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East India House: Visualising Lost Interiors 东印度之家:可视化失落的内部
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2022-06-19 DOI: 10.1080/03058034.2022.2082193
Kevin A. Morrison
This article argues that an analysis of the historical and architectural significance of India House, the London headquarters of the East India Company, can yield new insights into histories of office design and employee management. Utilising company documents, including floor plans, letters, diaries, committee minutes, and a handful of published accounts, it juxtaposes the distinct careers of two employees: the essayist and poet Charles Lamb, who toiled in the Accountant’s Office, and the philosopher John Stuart Mill, who worked in the Office of the Examiner of Indian Correspondence. In so doing, it shows how India House between 1800 and 1857 occupied a crucial transitional stage in the history of office design; relates the spatial configurations of these two offices to different governing rationalities of the workplace; and offers a visual semblance of areas of the East India Company’s headquarters that were vital to its operations but have gone largely undocumented.
本文认为,分析东印度公司伦敦总部India House的历史和建筑意义,可以对办公室设计和员工管理的历史产生新的见解。它利用公司文件,包括平面图、信件、日记、委员会会议记录和一些已发表的账目,将两名员工的不同职业并置:在会计师办公室工作的散文家兼诗人查尔斯·兰姆和在印度信件审查员办公室工作的哲学家约翰·斯图尔特·米尔。通过这样做,它展示了1800年至1857年间,印度之家是如何在办公室设计史上占据关键的过渡阶段的;将这两个办公室的空间配置与工作场所的不同管理理性联系起来;并提供了东印度公司总部区域的视觉外观,这些区域对其运营至关重要,但基本上没有记录。
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引用次数: 0
London, 1870–1914: A City at its Zenith 伦敦,1870–1914:天顶之城
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2022-05-09 DOI: 10.1080/03058034.2022.2062940
R. McWilliam
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引用次数: 0
The Women-Floggers of St Marylebone: A Study of Punishment and Abuse in the Victorian Workhouse 圣玛丽波恩的女性狂欢者:对维多利亚济贫院惩罚和虐待的研究
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2022-03-18 DOI: 10.1080/03058034.2022.2031481
J. James
This article examines punishment, agency, and abuse in Victorian workhouses. The article builds on recent research on punishment in mostly rural workhouses, with a study of the punishment of young women in the metropolitan workhouse of St Marylebone. It complements David Green’s research into discipline and unrest in London workhouses and builds on Alysa Levene’s work on St Marylebone under the Old Poor Law. Local and national sources are confected to highlight different perspectives, providing a deeper and more holistic understanding of abuse in the workhouse, through the prisms of punishment and agency. In doing so, the article addresses critical gaps in the historiography of the New Poor Law in London and more widely. Specifically, it argues that the understanding of punishment has, to date, been too simplistic and suggests that it is useful to reconceptualise punishment as a matrix, where anyone could be punished, including officials, and where everyone had, to some extent, agency.
这篇文章探讨了维多利亚时代济贫院的惩罚、代理和虐待。这篇文章建立在最近对大多数农村济贫院惩罚的研究基础上,其中包括对圣马里波恩大都会济贫院年轻女性惩罚的研究。它补充了大卫·格林对伦敦济贫院的纪律和动荡的研究,并以阿丽莎·莱文在《旧济贫法》下的圣玛丽波恩的研究为基础。结合地方和国家的来源,突出不同的观点,通过惩罚和机构的棱镜,对济贫院的虐待行为提供更深入、更全面的了解。在这样做的过程中,本文解决了伦敦和更广泛的新济贫法的历史编纂中的关键空白。具体来说,它认为迄今为止对惩罚的理解过于简单化,并建议将惩罚重新定义为一个矩阵是有用的,在这个矩阵中,任何人都可以受到惩罚,包括官员,并且每个人在某种程度上都有代理。
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引用次数: 0
Triumph 1621 1621年的胜利
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2022-03-14 DOI: 10.1080/03058034.2022.2029136
Parker T. Gordon
On a late October day of sunshine and showers, around 100 people witnessed a reconstruction of the 1621 LordMayor’s Show, on its 400th anniversary, on a site onlymetres away from one of its original locations on Cheapside in the heart of the City of London. No such re-enactment of mayoral pageantry has taken place in London since 1988. The organisers – myself and Robert Crighton of Beyond Shakespeare – are very grateful to all those who supported, participated in, and applauded this ephemeral taster of Edward Barkham’s inauguration festivities. We are also indebted to St Mary le Bow church and the Worshipful Company of Founders, and to the various organisations that funded Triumph 1621: the Society for Renaissance Studies, Cheapside Business Alliance, and Bath Spa University. Finally, we thank The London Journal for publishing these two ‘perspectives’ on Triumph 1621.
