Pub Date : 2023-11-21DOI: 10.1353/not.2023.a912371
Tony Caramia
{"title":"HerStory: The Piano Collection ed. by Karen Marshall (review)","authors":"Tony Caramia","doi":"10.1353/not.2023.a912371","DOIUrl":"https://doi.org/10.1353/not.2023.a912371","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"1 1","pages":"402 - 405"},"PeriodicalIF":0.9,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139251755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-21DOI: 10.1353/not.2023.a912348
L. Zeiss
{"title":"Mozart and the Mediation of Childhood by Adeline Mueller (review)","authors":"L. Zeiss","doi":"10.1353/not.2023.a912348","DOIUrl":"https://doi.org/10.1353/not.2023.a912348","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"50 1","pages":"325 - 328"},"PeriodicalIF":0.9,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139251932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-21DOI: 10.1353/not.2023.a912354
Daniel Epstein
{"title":"Beethoven's French Piano: A Tale of Ambition and Frustration by Tom Beghin (review)","authors":"Daniel Epstein","doi":"10.1353/not.2023.a912354","DOIUrl":"https://doi.org/10.1353/not.2023.a912354","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"29 4","pages":"343 - 346"},"PeriodicalIF":0.9,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139252786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-21DOI: 10.1353/not.2023.a912349
H. N. Dunstan
{"title":"Opera on the Couch: Music, Emotional Life, and Unconscious Aspects of Mind ed. by Steven H. Goldberg and Lee Rather (review)","authors":"H. N. Dunstan","doi":"10.1353/not.2023.a912349","DOIUrl":"https://doi.org/10.1353/not.2023.a912349","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"42 6","pages":"328 - 331"},"PeriodicalIF":0.9,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139253049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/not.2023.a905323
Eric M. Lubarsky
{"title":"Canonic Repertoires and the French Musical Press: Lully to Wagner by William Weber with Beverly Wilcox (review)","authors":"Eric M. Lubarsky","doi":"10.1353/not.2023.a905323","DOIUrl":"https://doi.org/10.1353/not.2023.a905323","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"123 - 126"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42589159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/not.2023.a905336
Sharon Mirchandani
{"title":"Babe Egan and the Hollywood Redheads: Women Musicians in the Jazz Age by Jeannie Gayle Pool (review)","authors":"Sharon Mirchandani","doi":"10.1353/not.2023.a905336","DOIUrl":"https://doi.org/10.1353/not.2023.a905336","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"168 - 170"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43032588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/not.2023.a905326
Siel Agugliaro
works, such channels were never represented as the primary motivations for his musical creativity. Mathew concludes this final section of his study with a compelling rumination on the implications of this new framing of Haydn and his cultural–economic contexts for current and future scholarship on eighteenth-century music. The foregoing summary can provide only the most skeletal overview of Mathew’s book, whose relatively modest length masks a study of vast scope and exceptional scholarly weight. Useful or stimulating historical details as well as thought-provoking critical and analytical observations can be found throughout its chapters, and many intriguing references will spur even informed readers to visit and revisit the study’s expansive bibliography. Unfortunately, the overall readability of the text is hindered at too many turns by its arrangement in discursive paragraphs of arguably excessive length. But such concerns need not detract from the value of the study. Its deeply researched reframing of Haydn’s creative life and its cultural–economic contexts, along with its implications for rethinking our perspective on the unfolding of music history between the eras of the Enlightenment and romanticism, warrants much attention, as well as further engagement on the part of those involved in research and teaching on this pivotal span of Western music history.
