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Covid commentaries: London’s cultural landscape Covid评论:伦敦的文化景观
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-05-04 DOI: 10.1080/03058034.2021.1929693
D. Bull, Luke Dickens
DB: The perspective I bring to this is from my work on the London Transition Board, which is a board co-chaired by Robert Jenrick MP and the Mayor of London, which is aiming to oversee London’s transition out of the COVID pandemic. It was active in the first six to eight months of the pandemic, and it is just about to stand up again after it went into a sort of abeyance during the second lockdown. As part of my role on that board, I set up an Arts and Culture Strategy Group, which really was aiming to bring intelligence from the sector – broadly conceived – and escalate ‘asks’ to both the Mayor and Government. I think what was useful about that was I brought together people with a legitimacy to represent around 14 sectors within what might constitute London’s cultural landscape. That can never be definitive, but a lot of the focus through the pandemic, driven by the Cultural Recovery Fund, has been institutions and buildings and organizations. And actually, we know that within London’s wider cultural ecology, they are only a part of the picture. So, I was very keen that sectors like outdoor arts, for instance, or children and young people, would be seen within the mix. So, that’s the kind of perspective I’m bringing to this conversation.
DB:我对这一点的看法来自于我在伦敦过渡委员会的工作,该委员会由国会议员罗伯特·詹里克和伦敦市长共同担任主席,旨在监督伦敦摆脱新冠肺炎疫情的过渡。它在疫情的前六到八个月很活跃,在第二次封锁期间暂停后,它即将再次站起来。作为我在董事会的一部分,我成立了一个艺术和文化战略小组,其真正目的是从该行业获得情报——从广义上讲——并向市长和政府提出“要求”。我认为有用的是,我把有合法性的人聚集在一起,代表了可能构成伦敦文化景观的大约14个部门。这永远不可能是决定性的,但在文化复兴基金的推动下,疫情期间的很多焦点都是机构、建筑和组织。事实上,我们知道,在伦敦更广泛的文化生态中,它们只是画面的一部分。因此,我非常希望户外艺术或儿童和年轻人等行业能被纳入其中。所以,这就是我在这次谈话中所提出的观点。
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引用次数: 0
Derek Keene, an appreciation Derek Keene,感谢
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-05-04 DOI: 10.1080/03058034.2021.1932377
V. Harding
Professor Derek Keene, who died on 17 April 2021 at the age of 78, made a substantial contribution to the history of London through his own research and writing, his leadership of the Centre for Metropolitan History at the Institute of Historical Research, and his support of learned bodies and enterprises, including the London Journal. Derek was an enthusiastic historian and archaeologist from an early age. He read history at Oxford and undertook a DPhil there on the urban development of Winchester. He was on the staff of the Winchester Research Unit from 1968 to 1978 (Assistant Director 1974–8). His magnum opus arising from this period was the magisterial Survey of Medieval Winchester (Winchester Studies, 2: 1985), complemented by several other publications over the years. In 1979, he moved to London with the first of a series of innovative research projects on London, The Social and Economic Study of Medieval London. The project was based at the Institute of Historical Research but housed at the recently established Museum of London, also then home to the Department of Urban Archaeology, which promoted valuable exchanges between the project team and curatorial and archaeological experts. The Study applied the methodology of Derek’s research on Winchester to the much larger city of London, using the reconstruction of property histories as a tool to understand the material, social, and economic development of the city from the twelfth century to the Great Fire of 1666. The first project, focusing on the area of Cheapside, was followed by studies of Aldgate and Walbrook. Together these projects