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Eco-Anxiety and the Intractable Afterlives of Plastic. 生态焦虑症和难以解决的塑料后遗症。
IF 0.2 4区 文学 0 LITERATURE
LITERATURE AND MEDICINE
Pub Date : 2024-01-01 DOI: 10.1353/lm.2024.a935831
Geovani Ramírez
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引用次数: 0
Sitting with Death. 与死亡同坐
IF 0.2 4区 文学 0 LITERATURE
LITERATURE AND MEDICINE
Pub Date : 2024-01-01 DOI: 10.1353/lm.2024.a935832
Nathan Gray
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引用次数: 0
The Intimate Palliative Sphere: Affect, Gender, and the Good Death in Relational End-of-Life Narratives. 亲密的姑息领域：情感、性别与生命终结叙事中的美好死亡。
IF 0.2 4区 文学 0 LITERATURE
LITERATURE AND MEDICINE
Pub Date : 2024-01-01 DOI: 10.1353/lm.2024.a935835
Katja Herges

An increasing number of collaborative end-of-life narratives have been published after the death of the protagonist. Focusing on two examples of women's end-of-life memoirs in contemporary German popular culture, this essay examines how relationality, gender, and affectivity shape the philosophies, practices, and politics of palliative care and the associated concepts of the "good death." Ultimately, I argue that the memoirs foreground a still-marginal narrative and practice of dying at home within an intimate public sphere of palliation that transgresses traditional approaches to care for the dying in contemporary health care. They also contribute to gendered and sentimental notions of family care and of the self-determined and autonomous body and death.

越来越多的合作性临终叙事是在主人公去世后发表的。本文以当代德国流行文化中的两部女性临终回忆录为例，探讨了关系性、性别和情感如何塑造姑息治疗的理念、实践和政治，以及相关的 "美好死亡 "概念。最终，我认为这些回忆录凸显了一种仍处于边缘地位的叙事方式，以及在亲密的公共姑息治疗领域内的居家死亡实践，这种方式超越了当代医疗保健领域中传统的临终关怀方式。这些回忆录还促进了家庭护理的性别化和情感化观念，以及自我决定和自主的身体和死亡观念。
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引用次数: 0
Afterlife. 来世
IF 0.2 4区 文学 0 LITERATURE
LITERATURE AND MEDICINE
Pub Date : 2024-01-01 DOI: 10.1353/lm.2024.a935828
Susan J Sample
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引用次数: 0
Afterlife and Life-After. 来世与后世
IF 0.2 4区 文学 0 LITERATURE
LITERATURE AND MEDICINE
Pub Date : 2024-01-01 DOI: 10.1353/lm.2024.a935829
Jaime Konerman-Sease
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引用次数: 0
Palliative Images in Marion Coutts's The Iceberg and Marco Peano's L'invenzione della madre. 玛丽昂-库茨的《冰山》和马可-皮诺的《母亲的发明》中的姑息形象。
IF 0.2 4区 文学 0 LITERATURE
LITERATURE AND MEDICINE
Pub Date : 2024-01-01 DOI: 10.1353/lm.2024.a935840
Maria Vaccarella

This article explores the representation of terminal brain cancer in Marion Coutts's memoir The Iceberg (2014), on her husband's illness and death, and Marco Peano's autofiction L'invenzione della madre (The invention of the mother; 2015), about a son who cares for his mother during her final days. While addressing the medicalization of dying and the efficacy of palliative care, both texts engage pervasively with visual culture. This emphasis on the visual arts and cinema provides a thought-provoking commentary on the protagonists' experience of witnessing the gradual erosion of verbal expression in their dying loved ones. This essay will thus explore both the use of visual culture as palliative praxis and the authors' implicit considerations on the role of narrativity in dying.

本文探讨了玛丽恩-库茨（Marion Coutts）的回忆录《冰山》（The Iceberg，2014 年）和马尔科-皮诺（Marco Peano）的自传体小说《母亲的发明》（L'invenzione della madre，2015 年）中对晚期脑癌的表述，前者讲述了她的丈夫患病和死亡，后者则讲述了一个儿子在母亲临终前照顾她的故事。在探讨死亡医疗化和姑息治疗的有效性的同时，这两部作品都普遍涉及视觉文化。对视觉艺术和电影的重视，为主人公目睹临终亲人语言表达能力逐渐衰退的经历提供了发人深省的注解。因此，本文将探讨视觉文化作为姑息疗法的应用，以及作者对叙事性在死亡中的作用的隐含思考。
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引用次数: 0
Cicely Saunders and the Literary and Cultural Heritage of "Total Pain". 西塞莉-桑德斯与 "全面疼痛 "的文学和文化遗产
IF 0.2 4区 文学 0 LITERATURE
LITERATURE AND MEDICINE
Pub Date : 2024-01-01 DOI: 10.1353/lm.2024.a935834
Joe Wood

