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KOREA JOURNAL最新文献

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A Portrait of Early American Anthropology Drawn from the Analysis of Scholars Who Studied Korea a Century Ago 从一个世纪前研究韩国的学者的分析看早期美国人类学的画像
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2019-06-01 DOI: 10.25024/kj.2019.59.2.228
정헌목
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引用次数: 0
Toward a Space of Dissensus: The Oasis’s Performance in Urban Space, Scriptive Things and Relational Aesthetics 走向不一致的空间:绿洲在城市空间中的表现、文字事物与关系美学
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2019-06-01 DOI: 10.25024/kj.2019.59.2.202
Hyunshik Ju
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引用次数: 0
Korean Theater in Kazakhstan as a Cultural Hub of the Diaspora 哈萨克斯坦的韩国剧院作为散居者的文化中心
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2019-06-01 DOI: 10.25024/KJ.2019.59.2.177
German N. Kim, Youngsarm Hwang
For Soviet Koreans the Korean theater, founded by amateur groups in Vladivostok, became the embodiment of ethnic art, literature, music, dance and costume. After its deportation, the theater worked in Kyzyl-Orda (1937–41; 1959–68) and Ushtobe (1942–59). It moved to Alma-Ata in 1966 and has been based there ever since. For over 85 years, the Korean theater has been maintaining and promoting national culture among not only the Korean diaspora but also the diverse ethnic populations of the Soviet Union. The promoting the cultural interests of the country of origin in a multiethnic environment. This means that the theater’s mission regarding Koreans in the former Soviet Union and the Commonwealth of Independent States (CIS) was and still is twofold: “diaspora building” and “diaspora intergration.” The recent challenges and trends faced by this unique diasporic theater demands a synergy between the Korean diaspora and its ethnic motherland’s efforts.
对于苏联朝鲜人来说,由业余团体在符拉迪沃斯托克创立的韩国剧院,成为了民族艺术、文学、音乐、舞蹈和服装的化身。驱逐出境后,剧院在基齐尔-奥尔达(1937-41;1959-68)和乌什图别(1942-59)。它于1966年迁至阿拉木图,并一直驻扎在那里。在过去的85年里,韩国剧团不仅在侨民中,而且在苏联各民族中维护和弘扬了民族文化。在多民族环境中促进原籍国的文化利益。这意味着,剧院对前苏联和独联体(CIS)韩国人的使命过去是,现在仍然是双重的:“侨民建设”和“侨民融合”。这个独特的散居剧场最近面临的挑战和趋势要求散居的韩国人和其民族祖国的努力之间的协同作用。
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引用次数: 1
Frank Laubach and the Adult Literacy Campaign in South Korea in the 1950s–1960s 弗兰克·劳巴赫与20世纪50 - 60年代韩国的成人扫盲运动
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2019-06-01 DOI: 10.25024/kj.2019.59.2.5
S. Yoo, Rebekah Lee, Da-jung Jung
This study traces the history and contribution of the Korean Christian Literacy Association (KCLA) to literacy expansion in South Korea from liberation in 1945 to the 1960s. There are critical gaps in the data and analysis concerning the role of civil society organizations (CSO), and especially religious-based organizations, in South Korea’s literacy expansion. This study examines data and documents on one CSO—the KCLA—and the extent to which it was influenced by the American missionary Frank Laubach. Laubach and his team’s one-month visit to South Korea through the arrangement of American Protestant missionaries was the beginning of the KCLA. Through the support of foreign missionaries, their connections with the United States Army Military Government in Korea (USAMGIK), the South Korean government, and funding sources overseas, South Korean Christian leaders took the Laubach method and Laubach’s teaching materials, such as the Hangeul cheotgeoleum (Korean Primer) and the Story of Jesus, and conducted an adult literacy campaign through literacy classes, reading classes, and Readers’ Clubs. While the number of enrollments, publications, and the outcome of these activities are not yet clearly verifiable, it is evident that the activities of the KCLA, through connections with Frank Laubach, foreign missionaries, and foreign funding sources, significantly contributed to adult literacy education in South Korea.