resulted in a substantial research archive as well as published outputs, and laid the groundwork on which later research projects could build. In 1988, the Centre for Metropolitan History was established at the Institute of Historical Research, with Derek as its first Director: its success and reputation owed much to his distinction, and his ability to win substantial research funding. He was particularly good at thinking about how large and seemingly intractable questions could be addressed using an unconventional approach, and at putting this into practice in the projects he led. Important initiatives at the Centre included ‘Feeding the City: London’s impact on the agrarian economy of southern England, c.1250–1350’, ‘Metropolitan London in the 1690s’, ‘The growth of the skilled workforce in London 1500–1750’, and several projects on markets and market networks. Of particular significance was his contribution as general editor to bringing to completion the massive history of St Paul’s Cathedral: St Paul’s: the Cathedral Church of London, 604–2004 (2004). The Centre also attracted associate researchers and projects of high calibre, making it a centre of historical excellence and enterprise. In 2002, Derek was appointed Leverhulme Professor of Comparative Metropolitan History at the Institute of Historical Research, and was succeeded as Director of the Centr
Derek Keene教授于2021年4月17日去世,享年78岁。他通过自己的研究和写作、对历史研究所大都会历史中心的领导以及对包括《伦敦日报》在内的学术机构和企业的支持,为伦敦历史做出了重大贡献。德里克从小就是一位热心的历史学家和考古学家。他在牛津读历史,并在那里攻读温彻斯特城市发展的博士学位。1968年至1978年,他在温彻斯特研究所工作(助理所长,1974–8)。他在这一时期的代表作是《中世纪温彻斯特的权威概览》(Winchester Studies,2:1985),多年来补充了其他几本出版物。1979年,他搬到伦敦,开始了一系列关于伦敦的创新研究项目中的第一个,即中世纪伦敦的社会和经济研究。该项目位于历史研究所,但位于最近成立的伦敦博物馆,当时也是城市考古部的所在地,促进了项目团队与策展人和考古专家之间的宝贵交流。该研究将Derek对温彻斯特的研究方法应用于更大的伦敦市,将重建房地产历史作为了解该市从12世纪到1666年大火的物质、社会和经济发展的工具。第一个项目以谢普塞德地区为重点,随后对奥尔德盖特和沃尔布鲁克进行了研究。这些项目共同形成了大量的研究档案和已发表的成果,并为以后的研究项目奠定了基础。1988年,大都会历史中心在历史研究所成立,Derek担任首任主任:其成功和声誉在很大程度上归功于他的杰出表现,以及他赢得大量研究资金的能力。他特别善于思考如何使用非传统的方法来解决看似棘手的大问题,并将其付诸于他领导的项目中。该中心的重要举措包括“养活城市:伦敦对英格兰南部农业经济的影响,约1250-1350年”、“1690年代的伦敦大都会”、“1500-1750年伦敦熟练劳动力的增长”,以及几个关于市场和市场网络的项目。特别重要的是,他作为总编辑为完成圣保罗大教堂的庞大历史做出了贡献:圣保罗大教堂:伦敦大教堂,604–2004(2004)。该中心还吸引了高水平的副研究员和项目,使其成为历史卓越和企业中心。2002年,Derek被任命为历史研究所的Leverhulme比较都市史教授,并由Matthew Davies继任为都市史中心主任;他于2008年退休。在他的整个职业生涯中,他为历史服务,尤其是伦敦和城市历史,担任过多个角色。其中包括英国历史古迹皇家专员;国际城镇历史委员会成员;圣保罗大教堂结构咨询委员会成员;《英国历史城镇地图集》成员,伦敦期刊,第46卷第2期,2021年7月,119–120
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引用次数: 0
The I'Ansons: A Dynasty of London Architects and Surveyors 安松家族:伦敦建筑师和测量师的王朝
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-05-02 DOI: 10.1080/03058034.2021.1915115
Joanna Smith
As Andrew Saint, the former General Editor of the Survey of London, observes in his preface to this book ‘[w]riting local and architectural history is still mostly left to amateurs and enthusiasts’...
正如《伦敦概览》(Survey of London)的前总编辑安德鲁·圣(Andrew Saint)在这本书的序言中所说的那样,“撰写当地和建筑历史的工作仍然主要留给业余爱好者和爱好者”……
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引用次数: 0
The Compters at Poultry and Wood Street in Early Modern London 近代早期伦敦家禽街和伍德街的电脑
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-04-05 DOI: 10.1080/03058034.2021.1885132
Jonathan McGovern
This article examines the London compters in the early modern period. It reconstructs the layout, personnel and conditions of these prisons, as well as analysing the various reasons why people were imprisoned therein. It argues that the introduction of ‘Compter Ordinances’ in 1547 and the foundation of a new compter in Wood St. in 1555 were part of a raft of measures introduced by the city elites to tighten their control over municipal institutions in the mid-Tudor period.
