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Victorian Periodicals Review最新文献

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Making Pictorial Print: Media Literacy and Mass Culture in British Magazines, 1885–1918 by Alison Hedley 制作画报印刷品:媒体素养与英国杂志中的大众文化,1885-1918,Alison Hedley著
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/vpr.2022.0033
E. Liggins
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引用次数: 0
Pictures of Poverty: The Works of George R. Sims and Their Screen Adaptations by Lydia Jakobs (review) Lydia Jakobs的《贫穷的照片:乔治·R·西姆斯的作品及其改编》(综述)
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/vpr.2022.0035
J. Plunkett
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引用次数: 0
Crusoe's Books: Readers in the Empire of Print, 1800–1918 by Bill Bell (review) 克鲁索的书:1800-1918年印刷帝国的读者,比尔·贝尔著(书评)
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/vpr.2022.0039
Rebecca Nesvet
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引用次数: 0
The Victorian Periodical Press: Samplings and Soundings, Forty Years On 维多利亚期刊出版社:采样与声音,四十年来
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/vpr.2022.0032
Joanne Shattock
Abstract:This retrospective article reflects on the publication and influence of Joanne Shattock and Michael Wolff's field-defining collection, The Victorian Periodical Press: Samplings and Soundings (1982).
摘要:这篇回顾性文章回顾了乔安妮·沙托克和迈克尔·沃尔夫的领域定义集《维多利亚期刊出版社:采样和声音》(1982)的出版和影响。
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引用次数: 0
Dialogic Forms in Freethought Periodicals: Free Discussion and Open Debate 自由思想期刊的对话形式:自由讨论与公开辩论
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/vpr.2022.0029
C. Stainthorp
Abstract:The nineteenth-century freethought movement championed atheist, agnostic, and secularist ideals alongside social radicalism more broadly. This article focuses on two of the periodicals that arose from this primarily working- and artisan-class movement: National Reformer (1860–93) and Secular Review/Agnostic Journal (1876–1907). Through debates, dialogues, and correspondence, the editors of and contributors to these weeklies demonstrated their commitment to open debate and honest enquiry as a tactic to overturn the dogmatism of religion and the unenlightened faith of believers. This article considers how dialogic forms enacted freethinking ideals, but it also identifies ways in which free debate could be more of an aspiration than a reality.
摘要:十九世纪的自由思想运动在更广泛的范围内支持无神论、不可知论和世俗主义的理想,以及社会激进主义。这篇文章聚焦于这场主要由工人阶级和工匠阶级运动产生的两种期刊:《国家改革者》(1860–93)和《世俗评论/不可知论期刊》(1876–1907)。通过辩论、对话和通信,这些周刊的编辑和撰稿人展示了他们对公开辩论和诚实调查的承诺,这是一种推翻宗教教条主义和信徒无知信仰的策略。这篇文章考虑了对话形式是如何实现自由思考的理想的,但它也确定了自由辩论更多地是一种愿望而非现实的方式。
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引用次数: 0
Joseph Sheridan Le Fanu by Aoife Mary Dempsey (review) 《约瑟夫·谢里丹·勒·法努》作者:玛丽·邓普西(书评)
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/vpr.2022.0040
Meaghan Scott
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引用次数: 0
Spoiler Alert: The Sensation Novel and Victorian Criticism 剧透警报:感觉小说与维多利亚批评
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/vpr.2022.0031
C. Tarr
Abstract:The spoiler, a persistent concern of the internet age, has roots in the mid-nineteenth century during the dawn of new media. In the early 1860s, Wilkie Collins and Mary Elizabeth Braddon asked periodical reviewers not to reveal the plots of their novels. These requests elicited responses ranging from begrudging compliance to outright refusal. Not only had critics become accustomed to providing summaries, but they were also inclined to disparage sensation novels. Charles Dickens, whose plots were also revealed by reviewers, adjusted his approach in Our Mutual Friend, his final complete novel, by introducing a mystery that was easily solvable, allowing him both to attract the audience for sensation fiction and to disguise more significant social commentary.