In this article, I present some of the literary and cultural influences behind hospice pioneer Cicely Saunders's idea of "total pain," a term she used from the 1960s onwards to promote the holistic approach which has since become palliative care. Existing studies imply "total pain" emerged from Saunders's own mixed career experiences and her attention to patient narratives. However, I explore how the term originates not only in Saunders's direct encounters with her patients but also in her readings of literary, philosophical, and theological texts from a range of European post-war contexts, from Viktor Frankl and Simone de Beauvoir to Martin Buber and Ladislaus Boros. Examining "total pain" in light of Saunders's reading reveals the particular intellectual milieu-often ignored-from which palliative care emerged.

在本文中，我将介绍安宁疗护先驱西塞莉-桑德斯（Cicely Saunders）的 "全痛 "理念背后的一些文学和文化影响。"全痛 "是她从 20 世纪 60 年代开始使用的一个术语，旨在推广整体关怀方法，该方法后来成为姑息关怀。现有的研究表明，"全痛 "源自桑德斯自身复杂的职业经历和她对病人叙述的关注。然而，我将探讨这一术语不仅源于桑德斯与病人的直接接触，还源于她对一系列战后欧洲背景下的文学、哲学和神学文本的解读，从维克多-弗兰克尔（Viktor Frankl）、西蒙娜-德-波伏瓦（Simone de Beauvoir）到马丁-布伯（Martin Buber）和拉迪斯劳斯-博罗斯（Ladislaus Boros）。根据桑德斯的解读来研究 "全面疼痛"，可以揭示出姑息关怀产生的特殊思想环境--这种环境往往被忽视。
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引用次数: 0
Introduction: A "Totalizing" View of Palliative Care. 导言：姑息关怀的 "全面化 "观点。
IF 0.2 4区 文学 0 LITERATURE
LITERATURE AND MEDICINE
Pub Date : 2024-01-01 DOI: 10.1353/lm.2024.a935833
Anna M Elsner, Steven Wilson
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引用次数: 0
Knowing Black Afterlives. 了解黑人的余生
IF 0.2 4区 文学 0 LITERATURE
LITERATURE AND MEDICINE
Pub Date : 2024-01-01 DOI: 10.1353/lm.2024.a935825
Kimberly Bain
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引用次数: 0
Last Narratives: Life Writing Palliative Praxis. 最后的叙述：生命书写姑息实践。
IF 0.2 4区 文学 0 LITERATURE
LITERATURE AND MEDICINE
Pub Date : 2024-01-01 DOI: 10.1353/lm.2024.a935838
Franziska Gygax

Research on palliative care emphasizes the crucial role of narratives in the encounter with suffering and dying patients because we need to learn from the dying in order to improve care for them. Autobiographical narratives by terminally ill writers contribute to a more encompassing understanding of what it means to be dying as they often thematize dying and death, besides theorizing all kinds of implications of terminal illness. Among such autothanatographers are well-known writers such as Gillian Rose, Jenny Diski, and Tom Lubbock. The process of writing about the last stage of their lives is palliative narrative praxis because the narrative act alleviates suffering. Exploring dying and death in philosophical, literary, and often highly poetic terms needs to be read and interpreted within a more complex web of meaning-making.

姑息关怀研究强调叙事在与受苦受难和濒临死亡的病人接触过程中的关键作用，因为我们需要从濒临死亡的病人身上学习，以改善对他们的关怀。临终作家的自传体叙事有助于人们更全面地理解濒死意味着什么，因为这些叙事除了将绝症的各种影响理论化之外，还常常将濒死和死亡主题化。这些自述者包括吉莉安-罗斯、珍妮-迪斯基和汤姆-卢博克等著名作家。书写生命最后阶段的过程是姑息性叙事实践，因为叙事行为可以减轻痛苦。从哲学、文学以及通常极富诗意的角度来探讨垂死和死亡，需要在一个更为复杂的意义生成网络中进行解读和阐释。
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引用次数: 0
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