{"title":"La légende des objets: le cabinet de curiosités réfléchi par son catalogue (Europe, xvie—xviie siècles)","authors":"Florike Egmond","doi":"10.1093/jhc/fhac054","DOIUrl":"https://doi.org/10.1093/jhc/fhac054","url":null,"abstract":"","PeriodicalId":44098,"journal":{"name":"Journal of the History of Collections","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45353527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Objects as Insights: R. H. Codrington’s ethnographic collections from Melanesia Get access Nick Stanley, Objects as Insights: R. H. Codrington’s ethnographic collections from Melanesia. British Museum Research Publication 235. London, British Museum Press, 2021. isbn978-0861-5923-57. vi + 103 pp., 65 col. illus., 14 b. & w. illus. £25 or free online Jeremy Coote Jeremy Coote UK jeremyxcoote@gmail.com Search for other works by this author on: Oxford Academic Google Scholar Journal of the History of Collections, fhac057, https://doi.org/10.1093/jhc/fhac057 Published: 12 January 2023
期刊文章对象作为见解:r·h·科德林顿的美拉尼西亚民族志收藏品获取尼克·斯坦利，对象作为见解:r·h·科德林顿的美拉尼西亚民族志收藏品。大英博物馆研究出版235。伦敦，大英博物馆出版社，2021年。isbn978 - 0861 - 5923 - 57。Vi + 103页，65 col. illus。， 14 b. & w.伊勒斯。25英镑或免费在线Jeremy Coote Jeremy Coote UK jeremyxcoote@gmail.com搜索作者的其他作品:牛津学术b谷歌学者文集杂志，fhac057, https://doi.org/10.1093/jhc/fhac057出版日期:2023年1月12日
{"title":"Objects as Insights: R. H. Codrington’s ethnographic collections from Melanesia","authors":"Jeremy Coote","doi":"10.1093/jhc/fhac057","DOIUrl":"https://doi.org/10.1093/jhc/fhac057","url":null,"abstract":"Journal Article Objects as Insights: R. H. Codrington’s ethnographic collections from Melanesia Get access Nick Stanley, Objects as Insights: R. H. Codrington’s ethnographic collections from Melanesia. British Museum Research Publication 235. London, British Museum Press, 2021. isbn978-0861-5923-57. vi + 103 pp., 65 col. illus., 14 b. & w. illus. £25 or free online Jeremy Coote Jeremy Coote UK jeremyxcoote@gmail.com Search for other works by this author on: Oxford Academic Google Scholar Journal of the History of Collections, fhac057, https://doi.org/10.1093/jhc/fhac057 Published: 12 January 2023","PeriodicalId":44098,"journal":{"name":"Journal of the History of Collections","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135997121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Die herzogliche Kunstkammer in Gotha Get access Ingrid Dettmann and Agnes Strehlau (eds.), Die herzogliche Kunstkammer in Gotha, 2 vols. Petersberg, Michael Imhof Verlag, 2021. isbn978–3–7319–0926–2. 904 pp., 691 col. illus., 65 b. & w. illus. €99. Jeremy Warren Jeremy Warren UK sculpturematters@gmail.com Search for other works by this author on: Oxford Academic Google Scholar Journal of the History of Collections, fhac058, https://doi.org/10.1093/jhc/fhac058 Published: 12 January 2023
期刊文章 Die herzogliche Kunstkammer in Gotha 获取途径 Ingrid Dettmann 和 Agnes Strehlau (eds.), Die herzogliche Kunstkammer in Gotha, 2 vols. Petersberg, Michael Imhof Verlag, 2021.ISBN978-3-7319-0926-2。904 pp.Jeremy Warren Jeremy Warren UK sculpturematters@gmail.com 在下列网站上搜索该作者的其他作品：Oxford Academic Google Scholar Journal of the History of Collections, fhac058, https://doi.org/10.1093/jhc/fhac058 Published: 12 January 2023
{"title":"Die herzogliche Kunstkammer in Gotha","authors":"Jeremy Warren","doi":"10.1093/jhc/fhac058","DOIUrl":"https://doi.org/10.1093/jhc/fhac058","url":null,"abstract":"Journal Article Die herzogliche Kunstkammer in Gotha Get access Ingrid Dettmann and Agnes Strehlau (eds.), Die herzogliche Kunstkammer in Gotha, 2 vols. Petersberg, Michael Imhof Verlag, 2021. isbn978–3–7319–0926–2. 904 pp., 691 col. illus., 65 b. & w. illus. €99. Jeremy Warren Jeremy Warren UK sculpturematters@gmail.com Search for other works by this author on: Oxford Academic Google Scholar Journal of the History of Collections, fhac058, https://doi.org/10.1093/jhc/fhac058 Published: 12 January 2023","PeriodicalId":44098,"journal":{"name":"Journal of the History of Collections","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135996484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article The Private Lives of Pictures: Art at home in Britain, 1800–1940 Get access Nicholas Tromans, The Private Lives of Pictures: Art at home in Britain, 1800–1940. London, Reaktion Books, 2022. isbn978-1-78914-623-3. 296 pp., 28 col. illus., 49 b. & w. illus. £25. Sonia Solicari Sonia Solicari UK ssolicari@museumofthehome.org.uk Search for other works by this author on: Oxford Academic Google Scholar Journal of the History of Collections, fhac055, https://doi.org/10.1093/jhc/fhac055 Published: 10 January 2023