本研究追溯了韩国基督教识字协会(KCLA)从1945年解放到20世纪60年代对韩国识字扩张的历史和贡献。民间社会组织,特别是宗教组织在韩国扫盲方面的作用的数据和分析存在重大差距。这项研究考察了一个CSO——KCLA——的数据和文件,以及它受到美国传教士弗兰克·劳巴赫影响的程度。劳巴赫和他的团队在美国新教传教士的安排下对韩国进行了为期一个月的访问,这是KCLA的开始。通过外国传教士的支持,他们与驻韩美军政府(USAMGIK)、韩国政府的联系,以及海外的资金来源,韩国基督教领袖采用了劳巴赫方法和劳巴赫的教材,如《韩国入门》和《耶稣的故事》,并通过扫盲班、阅读班和读者俱乐部开展了成人扫盲运动。虽然报名人数、出版物和这些活动的结果尚不清楚,但很明显,KCLA的活动通过与Frank Laubach、外国传教士和外国资金来源的联系,为韩国的成人识字教育做出了重大贡献。
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引用次数: 1
The U.S. Army Photography and the “Seen Side” and “Blind Side” of the Japanese Military Comfort Women: The Still Pictures and Motion Pictures of the Korean Comfort Girls in Myitkyina, Sungshan, and Tengchung 美国陆军摄影与日军慰安妇的“看得见的一面”和“看不见的一面”——密支那、成山和腾冲的韩国慰安妇剧照和电影
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2019-06-01 DOI: 10.25024/kj.2019.59.2.144
강성현
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引用次数: 0
Rethinking Working-Class Formation in South Korea: A Reflective Essay 重新思考韩国工人阶级的形成:一篇反思文章
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2019-03-01 DOI: 10.25024/kj.2019.59.1.135
Hagen Koo
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引用次数: 0
The Writing Community of Guinhoe: Time of the Eternal Recurrence 金荷的写作共同体:永恒轮回的时代
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2019-03-01 DOI: 10.25024/KJ.2019.59.1.212
Yerhee Kim
This paper examines the literary thinking of the Nietzschean-influenced community Guinhoe and its central concern, Poetry and Novel (1936), a magazine published by a coterie of writers. Guinhoe was a unique community that chose to be considered as non-group, a paradoxical self-definition that reflected the concepts of the group and its members. This particular writing community presented itself through ideas, writings and literary concepts based upon Nietzsche’s concept of “Eternal Recurrence.” The deconstruction and denial of themselves as a group through their writing allows the Guinhoe community to continue to exist. There is no objective shape, only activity and process, and in this sense the community considers the action of writing itself as literature. In other words, the community is writing itself endlessly by repeating the action of writing.
本文考察了受尼采影响的群体Guinhoe的文学思想及其核心关注点《诗歌与小说》(1936),这是一本由一群作家出版的杂志。Guinhoe是一个选择被视为非群体的独特群体,这是一个自相矛盾的自我定义,反映了群体及其成员的概念。这个特殊的写作群体是通过基于尼采“永恒的轮回”概念的思想、写作和文学概念来呈现的。通过他们的写作对自己作为一个群体的解构和否定,使金荷群体得以继续存在。没有客观的形式,只有活动和过程,在这个意义上,社区将写作本身视为文学。换言之,社区通过重复写作的行为,无休止地写作。
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引用次数: 0
Corruption, Citizen Resistance, and the Future of Democracy in Korea: An Introduction 腐败、公民抵抗与韩国民主的未来:导论
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2019-03-01 DOI: 10.25024/KJ.2019.59.1.5
Heemin Kim
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引用次数: 0
Articulating Inequality in the Candlelight Protests of 2016–2017 2016-2017年烛光抗议中的不平等
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2019-03-01 DOI: 10.25024/kj.2019.59.1.16
Yoonkyung Lee
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引用次数: 5
Review of Unexpected Alliances: Independent Filmmakers, the State, and the Film Industry in Postauthoritarian South Korea 意外联盟回顾:后独裁时代韩国的独立电影制作人、国家和电影业
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2019-03-01 DOI: 10.25024/kj.2019.59.1.237
Steve Choe
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引用次数: 0
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KOREA JOURNAL
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