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Buddhism and the Afterlife in the Late Joseon Dynasty: Leading Souls to the Afterlife in a Confucian Society 朝鲜末年的佛教与来世:儒家社会的灵魂导向来世
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.25024/KJ.2020.60.4.267
Kim Yong Tae
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引用次数: 0
Making Democracy Compatible with Mission: James Earnest Fisher as a Missionary and US Information Officer in Korea, 1919–1948 《使民主与使命相容:詹姆斯·欧内斯特·费舍尔作为传教士和美国在朝鲜的信息官员,1919-1948》
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.25024/KJ.2020.60.4.115
J. An
This paper examines the ideas and activities of James Earnest Fisher (1886–1989) in Korea. Fisher first came to Korea in 1919 as a missionary of the Methodist Episcopal Church, South, and taught at Chosen Christian College until 1934. Having published Democracy and Mission Education in Korea (1928), based on his PhD dissertation, Fisher introduced John Dewey’s ideas on democracy and education to colonial Korea and tried to reinterpret the goals of mission education there. He argued for democracy as an educational goal when many Koreans were energized by new trends such as socialism. After Japan’s defeat in 1945 and with Korea under divided occupation, Fisher returned to Korea in 1946 as a USAMGIK official for political education and public relations. He sought to propagate American democracy in southern Korea, participated in the US-USSR Joint Commission talks in 1947, and helped to establish the South Korean government in 1948. Fisher’s ideas and activities show a unique aspect of KoreanAmerican relations in terms of how Christian mission and a certain view of democracy were articulated under Japanese colonial rule, and during the formative period leading to the establishment of the Republic of Korea.
本文考察了詹姆斯·欧内斯特·费雪(James Earnest Fisher, 1886-1989)在韩国的思想和活动。费雪于1919年以南方卫理公会传教士的身份来到韩国,并在特选基督教大学任教至1934年。费希尔以博士论文为基础出版了《韩国的民主主义和传教教育》(1928年),他将约翰·杜威的民主主义和教育思想介绍到殖民地韩国,并试图重新解释传教教育的目标。在社会主义等新潮流的刺激下,他主张将民主主义作为教育目标。1945年日本战败后,朝鲜被分割,费舍尔于1946年回到韩国,担任驻韩美军政治教育和公共关系官员。他试图在韩国南部宣传美国民主,参加了1947年的美苏联合委员会会谈,并在1948年帮助建立了韩国政府。费舍尔的思想和活动展示了韩美关系的一个独特方面,即基督教使命和某种民主主义观点是如何在日本殖民统治下,以及在大韩民国建立的形成时期表达出来的。
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引用次数: 0
Korean Sovereignty, Liberal Democratic Society, and the Underwoods, 1916–1951 朝鲜主权、自由民主社会和安德伍德家族,1916-1951
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.25024/KJ.2020.60.4.86
Elizabeth Underwood
Protestant missionaries present in Korea during the period of the US military government and the formation of the Republic of Korea (1945–1948) were observers of and, to some extent, participants in the development of an anti-communist state increasingly aligned with Korean Protestantism. Through the cases of Horace and Ethel Underwood, this paper illustrates that the missionary role in the US military government, Korean society, and Korean state formation must be understood from within the complexities of missionary experience under colonialism, approaches to missions and society, and the personal histories of missionaries with Korea. Beginning with conflicts within the Presbyterian missions in Korea and rooted in Horace Underwood’s pre-colonial Korean childhood, both Underwoods became committed to Korean autonomy and sovereignty, a stance which guided their interactions with their mission and with the American military government. In those interactions they displayed confidence in the promise of a liberal democratic society in Korea as they urged their colleagues to seek and to defer to Korean opinion. Wary of both communism and the authoritarianism displayed in the early Syngman Rhee administration, their words and actions demonstrated a strong faith in the potential of Koreans to forge and participate actively in a vibrant, open, liberal society.
