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Book Review: Koichi Fujita and Tsukasa Mizushima (Eds), Sustainable Development in India: Groundwater Irrigation, Energy Use, and Food Production 书评:藤田光一和水岛津坂主编,《印度的可持续发展:地下水灌溉、能源利用和粮食生产》
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.1177/02627280221141714
R. Sahu
Koichi Fujita and Tsukasa Mizushima (Eds), Sustainable Development in India: Groundwater Irrigation, Energy Use, and Food Production (Abingdon: Routledge, 2020), xvii + 248 pp.
Koichi Fujita和Tsukasa Mizushima(编),印度的可持续发展:地下水灌溉,能源使用和粮食生产(Abingdon: Routledge, 2020), 17 + 248页。
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引用次数: 0
Book Review: Megha Anwer and Anupama Arora (Eds), Bollywood’s New Woman: Liberalisation, Liberation, and Contested Bodies 书评:Megha answer和Anupama Arora(编辑),宝莱坞的新女性:自由化,解放和有争议的身体
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.1177/02627280221141451
P. Sinha
Megha Anwer and Anupama Arora (Eds), Bollywood’s New Woman: Liberalisation, Liberation, and Contested Bodies (New Brunswick, NJ and London: Rutgers University Press, 2021), vi + 213 pp.
Megha Anwer和Anupama Arora(编辑),《宝莱坞的新女性:自由化、解放和竞争机构》(新泽西州新不伦瑞克和伦敦:罗格斯大学出版社,2021),第六期,213页。
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引用次数: 0
Book Review: Riho Isaka, Language, Identity, and Power in Modern India: Gujarat, c. 1850-1960 伊坂理豪:《现代印度的语言、身份和权力:古吉拉特邦,1850-1960》
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.1177/02627280221141443
Amrita Shodhan
Riho Isaka, Language, Identity, and Power in Modern India: Gujarat, c. 1850-1960 (London and New York: Routledge, 2022), xii + 193 pp.
Riho Isaka,《现代印度的语言、身份和权力:古吉拉特邦》,约1850-1960年(伦敦和纽约:Routledge,2022),xii+193页。
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引用次数: 0
Book Review: Patrick Inglis, Narrow Fairways: Getting By & Falling Behind in the New India 书评:帕特里克·英格利斯,《狭窄的球道:在新印度勉强过关和落后》
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.1177/02627280221143518
W. Menski
Patrick Inglis, Narrow Fairways: Getting By & Falling Behind in the New India (New York: Oxford University Press, 2019), xvi + 301 pp.
帕特里克·英格利斯,《狭窄的球道:在新印度勉强凑合和落后》(纽约:牛津大学出版社,2019),第16 + 301页。
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引用次数: 0
Retraction Notice 撤销通知
Q1 Arts and Humanities Pub Date : 2023-01-26 DOI: 10.1177/02627280231154664
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引用次数: 0
Nautch, Thuggee and Criminality in Nineteenth-Century Colonial India 19世纪殖民印度的奴隶、暴徒和犯罪
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-01-07 DOI: 10.1177/02627280221141710
Nibedita Kuiry, A. Rath
Nineteenth-century colonial India witnessed the much-hyped anti-thuggee campaign, instrumental in creating an elaborate archive of frequent commentaries, opinions on banditry, prisoners and their trials, approvers’ accounts, administrative studies as well as fictional narratives. Re-reading such archival sources, this article explores how nautch, a hybrid form of dance, once glorified and later criminalised by the colonial powers, became a point of intersection between the Europeans in India and local thugs, who often benefitted from such dancers. The article shows the precarious position of the nautch performers as instrumental in collaborating with the colonial rulers and the outlawed thugs for controlling perceived ‘crime’ in the Indian subcontinent, while ending up as victims, too.