{"title":"Networking Operatic Italy by Francesca Vella (review)","authors":"Siel Agugliaro","doi":"10.1353/not.2023.a905326","DOIUrl":"https://doi.org/10.1353/not.2023.a905326","url":null,"abstract":"works, such channels were never represented as the primary motivations for his musical creativity. Mathew concludes this final section of his study with a compelling rumination on the implications of this new framing of Haydn and his cultural–economic contexts for current and future scholarship on eighteenth-century music. The foregoing summary can provide only the most skeletal overview of Mathew’s book, whose relatively modest length masks a study of vast scope and exceptional scholarly weight. Useful or stimulating historical details as well as thought-provoking critical and analytical observations can be found throughout its chapters, and many intriguing references will spur even informed readers to visit and revisit the study’s expansive bibliography. Unfortunately, the overall readability of the text is hindered at too many turns by its arrangement in discursive paragraphs of arguably excessive length. But such concerns need not detract from the value of the study. Its deeply researched reframing of Haydn’s creative life and its cultural–economic contexts, along with its implications for rethinking our perspective on the unfolding of music history between the eras of the Enlightenment and romanticism, warrants much attention, as well as further engagement on the part of those involved in research and teaching on this pivotal span of Western music history.","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"139 - 142"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43141701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/not.2023.a905342
D. Ledbetter
English Keyboard Music c. 1650–c. 1700: A Series of Facsimiles of Manuscript Sources. Volume 1: London, Royal College of Music Library, MS 2093 (1660s–1670s). Edited by Heather Windram and Terence Charlston, with an Introductory Essay by Andrew Woolley. Foreword by Colin Lawson. Oslo: Norsk Musikforlag, 2015 [General Preface, p. v; contents, p. vii– viii; foreword, p. ix; introduction, p. xiii–xxxvii; facsims., p. [1–50]; score, p. 51–93; critical commentary, p. 95–110; bibliography, p. 111–12. ISMN 9790065141220 N. M. O. 13757. $24]
{"title":"English Keyboard Music c. 1650–c. 1700: A Series of Facsimiles of Manuscript Sources ed. by Heather Windram and Terence Charlston (review)","authors":"D. Ledbetter","doi":"10.1353/not.2023.a905342","DOIUrl":"https://doi.org/10.1353/not.2023.a905342","url":null,"abstract":"English Keyboard Music c. 1650–c. 1700: A Series of Facsimiles of Manuscript Sources. Volume 1: London, Royal College of Music Library, MS 2093 (1660s–1670s). Edited by Heather Windram and Terence Charlston, with an Introductory Essay by Andrew Woolley. Foreword by Colin Lawson. Oslo: Norsk Musikforlag, 2015 [General Preface, p. v; contents, p. vii– viii; foreword, p. ix; introduction, p. xiii–xxxvii; facsims., p. [1–50]; score, p. 51–93; critical commentary, p. 95–110; bibliography, p. 111–12. ISMN 9790065141220 N. M. O. 13757. $24]","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"194 - 198"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43770680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/not.2023.a905343
Kathleen Abromeit
