits</i>. Édition de Marie-Bénédicte Diethelm","authors":"Andrew J Counter","doi":"10.1093/fs/knad210","DOIUrl":"https://doi.org/10.1093/fs/knad210","url":null,"abstract":"Journal Article Claire de Duras, Œuvres romanesques, avec trois textes inédits. Édition de Marie-Bénédicte Diethelm Get access Claire de Duras, Œuvres romanesques, avec trois textes inédits. Édition de Marie-Bénédicte Diethelm. (Folio classique.) Paris: Gallimard, 2023. 619 pp., ill. Andrew J Counter Andrew J Counter New College, Oxford, United Kingdom andrew.counter@new.ox.ac.uk Search for other works by this author on: Oxford Academic Google Scholar French Studies, knad210, https://doi.org/10.1093/fs/knad210 Published: 31 October 2023","PeriodicalId":43650,"journal":{"name":"FRENCH STUDIES","volume":"41 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135977346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract My article aims to analyse two essays by Régine Robin, Cybermigrances: traversées fugitives (2004) and Mégapolis: les derniers pas du flâneur (2009), in the light of Michel Foucault’s concept of heterotopia. I am interested in highlighting the concept of writing seen by the writer as a patchwork of spaces and as a protective site. I suggest theorizing it as a memorial writing or a form of urban memory creation as well as a space of identity reconstruction. According to Robin, in the experience of the nomad of surmodernity (Augé) memory is an ephemeral element, and yet memory is the most stable component in the existence of an individual in movement. The writer’s constant journeys, and the correspondences that she finds between the mega-cities that she walks through as part of her familiar routines and temporary placements, constitute for the narrator a home of memory and a space of identity (re)construction.
{"title":"L’Habitation de la ville: Écriture de la mémoire urbaine et recomposition identitaire dans deux textes de Régine Robin","authors":"Ramona Mielusel","doi":"10.1093/fs/knad223","DOIUrl":"https://doi.org/10.1093/fs/knad223","url":null,"abstract":"Abstract My article aims to analyse two essays by Régine Robin, Cybermigrances: traversées fugitives (2004) and Mégapolis: les derniers pas du flâneur (2009), in the light of Michel Foucault’s concept of heterotopia. I am interested in highlighting the concept of writing seen by the writer as a patchwork of spaces and as a protective site. I suggest theorizing it as a memorial writing or a form of urban memory creation as well as a space of identity reconstruction. According to Robin, in the experience of the nomad of surmodernity (Augé) memory is an ephemeral element, and yet memory is the most stable component in the existence of an individual in movement. The writer’s constant journeys, and the correspondences that she finds between the mega-cities that she walks through as part of her familiar routines and temporary placements, constitute for the narrator a home of memory and a space of identity (re)construction.","PeriodicalId":43650,"journal":{"name":"FRENCH STUDIES","volume":"2017 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135977347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"<i>L’Hôpital de la peinture: Baudelaire, la critique d’art et son lexique</i>. Par Julien Zanetta","authors":"Maria C Scott","doi":"10.1093/fs/knad226","DOIUrl":"https://doi.org/10.1093/fs/knad226","url":null,"abstract":"","PeriodicalId":43650,"journal":{"name":"FRENCH STUDIES","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135976397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"<i>Visual Translation: Illuminated Manuscripts and the First French Humanists</i>. By Anne D. Hedeman","authors":"Irène Fabry-Tehranchi","doi":"10.1093/fs/knad198","DOIUrl":"https://doi.org/10.1093/fs/knad198","url":null,"abstract":"","PeriodicalId":43650,"journal":{"name":"FRENCH STUDIES","volume":"21 8","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136233359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"<i>Observations sur la langue françoise</i>. By Gilles Ménage, Édition de Marc Bonhomme","authors":"Richard Maber","doi":"10.1093/fs/knad227","DOIUrl":"https://doi.org/10.1093/fs/knad227","url":null,"abstract":"","PeriodicalId":43650,"journal":{"name":"FRENCH STUDIES","volume":"3 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134909833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Agnès Sorel and the French Monarchy: History, Gallantry, and National Identity. By Tracy Adams Get access Agnès Sorel and the French Monarchy: History, Gallantry, and National Identity. By Tracy Adams. (Gender and Power in the Premodern World.) Leeds: ARC Humanities Press, 2022. 164 pp., ill. Kathleen Wellman Kathleen Wellman Southern Methodist University, Dallas, TX, United States kwellman@smu.edu Search for other works by this author on: Oxford Academic Google Scholar French Studies, knad220, https://doi.org/10.1093/fs/knad220 Published: 26 October 2023
{"title":"<i>Agnès Sorel and the French Monarchy: History, Gallantry, and National Identity</i>. By Tracy Adams","authors":"Kathleen Wellman","doi":"10.1093/fs/knad220","DOIUrl":"https://doi.org/10.1093/fs/knad220","url":null,"abstract":"Journal Article Agnès Sorel and the French Monarchy: History, Gallantry, and National Identity. By Tracy Adams Get access Agnès Sorel and the French Monarchy: History, Gallantry, and National Identity. By Tracy Adams. (Gender and Power in the Premodern World.) Leeds: ARC Humanities Press, 2022. 164 pp., ill. Kathleen Wellman Kathleen Wellman Southern Methodist University, Dallas, TX, United States kwellman@smu.edu Search for other works by this author on: Oxford Academic Google Scholar French Studies, knad220, https://doi.org/10.1093/fs/knad220 Published: 26 October 2023","PeriodicalId":43650,"journal":{"name":"FRENCH STUDIES","volume":"123 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136381262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"<i>Worldwide Women Writers in Paris: Francophone Metronomes</i>. By Alison Rice","authors":"Siobhán McIlvanney","doi":"10.1093/fs/knad225","DOIUrl":"https://doi.org/10.1093/fs/knad225","url":null,"abstract":"","PeriodicalId":43650,"journal":{"name":"FRENCH STUDIES","volume":"6 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134908403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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