在10月下旬的一个阳光明媚、沐浴着阵雨的日子里,大约100人见证了1621年LordMayor’s Show在其400周年纪念日的重建,地点距离其位于伦敦市中心Cheapside的原址仅几米。自1988年以来,伦敦再也没有发生过这样的市长盛会。组织者——我和Beyond Shakespeare的Robert Crighton——非常感谢所有支持、参与和赞扬爱德华·巴克姆就职庆典的人。我们还感谢圣玛丽教堂和创始人崇拜公司,以及资助凯旋1621的各种组织:文艺复兴研究协会、谢普塞德商业联盟和巴斯温泉大学。最后,我们感谢《伦敦日报》发表了这两篇关于《胜利1621》的“观点”。
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引用次数: 0
The Role of London’s Urban Foundation Legends in Late-Medieval Historical and Political Cultures 伦敦城市基金会传奇在中世纪晚期历史政治文化中的作用
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2022-02-20 DOI: 10.1080/03058034.2022.2028451
David Mason
In 1442, the authorities of London issued a formal prohibition against the spread of a lie that the first and best mayor of London was a cordwainer (shoemaker) named Walsh. This article investigates the context for this story by examining contemporary uses of foundation narratives for important institutions of London life, including the city, corporation and mayoralty. These foundation legends grew from a distinctive urban ‘historical culture’. This article argues that historical culture and foundation legends were important means of cultivating cultural prestige, defining the purposes of institutions, discussing the power relationships between different political institutions and engaging in political communication. By comparing the ‘Walsh’ legend to other variants of the London mayoral origin story, we can discern contemporary political debates about the purpose, powers and political control of key institutions in London life.
1442年,伦敦当局正式禁止散布一个谎言,即伦敦第一位也是最好的市长是一位名叫沃尔什的鞋匠。本文通过考察当代对伦敦生活重要机构(包括城市、公司和市长)基础叙事的使用,来调查这个故事的背景。这些奠基传说源于一种独特的城市“历史文化”。本文认为,历史文化和基础传说是培养文化威望、界定制度宗旨、探讨不同政治制度之间的权力关系和进行政治交流的重要手段。通过将“沃尔什”传说与伦敦市长出身故事的其他变体进行比较,我们可以看出当代关于伦敦生活中关键机构的目的、权力和政治控制的政治辩论。
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引用次数: 1
Covid Commentaries: London’s Cultural Policy 新冠评论:伦敦的文化政策
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2022-01-20 DOI: 10.1080/03058034.2022.2008728
Laia Gasch, Luke Dickens
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引用次数: 0
‘As Well by the English as by the Strangers’: Performing a Multicultural London in The Magnificent Entertainment “和陌生人一样受英国人欢迎”:在华丽的娱乐中表演多元文化的伦敦
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-12-23 DOI: 10.1080/03058034.2021.2009216
K. Blankenau
The pageantry marking James VI & I’s royal entry into London in 1604 featured the participation of Italian and Dutch immigrants who contributed two of the entry’s triumphal arches. This article examines the role of these immigrant communities within the production, and textual reproduction, of James’s royal entry. The pageant records present contrasting approaches to the multiculturalism of early modern London. The first, represented by Thomas Dekker’s official pageant text The Magnificent Entertainment, divides the city into ‘the English’ and ‘the strangers’, whose presence is celebrated for the symbolic possibilities of creating unity out of multiplicity. In the second approach, recoverable within the Italian and Dutch arches, immigrant populations maintain their distinct identities as unified communities possessing the historical and cultural right to welcome James to their city.