Music Received Compiled by Kathleen Abromeit This column features percussion music by women composers. Names were compiled using the Theodore Front database. Additional names were contributed by Ross Karre, Associate Professor of Percussion, in the Oberlin Conservatory of Music. The lists of works included are not comprehensive for each composer but are rather either recently published or notable. Special thanks to Jake Balmuth for assisting with this column. Arismendi, Diana. Solar: For Marimba. LaFi, 2019. Score, 7 p. $20. Blake, Kathryn. Just Ordinary: For Solo Percussion (2019). Media, 2021. Score, 2 p. $12. Brouwer, Margaret. Through the Haze: For Four Percussionists (Solo Percussion and Three More Percussionists). Brouwer New Music, 2019. Score, 8 p. and 4 parts. $40. Cheney, Lisa. Miniature No. 1: For Percussion Quintet. Australian Music Centre, 2018. ISMN 9790720208541. Score, 4 p. $15. Cheney, Lisa. Miniature No. 1: For Percussion Quintet. Australian Music Centre, 2018. 5 parts. $30. Feldman, Barbara Monk. Three Clarinets and Percussion (1994). Frog Peak Music, n.d. Score, 14 p. and 2 parts. Spiral. $30. Fung, Vivian. (Un)Wandering Souls: For Percussion Quartet (2020). Vivian Fung, 2022. 1340. Set of 4 scores, 8 p. $40. Fure, Ashley. Shiver Lung 2: For Solo Percussion and Electronics (2019). Peters, 2021. EP68703 ISMN 9790300761411. Score, 2 p. Spiral. $35. Gaines, Julia. Sequential Studies, Book 2: For Four Mallet Marimba. Tapspace, 2019. TSPB43. Score, 96 p. Spiral. $24 Gassi, Carmen. Bingo-Bango-Bongo: For Percussion Ensemble. Eighth Note, 2016. PE1630. ISBN 9781771573634. Score, 15 p. and 6 parts. $25. Kander, Susan. Once. Upon. A Time: For Percussion Ensemble. Subito, 2017. 90900340. Score, 22 p. and 6 parts. $45. Kepley, Angela. 1-21: For Percussion Quartet. CAP, 2019. 26120. Score, 6 p. and 4 parts. $28. Kepley, Angela. And We Meet Again…: For Percussion Quintet. CAP, 2019. 26170. Score, 5 p. and 5 parts. $32. Kepley, Angela. Battle Royale: For Percussion Ensemble. CAP, 2017. CAP23760. Score, 3 p. and 10 parts. $28. Kepley, Angela. Circles: Bucket Ensemble for 3 or More Players. CAP, 2017. CAP23770 Score, 4 p. and 6 parts. $28. Kepley, Angela. From The Inside Out: For Percussion Quartet. CAP, 2017. CAP23810. Score, 6 p. and 4 parts $28. Kepley, Angela. Quintessential Quintets: For Percussion Quintet. CAP, 2017. CAP23870. Score, 16 p. and 5 parts. $36. Ko, Tonia. Negative Magic: For Snare Drum (2019). Composers Edition, 2021. CETK1NM1. Score, 10 p. Spiral. $21. Larsen, Libby. DDT: For Percussion Quartet. Libby Larsen Publishing, 2014. Score,11 p. and 4 parts. Spiral. $30. Lash, Hannah. Start: For Solo Snare Drum. Schott, 2019. ED 20327. 9781705155721. Score, 7 p. $15. Lizée, Nicole. I Still Think About You: For Solo Percussion (2018). Canadian Music Centre, 2021. QC 78138. Score, 29 p. $41. [End Page 199] Lizée, Nicole. Katana of Choice: For Drum Kit Solo and Video (2014). Canadian Music Centre, 2016. QC77185. Score, 64 p., 1 part,
