Pub Date : 2023-01-01DOI: 10.25162/hermes-2023-0034
Christian Vassallo
This paper analyses in-depth Proclus’ testimonium to Crantor on Plato’s Atlantis (fr. 8 Mette). The expression ἱστορία ψιλή we read in the evidence should be interpreted in light of Proclus’ effort to classify the various readings of the Atlantis story (and of Platonic myths in general). From the elements at our disposal, we may tentatively infer that Crantor upheld a metaphorical (i. e. didactic) reading not only of the creation account of the Timaeus, but of the Atlantis myth as well. This metaphorical reading did not deny the ‘truth’ of the fiction (in some way confirmed by the phrase λόγος ἀληθής in the Platonic lemma commented by Proclus), but we may guess it surely ruled out any plausibility of the ‘historicity’ of the Atlantis story.
{"title":"Crantore lettore del prologo del Timeo: Il fr. 8 Mette tra decostruzione ed ermeneutica","authors":"Christian Vassallo","doi":"10.25162/hermes-2023-0034","DOIUrl":"https://doi.org/10.25162/hermes-2023-0034","url":null,"abstract":"This paper analyses in-depth Proclus’ testimonium to Crantor on Plato’s Atlantis (fr. 8 Mette). The expression ἱστορία ψιλή we read in the evidence should be interpreted in light of Proclus’ effort to classify the various readings of the Atlantis story (and of Platonic myths in general). From the elements at our disposal, we may tentatively infer that Crantor upheld a metaphorical (i. e. didactic) reading not only of the creation account of the Timaeus, but of the Atlantis myth as well. This metaphorical reading did not deny the ‘truth’ of the fiction (in some way confirmed by the phrase λόγος ἀληθής in the Platonic lemma commented by Proclus), but we may guess it surely ruled out any plausibility of the ‘historicity’ of the Atlantis story.","PeriodicalId":44574,"journal":{"name":"HERMES-ZEITSCHRIFT FUR KLASSISCHE PHILOLOGIE","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135953101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25162/hermes-2023-0037
Tabea L. Meurer
Studies on temporality in Sidonius’ letters have so far been dominated by narratological approaches. This article proposes an additional perspective by focusing on social and ethical dimensions of time issues. Drawing from scholarship on both imperial epistolography and ancient timekeeping, I develop a framework for studying temporal-behavior patterns as negotiations of elite habitus. Many letters that provide insights in temporal habits (chronotypes) define also in- and out-groups based on temporal conventions (chronotopes). Time management displays a life order Sidonius can approve or disapprove of. The motif of the clepsydra illustrates this connection between temporal habits and senatorial ethos most vividly.
{"title":"Spatia vitae. Social Time Issues in Sidonius","authors":"Tabea L. Meurer","doi":"10.25162/hermes-2023-0037","DOIUrl":"https://doi.org/10.25162/hermes-2023-0037","url":null,"abstract":"Studies on temporality in Sidonius’ letters have so far been dominated by narratological approaches. This article proposes an additional perspective by focusing on social and ethical dimensions of time issues. Drawing from scholarship on both imperial epistolography and ancient timekeeping, I develop a framework for studying temporal-behavior patterns as negotiations of elite habitus. Many letters that provide insights in temporal habits (chronotypes) define also in- and out-groups based on temporal conventions (chronotopes). Time management displays a life order Sidonius can approve or disapprove of. The motif of the clepsydra illustrates this connection between temporal habits and senatorial ethos most vividly.","PeriodicalId":44574,"journal":{"name":"HERMES-ZEITSCHRIFT FUR KLASSISCHE PHILOLOGIE","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135952805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25162/hermes-2023-0040
Pablo Puente
This discussion deals with Statius, Thebaid 6.227-33, a passage considered an interpolation by most critics. The most recent edition of the poem describes the lines as genuine but transmitted in the wrong position without indicating their original location. I develop this perspective by considering and rejecting a possible transposition of the passage to a position between Thebaid 3.113 and 3.114. I then argue that the lines might instead be a marginal creation of an ancient interpolator inspired by the passage in Book 3.