1604年,詹姆斯六世和一世皇室进入伦敦,意大利和荷兰移民参与了这场盛大的庆典,他们为进入伦敦的两座凯旋门做出了贡献。这篇文章考察了这些移民社区在詹姆斯王室作品的制作和文本复制中的作用。选美比赛记录展现了现代早期伦敦多元文化的对比方式。第一个以托马斯·德克尔的官方选美文本《壮丽的娱乐》为代表,将这座城市分为“英国人”和“陌生人”,他们的存在因在多样性中创造团结的象征性可能性而闻名。在第二种方法中,可以在意大利和荷兰拱门内恢复,移民人口保持着他们作为统一社区的独特身份,拥有欢迎詹姆斯来到他们城市的历史和文化权利。
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引用次数: 0
Performances ‘in No Other City Possible’: Mountebanks and Theatrical Vagrancy in Seventeenth-Century London “不可能在其他城市”演出:17世纪伦敦的山崩地裂和戏剧流浪
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-12-21 DOI: 10.1080/03058034.2021.2009215
Sarah Mayo
The English word ‘mountebank’, borrowed from the Italian montimbanco to describe a performing quack doctor, crucially defines its subject in terms of motion in space: the motion of ascending a stage. In fact, the early modern mountebank in London was a player known for many kinds of motion—geographical itinerancy, rhetorical circumlocution, and even appropriative journeys from bank to theatre to print. This article articulates the mountebank’s license to roam physically and representationally across London as a kind of theatrical vagrancy, one that begs the question not only of where theatre can exist in urban space, but how—how a physically and rhetorically unfixed performance can still be recognised by an audience as a performance. Playing with and across space, as this article argues, is perhaps one of the most crucial of the mountebank’s many ‘impossible’ feats.
英语单词“mountebank”是从意大利语montimbanco借来的,用来形容一个正在表演的庸医,它从空间运动的角度对其主题进行了至关重要的定义:登上舞台的运动。事实上,伦敦早期的现代骑师以多种动作而闻名——地理路线、修辞迂回,甚至从银行到剧院再到印刷品的挪用之旅。这篇文章将骑师在伦敦各地进行身体和代表性漫游的许可证阐明为一种戏剧流浪,这不仅引出了一个问题,即戏剧在城市空间中可以存在于何处,而且还引出了如何——一场身体和修辞上不固定的表演仍然可以被观众视为一场表演。正如这篇文章所说,玩太空和穿越太空可能是这个江湖上的许多“不可能”的壮举中最关键的一个。
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引用次数: 0
Licensing the Informal Economy in Early Modern Europe: Food Hawkers in London and Naples 近代早期欧洲非正规经济的许可:伦敦和那不勒斯的食品小贩
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-12-21 DOI: 10.1080/03058034.2021.1992134
C. Taverner
Food hawkers filled the streets of early modern London and Naples but had an ambiguous relationship with urban governors. By comparing how hawkers were regulated in the two capitals between the sixteenth and eighteenth centuries, this article extends our knowledge of irregular work to two of the period’s largest cities and argues that historians should consider informality as a social process, rather than a fixed economic category. It examines, in turn, how food hawkers were hard to distinguish from other rule-breaking retailers, how governors issued food-selling licences, and how hawker regulation also involved managing public space and related to gender and social status. Instead of clamping down completely, London aldermen and Neapolitan eletti gave licence to food hawking when it was useful and stayed within standards of behaviour. Deciding who was allowed to sell food and how were finely balanced questions of governance in the expanding early modern metropolis.
现代早期伦敦和那不勒斯的街道上挤满了食品小贩,但他们与城市管理者的关系并不明确。通过比较16世纪至18世纪这两个首都对小贩的监管,本文将我们对非正规工作的了解扩展到了这一时期最大的两个城市,并认为历史学家应该将非正规工作视为一个社会过程,而不是一个固定的经济类别。反过来,它研究了食品小贩如何难以与其他违反规则的零售商区分开来,州长如何颁发食品销售许可证,以及小贩监管如何也涉及管理公共空间,并与性别和社会地位有关。伦敦市议员和那不勒斯人埃莱蒂没有完全取缔,而是在食品贩卖有用且符合行为标准的情况下,对其发放了许可证。在这个不断扩张的早期现代大都市中,决定谁可以出售食物以及如何出售食物是一个微妙平衡的治理问题。
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引用次数: 0
Threshold Modernism: New Public Women and the Literary Spaces of Imperial London 门槛现代主义:新公共女性与帝国伦敦的文学空间
IF 0.5 3区 历史学 Q4 AREA STUDIES Pub Date : 2021-12-09 DOI: 10.1080/03058034.2022.1998877
E. Short
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引用次数: 1
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