Woody Allen talks to James Bell about filming in London, living in a godless universe - and why he's pessimistic about everything in life, except his work
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Pub Date : 2011-01-01DOI: 10.1002/9781119261155.ch6
J. O’Rourke
Jim O'Rourke lauds Alan Arkin's 1971 directorial debut "Little Murders", a quintessentially Ney York story of existential angst
吉姆•奥罗克称赞艾伦•阿金1971年的导演处女作《小谋杀》，这是一部典型的纽约存在主义焦虑故事
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What should you think more? Time to get this [PDF? It is easy then. You can only sit and stay in your place to get this book. Why? It is on-line book store that provide so many collections of the referred books. So, just with internet connection, you can enjoy downloading this book and numbers of books that are searched for now. By visiting the link page download that we have provided, the book that you refer so much can be found. Just save the requested book downloaded and then you can enjoy the book to read every time and place you want.
{"title":"In the Beginning was the Word","authors":"Gerald T. West","doi":"10.4324/9780203841488-7","DOIUrl":"https://doi.org/10.4324/9780203841488-7","url":null,"abstract":"What should you think more? Time to get this [PDF? It is easy then. You can only sit and stay in your place to get this book. Why? It is on-line book store that provide so many collections of the referred books. So, just with internet connection, you can enjoy downloading this book and numbers of books that are searched for now. By visiting the link page download that we have provided, the book that you refer so much can be found. Just save the requested book downloaded and then you can enjoy the book to read every time and place you want.","PeriodicalId":44134,"journal":{"name":"SIGHT AND SOUND","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2010-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70598269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Many film-makers were banned under the Soviet regime, but a handful have managed to resume their careers.
许多电影制作人在苏联政权下被禁止，但少数人成功地恢复了他们的职业生涯。
{"title":"In from the cold","authors":"I. Christie","doi":"10.2307/4439172","DOIUrl":"https://doi.org/10.2307/4439172","url":null,"abstract":"Many film-makers were banned under the Soviet regime, but a handful have managed to resume their careers.","PeriodicalId":44134,"journal":{"name":"SIGHT AND SOUND","volume":"20 1","pages":"27"},"PeriodicalIF":0.1,"publicationDate":"2010-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/4439172","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68757113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2010-01-01DOI: 10.1057/9781137503596.0010
Anton Bitel
{"title":"Playtime is over","authors":"Anton Bitel","doi":"10.1057/9781137503596.0010","DOIUrl":"https://doi.org/10.1057/9781137503596.0010","url":null,"abstract":"","PeriodicalId":44134,"journal":{"name":"SIGHT AND SOUND","volume":"20 1","pages":"44-45"},"PeriodicalIF":0.1,"publicationDate":"2010-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"58222056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2010-01-01DOI: 10.1093/nq/s6-iv.94.311b
E. Green
Director Eugene Green sings the praises of Portugal's Jose Alvaro Morais and his 1987 masterpiece "O Bobo"
导演尤金·格林对葡萄牙导演何塞·阿尔瓦罗·莫莱斯及其1987年的代表作《波波》大加赞赏。
{"title":"All the world's a stage","authors":"E. Green","doi":"10.1093/nq/s6-iv.94.311b","DOIUrl":"https://doi.org/10.1093/nq/s6-iv.94.311b","url":null,"abstract":"Director Eugene Green sings the praises of Portugal's Jose Alvaro Morais and his 1987 masterpiece \"O Bobo\"","PeriodicalId":44134,"journal":{"name":"SIGHT AND SOUND","volume":"20 1","pages":"14"},"PeriodicalIF":0.1,"publicationDate":"2010-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/nq/s6-iv.94.311b","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"61476446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Trial and Error","authors":"E. Hynes","doi":"10.1090/mbk/062/17","DOIUrl":"https://doi.org/10.1090/mbk/062/17","url":null,"abstract":"Subtitle: As aircraft and engines have become mor reliable, the safety focus has shifted to human factors and the drive for improved global standards.","PeriodicalId":44134,"journal":{"name":"SIGHT AND SOUND","volume":"26 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2009-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60552438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sam Mendes' fine performer-centred adaptation of Richard Yates' "Revolutionary Road" is creating awards buzz, but Yates' wider social bite is collateral damage
{"title":"All that Hollywood allows","authors":"Nick James","doi":"10.4324/9780203397381","DOIUrl":"https://doi.org/10.4324/9780203397381","url":null,"abstract":"Sam Mendes' fine performer-centred adaptation of Richard Yates' \"Revolutionary Road\" is creating awards buzz, but Yates' wider social bite is collateral damage","PeriodicalId":44134,"journal":{"name":"SIGHT AND SOUND","volume":"19 1","pages":"16-20"},"PeriodicalIF":0.1,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70583912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
After the maelstrom of Cannes, where his new horror film "Antichrist" earned a Best Actress award - and a chorus of critical outrage - Lars von Trier talks to Stig Bjorkman in the calm of his writer's cabin outside Copenhagen
{"title":"Making the waves","authors":"S. Björkman","doi":"10.1049/et:20081026","DOIUrl":"https://doi.org/10.1049/et:20081026","url":null,"abstract":"After the maelstrom of Cannes, where his new horror film \"Antichrist\" earned a Best Actress award - and a chorus of critical outrage - Lars von Trier talks to Stig Bjorkman in the calm of his writer's cabin outside Copenhagen","PeriodicalId":44134,"journal":{"name":"SIGHT AND SOUND","volume":"19 1","pages":"16-19"},"PeriodicalIF":0.1,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1049/et:20081026","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"57947856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2009-01-01DOI: 10.1093/gmo/9781561592630.article.j363600
G. Bonsaver
A portrait of former Italian leader Giulio Andreotti, "Il Divo" skilfully combines investigative journalism with surreal flights of fancy. Guido Bonsaver talks to director Paolo Sorrentino
{"title":"Prince of darkness","authors":"G. Bonsaver","doi":"10.1093/gmo/9781561592630.article.j363600","DOIUrl":"https://doi.org/10.1093/gmo/9781561592630.article.j363600","url":null,"abstract":"A portrait of former Italian leader Giulio Andreotti, \"Il Divo\" skilfully combines investigative journalism with surreal flights of fancy. Guido Bonsaver talks to director Paolo Sorrentino","PeriodicalId":44134,"journal":{"name":"SIGHT AND SOUND","volume":"40 1","pages":"42-44"},"PeriodicalIF":0.1,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60794720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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