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Eighteenth-Century Fiction最新文献

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Ways of the World: Theater and Cosmopolitanism in the Restoration and Beyond by Laura J. Rosenthal (review) 劳拉·J·罗森塔尔(Laura J.Rosenthal)的《世界之道:复辟及其后的戏剧与世界主义》(Ways of the World:Theater and Cosmopolitaism in the Restoration and Beyond)(评论)
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2023-04-01 DOI: 10.3138/ecf.35.2.316
Bridget Orr
thing) and a perceiving mind, modeled on the various other kinds of involvements—between lord and dependent, suitor and potential spouse, or merchants and investments—that the eighteenth century calls ‘interest’” (105). Subsequently, when he turns to The Interesting Narrative in more detail, he demonstrates that Equiano effectively deploys all the available meanings of “interest” and “interesting”—political, affective, and economic—in order to solicit readers’ attention and sympathy and to convince them that these meanings are inherently complementary, perhaps even fungible. As the book artfully concludes, “The Interesting Narrative succeeds because it seeks out every kind of interest it can get” (123). Likewise, Interest and Connection in the Eighteenth Century succeeds along similar lines, with a brief conclusion that brings Sider Jost’s own interesting narrative up to date by considering the status of “interest” in such contemporary phenomena as Meg Wolitzer’s novel The Interestings (2013) and the Goodreads rating system.
事物)和感知思维,以十八世纪称之为“利益”的各种其他类型的参与为模型——在领主和受抚养人之间,追求者和潜在配偶之间,或商人和投资之间”(105)。随后,当他更详细地转向《有趣的叙事》时,他证明了Equiano有效地运用了“兴趣”和“有趣”的所有可用含义——政治、情感和经济——以吸引读者的注意力和同情,并说服他们这些含义本质上是互补的,甚至是可替代的。正如这本书巧妙地总结的那样,“有趣的叙事之所以成功,是因为它找到了它能得到的每一种兴趣”(123)。同样,《十八世纪的兴趣与联系》也取得了类似的成功,其中一个简短的结论通过考虑梅格·沃利泽的小说《兴趣》(2013)和Goodreads评级系统等当代现象的“兴趣”状态,使西德·乔斯特自己的有趣叙事与时俱进。
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引用次数: 0
Edgeworth's "Great Coat": A Material-Semiotic Reading of the Irish Mantle and Novelistic Interiority 埃奇沃斯的“大衣”:爱尔兰斗篷与新奇室内的物质符号学解读
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2023-04-01 DOI: 10.3138/ecf.35.2.261
Colleen Taylor
Abstract:This article presents a material-semiotic reading of the Irish mantle to develop a new, formal analysis of subjective interiority in Maria Edgeworth's Irish novels. The mantle's material functions of concealment and physical defense in medieval Ireland, alongside its imperial and nationalist adaptations in the writings of Edmund Spenser and Joseph Cooper Walker, evince the garment's complex narrativity. Informed by new materialist theory, this article uses the mantle's material and semiotic articulations, from its violent history and gendered adaptations in the early nineteenth century, to adapt Deidre Lynch's model of deep character in the British novel to Irish fiction. Through the allusion to colonial violence, the mantles in Castle Rackrent (1800) and Ennui (1809) structure a deep interiority that is unique to Irish character. The mantle both signals and conceals the depths of Irish subjectivity within the text, confounding reader-character intimacy. Edgeworth's mantles demand a revised model of deep character for the Irish context.