在美国军政府和大韩民国成立期间(1945-1948),在韩国的新教传教士是一个反共国家发展的观察者,在某种程度上,也是一个与韩国新教日益结盟的国家发展的参与者。本文通过贺拉斯和埃塞尔·安德伍德的案例说明,传教士在美国军政府、韩国社会和韩国国家形成中的作用必须从殖民主义下传教士经历的复杂性、传教和社会的途径以及传教士与韩国的个人历史中来理解。从朝鲜长老会传教会内部的冲突开始,根植于Horace Underwood在殖民前的韩国童年,两位Underwood都致力于朝鲜的自治和主权,这一立场指导了他们与传教会和美国军政府的互动。在这些互动中,他们表现出对韩国自由民主社会前景的信心,敦促他们的同事寻求并听从韩国人的意见。对李承晚(Syngman lee)政府早期的共产主义和威权主义都心存戒心,但他们的言行表明,他们坚信韩国人有潜力打造并积极参与一个充满活力、开放、自由的社会。
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引用次数: 0
Ssen-Unni in K-Pop: The Makings of “Strong Sisters” in South Korea 韩国流行音乐中的Ssen-Unni:韩国“坚强姐妹”的形成
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.25024/KJ.2020.60.1.17
Jieun Lee, Hyangsoon Yi
From the highest points of Psy’s and BTS’s popularity, K-pop fans worldwide have continued to experience the Korean Wave through different media, contexts, and perspectives. In search of the intersections between the Hallyu phenomenon and femininity, this article investigates K-pop women singers’ media presentations and performances that are critical in understanding women’s positionality in contemporary South Korea. In this paper, we will focus particularly on the recent configuration of ssenunni (strong sister) that evokes a feeling of empowerment in young women K-pop fans. Examining how the diverse and often contradictory messages of women’s liberation and freedom have been produced, disseminated, and consumed, using the strong femininity implied by the notion of ssen-unni before and after Hallyu, we argue that the contemporary representations of femininity by women artists in the K-pop world reveal not only limitations, but also potentials in the changing cultural topography of Korean society.
从鸟叔和防弹少年团的人气最高点开始,世界各地的K-pop粉丝通过不同的媒体、环境和视角持续体验韩流。为了寻找韩流现象与女性气质之间的交集,本文调查了韩国流行女歌手的媒体展示和表演,这对理解当代韩国女性的地位至关重要。在本文中,我们将特别关注ssenunni(强姐姐)的最新配置,它唤起了年轻女性K-pop粉丝的赋权感。我们研究了女性解放和自由的各种信息是如何产生、传播和消费的,并利用韩流前后女性主义概念所隐含的强烈女性气质,我们认为,韩国流行音乐世界中女性艺术家对女性气质的当代表现不仅揭示了局限性,而且揭示了韩国社会不断变化的文化形态的潜力。
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引用次数: 4
Korean Pioneer Women: Picture Brides and the Formation of Upwardly Mobile Korean Families in California, 1910s-1930s 韩国先锋女性:照片新娘和加利福尼亚向上流动的韩国家庭的形成,1910 -1930
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.25024/KJ.2020.60.1.207
Jiwon Kim
This study examines the efforts of Korean picture brides to promote the upward mobility of their families in California from the 1910s to the 1930s. It analyzes special collections, oral histories, interviews, US government documents, contemporary studies, and newspapers to identify the specific characteristics of Korean picture brides in California and to shed light on their struggles to survive and expand their familial roles. The migration of Korean picture brides to California facilitated the development of unique nuclear families in California’s Korean community. Objectively analyzing the impact of the US historical context on Korean picture brides’ efforts to improve the socioeconomic status of their families, this study focuses on how these Korean women migrants diversified their roles in the face of California’s changing discriminatory environment. It finds that Korean families’ successful adjustment to life in California resulted from the varied and complex economic, educational, and emotional roles Korean picture brides adopted to facilitate their families’ upward mobility. In adjusting to life as active members of a marginalized community in early twentieth-century California, Korean picture brides exemplified the spirit of pioneer women, leveraging opportunity from adversity by embracing roles that had no precedent in traditional Korean families.