摘要:剧透是网络时代的一个持续关注的问题,其根源在于19世纪中期新媒体的兴起。19世纪60年代初,威尔基·柯林斯和玛丽·伊丽莎白·布雷登要求期刊评论家不要透露他们小说的情节。这些请求引起了从不情愿遵守到断然拒绝的各种反应。评论家们不仅习惯于提供摘要,而且还倾向于贬低轰动小说。查尔斯·狄更斯(Charles Dickens)的情节也被评论家揭露,他在最后一部完整的小说《我们共同的朋友》(Our Mutual Friend)中调整了自己的方法,引入了一个很容易解决的谜团,使他既能吸引观众观看轰动小说,又能掩盖更重要的社会评论。
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引用次数: 1
Kamala Satthianadhan and the Indian Ladies' Magazine: Women's Editorship and Transnational Print Networks in Late Colonial India Kamala Satthianadhan与《印度女性杂志》:殖民地后期印度的女性编辑与跨国印刷网络
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/vpr.2022.0028
T. Puri
Abstract:The Indian Ladies' Magazine, launched in 1901 under the editorship of Kamala Satthianadhan, quickly evolved into a platform where the future of Indian womanhood was fiercely debated. Publishing anonymous writers alongside household names like Sarojini Naidu, it made a crucial intervention in the ongoing conversation about the public and private roles of Indian women at a time when both colonial rule and patriarchal notions of domesticity were being unsettled. This essay focuses on Satthianadhan's editorial persona and the first run of the magazine (1901–18), arguing that this first iteration provided the editor and contributing authors a significant platform for advocating social reform, creating a community of readers, and fashioning the New Indian Woman.
摘要:《印度女性杂志》于1901年由Kamala Satthianadhan编辑创办,很快发展成为一个关于印度女性未来的激烈辩论平台。在殖民统治和父权家庭观念都不稳定的时候,它与Sarojini Naidu等家喻户晓的作家一起出版了匿名作家,对正在进行的关于印度女性公共和私人角色的对话进行了至关重要的干预。这篇文章聚焦于萨蒂亚纳丹的编辑个性和该杂志的第一次发行(1901–18),认为这第一次迭代为编辑和撰稿人提供了一个重要的平台,可以倡导社会改革,创建读者社区,塑造新印度女性。
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引用次数: 0
Julia Wedgwood, the Unexpected Victorian: The Life and Writing of a Remarkable Female Intellectual by Sue Brown (review) Julia Wedgwood,《意外的维多利亚:杰出女知识分子的生活与写作》,作者:Sue Brown(评论)
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/vpr.2022.0038
Mercedes Sheldon
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引用次数: 0
The Poet as Fundraiser: Writing Catchpenny Verse at Times of Military Crisis in the Nineteenth Century 作为募捐者的诗人:在19世纪军事危机时期写《守望者》
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/vpr.2022.0030
Tai-Chun Ho
Abstract:This essay considers the evolution of nineteenth-century fundraising verse in the British press by tracing how three noncombatant poets—Sir Walter Scott, Tom Taylor, and Rudyard Kipling—raised money for suffering soldiers and their families in the aftermath of Waterloo (1815) and Alma (1854) and during the early stages of the Anglo-Boer War (1899–1902). By investigating Romantic and Victorian poetic engagements with the contradictions between the conventions of representing war and the commercial enterprise of advertising charity funds, this essay sheds light on the complicated relationship between poetry, the press, and military crises during England's imperial conflicts.
摘要:本文通过追溯三位非战斗诗人——沃尔特·斯科特爵士、汤姆·泰勒和鲁迪亚德·吉卜林——在滑铁卢(1815年)和阿尔玛(1854年)之后以及英博战争(1899-1902年)的早期阶段,如何为受苦受难的士兵及其家人筹集资金,来思考19世纪英国媒体筹款诗的演变。通过考察浪漫主义和维多利亚时代的诗歌活动,以及代表战争的惯例与慈善基金广告商业企业之间的矛盾,本文揭示了英国帝国冲突期间诗歌、新闻和军事危机之间的复杂关系。
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引用次数: 0
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Victorian Periodicals Review
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