本专栏以女性作曲家的打击乐为特色。名字是通过Theodore Front数据库收集的。其他名字由奥柏林音乐学院打击乐副教授罗斯·卡雷提供。所包含的作品列表并不是每个作曲家的全面作品，而是最近出版的或著名的作品。特别感谢Jake Balmuth对本专栏的协助。Arismendi,戴安娜。sun:马林巴琴。LaFi, 2019年。7分，20美元。布莱克,凯瑟琳。Just Ordinary: For Solo打击乐(2019)。媒体,2021年。2分，12美元。这,玛格丽特。穿过阴霾:为四个打击乐手(独奏打击乐手和三个以上的打击乐手)。browwer New Music, 2019。得分，8分，4小节。40美元。切尼,丽莎。迷你1号:打击五重奏。澳大利亚音乐中心，2018。ISMN 9790720208541。分数，4便士，15美元。切尼,丽莎。迷你1号:打击五重奏。澳大利亚音乐中心，2018。5部分。30美元。费德曼，芭芭拉·蒙克。三个单簧管和打击乐(1994)。青蛙峰音乐，无日期乐谱，14页和2个部分。螺旋。30美元。Fung,薇薇安。(Un)流浪灵魂:打击四重奏(2020)。冯维纶，2022年。1340. 一套4分，8便士，40美元。Fure,希礼。颤栗肺2:独奏打击乐器和电子(2019)。彼得斯,2021年。Ep68703 ismn 9790300761411。得分，2分，螺旋。35美元。盖恩斯,茱莉亚。顺序研究，书2:为四槌马林巴。Tapspace, 2019年。TSPB43。分数，96页，螺旋。24美元，加西，卡门。宾戈-邦戈-邦戈:打击乐器合奏。第八音符，2016年。PE1630。ISBN 9781771573634。得分，15分，6分。25美元。肯德尔,苏珊。一次。在。时间:打击乐器合奏。急速地,2017年。90900340. 得分22分，6分。45美元。安吉拉·凯普利，1-21打击乐四重奏。帽,2019。26120. 得分，6分，4分。28美元。Kepley,安琪拉。《我们再次相遇》:为打击五重奏而作。帽,2019。26170. 得分，5分，5小节。32美元。Kepley,安琪拉。大逃杀:打击乐团。帽,2017。CAP23760。得分，3分，10分。28美元。Kepley,安琪拉。圆圈:3个或更多玩家的桶合奏。帽,2017。CAP23770分数，4分，6部分。28美元。Kepley,安琪拉。从内到外:打击乐四重奏。帽,2017。CAP23810。分数6分，4分28美元。Kepley,安琪拉。五重奏:为打击五重奏。帽,2017。CAP23870。得分，16分，5分。36美元。Ko,妮娅。消极魔法:为小鼓(2019)。作曲家版，2021年。CETK1NM1。得分，10分，螺旋。21美元。拉森,利比。滴滴涕:打击乐四重奏。Libby Larsen出版社，2014。得分，11分，4小节。螺旋。30美元。睫毛,汉娜。开始:独奏小鼓。Schott, 2019年。20327年埃德。9781705155721. 7分，15美元。Lizee妮可。I Still Think About You:独奏打击乐(2018)。加拿大音乐中心，2021。78138年质量控制。29便士，41美元。[endpage 199]李氏，妮可。选择武士刀:为鼓套件独奏和视频(2014)。加拿大音乐中心，2016。QC77185。乐谱，64页，1部，1张光盘。螺旋。100美元。Lizee妮可。白色标签实验:打击乐四重奏和现场电子(2012)。加拿大音乐中心，2019。71924年质量控制。得分，34分，5分。螺旋。145美元。Magidenko,奥尔加。内卡塔尔风:钢琴和打击乐器。轰动,2013年。10041年"。ISBN 9790501820412。得分，26分，分。30美元。乌苏拉。马姆洛克。2000注释:作者:r Drei Schlagzeuger。藤原裕安排。损害赔偿,2017年。BB 3481。9783793141785. 一套3分，16便士，63美元。Maricle Sherrie。巴图卡达布鲁斯:用于大型打击乐器合奏。肯多音乐，2017。20122. 得分，12分，10分。23美元。Maricle Sherrie。三层格律:打击乐器七重奏。肯多音乐，2017。20111. 得分，12分，7分。18美元。麦奎尔，克里斯汀·夏纳。卡布:打击乐四重奏。帽,2017。CAP23780。20分，4个部分。32美元。麦奎尔，克里斯汀·夏纳。木槌打击训练:一种方法伴侣所有初学者通过专业人士。阿尔弗雷德,2013年。0578126531. ISBN 9780578126531。分数，44便士，10美元。Neuwirth,奥尔加。加冕礼I - io son ferito ahimè:盛盘以供敲击和取样。Ricordi, 2021年。SY5845 2021。ISMN 9790204258451。得分，8分，螺旋。48美元。Nishimura Yukiko。木槌和声音:为独奏4-木槌马林巴。帽,2022。30710. 分数，16便士，20美元。Nishimura Yukiko。万星:马林巴和钢琴二重唱。帽,2014。CAP21070评分，27页和部分。螺旋。36美元。Nishimura Yukiko。天空……
{"title":"Music Received","authors":"Kathleen Abromeit","doi":"10.1353/not.2023.a905343","DOIUrl":"https://doi.org/10.1353/not.2023.a905343","url":null,"abstract":"Music Received Compiled by Kathleen Abromeit This column features percussion music by women composers. Names were compiled using the Theodore Front database. Additional names were contributed by Ross Karre, Associate Professor of Percussion, in the Oberlin Conservatory of Music. The lists of works included are not comprehensive for each composer but are rather either recently published or notable. Special thanks to Jake Balmuth for assisting with this column. Arismendi, Diana. Solar: For Marimba. LaFi, 2019. Score, 7 p. $20. Blake, Kathryn. Just Ordinary: For Solo Percussion (2019). Media, 2021. Score, 2 p. $12. Brouwer, Margaret. Through the Haze: For Four Percussionists (Solo Percussion and Three More Percussionists). Brouwer New Music, 2019. Score, 8 p. and 4 parts. $40. Cheney, Lisa. Miniature No. 1: For Percussion Quintet. Australian Music Centre, 2018. ISMN 9790720208541. Score, 4 p. $15. Cheney, Lisa. Miniature No. 1: For Percussion Quintet. Australian Music Centre, 2018. 5 parts. $30. Feldman, Barbara Monk. Three Clarinets and Percussion (1994). Frog Peak Music, n.d. Score, 14 p. and 2 parts. Spiral. $30. Fung, Vivian. (Un)Wandering Souls: For Percussion Quartet (2020). Vivian Fung, 2022. 