本研究考察了20世纪10年代至30年代在加州的韩国照片新娘为促进家庭向上流动所做的努力。通过对特别收藏、口述历史、采访、美国政府文件、当代研究、报纸等资料的分析,确定了加利福尼亚韩国照片新娘的具体特征,并揭示了她们为生存和扩大家庭角色而进行的斗争。韩国照片新娘移民到加州,促进了加州韩国社区独特核心家庭的发展。本研究客观分析了美国历史背景对韩国照片新娘努力改善家庭社会经济地位的影响,重点研究了面对加州不断变化的歧视环境,这些韩国女性移民如何实现角色多元化。研究发现,韩国家庭之所以能成功适应加州的生活,是因为韩国照片新娘在经济、教育和情感方面扮演了各种复杂的角色,以促进其家庭的向上流动。在20世纪早期的加利福尼亚,作为一个边缘化社区的积极成员,韩国照片新娘在适应生活的过程中,体现了先锋女性的精神,通过接受传统韩国家庭中没有先例的角色,从逆境中利用机会。
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引用次数: 0
Bishop Patrick Byrne and the Korean Catholic Church in Cold War Korea 帕特里克·伯恩主教和冷战时期的韩国天主教会
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.25024/KJ.2020.60.4.58
Han Ji Eun
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引用次数: 0
Hallyu and Film Adaptation: Maids of Decolonization in Park Chan-wook’s The Handmaiden 韩流与电影改编:朴赞郁《使女》中的非殖民化女仆
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.25024/KJ.2020.60.1.128
Moonyoung Chung, Heebon Park-Finch
This paper offers an intermedial and intercultural reading of The Handmaiden (2016), a film adapted from Sarah Waters’ Fingersmith (2002) by Park Chan-wook. Park’s transcultural screen adaptation, representative of a post-colonial, hybridizing trend in Hallyu, transfers Waters’ Victorian setting to the Japanese-colonized Korea during the 1930s, expanding the novel’s focus on class and gender to issues of race, equality, and power. Park prompts his two female protagonists, a Japanese lady and a Korean handmaiden, to decolonize the psychic and social structures of a pro Japanese mansion in the process of becoming-maids that effectively decouples the predominant power/class relationships in its closed environment. Through their successful performance as equal participants in a satiric, self-reflexive pastiche of the Hollywood aesthetic, Park dramatizes the politics of hybridity and the politics of gender, class, and colonialism, providing a hybrid third space in the final scene of the film when the heroines sail to Shanghai. The Handmaiden demonstrates the dynamic force of Hallyu through its symbolic decolonization of Western cultural hegemony, its depiction of global and personal power shifts, and its new vision of the hybrid space.
本文对《使女》(2016)进行了中间和跨文化的解读,这部电影改编自莎拉·沃特斯的《手指史密斯》(2002),作者是朴赞郁。朴槿惠的这部跨文化改编电影代表了后殖民时代的韩流混合趋势,将沃特斯的维多利亚时代背景转移到20世纪30年代日本殖民时期的韩国,将小说对阶级和性别的关注扩展到种族、平等和权力问题。朴槿惠的两个女主人公,一个日本女士和一个韩国女仆,在成为女仆的过程中,去殖民化了亲日豪宅的精神和社会结构,有效地分离了封闭环境中的主导权力/阶级关系。通过她们作为好莱坞美学的讽刺、自我反思式模仿的平等参与者的成功表演,朴导演将混合政治和性别、阶级、殖民主义政治戏剧化,在电影的最后一幕,当女主角乘船前往上海时,提供了混合的第三个空间。《使女》通过对西方文化霸权的象征性去殖民化、对全球和个人权力转移的描写以及对混合空间的新视野,展示了韩流的活力。
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引用次数: 0
Prayers for Divine Protection: The Temple God (1885) of Heungcheonsa Temple and the Cult of Guan Yu 祈求神的保佑:兴天寺的庙神(1885年)和关羽崇拜
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.25024/KJ.2020.60.2.180
Lee Seunghye
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引用次数: 2
Efforts by the Republic of China Government to Convert Chinese Communist Prisoners of War during the Korean War 朝鲜战争期间中华民国政府对中国共产党战俘的转化
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.25024/KJ.2020.60.2.75
Y. Park
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引用次数: 1
The Poet’s Ethics and Persona as Practitioner: The Korean Poetic Response to Colonialism in the 1930s 诗人的伦理与实践者的人格:20世纪30年代韩国诗歌对殖民主义的回应
IF 0.4 4区 社会学 Q1 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.25024/KJ.2020.60.2.242
J. Kim
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引用次数: 0
期刊
KOREA JOURNAL
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