{"title":"Art histories of corporate imperialism and racial capitalism","authors":"Edwin Coomasaru","doi":"10.1093/oxartj/kcab033","DOIUrl":"https://doi.org/10.1093/oxartj/kcab033","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138531185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Katherine Fein is a PhD candidate in the Department of Art History and Archaeology at Columbia University. She specializes in the visual and material culture of North America and the Atlantic world, and she is currently at work on a dissertation about nudity, race, and ecology in nineteenth-century art.
{"title":"Notes on Contributors","authors":"","doi":"10.1093/oxartj/kcab036","DOIUrl":"https://doi.org/10.1093/oxartj/kcab036","url":null,"abstract":"<span><strong>Katherine Fein</strong> is a PhD candidate in the Department of Art History and Archaeology at Columbia University. She specializes in the visual and material culture of North America and the Atlantic world, and she is currently at work on a dissertation about nudity, race, and ecology in nineteenth-century art.</span>","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138531187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Corrigendum to: Voicing the Sociality of Sound from a Deaf Perspective: Christine Sun Kim's Plenitude of Silence","authors":"Elizabeth Tan","doi":"10.1093/oxartj/kcab007","DOIUrl":"https://doi.org/10.1093/oxartj/kcab007","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45933001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Thomas Balfe received his PhD from The Courtauld Institute of Art, University of London (2014). He is an art historian specialising in easel painting and graphic art, c.1550 – c.1750. His research areas are animals, hunting, fables, food, and human–animal inversion imagery, as well as vocabularies of life-likeness in Early Modern art writing. He recently completed a Teaching Fellowship (History of Art) at Edinburgh College of Art, University of Edinburgh, and returned to the Courtauld in 2020 to teach on its MA programme. His co-edited book on the term ‘ad vivum’ and its relationship to images made from or after life was published in 2019.
Thomas Balfe, 2014年毕业于伦敦大学考陶德艺术学院，获博士学位。他是一位艺术史学家，专攻架上绘画和平面艺术，创作于1550年至1750年。他的研究领域为动物、狩猎、寓言、食物、人兽倒置意象，以及早期现代艺术写作中的生活化词汇。他最近完成了爱丁堡大学爱丁堡艺术学院的教学奖学金(艺术史)，并于2020年回到考陶德教授其硕士课程。他与人合编的一本关于“活的”(ad vivum)一词及其与生前或死后图像的关系的书于2019年出版。
{"title":"Notes on Contributors","authors":"","doi":"10.1093/oxartj/kcab022","DOIUrl":"https://doi.org/10.1093/oxartj/kcab022","url":null,"abstract":"<span><strong>Thomas Balfe</strong> received his PhD from The Courtauld Institute of Art, University of London (2014). He is an art historian specialising in easel painting and graphic art, <span style=\"font-style:italic;\">c.</span>1550 – <span style=\"font-style:italic;\">c.</span>1750. His research areas are animals, hunting, fables, food, and human–animal inversion imagery, as well as vocabularies of life-likeness in Early Modern art writing. He recently completed a Teaching Fellowship (History of Art) at Edinburgh College of Art, University of Edinburgh, and returned to the Courtauld in 2020 to teach on its MA programme. His co-edited book on the term ‘ad vivum’ and its relationship to images made from or after life was published in 2019.</span>","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138531171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hirschhorn’s Dilemma, or How Not to Ride Two Horses at Once","authors":"Lisa Lee","doi":"10.1093/oxartj/kcaa022","DOIUrl":"https://doi.org/10.1093/oxartj/kcaa022","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49362638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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