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I grandi libri della letteratura araba最新文献

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Atto secondo 第二幕
Pub Date : 2018-07-19 DOI: 10.30687/978-88-6969-240-6/004
Yūsuf Idrīs
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引用次数: 0
Alcune note sulla rappresentazione della commedia 关于这出戏的一些笔记
Pub Date : 2018-07-19 DOI: 10.30687/978-88-6969-240-6/002
Yūsuf Idrīs
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引用次数: 0
Introduzione 导言
Pub Date : 2018-07-19 DOI: 10.30687/978-88-6969-240-6/001
Alba Rosa Suriano
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引用次数: 0
al-Farāfīr
Pub Date : 2018-07-19 DOI: 10.30687/978-88-6969-240-6
Alba Rosa Suriano
Based on the Hegelian dialectic of the servant-master, this comedy represents, with the sarcasm and irony typical of its author, a profound reflection on the relationships between human beings. Starting from the local, with a pungent criticism on the social and political condition of Egypt in the Sixties, the two protagonists Farfūr and the Master guide and involve the spectator in a consideration on humanity and on the meaning of life that reaches universality. Divided into two acts, the comedy has no precise indications about time and space, which is confused with the time of representation, also thanks to the involvement of actors who are among the spectators. Discussing each other on names, trades and interpersonal relationships, the two protagonists criticise corruption, poor management of public health, social inequalities, but also the intellectual class that fails to give answers to people’s practical needs. The division in two of human society is even more evident with the second act, when the author’s reflection moves towards the existing organisational and economic systems, dismantling the complexity and reducing them again to a mere servant-master relationship. The other characters of the play are functional to the discourse of Idrīs: wives and children, spectators-actors and especially the figure of the author, who gradually disappears and abandons his own creatures to their fate.
这部喜剧以黑格尔式的仆人-主人辩证法为基础,以作者特有的讽刺和反讽手法,对人与人之间的关系进行了深刻的反思。两位主人公Farfūr和大师从当地出发,对60年代埃及的社会和政治状况进行了尖锐的批评,引导观众对人性和生命意义的思考,并达到了普遍性。这部喜剧分为两幕,没有明确的时间和空间,这与表现的时间混淆了,这也是由于观众中演员的参与。两位主角在讨论姓名、行业和人际关系时,批评了腐败、公共卫生管理不善、社会不平等,但也批评了未能满足人们实际需求的知识分子阶层。人类社会的两极分化在第二幕中更加明显,作者的反思转向了现有的组织和经济体系,拆除了复杂性,再次将它们简化为纯粹的仆人-主人关系。剧中的其他角色对伊德鲁斯的话语是有作用的:妻子和孩子,观众和演员,尤其是作者的形象,他逐渐消失,把自己的生物交给命运。
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引用次数: 0
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I grandi libri della letteratura araba
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