摘要:本文通过对爱尔兰衣钵的材料符号学解读,对玛丽亚·埃奇沃斯的爱尔兰小说中的主观内在性进行了新的、形式化的分析。斗篷在中世纪爱尔兰的隐蔽和物理防御的物质功能,以及埃德蒙·斯宾塞和约瑟夫·库珀·沃克作品中对其帝国主义和民族主义的改编,表明了这件衣服的复杂叙事性。本文在新唯物主义理论的指导下,从19世纪初的暴力历史和性别改编中,运用地幔的材料和符号表达,将戴德丽·林奇在英国小说中的深层性格模式改编为爱尔兰小说。通过对殖民暴力的暗示,《拉克伦特城堡》(1800年)和《恩努伊》(1809年)中的斗篷构建了爱尔兰特有的深层次内在性。斗篷既暗示又掩盖了文本中爱尔兰人主体性的深度,混淆了读者与人物的亲密关系。埃奇沃斯的咒语要求对爱尔兰背景下的深层性格进行修正。
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引用次数: 0
Interest and Connection in the Eighteenth Century: Hervey, Johnson, Smith, Equiano by Jacob Sider Jost (review) 《18世纪的兴趣与联系:赫维、约翰逊、史密斯、伊奎亚诺》,雅各布·赛德·约斯特著(书评)
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2023-04-01 DOI: 10.3138/ecf.35.2.314
Evan Gottlieb
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引用次数: 0
Laurence Sterne and the Eighteenth-Century Book by Helen Williams 劳伦斯·斯特恩和海伦·威廉姆斯的《十八世纪的书》
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2023-01-01 DOI: 10.3138/ecf.35.1.167
Paul Baines
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引用次数: 0
The Early Caribbean Digital Archive 早期加勒比数字档案馆
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2023-01-01 DOI: 10.3138/ecf.35.1.153
Kerry. Sinanan
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引用次数: 3
Narrative, Catastrophe and Historicity in Eighteenth-Century French Literature by Jessica Stacey 《18世纪法国文学中的叙事、灾难与历史性》杰西卡·斯泰西著
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2023-01-01 DOI: 10.3138/ecf.35.1.178
Daniel Rosenberg
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引用次数: 0
Founded in Fiction: The Uses of Fiction in the Early United States by Thomas Koenigs 托马斯·柯尼希斯的《在小说中建立:小说在早期美国的应用》
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2023-01-01 DOI: 10.3138/ecf.35.1.161
Xine Yao
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引用次数: 0
Reading Slantwise: Dido in The Woman of Colour (1808) 《有色人种的女人》中的蒂朵(1808)
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2023-01-01 DOI: 10.3138/ecf.35.1.27
Sofia Prado Huggins
Abstract:In this essay, I employ Saidiya Hartman's method of critical fabulation to read The Woman of Colour as a fictional archive, which brings Dido, the enslaved maid of protagonist Olivia Fairfield, to the forefront of the novel. Critical fabulation requires listening for both the silences of the novel and the moments when Dido speaks out. Dido's insistence on claiming her presence within a variety of spaces—a ship, a London household, a large English estate—represents an ontological alternative to traditional notions of agency inherited from the European Enlightenment. Recognizing that our present moment exists within the time of slavery, Hartman's critical fabulation invites us to consider what radical ways of being are contained within Dido's words as well as the gaps and opacities of The Woman of Colour.
摘要:在这篇文章中,我运用赛迪娅·哈特曼的批判性虚构方法,将《有色人种的女人》作为一个虚构的档案来阅读,这将主人公奥利维亚·费尔菲尔德的奴隶女仆迪多带到了小说的前沿。批判性的虚构需要倾听小说的沉默和迪多说话的时刻。迪多坚持声称自己存在于各种空间——一艘船、一个伦敦家庭、一个英国大庄园——这代表了一种本体论的替代品,取代了从欧洲启蒙运动继承来的传统代理概念。认识到我们现在的时刻存在于奴隶制时代,哈特曼的批判性虚构让我们思考迪多的话语中包含了哪些激进的存在方式,以及《有色人种的女人》的空白和模糊。
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引用次数: 0
Organic Supplements: Bodies and Things of the Natural World, 1580–1790, ed. Miriam Jacobson and Julie Park 有机补充:身体和事物的自然世界,1580-1790年,编辑米里亚姆雅各布森和朱莉公园
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2023-01-01 DOI: 10.3138/ecf.35.1.181
Cassidy C. Turner
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引用次数: 0
Digital Grainger: An Online Edition of The Sugar-Cane (1764) (review) Digital Grainger:The Sugar Cane在线版(1764)(综述)
IF 0.1 3区 文学 0 LITERATURE Pub Date : 2023-01-01 DOI: 10.3138/ecf.35.1.150
M. A. Miller
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引用次数: 0
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Eighteenth-Century Fiction
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