本文考察了近代早期的伦敦买办。它重建了这些监狱的布局、人员和条件,并分析了人们被监禁的各种原因。它认为,1547年引入的“审计官条例”和1555年在伍德街成立的新审计官是都铎中期城市精英为加强对市政机构的控制而采取的一系列措施的一部分。
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引用次数: 2
Red Metropolis: Socialism and the Government of London 《红色都市:社会主义与伦敦政府》
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-03-30 DOI: 10.1080/03058034.2021.1905349
Michael Tichelar
volume does not include entries on the London locations with which Shakespeare himself was associated, although this is beyond the usual remit of the Dictionary series. Likewise, the quality of the two illustrations could be better. Currently, they do not really add anything to the volume as they cannot easily be used to identify the locations referenced in the Dictionary. Overall, though, Shakespeare and London is a well-written, user-friendly companion to London’s place in the plays and poems of Shakespeare as well as a good starting point for further research. It persuasively demonstrates that London is present in Shakespeare’s work in overt and indirect ways and offers a helpful overview of these references and, through them, an enriched reading of the plays. It will be a valuable purchase for university and research libraries keen to enhance their archive of key Shakespeare resources.
虽然这超出了《词典》系列的通常范围,但该卷并不包括莎士比亚本人在伦敦的相关地点。同样,这两幅插图的质量可能会更好。目前,它们并没有真正向卷中添加任何内容,因为它们不能很容易地用于识别字典中引用的位置。不过,总的来说,《莎士比亚与伦敦》是一部文笔优美、用户友好的作品,是伦敦在莎士比亚戏剧和诗歌中的地位,也是进一步研究的良好起点。它令人信服地表明,伦敦以公开和间接的方式出现在莎士比亚的作品中,并对这些参考文献进行了有益的概述,并通过它们丰富了对戏剧的阅读。对于热衷于加强莎士比亚重要资源档案的大学和研究图书馆来说,这将是一笔宝贵的购买。
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引用次数: 7
The Hidden Mod in Modern Art: London, 1957–1969 现代艺术中的隐藏模式:伦敦,1957–1969
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-03-23 DOI: 10.1080/03058034.2021.1902217
J. Cahill
to detail shows in the final product. If the book’s implicit argument has a major shortcoming, it is that the Athenaeum’s membership has never quite had the ‘Establishment’ monopoly that is reputed – although it has come close. The neighbouring Travellers’ and Reform Clubs, for instance, have long been an enticing alternative for civil servants, academics, and judges, the latter club particularly after the mid-twentieth century collapse of the Liberal Party left it without a natural hinterland, ripe for an ‘Establishment’ takeover. Nevertheless, the Athenaeum has consistently captured a slice of ‘the great and the good’, and Wheeler uses that unique vantage point to great effect. The resultant book is scholarly, impish, outward-looking, and eminently readable. This is how club histories should be written.
细节显示在最终产品中。如果这本书隐含的论点有一个主要的缺点,那就是雅典娜博物馆的成员从来没有真正拥有所谓的“建制派”垄断——尽管它已经接近了。例如,邻近的旅行者俱乐部和改革俱乐部长期以来一直是公务员、学者和法官的诱人选择,特别是在20世纪中叶自由党垮台后,后者的俱乐部失去了一个自然的中心,“建制派”接管的时机已经成熟。然而,雅典娜神庙始终如一地展现了“伟大与美好”的一面,惠勒利用这一独特的优势发挥了巨大的作用。由此产生的书是学术性的,顽皮的,外向的,和卓越的可读性。俱乐部的历史应该这样书写。
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引用次数: 1
The Athenaeum: More Than Just Another London Club 雅典:不仅仅是另一个伦敦俱乐部
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-02-18 DOI: 10.1080/03058034.2021.1883975
Seth Alexander Thévoz
ness of the inherent risks that certain lives can fall even further from the city polis into other ambiguous zones of urban precarity. Remarkably, amongst the harsh realism and urban catastrophes, there are also glimpses of political possibilities which do not emanate from unrelenting adversity. The authors in both cities consistently emphasize the role of ‘play’ and of ‘leisure’ in creating new political infrastructures and solidarities. ‘We have been able to unite for leisure, even if it is only for one day, two days’ says Vera Teixeira of Nova Republica in Salvador, and this means ‘to know how to gather to play, to have fun without trouble’. Similarly, Ben Walters in London explains how having ‘fun’, has helped ‘building muscles’ for long campaigns but also to locate, by way of provocation the edges of what is possible. We hear in such comments the echoes of Johan Huizinga’sHomo Ludens. Indeed, there is an abundance of ideas in these commentaries which speak to and overlap with, a broad set of social and political-philosophical pre-occupations which will interest urban theorists and political scientists alike. Overall, what this ‘grassroots’ perspective offers the reader is similar to what the philosopher Giorgio Agambem has argued for, the need to comprehend the making of subjectivities, powers and capacities for political action within the conditions of the contemporary city. It does this with a light-touch of the editors, allowing for these commentaries to stand independently. A greater effort to sketch the relationship between Salvador and London (perhaps from the historic perspective of the Atlantic capitalism) beyond what ubiquitous ‘growing dominance of capital (and specifically finance capital) in the production and experience of urban life’, as articulated in the concluding chapter, may have contextualized this project better.