{"title":"On the Origin of Statius, Thebaid 6.227–33","authors":"Pablo Puente","doi":"10.25162/hermes-2023-0040","DOIUrl":"https://doi.org/10.25162/hermes-2023-0040","url":null,"abstract":"This discussion deals with Statius, Thebaid 6.227-33, a passage considered an interpolation by most critics. The most recent edition of the poem describes the lines as genuine but transmitted in the wrong position without indicating their original location. I develop this perspective by considering and rejecting a possible transposition of the passage to a position between Thebaid 3.113 and 3.114. I then argue that the lines might instead be a marginal creation of an ancient interpolator inspired by the passage in Book 3.","PeriodicalId":44574,"journal":{"name":"HERMES-ZEITSCHRIFT FUR KLASSISCHE PHILOLOGIE","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135952827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25162/hermes-2023-0036
Marie Okáčová
The overall aim of this paper is to enquire about the performative qualities of Optatian’s visual poems and contextualize these experimental texts within the late-antique culture of transformation and change. Adopting a performative approach, the author sheds new light on the metatexts embedded in the majority of Optatian’s carmina as well as the metadiscursive significance of several individual pieces of his collection (Carm. 3 and 25, in particular). The performative features traceable in the corpus include: a) notions of multi-mediality and spectacularity together with the physical materiality and dynamics of language, all constantly advertised by the poet; b) the expected active role of readers as co-performers of these intricate texts; and c) the inherent performative power of particular intextual images.
{"title":"Text, Image, and Music","authors":"Marie Okáčová","doi":"10.25162/hermes-2023-0036","DOIUrl":"https://doi.org/10.25162/hermes-2023-0036","url":null,"abstract":"The overall aim of this paper is to enquire about the performative qualities of Optatian’s visual poems and contextualize these experimental texts within the late-antique culture of transformation and change. Adopting a performative approach, the author sheds new light on the metatexts embedded in the majority of Optatian’s carmina as well as the metadiscursive significance of several individual pieces of his collection (Carm. 3 and 25, in particular). The performative features traceable in the corpus include: a) notions of multi-mediality and spectacularity together with the physical materiality and dynamics of language, all constantly advertised by the poet; b) the expected active role of readers as co-performers of these intricate texts; and c) the inherent performative power of particular intextual images.","PeriodicalId":44574,"journal":{"name":"HERMES-ZEITSCHRIFT FUR KLASSISCHE PHILOLOGIE","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135954934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25162/hermes-2023-0038
Nicholas Lane
Abstract This note discusses the lacuna at Nemean 9.17, considers the supplements suggested to date and proposes a new one.
本文讨论了Nemean 9.17的缺陷，考虑了迄今为止建议的补充，并提出了一个新的补充。
{"title":"A Textual Note on Pindar, Nemean 9.17","authors":"Nicholas Lane","doi":"10.25162/hermes-2023-0038","DOIUrl":"https://doi.org/10.25162/hermes-2023-0038","url":null,"abstract":"Abstract This note discusses the lacuna at Nemean 9.17, considers the supplements suggested to date and proposes a new one.","PeriodicalId":44574,"journal":{"name":"HERMES-ZEITSCHRIFT FUR KLASSISCHE PHILOLOGIE","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135953130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25162/hermes-2023-0039
Nicolai Futás, Tobias Hirsch
In his oration Against Ctesiphon, Aeschines mentions the power his rival Demosthenes had during his term as treasurer of the theoric fund (ἐπὶ τὸ θεωρικόν). Many modern assumptions about the function of the Athenian financial administration and politics between the end of the Social War (357-355 BC) and the early 330’s BC are based on Aischin. Ctes. 25. This article argues for taking into account an emendation brought forward by the early 19th century British scholar Peter Paul Dobree. His suggestions, as will be shown, correspond better to the rhetorical structure of Aeschines’ argument than the prevailing reading and change the interpretation of the treasurers’ responsibilities.
