Pub Date : 2023-11-21DOI: 10.1353/not.2023.a912371
Tony Caramia
{"title":"HerStory: The Piano Collection ed. by Karen Marshall (review)","authors":"Tony Caramia","doi":"10.1353/not.2023.a912371","DOIUrl":"https://doi.org/10.1353/not.2023.a912371","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"1 1","pages":"402 - 405"},"PeriodicalIF":0.9,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139251755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-21DOI: 10.1353/not.2023.a912348
L. Zeiss
{"title":"Mozart and the Mediation of Childhood by Adeline Mueller (review)","authors":"L. Zeiss","doi":"10.1353/not.2023.a912348","DOIUrl":"https://doi.org/10.1353/not.2023.a912348","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"50 1","pages":"325 - 328"},"PeriodicalIF":0.9,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139251932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-21DOI: 10.1353/not.2023.a912354
Daniel Epstein
{"title":"Beethoven's French Piano: A Tale of Ambition and Frustration by Tom Beghin (review)","authors":"Daniel Epstein","doi":"10.1353/not.2023.a912354","DOIUrl":"https://doi.org/10.1353/not.2023.a912354","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"29 4","pages":"343 - 346"},"PeriodicalIF":0.9,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139252786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-21DOI: 10.1353/not.2023.a912349
H. N. Dunstan
{"title":"Opera on the Couch: Music, Emotional Life, and Unconscious Aspects of Mind ed. by Steven H. Goldberg and Lee Rather (review)","authors":"H. N. Dunstan","doi":"10.1353/not.2023.a912349","DOIUrl":"https://doi.org/10.1353/not.2023.a912349","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"42 6","pages":"328 - 331"},"PeriodicalIF":0.9,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139253049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/not.2023.a905323
Eric M. Lubarsky
{"title":"Canonic Repertoires and the French Musical Press: Lully to Wagner by William Weber with Beverly Wilcox (review)","authors":"Eric M. Lubarsky","doi":"10.1353/not.2023.a905323","DOIUrl":"https://doi.org/10.1353/not.2023.a905323","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"123 - 126"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42589159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/not.2023.a905336
Sharon Mirchandani
{"title":"Babe Egan and the Hollywood Redheads: Women Musicians in the Jazz Age by Jeannie Gayle Pool (review)","authors":"Sharon Mirchandani","doi":"10.1353/not.2023.a905336","DOIUrl":"https://doi.org/10.1353/not.2023.a905336","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"168 - 170"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43032588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/not.2023.a905326
Siel Agugliaro
works, such channels were never represented as the primary motivations for his musical creativity. Mathew concludes this final section of his study with a compelling rumination on the implications of this new framing of Haydn and his cultural–economic contexts for current and future scholarship on eighteenth-century music. The foregoing summary can provide only the most skeletal overview of Mathew’s book, whose relatively modest length masks a study of vast scope and exceptional scholarly weight. Useful or stimulating historical details as well as thought-provoking critical and analytical observations can be found throughout its chapters, and many intriguing references will spur even informed readers to visit and revisit the study’s expansive bibliography. Unfortunately, the overall readability of the text is hindered at too many turns by its arrangement in discursive paragraphs of arguably excessive length. But such concerns need not detract from the value of the study. Its deeply researched reframing of Haydn’s creative life and its cultural–economic contexts, along with its implications for rethinking our perspective on the unfolding of music history between the eras of the Enlightenment and romanticism, warrants much attention, as well as further engagement on the part of those involved in research and teaching on this pivotal span of Western music history.