{"title":"The Private Lives of Pictures: Art at home in Britain, 1800–1940","authors":"Sonia Solicari","doi":"10.1093/jhc/fhac055","DOIUrl":"https://doi.org/10.1093/jhc/fhac055","url":null,"abstract":"Journal Article The Private Lives of Pictures: Art at home in Britain, 1800–1940 Get access Nicholas Tromans, The Private Lives of Pictures: Art at home in Britain, 1800–1940. London, Reaktion Books, 2022. isbn978-1-78914-623-3. 296 pp., 28 col. illus., 49 b. & w. illus. £25. Sonia Solicari Sonia Solicari UK ssolicari@museumofthehome.org.uk Search for other works by this author on: Oxford Academic Google Scholar Journal of the History of Collections, fhac055, https://doi.org/10.1093/jhc/fhac055 Published: 10 January 2023","PeriodicalId":44098,"journal":{"name":"Journal of the History of Collections","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136321658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The Real Museo Mineralogico of the University of Naples Federico II was established in 1801 by Ferdinando IV of Bourbon and his queen, Maria Carolina. Their aim was to create a centre for minerals research and education. The museum at present preserves over 50,000 objects, mainly minerals, but also books, teaching models and instruments. The last of these form a little-known collection of considerable scientific and historical value. Historical studies of the instruments collection are based on extensive archival research conducted on documents and ancient catalogues of the museum and the Archivio di Stato in Naples. This study describes the main instruments, detailing their date of acquisition, typology and use. Its goal is to provide a testimony to the contribution of the Real Museo Mineralogico to the development of the science of mineralogy in Naples, and at the same time to extend, by means of new data (suppliers, acquisition methods, price), the catalogue of the instruments collection.
{"title":"The historic mineralogical instruments collection of the Real Museo Mineralogico, University of Naples Federico II: Meaning and value","authors":"Carmela Petti, Piergiulio Cappelletti, Annamaria Pellino","doi":"10.1093/jhc/fhac052","DOIUrl":"https://doi.org/10.1093/jhc/fhac052","url":null,"abstract":"Abstract The Real Museo Mineralogico of the University of Naples Federico II was established in 1801 by Ferdinando IV of Bourbon and his queen, Maria Carolina. Their aim was to create a centre for minerals research and education. The museum at present preserves over 50,000 objects, mainly minerals, but also books, teaching models and instruments. The last of these form a little-known collection of considerable scientific and historical value. Historical studies of the instruments collection are based on extensive archival research conducted on documents and ancient catalogues of the museum and the Archivio di Stato in Naples. This study describes the main instruments, detailing their date of acquisition, typology and use. Its goal is to provide a testimony to the contribution of the Real Museo Mineralogico to the development of the science of mineralogy in Naples, and at the same time to extend, by means of new data (suppliers, acquisition methods, price), the catalogue of the instruments collection.","PeriodicalId":44098,"journal":{"name":"Journal of the History of Collections","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135276693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Among the seventeenth-century state papers held at the National Archives at Kew is a list, dated 1670, of fifty-four works of art that were for sale at that time in Italy. The document was penned by John Dodington, an English diplomat who had recently taken up a post in Venice. Despite providing a wealth of detail on the objects for sale – several of which he ascribed to some of Europe’s most illustrious painters and sculptors from the fifteenth to the seventeenth centuries – Dodington neglected to name the owner of this impressive assemblage. This article establishes the identity of the seller, recounts the history of his collection, and traces the ultimate fate of some of his possessions.