在他对忒西芬的演说中，埃斯钦提到了他的对手德摩斯梯尼在他担任理论基金的财务主管期间所拥有的权力(τ π ς τ ο θεωρικόν)。在社会战争结束(公元前357-355年)到公元前330年代早期，许多关于雅典财政管理和政治功能的现代假设都是基于爱斯钦。ct。25。本文主张考虑19世纪初英国学者彼得·保罗·多布里提出的一项修订。他的建议，正如我们将会看到的，比流行的解读更符合埃斯钦论证的修辞结构，并改变了对司库职责的解释。
{"title":"Eine Konjektur zu Aischines Gegen Ktesiphon, 25","authors":"Nicolai Futás, Tobias Hirsch","doi":"10.25162/hermes-2023-0039","DOIUrl":"https://doi.org/10.25162/hermes-2023-0039","url":null,"abstract":"In his oration Against Ctesiphon, Aeschines mentions the power his rival Demosthenes had during his term as treasurer of the theoric fund (ἐπὶ τὸ θεωρικόν). Many modern assumptions about the function of the Athenian financial administration and politics between the end of the Social War (357-355 BC) and the early 330’s BC are based on Aischin. Ctes. 25. This article argues for taking into account an emendation brought forward by the early 19<sup>th</sup> century British scholar Peter Paul Dobree. His suggestions, as will be shown, correspond better to the rhetorical structure of Aeschines’ argument than the prevailing reading and change the interpretation of the treasurers’ responsibilities.","PeriodicalId":44574,"journal":{"name":"HERMES-ZEITSCHRIFT FUR KLASSISCHE PHILOLOGIE","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135953378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25162/hermes-2023-0035
Ayelet Peer
Plutarch’s exuberant writings reaped praise in both antique and modern times. Various aspects of his work have been amply studied and analysed, yet some remain less discussed. This paper therefore aims to contribute to the ongoing research of his works by examining Plutarch’s references to stasis in general, and more particularly to the Roman civil wars. Plutarch lived through the civil wars of 69 CE, and although he did not suffer by experiencing them directly, these events no doubt contributed to his views on the role of stasis and civil war, especially in Roman history. While Plutarch does not openly express his convictions on these events, especially not on contemporary occurrences, civil unrest is nevertheless a deliberate and significant theme in all of his writings. This paper presents various examples from Plutarch’s work which illuminate his particular understanding of Roman civil dissension and the ways in which he cleverly and meticulously approached this issue, being aware of the threat it may have posed him during the principate.
{"title":"Plutarch on Civil Wars","authors":"Ayelet Peer","doi":"10.25162/hermes-2023-0035","DOIUrl":"https://doi.org/10.25162/hermes-2023-0035","url":null,"abstract":"Plutarch’s exuberant writings reaped praise in both antique and modern times. Various aspects of his work have been amply studied and analysed, yet some remain less discussed. This paper therefore aims to contribute to the ongoing research of his works by examining Plutarch’s references to stasis in general, and more particularly to the Roman civil wars. Plutarch lived through the civil wars of 69 CE, and although he did not suffer by experiencing them directly, these events no doubt contributed to his views on the role of stasis and civil war, especially in Roman history. While Plutarch does not openly express his convictions on these events, especially not on contemporary occurrences, civil unrest is nevertheless a deliberate and significant theme in all of his writings. This paper presents various examples from Plutarch’s work which illuminate his particular understanding of Roman civil dissension and the ways in which he cleverly and meticulously approached this issue, being aware of the threat it may have posed him during the principate.","PeriodicalId":44574,"journal":{"name":"HERMES-ZEITSCHRIFT FUR KLASSISCHE PHILOLOGIE","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135954920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25162/hermes-2023-0033
Hans Hansen
As a technology of commemoration, epinician song was a late archaic innovation. To gain acceptance for this innovative genre, Pindar works to anchor it to Greek epic and encomiastic poetry, that is, to demonstrate its continuity with these genres. But Pindar also regularly vaunts his poetry on the grounds that it is novel and inventive, potentially undermining his efforts at anchoring. This paper studies Olympian 13 as an example of a text in which Pindar’s habits of anchoring his poetry and advertising its inventiveness are effectively reconciled. I argue that the ode’s central Bellerophon myth, a pointed rewriting of Homer’s account of Bellerophon (Il. 6.119-211), and the ode’s hybrid meter are showpieces of poetic innovation that demonstrate the worth and originality of Pindaric epinician to the ode’s Corinthian audience, while at the same time anchoring this genre to Homeric epic and dithyrambic song.
