Pub Date : 2022-02-01DOI: 10.14321/qed.9.issue-1.0104
Hunter Thompson
{"title":"We Are Everywhere: Protest, Power, and Pride in the History of Queer Liberation by Matthew Riemer and Leighton Brown (review)","authors":"Hunter Thompson","doi":"10.14321/qed.9.issue-1.0104","DOIUrl":"https://doi.org/10.14321/qed.9.issue-1.0104","url":null,"abstract":"","PeriodicalId":43840,"journal":{"name":"QED-A Journal in GLBTQ Worldmaking","volume":"50 1","pages":"104 - 107"},"PeriodicalIF":0.7,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83995799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-01DOI: 10.14321/qed.9.issue-1.0079
Baba Badji
{"title":"Jesus Died to Guide the Prophet in the Moon’s Blue Chunk: After Mahershala Ali","authors":"Baba Badji","doi":"10.14321/qed.9.issue-1.0079","DOIUrl":"https://doi.org/10.14321/qed.9.issue-1.0079","url":null,"abstract":"","PeriodicalId":43840,"journal":{"name":"QED-A Journal in GLBTQ Worldmaking","volume":"63 1","pages":"79 - 82"},"PeriodicalIF":0.7,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82154736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-01DOI: 10.14321/qed.9.issue-1.0001
Jeffrey Q. McCune
Barry Jenkins’s Moonlight opens with this refrain from the 1973 Boris Gardiner hit “Every Nigger Is a Star,”1 as Juan (played by AcademyAwardwinning Mahershala Ali) rolls up in a 1973 Chevrolet Impala Custom coupe. He is immediately met by two other Black men, one a drugdealing colleague and the other who is searching for a drug fix. The man asking for the drug hookup turns to Juan and compliments with conviction: “you know you my man, right Juan.” To which Juan replies, “this nigga.” (Every nigga is a star.) And this 1973 refrain and homage is not a coincidence, as 1973 marks a watershed moment where a record breaking four mayors in major cities were Black. And I highlight this moment not to romanticize the nature of politics as some space of administering Black people a “way in” or a way out of anti-Blackness, but rather to speak to the affective character of the moment of heightened Black ascendency. To envelope the story of Moonlight in this symbolic register is to position Juan, Paula, Little/ Black/Chiron, and every character as being as much stars in the rigorous living as Black, as those who live as stars in the spectacular sense. Jenkins’s coloring of this Floridian landscape of stars, and McCraney’s incorporation of “nigga” paints I N T R O D U C T I O N
巴里·詹金斯的《月光男孩》以鲍里斯·加德纳1973年的热门歌曲《每个黑人都是明星》的歌词开场，胡安(奥斯卡奖得主马赫沙拉·阿里饰演)开着一辆1973年的雪佛兰黑斑羚定制轿跑车驶来。他立刻遇到了另外两个黑人男子，一个是贩毒的同事，另一个正在寻找毒品。那个想要毒品的男人转向胡安，坚定地恭维道:“你知道，你是我的男人，对不对，胡安。”胡安回答说:“这个黑鬼。(每个黑人都是明星。)1973年的这种重复和致敬并非巧合，因为1973年是一个分水岭，在这一年，破纪录的主要城市有四位市长是黑人。我强调这一时刻并不是要把政治的本质浪漫化，将其作为管理黑人的空间，一种“进入”或一种摆脱反黑人的方式，而是要表达黑人优势增强的时刻的情感特征。把《月光男孩》的故事包裹在这个象征性的范围内，就是把胡安、宝拉、利特尔/布莱克/凯龙星，以及每一个角色都定位为像布莱克一样，在严谨的生活中，像那些在壮观的意义上像星星一样生活的人一样。詹金斯对佛罗里达星空的着色，以及麦克雷尼对“黑鬼”的结合，我N T R O D U C T I O N
{"title":"“Every Nigga Is a Star”: A Critical Reflection on the Fifth Anniversary of Moonlight","authors":"Jeffrey Q. McCune","doi":"10.14321/qed.9.issue-1.0001","DOIUrl":"https://doi.org/10.14321/qed.9.issue-1.0001","url":null,"abstract":"Barry Jenkins’s Moonlight opens with this refrain from the 1973 Boris Gardiner hit “Every Nigger Is a Star,”1 as Juan (played by AcademyAwardwinning Mahershala Ali) rolls up in a 1973 Chevrolet Impala Custom coupe. He is immediately met by two other Black men, one a drugdealing colleague and the other who is searching for a drug fix. The man asking for the drug hookup turns to Juan and compliments with conviction: “you know you my man, right Juan.” To which Juan replies, “this nigga.” (Every nigga is a star.) And this 1973 refrain and homage is not a coincidence, as 1973 marks a watershed moment where a record breaking four mayors in major cities were Black. And I highlight this moment not to romanticize the nature of politics as some space of administering Black people a “way in” or a way out of anti-Blackness, but rather to speak to the affective character of the moment of heightened Black ascendency. To envelope the story of Moonlight in this symbolic register is to position Juan, Paula, Little/ Black/Chiron, and every character as being as much stars in the rigorous living as Black, as those who live as stars in the spectacular sense. Jenkins’s coloring of this Floridian landscape of stars, and McCraney’s incorporation of “nigga” paints I N T R O D U C T I O N","PeriodicalId":43840,"journal":{"name":"QED-A Journal in GLBTQ Worldmaking","volume":"9 1","pages":"1 - 6"},"PeriodicalIF":0.7,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89373701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-01DOI: 10.14321/qed.9.issue-1.0083
R. Aycock
{"title":"Poor Queer Studies: Confronting Elitism in the University","authors":"R. Aycock","doi":"10.14321/qed.9.issue-1.0083","DOIUrl":"https://doi.org/10.14321/qed.9.issue-1.0083","url":null,"abstract":"","PeriodicalId":43840,"journal":{"name":"QED-A Journal in GLBTQ Worldmaking","volume":"56 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73109372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-01DOI: 10.14321/qed.9.issue-1.0096
Seth Knievel
{"title":"Plague Years: A Doctor’s Journey through the AIDS Crisis by Ross Slotten (review)","authors":"Seth Knievel","doi":"10.14321/qed.9.issue-1.0096","DOIUrl":"https://doi.org/10.14321/qed.9.issue-1.0096","url":null,"abstract":"","PeriodicalId":43840,"journal":{"name":"QED-A Journal in GLBTQ Worldmaking","volume":"35 1","pages":"96 - 99"},"PeriodicalIF":0.7,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83718269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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