固有的风险,某些人的生活可能会从城市的大都市进一步落入城市不稳定的其他模糊区域。值得注意的是,在残酷的现实主义和城市灾难中,也有一些政治可能性并非来自无情的逆境。这两个城市的作者一直强调“游戏”和“休闲”在创造新的政治基础设施和团结方面的作用。萨尔瓦多新共和国的维拉·特谢拉说:“我们已经能够团结起来休闲,即使只有一天或两天,这意味着我们知道如何聚在一起玩耍,无忧无虑地玩耍。”同样,伦敦的本·沃尔特斯(Ben Walters)解释说,享受“乐趣”不仅有助于为长期竞选“锻炼肌肉”,而且还能通过挑衅找到可能的边缘。我们在这样的评论中听到了约翰·惠伊津加的shomo Ludens的回响。事实上,在这些评论中有大量的观点,这些观点与一系列广泛的社会和政治哲学的预先职业相重叠,这将引起城市理论家和政治科学家的兴趣。总的来说,这种“草根”视角为读者提供的与哲学家乔治·阿甘本(Giorgio Agambem)所主张的相似,即需要理解在当代城市条件下政治行动的主体性、权力和能力的形成。它通过编辑的轻触来做到这一点,允许这些评论独立存在。更大的努力来描绘萨尔瓦多和伦敦之间的关系(也许是从大西洋资本主义的历史角度来看),超越无处不在的“资本(特别是金融资本)在城市生活的生产和经验中的日益增长的主导地位”,正如结语所阐述的那样,可能会更好地将这个项目置于背景中。
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引用次数: 1
Urban Claims and the Right to the City: Grassroots Perspectives from Salvador Da Bahia and London 城市诉求与城市权利:萨尔瓦多·达巴伊亚和伦敦的草根视角
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-02-11 DOI: 10.1080/03058034.2021.1880126
T. Temple
project, and in paying the workers we get the names of thousands of men and a few women who worked on the building as artisans, suppliers, and artists. Taken together the materials and labour open up the economics of such an ambitious project, laying out costs, works schedules, wages, types of skills employed, and something of labour conditions. In 1332, for example, the masons went out on strike in an effort to protect their wages. In some years the origins of the labourers are even included, showing that the king drew upon a wide catchment basin for workers. In many years the work was not voluntary but impressed, a practice that appears to have increase after the plague, when labour became scarce. Construction involved a wide range of artisans, with masons being the most prominent, followed by carpenters, glaziers, and metal workers. Among the masons and glaziers were also sculptors and painters. The records are detailed enough that the names and careers of some of the master artisans and artists are traceable. Similarly, the accounts provide information on the origins of materials. After wages, stone was the largest expense. Limestone from Caen, France was valued for its light colour and ease of work. Ragstone for filling the walls and piers and Purbeck marble for decoration were more locally sourced. The choice of stone depended on availability, often difficult when England and France were at war and the purpose or phase of construction. So detailed is the accounting that we learn about the image schemes and colour choices for walls, carvings, and windows, information that makes these records valuable to art historians. The fabric rolls also illustrate the growth of the royal bureaucracy and the development of administrative practices, including the careers of the bureaucrat, the clerk of the works, who oversaw both the palace of Westminster and the Tower. Over the century of the chapel’s construction, royal administration became increasingly specialized and centralized in response to the growth of royal expenditure. These changes also meant increased oversight, recourse to previous accounts when questions arose, and greater accountability. Two former clerks even went to prison for the debts they ran up. The publication of these records is a welcome addition not only to our knowledge of a lost medieval building of artistic import, but to our understanding of how such projects were financed and carried out. The decision to produce both the Latin and English translation greatly expands access to these records, making them a usable source in the classroom for students without Latin or access to the archives.
