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Eighteenth-Century Fiction最新文献

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Fictions of Presence: Theatre and Novel in Eighteenth-Century Britain by Ros Ballaster (review) 《在场的虚构:18世纪英国的戏剧与小说》罗斯·巴拉斯特著(书评)
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2022-06-01 DOI: 10.3138/ecf.34.4.483
Marcie Frank
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引用次数: 0
Pity the Fool: Satire, Sentiment, and Aristocratic Vice in George Colman’s The Suicide 可怜傻瓜:乔治·科尔曼的《自杀》中的讽刺、情感和贵族恶习
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2022-06-01 DOI: 10.3138/ecf.34.4.393
E. Parisot
Abstract:The Suicide, A Comedy (1778) by George Colman (the Elder) is a sophisticated comedic response to the scourge of fashionable suicide in late eighteenth-century Britain. The play simultaneously operates on two comedic planes: (1) it aims the purgative power of contemptible and socially aversive satire at the bon-ton by insinuating the scandalous suicide of high-profile aristocrat John Damer (1744–76); and (2) the reformation of Tobine—the middle-class protagonist who aspires to fashionable self-destruction—invests in the socially rehabilitative and compassionate humour of sentimental comedy. Two comedic strategies are aimed at two different audiences, with both strategies working to reinforce middle-class values. The result is a comedy that merges two kinds of laughter to form a benign affective antidote to interclass suicidal contagion. This comedic antidote functions as an early demonstration of the positive value of narratives that depict the overcoming of suicidal intent—or what modern sociologists call the Papageno effect.
摘要:乔治·科尔曼的《自杀,一部喜剧》(1778)是对18世纪晚期英国流行的自杀行为的一种复杂的喜剧回应。该剧同时在两个喜剧层面上运作:(1)它通过影射高调贵族约翰·达默(John Damer, 1744-76)的可耻自杀,将卑劣和社会厌恶的讽刺的净化力量瞄准了贵族;(2)托宾——一个渴望时髦的自我毁灭的中产阶级主人公——的改造,投入了感伤喜剧的社会修复和富有同情心的幽默。两种喜剧策略针对两种不同的观众,两种策略都致力于强化中产阶级价值观。结果,这部喜剧融合了两种笑,形成了一种良性的情感解药,以对抗阶级间的自杀传染。这种喜剧解药的作用是早期展示了描述克服自杀意图的叙事的积极价值——或者现代社会学家所说的帕帕杰诺效应。
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引用次数: 0
Material Literacy in Eighteenth-Century Britain: A Nation of Makers, ed. Serena Dyer and Chloe Wigston Smith 《18世纪英国的物质素养:一个制造者的国家》,塞雷娜·戴尔和克洛伊·维格斯顿·史密斯主编
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2022-06-01 DOI: 10.3138/ecf.34.4.490
Sally Tuckett
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引用次数: 0
Enlightenment Virtue, 1680–1794, éd. James Fowler et Marine Ganofsky 启蒙美德,1680–1794,éd。James Fowler和Marine Ganofsky
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2022-06-01 DOI: 10.3138/ecf.34.4.511
Rotraud von Kulessa
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引用次数: 0
Godwin and the Book: Imagining Media, 1783–1836 by J. Louise McCray (review) 《戈德温与书:想象媒体,1783-1836》,J.Louise McCray著(评论)
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2022-06-01 DOI: 10.3138/ecf.34.4.501
N. Williams
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引用次数: 0
Walter Scott and Short Fiction by Daniel Cook (review) 沃尔特·斯科特与丹尼尔·库克的短篇小说(评论)
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2022-06-01 DOI: 10.3138/ecf.34.4.485
Evan Gottlieb
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引用次数: 0
The Rogue Narrative and Irish Fiction, 1660–1790 by Joe Lines (review) 《流氓叙事与爱尔兰小说,1660-1790》乔·莱恩斯著(书评)
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2022-06-01 DOI: 10.3138/ecf.34.4.499
J. Killeen
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引用次数: 0
“A True Landmark to Warn”: Seduction-Betrayal and the Recognition of History in Delarivier Manley’s The New Atalantis “一个真正值得警惕的里程碑”:德莱维耶·曼利《新亚特兰大人》中的诱惑-背叛与对历史的认识
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2022-03-01 DOI: 10.3138/ecf.34.3.269
Kay Chronister
Abstract:Organized as a diffuse collection of vignettes, Delariver Manley’s The New Atalantis (1709) has proven challenging to approach as a discrete work. In this essay, I engage Atalantis as a romance and argue that the text is structurally unified by patterns of repetition, in particular the repetition of a narrative that I term “the seduction-betrayal fantasy.” The topos of political seduction-betrayal was widespread in early eighteenth-century Tory historiography as a means of acknowledging the failures of the Stuart monarchy while displacing blame away from monarchs onto others in their orbits. Yet it was frequently difficult for historians to “prove” that political seduction-betrayal had occurred. I argue that Manley addresses this challenge in Atalantis by pairing vignettes concerning political treachery with structurally analogous vignettes about well-known sexual seduction-betrayals. These sets of dyads invite readers to interpret controversial episodes from political history through paradigms generated by strategically selected stories of sexual wrongdoing. However, they also enable Manley to inject moments of ambivalence into her Tory secret history.
摘要:曼利(Delariver Manley)的《新亚特兰大人》(The New atlantis, 1709)是一部散漫的小插图集,作为一部独立的作品来处理具有挑战性。在这篇文章中,我把《阿塔兰提斯》当作一部浪漫小说,并认为文本在结构上是由重复的模式统一的,尤其是我称之为“诱惑背叛幻想”的叙事的重复。政治诱惑-背叛的话题在18世纪早期的托利党史学中广泛存在,作为承认斯图亚特王朝失败的一种手段,同时将君主的责任转移到他们的轨道上的其他人身上。然而,历史学家往往很难“证明”政治诱惑背叛已经发生。我认为曼利在《亚特兰大》中解决了这一挑战,他将关于政治背叛的小插曲与结构上类似的关于众所周知的性诱惑-背叛的小插曲配对。这些二元组合邀请读者通过精心挑选的性犯罪故事所产生的范式来解读政治史上有争议的事件。然而,它们也使曼利能够在她的保守党秘密历史中注入矛盾的时刻。
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引用次数: 0
Victor, ou l’Enfant de la forêt by François Guillaume Ducray-Duminil, ed. Łukasz Szkopiński 维克多,或森林之子,弗朗索瓦·纪尧姆·杜克雷·杜米尼,编辑Łukasz Szkopinski
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2022-03-01 DOI: 10.3138/ecf.34.3.373
M. Tilby
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引用次数: 0
Beyond 1776: Globalizing the Cultures of the American Revolution, ed. Maria O’Malley and Denys Van Renen 《1776年以后:美国革命的文化全球化》,玛丽亚·奥马利和丹尼斯·范·雷南主编
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2022-03-01 DOI: 10.3138/ecf.34.3.368
J. Eacott
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引用次数: 0
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Eighteenth-Century Fiction
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