{"title":"New light on the art collection of Andrea Menichini","authors":"Peter Crack","doi":"10.1093/jhc/fhac047","DOIUrl":"https://doi.org/10.1093/jhc/fhac047","url":null,"abstract":"\u0000 Among the seventeenth-century state papers held at the National Archives at Kew is a list, dated 1670, of fifty-four works of art that were for sale at that time in Italy. The document was penned by John Dodington, an English diplomat who had recently taken up a post in Venice. Despite providing a wealth of detail on the objects for sale – several of which he ascribed to some of Europe’s most illustrious painters and sculptors from the fifteenth to the seventeenth centuries – Dodington neglected to name the owner of this impressive assemblage. This article establishes the identity of the seller, recounts the history of his collection, and traces the ultimate fate of some of his possessions.","PeriodicalId":44098,"journal":{"name":"Journal of the History of Collections","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44832950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Da Rodolfo Pio ai Farnese: storia di due collezioni epigrafiche urbane, Commentationes Humanarum Literarum 141","authors":"William Stenhouse","doi":"10.1093/jhc/fhac049","DOIUrl":"https://doi.org/10.1093/jhc/fhac049","url":null,"abstract":"","PeriodicalId":44098,"journal":{"name":"Journal of the History of Collections","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48077759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article reconstructs, by means of unpublished and newly discovered archival sources, the path of the Islamic manuscripts of the Cospi Museum from their entry into the collection of Ferdinando Cospi up to the present day, and identifies them, for the first time, in a group of manuscripts currently held in the University Library of Bologna. Although Islamic manuscripts had made their way to Italy since medieval times and numerous examples may be found in Italian libraries today, very few represent the collection of a single individual and, among these, fewer still have survived as a coherent group. The rediscovered collection of Islamic manuscripts of the Cospi Museum therefore represents a rare survival which provides new insights into early modern collecting practices in Italy, as well as new material through which to explore the history of the interaction between the Islamic world and Italy in the early modern period.
{"title":"The rediscovered Islamic manuscripts of the Cospi Museum in the University Library of Bologna","authors":"Federica Gigante","doi":"10.1093/jhc/fhac038","DOIUrl":"https://doi.org/10.1093/jhc/fhac038","url":null,"abstract":"\u0000 This article reconstructs, by means of unpublished and newly discovered archival sources, the path of the Islamic manuscripts of the Cospi Museum from their entry into the collection of Ferdinando Cospi up to the present day, and identifies them, for the first time, in a group of manuscripts currently held in the University Library of Bologna. Although Islamic manuscripts had made their way to Italy since medieval times and numerous examples may be found in Italian libraries today, very few represent the collection of a single individual and, among these, fewer still have survived as a coherent group. The rediscovered collection of Islamic manuscripts of the Cospi Museum therefore represents a rare survival which provides new insights into early modern collecting practices in Italy, as well as new material through which to explore the history of the interaction between the Islamic world and Italy in the early modern period.","PeriodicalId":44098,"journal":{"name":"Journal of the History of Collections","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45931021","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
While much has been written about the collecting practices of Thomas Coke, 1st Earl of Leicester of the 5th Creation (1697–1759), less attention has been paid to those of his successor Thomas William Coke, later 1st Earl of Leicester of the 7th Creation (1754–1842). The first Thomas Coke was responsible for the construction and decoration of Holkham Hall in Norfolk. He was a passionate and enlightened collector, celebrated for his artistic contribution to Holkham. By contrast, biographers of Thomas William Coke have tended to focus on his career as a parliamentarian and agricultural reformer. This article seeks to redress that imbalance and examine the collecting habits of Thomas William Coke to demonstrate that he was an equally able collector, and to situate his collecting habits within the context of his time.
{"title":"Coke of Norfolk: politician, agriculturalist and art collector","authors":"Katherine Hardwick","doi":"10.1093/jhc/fhac042","DOIUrl":"https://doi.org/10.1093/jhc/fhac042","url":null,"abstract":"\u0000 While much has been written about the collecting practices of Thomas Coke, 1st Earl of Leicester of the 5th Creation (1697–1759), less attention has been paid to those of his successor Thomas William Coke, later 1st Earl of Leicester of the 7th Creation (1754–1842). The first Thomas Coke was responsible for the construction and decoration of Holkham Hall in Norfolk. He was a passionate and enlightened collector, celebrated for his artistic contribution to Holkham. By contrast, biographers of Thomas William Coke have tended to focus on his career as a parliamentarian and agricultural reformer. This article seeks to redress that imbalance and examine the collecting habits of Thomas William Coke to demonstrate that he was an equally able collector, and to situate his collecting habits within the context of his time.","PeriodicalId":44098,"journal":{"name":"Journal of the History of Collections","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49039823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Correction to: ‘I shall now go on selling as much as I can to these people’: Duveen Brothers and the making of the Stern–Michelham collection","authors":"","doi":"10.1093/jhc/fhac045","DOIUrl":"https://doi.org/10.1093/jhc/fhac045","url":null,"abstract":"","PeriodicalId":44098,"journal":{"name":"Journal of the History of Collections","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41444800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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