1340. Set of 4 scores, 8 p. $40. Fure, Ashley. Shiver Lung 2: For Solo Percussion and Electronics (2019). Peters, 2021. EP68703 ISMN 9790300761411. Score, 2 p. Spiral. $35. Gaines, Julia. Sequential Studies, Book 2: For Four Mallet Marimba. Tapspace, 2019. TSPB43. Score, 96 p. Spiral. $24 Gassi, Carmen. Bingo-Bango-Bongo: For Percussion Ensemble. Eighth Note, 2016. PE1630. ISBN 9781771573634. Score, 15 p. and 6 parts. $25. Kander, Susan. Once. Upon. A Time: For Percussion Ensemble. Subito, 2017. 90900340. Score, 22 p. and 6 parts. $45. Kepley, Angela. 1-21: For Percussion Quartet. CAP, 2019. 26120. Score, 6 p. and 4 parts. $28. Kepley, Angela. And We Meet Again…: For Percussion Quintet. CAP, 2019. 26170. Score, 5 p. and 5 parts. $32. Kepley, Angela. Battle Royale: For Percussion Ensemble. CAP, 2017. CAP23760. Score, 3 p. and 10 parts. $28. Kepley, Angela. Circles: Bucket Ensemble for 3 or More Players. CAP, 2017. CAP23770 Score, 4 p. and 6 parts. $28. Kepley, Angela. From The Inside Out: For Percussion Quartet. CAP, 2017. CAP23810. Score, 6 p. and 4 parts $28. Kepley, Angela. Quintessential Quintets: For Percussion Quintet. CAP, 2017. CAP23870. Score, 16 p. and 5 parts. $36. Ko, Tonia. Negative Magic: For Snare Drum (2019). Composers Edition, 2021. CETK1NM1. Score, 10 p. Spiral. $21. Larsen, Libby. DDT: For Percussion Quartet. Libby Larsen Publishing, 2014. Score,11 p. and 4 parts. Spiral. $30. Lash, Hannah. Start: For Solo Snare Drum. Schott, 2019. ED 20327. 9781705155721. Score, 7 p. $15. Lizée, Nicole. I Still Think About You: For Solo Percussion (2018). Canadian Music Centre, 2021. QC 78138. Score, 29 p. $41. [End Page 199] Lizée, Nicole. Katana of Choice: For Drum Kit Solo and Video (2014). Canadian Music Centre, 2016. QC77185. Score, 64 p., 1 part,","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136310378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/not.2023.a905340
James Brooks Kuykendall
Gustav Mahler. Symphonie nr. 3, für Alt-Solo, Knabenchor, Frauenchor und Orchester. Edited by Christian Rudolf Riedel. ([Die Symphonien = The symphonies]). Wiesbaden: Breitkopf & Härtel, 2021. [Front matter in Ger. and Eng.,: series foreword, p. iii–iv; series introduction, p. v– viii; volume preface, p. ix–xii; sung texts, p. xiii; scoring, p. xiv; score p. 1–254; facsimile, p. 255; ed. rep., 256–68; Einzelanmerkungen (in Ger. only) p. 268–72; glossary, p. 273–74. PB 5633 ISMN 9790004215302. $239 (€222) (pbk.); PB 5663 ISMN 9790004216002. $364 (€339) (hbk.)]
{"title":"Symphonie nr. 3, für Alt-Solo, Knabenchor, Frauenchor und Orchester by Gustav Mahler (review)","authors":"James Brooks Kuykendall","doi":"10.1353/not.2023.a905340","DOIUrl":"https://doi.org/10.1353/not.2023.a905340","url":null,"abstract":"Gustav Mahler. Symphonie nr. 3, für Alt-Solo, Knabenchor, Frauenchor und Orchester. Edited by Christian Rudolf Riedel. ([Die Symphonien = The symphonies]). Wiesbaden: Breitkopf & Härtel, 2021. [Front matter in Ger. and Eng.,: series foreword, p. iii–iv; series introduction, p. v– viii; volume preface, p. ix–xii; sung texts, p. xiii; scoring, p. xiv; score p. 1–254; facsimile, p. 255; ed. rep., 256–68; Einzelanmerkungen (in Ger. only) p. 268–72; glossary, p. 273–74. PB 5633 ISMN 9790004215302. $239 (€222) (pbk.); PB 5663 ISMN 9790004216002. $364 (€339) (hbk.)]","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"186 - 189"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48029178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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