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A City on the Move 一个移动的城市
Pub Date : 2019-12-01 DOI: 10.1525/aft.2019.464003
B. Arnold
Organized by Hou Hanru and Hans Ulrich Obrist and featured in locations across Europe between 1997 and 1999, the groundbreaking exhibition Cities on the Move highlighted an evolving understanding of modernism based on the post–World War II cities of East and Southeast Asia. Curating a visual experience that mimicked the controlled chaos of late-twentieth-century Asian cities, the show brought together more than 150 artists and architects in an attempt to identify hybrids and commonalities in a pan-Asian cultural development that arose in the wake of colonialism and the Cold War, and has continued into the age of “hypercities”1 like Bangkok, Hong Kong, Kaula Lampur, and Tokyo. In discussing the development of Cities on the Move , Obrist stated:> Normally curators know what they are looking for, but our research was a complicated process. We never worked out a complete exhibition concept—it was only during our travels that the whole complexity of the urban conditions started to dawn on us. As a result of this research it became clear that the theme of the exhibition would be the city and its dynamic variables. A city is never static, it never sleeps. Using these materials, we put together an exhibition that is in constant motion itself.2Ironically, this exhibition only travelled through Europe, securing the established divide between Asia and the Euro/America-centric visions of internationalism. Nonetheless, the exhibition opened …
由侯汉如和汉斯·乌尔里希·奥布里斯特于1997年至1999年在欧洲各地举办的开创性展览“移动中的城市”突出了基于二战后东亚和东南亚城市对现代主义的不断发展的理解。展览策划了一种视觉体验,模仿了二十世纪晚期亚洲城市的控制混乱,汇集了150多位艺术家和建筑师,试图在殖民主义和冷战之后兴起的泛亚洲文化发展中识别混合和共同点,并一直持续到曼谷、香港、考拉兰普尔和东京等“超级城市”时代。在讨论移动城市的发展时,奥布里斯特说:“通常情况下,策展人知道他们在寻找什么,但我们的研究是一个复杂的过程。我们从来没有制定出一个完整的展览概念——只有在我们旅行的过程中,我们才开始意识到城市环境的复杂性。研究结果表明,展览的主题将是城市及其动态变量。城市从不静止,从不沉睡。利用这些材料,我们制作了一个不断运动的展览。具有讽刺意味的是,这次展览只在欧洲展出,巩固了亚洲与以欧洲/美国为中心的国际主义之间的既定鸿沟。尽管如此,展览还是开幕了……
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引用次数: 0
Becoming Literate in Communications Activism: Media Literacy and the US Movement for Media Justice and Media Reform 在传播行动主义中变得有文化:媒体素养与美国媒体正义和媒体改革运动
Pub Date : 2017-09-01 DOI: 10.1525/AFT.2017.45.2-3.4
Lyell Davies
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引用次数: 0
Falsehood in Focus: Media and the Politics of Veracity 聚焦的谎言:媒体与真实性政治
Pub Date : 2017-09-01 DOI: 10.1525/AFT.2017.45.2-3.9
J. Corner
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引用次数: 2
May Symposium: Media Literacy Highlights 五月研讨会:媒介素养的亮点
Pub Date : 2017-09-01 DOI: 10.1525/AFT.2017.45.2-3.2
Dolores Flamiano
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引用次数: 1
The Power of Protest Imagery Then and Now: Christian Schulz's West Berlin 抗议意象的力量:过去与现在:克里斯蒂安·舒尔茨的西柏林
Pub Date : 2017-09-01 DOI: 10.1525/aft.2017.45.2-3.42
Sarah Goodrum
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引用次数: 0
Ethnopoetics of Reality: The Work of Sky Hopinka 现实的民族诗学:Sky Hopinka的作品
Pub Date : 2017-09-01 DOI: 10.1525/aft.2017.45.2-3.27
A. E. López
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引用次数: 0
SECOND REFLECTION, SECOND INNOCENCE: Linguistic-Affect and Anti-Debt Prefigurement in Corina Kennedy's Tender for All 第二反思,第二纯真:柯瑞娜·肯尼迪《对所有人的温柔》中的语言情感与反债务预言
Pub Date : 2017-09-01 DOI: 10.1525/AFT.2017.45.2-3.52
T. Donovan
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引用次数: 0
Where We are Now: A Conversation with Rita Leistner 我们现在在哪里:与丽塔·莱斯特纳的对话
Pub Date : 2017-09-01 DOI: 10.1525/AFT.2017.45.2-3.20
Bill Kouwenhoven
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引用次数: 0
Bearing Witness in A Post-Factual Age: Documentary Shorts on the Syrian Crisis and Critical Media Literacy 后事实时代的见证:关于叙利亚危机和批判性媒体素养的纪录片短片
Pub Date : 2017-09-01 DOI: 10.1525/AFT.2017.45.2-3.13
Soumitree Gupta, Crystine Miller
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引用次数: 1
An Empty Field 空白的领域
Pub Date : 2017-09-01 DOI: 10.1525/AFT.2017.45.2-3.72
Elisabeth Tonnard
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引用次数: 0
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Comparative Technology Transfer and Society
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