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Journal of the History of Collections最新文献

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Country House Collections: Their lives and afterlives 乡村别墅收藏:他们的生活和余生
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-08-31 DOI: 10.1093/jhc/fhac037
Philip McEvansoneya
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引用次数: 0
Blinded by Curiosity: The collector–dealer Hadriaan Beverland (1650–1716) and his radical approach to the printed image 被好奇心蒙蔽:收藏家兼经销商哈德里安·贝弗兰(1650-1716)和他对印刷图像的激进方法
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-08-27 DOI: 10.1093/jhc/fhac039
K. Heard
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引用次数: 0
Playful Pictures: Art, leisure, and entertainment in the Venetian Renaissance home 有趣的图片:威尼斯文艺复兴时期家中的艺术、休闲和娱乐
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-29 DOI: 10.1093/jhc/fhac033
Susan Nalezyty
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引用次数: 0
‘His utter unfitness for a commercial collector’ “他完全不适合做商业收藏家”
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-29 DOI: 10.1093/jhc/fhac032
K. Alcorn
Non-European or ‘exotic’ plants became prestigious collectable items in the early nineteenth century. Although unpaid collectors contributed greatly to the discovery of new plants, systematic sponsored collecting became increasingly important after 1800 in Britain. While sharing features of natural history collecting, the organization and sponsorship of exotic plant collecting in the first half of the nineteenth century in Britain exhibits several distinctive features, notably the involvement of commercial sponsors and cooperation between commercial and scientific bodies. Using the Directors’ Correspondence of the Royal Botanic Gardens, Kew, this article describes how individuals, consortia of sponsors and subscription systems assembled finance for plant collecting. The article demonstrates the extent to which plant introductions depended on a structured trade in plants, in which commercial nurseries played a central role. Plant collecting must be understood as an episode not only in the history of garden design, but also in the history of collections.
19世纪初,非欧洲或“外来”植物成为享有盛誉的收藏品。尽管没有报酬的采集者对新植物的发现做出了巨大贡献,但1800年后,在英国,有系统的赞助采集者变得越来越重要。19世纪上半叶英国外来植物收集的组织和赞助,在具有自然历史收集特征的同时,也表现出几个鲜明的特征,其中最显著的是商业赞助者的参与以及商业和科学机构之间的合作。本文利用邱园皇家植物园的董事信函,描述了个人、赞助财团和认购系统如何为植物收集筹集资金。这篇文章论证了植物引进在多大程度上依赖于有组织的植物贸易,其中商业苗圃发挥了核心作用。植物收藏不仅是园林设计史上的一段插曲,也是收藏史上的一段插曲。
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引用次数: 0
Counting when, who and how 计算何时、谁以及如何
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-23 DOI: 10.1093/jhc/fhac034
Isobel MacDonald
This paper critically examines the possibilities of using the British Museum’s collection database as a research tool to examine acquisition history. It publishes initial findings from the author’s research into the history of the collection through a quantitative analysis of collection data. Rather than focusing on individual collectors, collections or areas of the collection, it takes a high-level comprehensive view of the current body of material, across time, departments and material. The paper asks three questions of the database: when did objects enter the museum’s collection, from whom and how? Through a numerical analysis, acquisition patterns are revealed which both challenge and augment our understanding of the history of the collection.
本文批判性地探讨了使用大英博物馆的藏品数据库作为研究工具来研究收购历史的可能性。它通过对藏品数据的定量分析,公布了作者对藏品历史研究的初步结果。它不是关注单个收藏家、藏品或藏品领域,而是跨时间、跨部门和跨材料对当前材料体进行高层次的全面观察。该论文提出了数据库的三个问题:物品何时进入博物馆收藏,来自谁以及如何进入?通过数值分析,揭示了采集模式,这既挑战又增强了我们对藏品历史的理解。
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引用次数: 0
The Yorkshire Tea Ceremony: W. A. Ismay and his collection of British studio pottery 约克郡茶道:W·A·伊斯梅和他的英国工作室陶器收藏
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-20 DOI: 10.1093/jhc/fhac035
A. Renton
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引用次数: 0
A. W. Franks, William Ridgeway and collections of Irish antiquities a·w·弗兰克斯,威廉·里奇韦和爱尔兰文物收藏
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-07 DOI: 10.1093/jhc/fhac031
Philip McEvansoneya
The visit by A. W. Franks of the British Museum to the Irish Industrial Exhibition in Dublin in 1853 gave him the opportunity to assess the holdings of Irish antiquarian material displayed there. This soon led to purchases for the museum. The collections that most interested him are discussed here, along with another, long known to William Ridgeway, who eventually bought it on behalf of the Cambridge Antiquarian Society.
1853年,大英博物馆的a·w·弗兰克斯(A. W. Franks)参观了都柏林的爱尔兰工业展览会,这让他有机会评估那里展出的爱尔兰古董材料。这很快就为博物馆带来了购买。这里讨论了他最感兴趣的藏品,以及威廉·里奇韦(William Ridgeway)早就知道的另一件藏品,里奇韦最终代表剑桥古物协会(Cambridge Antiquarian Society)买下了它。
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引用次数: 0
The Art Collector in Early Modern Italy: Andrea Odoni and his Venetian palace 近代早期意大利的艺术收藏家:安德里亚·奥多尼和他的威尼斯宫殿
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-06-13 DOI: 10.1093/jhc/fhac027
L. Clark
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引用次数: 0
Correction to: ‘I shall now go on selling as I can to these people’: Joseph Duveen and the making of the Stern–Michelham collection 更正:“我现在将尽我所能继续向这些人出售”:约瑟夫·杜文和斯特恩-米歇尔姆系列的制作
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-09 DOI: 10.1093/jhc/fhac013
S. Davoli
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引用次数: 0
Books Received 收到的书籍
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-03-01 DOI: 10.1093/jhc/fhab061
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引用次数: 0
期刊
Journal of the History of Collections
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