{"title":"Art History at the Water’s Edge","authors":"Theodor P. Gordon","doi":"10.1093/oxartj/kcaa024","DOIUrl":"https://doi.org/10.1093/oxartj/kcaa024","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43663417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Thoroughly Modern Models","authors":"Samuel Raybone","doi":"10.1093/oxartj/kcaa028","DOIUrl":"https://doi.org/10.1093/oxartj/kcaa028","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43819966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ruth Bretherick is Curator of Research and Public Engagement at The Fruitmarket Gallery, Edinburgh, where she has worked on the delivery of exhibitions and projects by Mark Wallinger, Jac Leirner, Lee Lozano, and Janet Cardiff and George Bures Miller, among others. She completed her PhD in History of Art at the University of Edinburgh in 2017, with a thesis entitled Pace, Rhythm, Repetition: Walking in Art Since the 1960s, supervised by Dr Tamara Trodd and Dr Glyn Davis. She has published in MIRAJ (Moving Image Review & Arts Journal), Tate Papers, and The Sculpture Journal. She has worked for the University of Edinburgh, the ARTIST ROOMS Research Partnership, and the National Galleries of Scotland, among other organisations.
{"title":"Notes on Contributors","authors":"","doi":"10.1093/oxartj/kcab005","DOIUrl":"https://doi.org/10.1093/oxartj/kcab005","url":null,"abstract":"<span><strong>Ruth Bretherick</strong> is Curator of Research and Public Engagement at The Fruitmarket Gallery, Edinburgh, where she has worked on the delivery of exhibitions and projects by Mark Wallinger, Jac Leirner, Lee Lozano, and Janet Cardiff and George Bures Miller, among others. She completed her PhD in History of Art at the University of Edinburgh in 2017, with a thesis entitled <span style=\"font-style:italic;\">Pace, Rhythm, Repetition: Walking in Art Since the 1960s</span>, supervised by Dr Tamara Trodd and Dr Glyn Davis. She has published in <span style=\"font-style:italic;\">MIRAJ (Moving Image Review & Arts Journal), Tate Papers</span>, and <span style=\"font-style:italic;\">The Sculpture Journal</span>. She has worked for the University of Edinburgh, the ARTIST ROOMS Research Partnership, and the National Galleries of Scotland, among other organisations.</span>","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138531170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sounds of Silence: Conducting Technology and Nature","authors":"Emilia Terracciano","doi":"10.1093/OXARTJ/KCAA014","DOIUrl":"https://doi.org/10.1093/OXARTJ/KCAA014","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/OXARTJ/KCAA014","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46656414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction: Voice as Form","authors":"Pamela Corey, Wenny Teo","doi":"10.1093/OXARTJ/KCAA010","DOIUrl":"https://doi.org/10.1093/OXARTJ/KCAA010","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/OXARTJ/KCAA010","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44336385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Possessing the Voice: Ventriloquism and Agency in Apichatpong Weerasethakul’s Cemetery of Splendour (2015)","authors":"Clare Veal","doi":"10.1093/OXARTJ/KCAA007","DOIUrl":"https://doi.org/10.1093/OXARTJ/KCAA007","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/OXARTJ/KCAA007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46535635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Lawrence Chua is a historian of the global modern built environment with a focus on Asian architecture and urban culture. He is an assistant professor at the School of Architecture, Syracuse University and a Scholar in Residence at the Getty Research Institute for 2020–2021. He has been a Marie S. Curie FCFP fellow at the Freiburg Institute for Advanced Studies at the Albert-Ludwigs-Universität, Freiburg, and a fellow at the International Institute of Asian Studies in Leiden. He is the author of Bangkok Utopia: Modern Architecture and Buddhist felicities (Honolulu: University of Hawai’i Press, 2021). His writing has also appeared in the Journal of the Society of Architectural Historians, Journal of Architecture, and the Journal of Urban History.
{"title":"Notes on Contributors","authors":"","doi":"10.1093/oxartj/kcaa018","DOIUrl":"https://doi.org/10.1093/oxartj/kcaa018","url":null,"abstract":"<span><strong>Lawrence Chua</strong> is a historian of the global modern built environment with a focus on Asian architecture and urban culture. He is an assistant professor at the School of Architecture, Syracuse University and a Scholar in Residence at the Getty Research Institute for 2020–2021. He has been a Marie S. Curie FCFP fellow at the Freiburg Institute for Advanced Studies at the Albert-Ludwigs-Universität, Freiburg, and a fellow at the International Institute of Asian Studies in Leiden. He is the author of <span style=\"font-style:italic;\">Bangkok Utopia: Modern Architecture and Buddhist felicities</span> (Honolulu: University of Hawai’i Press, 2021). His writing has also appeared in the <span style=\"font-style:italic;\">Journal of the Society of Architectural Historians, Journal of Architecture</span>, and the <span style=\"font-style:italic;\">Journal of Urban History.</span></span>","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138508696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Global’ Discourse and the Transcultural Field of Contemporary Art in China","authors":"J. Davidson","doi":"10.1093/OXARTJ/KCAA012","DOIUrl":"https://doi.org/10.1093/OXARTJ/KCAA012","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/OXARTJ/KCAA012","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46791468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"between the voice between the words between the work between us","authors":"Susan Pui San Lok","doi":"10.1093/OXARTJ/KCAA013","DOIUrl":"https://doi.org/10.1093/OXARTJ/KCAA013","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/OXARTJ/KCAA013","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42650163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shot by the Artist","authors":"T. Nguyen","doi":"10.1093/OXARTJ/KCAA009","DOIUrl":"https://doi.org/10.1093/OXARTJ/KCAA009","url":null,"abstract":"","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/OXARTJ/KCAA009","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44181905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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