{"title":"Networking Operatic Italy by Francesca Vella (review)","authors":"Siel Agugliaro","doi":"10.1353/not.2023.a905326","DOIUrl":"https://doi.org/10.1353/not.2023.a905326","url":null,"abstract":"works, such channels were never represented as the primary motivations for his musical creativity. Mathew concludes this final section of his study with a compelling rumination on the implications of this new framing of Haydn and his cultural–economic contexts for current and future scholarship on eighteenth-century music. The foregoing summary can provide only the most skeletal overview of Mathew’s book, whose relatively modest length masks a study of vast scope and exceptional scholarly weight. Useful or stimulating historical details as well as thought-provoking critical and analytical observations can be found throughout its chapters, and many intriguing references will spur even informed readers to visit and revisit the study’s expansive bibliography. Unfortunately, the overall readability of the text is hindered at too many turns by its arrangement in discursive paragraphs of arguably excessive length. But such concerns need not detract from the value of the study. Its deeply researched reframing of Haydn’s creative life and its cultural–economic contexts, along with its implications for rethinking our perspective on the unfolding of music history between the eras of the Enlightenment and romanticism, warrants much attention, as well as further engagement on the part of those involved in research and teaching on this pivotal span of Western music history.","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"139 - 142"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43141701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/not.2023.a905342
D. Ledbetter
English Keyboard Music c. 1650–c. 1700: A Series of Facsimiles of Manuscript Sources. Volume 1: London, Royal College of Music Library, MS 2093 (1660s–1670s). Edited by Heather Windram and Terence Charlston, with an Introductory Essay by Andrew Woolley. Foreword by Colin Lawson. Oslo: Norsk Musikforlag, 2015 [General Preface, p. v; contents, p. vii– viii; foreword, p. ix; introduction, p. xiii–xxxvii; facsims., p. [1–50]; score, p. 51–93; critical commentary, p. 95–110; bibliography, p. 111–12. ISMN 9790065141220 N. M. O. 13757. $24]
{"title":"English Keyboard Music c. 1650–c. 1700: A Series of Facsimiles of Manuscript Sources ed. by Heather Windram and Terence Charlston (review)","authors":"D. Ledbetter","doi":"10.1353/not.2023.a905342","DOIUrl":"https://doi.org/10.1353/not.2023.a905342","url":null,"abstract":"English Keyboard Music c. 1650–c. 1700: A Series of Facsimiles of Manuscript Sources. Volume 1: London, Royal College of Music Library, MS 2093 (1660s–1670s). Edited by Heather Windram and Terence Charlston, with an Introductory Essay by Andrew Woolley. Foreword by Colin Lawson. Oslo: Norsk Musikforlag, 2015 [General Preface, p. v; contents, p. vii– viii; foreword, p. ix; introduction, p. xiii–xxxvii; facsims., p. [1–50]; score, p. 51–93; critical commentary, p. 95–110; bibliography, p. 111–12. ISMN 9790065141220 N. M. O. 13757. $24]","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"194 - 198"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43770680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/not.2023.a905340
James Brooks Kuykendall
Gustav Mahler. Symphonie nr. 3, für Alt-Solo, Knabenchor, Frauenchor und Orchester. Edited by Christian Rudolf Riedel. ([Die Symphonien = The symphonies]). Wiesbaden: Breitkopf & Härtel, 2021. [Front matter in Ger. and Eng.,: series foreword, p. iii–iv; series introduction, p. v– viii; volume preface, p. ix–xii; sung texts, p. xiii; scoring, p. xiv; score p. 1–254; facsimile, p. 255; ed. rep., 256–68; Einzelanmerkungen (in Ger. only) p. 268–72; glossary, p. 273–74. PB 5633 ISMN 9790004215302. $239 (€222) (pbk.); PB 5663 ISMN 9790004216002. $364 (€339) (hbk.)]
{"title":"Symphonie nr. 3, für Alt-Solo, Knabenchor, Frauenchor und Orchester by Gustav Mahler (review)","authors":"James Brooks Kuykendall","doi":"10.1353/not.2023.a905340","DOIUrl":"https://doi.org/10.1353/not.2023.a905340","url":null,"abstract":"Gustav Mahler. Symphonie nr. 3, für Alt-Solo, Knabenchor, Frauenchor und Orchester. Edited by Christian Rudolf Riedel. ([Die Symphonien = The symphonies]). Wiesbaden: Breitkopf & Härtel, 2021. [Front matter in Ger. and Eng.,: series foreword, p. iii–iv; series introduction, p. v– viii; volume preface, p. ix–xii; sung texts, p. xiii; scoring, p. xiv; score p. 1–254; facsimile, p. 255; ed. rep., 256–68; Einzelanmerkungen (in Ger. only) p. 268–72; glossary, p. 273–74. PB 5633 ISMN 9790004215302. $239 (€222) (pbk.); PB 5663 ISMN 9790004216002. $364 (€339) (hbk.)]","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"186 - 189"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48029178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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