{"title":"Advertising Innovation in Pindar’s Olympian 13","authors":"Hans Hansen","doi":"10.25162/hermes-2023-0033","DOIUrl":"https://doi.org/10.25162/hermes-2023-0033","url":null,"abstract":"As a technology of commemoration, epinician song was a late archaic innovation. To gain acceptance for this innovative genre, Pindar works to anchor it to Greek epic and encomiastic poetry, that is, to demonstrate its continuity with these genres. But Pindar also regularly vaunts his poetry on the grounds that it is novel and inventive, potentially undermining his efforts at anchoring. This paper studies Olympian 13 as an example of a text in which Pindar’s habits of anchoring his poetry and advertising its inventiveness are effectively reconciled. I argue that the ode’s central Bellerophon myth, a pointed rewriting of Homer’s account of Bellerophon (Il. 6.119-211), and the ode’s hybrid meter are showpieces of poetic innovation that demonstrate the worth and originality of Pindaric epinician to the ode’s Corinthian audience, while at the same time anchoring this genre to Homeric epic and dithyrambic song.","PeriodicalId":44574,"journal":{"name":"HERMES-ZEITSCHRIFT FUR KLASSISCHE PHILOLOGIE","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135953131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25162/hermes-2023-0041
Christoph Schubert
{"title":"Wen liebten die alten Germaninnen? Zu Tacitus, Germania 19,2","authors":"Christoph Schubert","doi":"10.25162/hermes-2023-0041","DOIUrl":"https://doi.org/10.25162/hermes-2023-0041","url":null,"abstract":"","PeriodicalId":44574,"journal":{"name":"HERMES-ZEITSCHRIFT FUR KLASSISCHE PHILOLOGIE","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135952828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-01-01DOI: 10.25162/HERMES-2018-0002
M. Hose
This paper aims at reconstructing how the positive image of Octavian resp. Augustus, which can be found in the Greek literature of the early 2nd century AD (e.g. in Plutarch), was formed. During their conflict with Octavian, Marc Antony and his party were creating an image of their opponent which displayed numerous forms of disparagement and of invective elements. After his victory, Octavian faced the challenge to restore his reputation also in the Greek East. As a starting point for this restoration he provided his autobiography, which was probably published at an early date, i.e. about the late 20s BC. At the same time, both in poetry (Crinagoras) and prose (Dionysius of Halicarnassus and Strabo) an image of the princeps as a bringer of peace and culture was created. After a cooperation with Timagenes had failed, Nicolaus of Damascus added to the positive image of Augustus by composing a panegyrical biography of Augustus which incorporated also his childhood and youth.
{"title":"Augustus' Eintritt in die griechische Literatur","authors":"M. Hose","doi":"10.25162/HERMES-2018-0002","DOIUrl":"https://doi.org/10.25162/HERMES-2018-0002","url":null,"abstract":"This paper aims at reconstructing how the positive image of Octavian resp. Augustus, which can be found in the Greek literature of the early 2nd century AD (e.g. in Plutarch), was formed. During their conflict with Octavian, Marc Antony and his party were creating an image of their opponent which displayed numerous forms of disparagement and of invective elements. After his victory, Octavian faced the challenge to restore his reputation also in the Greek East. As a starting point for this restoration he provided his autobiography, which was probably published at an early date, i.e. about the late 20s BC. At the same time, both in poetry (Crinagoras) and prose (Dionysius of Halicarnassus and Strabo) an image of the princeps as a bringer of peace and culture was created. After a cooperation with Timagenes had failed, Nicolaus of Damascus added to the positive image of Augustus by composing a panegyrical biography of Augustus which incorporated also his childhood and youth.","PeriodicalId":44574,"journal":{"name":"HERMES-ZEITSCHRIFT FUR KLASSISCHE PHILOLOGIE","volume":"22 1","pages":"23-40"},"PeriodicalIF":0.1,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89296057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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