19世纪的殖民地印度见证了大肆宣传的反暴徒运动,这有助于创建一个精心制作的档案,其中包括频繁的评论、对土匪行为的看法、囚犯及其审判、批准者的叙述、行政研究以及虚构的叙事。这篇文章重读了这些档案来源,探讨了nautch,一种混合舞蹈形式,曾经被殖民大国美化,后来被定罪,是如何成为印度欧洲人和当地暴徒之间的交叉点的,他们经常从这些舞者中受益。这篇文章展示了nautch表演者的不稳定地位,他们在与殖民统治者和非法暴徒合作控制印度次大陆的“犯罪”方面发挥了重要作用,同时也成为了受害者。
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引用次数: 0
Decolonising the Gateway of India 去殖民化印度门户
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-01-07 DOI: 10.1177/02627280221141045
Rajeev Kumaramkandath
This article interrogates how a colonial monument, the Gateway of India in Mumbai, former Bombay, continues to carry and be endowed with a title that is a misplaced embodiment of Indian social histories. Built in the 1920s, this monument, definitely a work of architectural grandeur, continues to carry its erroneous rendition and confines India’s vast social histories to the colonial moment, with an anglo-centric focus. As the monument symbolises the memory of the colonial regime, it also signifies its oppression as well as its exit from the subcontinent, rather than witnessing anyone coming to India, except King George in 1911, as the monument’s title seems to suggest. A mnemonic device of colonialism, this misleading label needs to be seriously revisited, for it not only romanticises the colonial past but also fails to lead our memories back to certain crucial episodes in earlier social histories, from which the monument and its specific place, Mumbai, are more or less fully absent.
这篇文章探讨了一个殖民时期的纪念碑,孟买的印度门户,前孟买,如何继续携带并被赋予一个错位的印度社会历史体现的标题。这座纪念碑建于20世纪20年代,绝对是一座宏伟的建筑作品,它继续秉承着错误的演绎,将印度庞大的社会历史局限在殖民时期,以盎格鲁为中心。由于这座纪念碑象征着对殖民政权的记忆,它也象征着它的压迫以及它从次大陆的退出,而不是见证任何人来到印度,除了1911年的乔治国王,正如纪念碑的名字所暗示的那样。作为殖民主义的一种记忆工具,这个误导性的标签需要认真地重新审视,因为它不仅将殖民历史浪漫化,而且未能将我们的记忆带回早期社会历史的某些关键事件,而纪念碑和它的特定地点孟买或多或少完全缺席。
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引用次数: 0
Book review: Geetanjali Srikantan, Identifying and Regulating Religion in India: Law, History and the Place of Worship 书评:Geetanjali Srikantan,《印度宗教的识别和规范:法律、历史和礼拜场所》
IF 0.8 Q1 Arts and Humanities Pub Date : 2022-09-05 DOI: 10.1177/02627280221115691
Ayush Dube
Geetanjali Srikantan, Identifying and Regulating Religion in India: Law, History and the Place of Worship (Cambridge: Cambridge University Press, 2020), viii + 251 pp.
Geetanjali Srikantan,《识别和规范印度宗教:法律、历史和礼拜场所》(剑桥:剑桥大学出版社,2020年),第8 + 251页。
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引用次数: 0
Book review: Velayutham Saravanan, Water and the Environment History of Modern India 书评:Velayutham Saravanan,《现代印度的水与环境史》
IF 0.8 Q1 Arts and Humanities Pub Date : 2022-09-05 DOI: 10.1177/02627280221119631
Prof Vikas Kumar
Velayutham Saravanan, Water and the Environment History of Modern India (London: Bloomsbury Academic, 2020), xviii + 243 pp.
Velayutham Saravanan,《现代印度的水与环境史》(伦敦:Bloomsbury Academic,2020),第xvii+243页。
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引用次数: 0
Book review: Nasir Uddin, The Rohingya: An Ethnography of ‘Subhuman’ Life 书评:纳西尔·乌丁,《罗兴亚人:亚人类生活的民族志》
IF 0.8 Q1 Arts and Humanities Pub Date : 2022-09-05 DOI: 10.1177/02627280221115676
Md Niamot Ali
Nasir Uddin, The Rohingya: An Ethnography of ‘Subhuman’ Life (New Delhi: Oxford University Press, 2020), xviii + 248 pp.
纳西尔·乌丁,《罗兴亚人:“亚人类”生活的民族志》(新德里:牛津大学出版社,2020),第xvii+248页。
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引用次数: 0
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South Asia Research
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