在支付工人工资的过程中,我们得到了数千名男性和少数女性的名字,他们在建筑中作为工匠、供应商和艺术家工作。材料和劳动力加在一起,揭示了这样一个雄心勃勃的项目的经济性,列出了成本、工作时间表、工资、所使用的技能类型和一些劳动力条件。例如,在1332年,为了保护他们的工资,泥瓦匠们举行了罢工。在某些年份,劳工的起源甚至被包括在内,这表明国王为工人开辟了一个广阔的集水区。在许多年里,这项工作不是自愿的,而是令人印象深刻的,在瘟疫之后,当劳动力变得稀缺时,这种做法似乎有所增加。建筑涉及广泛的工匠,泥瓦匠是最突出的,其次是木匠、玻璃匠和金属工人。泥瓦匠和玻璃匠中也有雕塑家和画家。这些记录足够详细,一些大师级工匠和艺术家的名字和职业都是可以追溯的。同样,这些账目提供了有关材料来源的信息。除工资外,石头是最大的开支。来自法国卡昂的石灰石因其浅色和易于操作而受到重视。填充墙壁和桥墩的碎石和装饰用的珀贝克大理石更多地来自当地。石头的选择取决于可用性,当英国和法国处于战争状态以及建筑的目的或阶段时,这通常很困难。账目如此详细,以至于我们了解到墙壁、雕刻和窗户的图像方案和颜色选择,这些信息使这些记录对艺术历史学家来说很有价值。织物卷还展示了皇家官僚机构的发展和行政实践的发展,包括官僚的职业生涯,即负责监督威斯敏斯特宫和塔楼的工作人员。在小教堂建造的一个世纪里,随着王室开支的增长,王室管理变得越来越专业化和集中化。这些变化还意味着加强监督,在出现问题时求助于以前的账目,并加强问责制。两名前职员甚至因欠债入狱。这些记录的出版不仅对我们了解一座具有艺术意义的失落的中世纪建筑,而且对我们了解这些项目是如何融资和实施的,都是一个可喜的补充。制作拉丁语和英语翻译的决定极大地扩大了对这些记录的访问,使它们成为没有拉丁语或档案的学生在课堂上可用的来源。
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引用次数: 0
Early Modern Attitudes to the Ravens and Red Kites of London 近代对伦敦乌鸦和红风筝的态度
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-02-11 DOI: 10.1080/03058034.2020.1857549
L. Raye
Abstract Ravens (Corvus corax) and red kites (Milvus milvus) were commonly seen in London in the early modern period. The aim of this paper is to reconstruct the diversity of attitudes towards these birds. Previous historiography on the subject has failed to contextualize its sources. The excited accounts of travellers like Schaseck, the Venetian Ambassador’s amanuensis and Lupold von Wedel need to be counter-balanced by considering the bored antipathy common amongst the British naturalists; William Turner, Francis Willughby and John Ray and the descriptions of sanitation services provided by European naturalists and local poets. The final part of the paper reconstructs the patchwork of legislation and custom relating to the species from early modern London.
在近代早期的伦敦,乌鸦(Corvus corax)和红风筝(Milvus Milvus)很常见。本文的目的是重建对这些鸟类的态度的多样性。以前关于这一主题的史学未能将其来源置于背景中。像沙塞克、威尼斯大使的阿马努斯和卢波尔德·冯·韦德尔这样的旅行者的激动人心的叙述,需要考虑到英国博物学家中普遍存在的无聊的反感来抵消;威廉·特纳、弗朗西斯·威勒比和约翰·雷以及欧洲博物学家和当地诗人对卫生服务的描述。论文的最后一部分重建了近代早期伦敦有关该物种的立法和习俗的拼凑。
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引用次数: 1
The Fabric Accounts of St Stephen’s Chapel, Westminster: 1292–1396. 2 Vols 圣斯蒂芬教堂的织物记录,威斯敏斯特:1292-1396。2波动率
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-01-31 DOI: 10.1080/03058034.2021.1873644
K. French
Situated between Westminster hall on the north and the Lesser hall to the south. St. Stephen’s Chapel was a prominent feature of Westminster’s waterfront. The chapel honoured dynasty and the royal ...
位于北面的威斯敏斯特大厅和南面的小大厅之间。圣斯蒂芬教堂是威斯敏斯特滨水区的一大特色。这座教堂是朝代和王室的象征。
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引用次数: 0
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