Pub Date : 1919-04-01DOI: 10.1086/bulldetmusart41935120
Islay Taylor
Among the recent additions to the George G. Booth Loan Collection is a piece of American wrought iron, a suggested design for a grating or screen for a door or window. It is the work of Samuel Yellin, of Philadelphia, a prominent American metal worker. The design is composed of a central basket-like figure between two upright twisted bands. The flowers which fill the basket make an intricate pattern as they intertwine about the uprights, and garlands of acorns and leaves form the decorative feature beneath the basket. The extremely naturalistic treatment shows the extent to which the working of iron in decorative patterns may be carried. The comparison of this piece with some of Mr. Yellin's more conventional designs in wrought iron, in an adjoining case, is interesting. NECKLACE
乔治·g·布斯(George G. Booth)借来的藏品中最近增加了一件美国锻铁，这是一种用于门或窗的栅栏或屏风的建议设计。这是费城的塞缪尔·耶林(Samuel Yellin)的作品，他是一位杰出的美国金属工人。该设计由两个直立扭曲的条带之间的中央篮状图形组成。篮子里的花朵缠绕在柱子上，形成了一个复杂的图案，篮子下面是橡子和树叶编成的花环。极其自然的处理显示了铁在装饰图案中的加工程度。这件作品与耶林的一些更传统的锻铁设计(在相邻的一个箱子里)相比较，很有趣。项链
{"title":"NECKLACE","authors":"Islay Taylor","doi":"10.1086/bulldetmusart41935120","DOIUrl":"https://doi.org/10.1086/bulldetmusart41935120","url":null,"abstract":"Among the recent additions to the George G. Booth Loan Collection is a piece of American wrought iron, a suggested design for a grating or screen for a door or window. It is the work of Samuel Yellin, of Philadelphia, a prominent American metal worker. The design is composed of a central basket-like figure between two upright twisted bands. The flowers which fill the basket make an intricate pattern as they intertwine about the uprights, and garlands of acorns and leaves form the decorative feature beneath the basket. The extremely naturalistic treatment shows the extent to which the working of iron in decorative patterns may be carried. The comparison of this piece with some of Mr. Yellin's more conventional designs in wrought iron, in an adjoining case, is interesting. NECKLACE","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1919-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131014561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1919-04-01DOI: 10.1086/BULLDETMUSART41935124
C. H. B.
In assembling the Annual Exhibition of Paintings by American Artists from the important exhibitions and galleries of the East and from the studios of the artists, it is the aim to bring together a collection which will be fairly representative of the work of contemporary painters and that will suggest the trend of painting in America. In order to do this one must lay aside personal preferences and prejudices and choose within a wide latitude the works which have had the stamp of approval of official juries or have been accepted for public exhibition. This does not necessarily mean that everything in such an exhibition is above reproach or criticism. It
{"title":"FIFTH ANNUAL EXHIBITION","authors":"C. H. B.","doi":"10.1086/BULLDETMUSART41935124","DOIUrl":"https://doi.org/10.1086/BULLDETMUSART41935124","url":null,"abstract":"In assembling the Annual Exhibition of Paintings by American Artists from the important exhibitions and galleries of the East and from the studios of the artists, it is the aim to bring together a collection which will be fairly representative of the work of contemporary painters and that will suggest the trend of painting in America. In order to do this one must lay aside personal preferences and prejudices and choose within a wide latitude the works which have had the stamp of approval of official juries or have been accepted for public exhibition. This does not necessarily mean that everything in such an exhibition is above reproach or criticism. It","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1919-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129195859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1919-03-01DOI: 10.1086/bulldetmusart41934803
C. B.
{"title":"MEMORIAL EXHIBITION OF PAINTINGS BY HENRY GOLDEN DEARTH","authors":"C. B.","doi":"10.1086/bulldetmusart41934803","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934803","url":null,"abstract":"","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1919-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123107357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1919-03-01DOI: 10.1086/bulldetmusart41934797
{"title":"PORTRAIT BY OSIP PERELMA PRESENTED","authors":"","doi":"10.1086/bulldetmusart41934797","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934797","url":null,"abstract":"","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1919-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129698809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1919-03-01DOI: 10.1086/bulldetmusart41934802
C. H. B.
Mr. Hunter, who is an acknowledged authority on the subject, will secure a group of wall hangings covering all the important periods of tapestry weaving. Loans for this exhibit will be made from the most important collections in the United States, with which Mr. Hunter has had long familiarity. The Museum is desirous of securing locally owned tapestries to include in this exhibit and Mr. Hunter will spend the week of April 1st, in Detroit, with a view of examining tapestries in Detroit collections suitable for inclusion in the exhibit. The Museum will greatly appreciate it if those who own important hangings of this nature will advise the Director of their willingness to co-operate. An important feature of Mr. Hunter's work will be his Lecture Promenades , similar to those which he has given in the Metropolitan Museum of Art, New York, for a number of years. He will give daily talks on the exhibition to study clubs, teachers, classes of school children, art students and any other groups of individuals who wish to hear him. These gallery talks will be free to the public, but it will be necessary to 'phone the Director for an appointment.
{"title":"WAR DRAWINGS BY VERNON HOWE BAILEY","authors":"C. H. B.","doi":"10.1086/bulldetmusart41934802","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934802","url":null,"abstract":"Mr. Hunter, who is an acknowledged authority on the subject, will secure a group of wall hangings covering all the important periods of tapestry weaving. Loans for this exhibit will be made from the most important collections in the United States, with which Mr. Hunter has had long familiarity. The Museum is desirous of securing locally owned tapestries to include in this exhibit and Mr. Hunter will spend the week of April 1st, in Detroit, with a view of examining tapestries in Detroit collections suitable for inclusion in the exhibit. The Museum will greatly appreciate it if those who own important hangings of this nature will advise the Director of their willingness to co-operate. An important feature of Mr. Hunter's work will be his Lecture Promenades , similar to those which he has given in the Metropolitan Museum of Art, New York, for a number of years. He will give daily talks on the exhibition to study clubs, teachers, classes of school children, art students and any other groups of individuals who wish to hear him. These gallery talks will be free to the public, but it will be necessary to 'phone the Director for an appointment.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1919-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120952818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1919-03-01DOI: 10.1086/bulldetmusart41934807
C. C.
During the months in which the Egyptian Collection at the Museum of Art has been closed to the public, such questions as "Where are the mummies?" and "Why can't we see them?" have given ample proof of the interest taken by the general public of today in the manners and customs of one of the most ancient of civilizations. In order that the Collection might be exhibited to the best advantage and in as attractive a way as possible it has been installed in the newly decorated room west of the main court, and will be opened to the public about March 10th.
{"title":"EGYPTIAN ART COLLECTIONS OPENED","authors":"C. C.","doi":"10.1086/bulldetmusart41934807","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934807","url":null,"abstract":"During the months in which the Egyptian Collection at the Museum of Art has been closed to the public, such questions as \"Where are the mummies?\" and \"Why can't we see them?\" have given ample proof of the interest taken by the general public of today in the manners and customs of one of the most ancient of civilizations. In order that the Collection might be exhibited to the best advantage and in as attractive a way as possible it has been installed in the newly decorated room west of the main court, and will be opened to the public about March 10th.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1919-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129176434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1919-03-01DOI: 10.1086/bulldetmusart41934801
Leland Hunter
Mr. Hunter, who is an acknowledged authority on the subject, will secure a group of wall hangings covering all the important periods of tapestry weaving. Loans for this exhibit will be made from the most important collections in the United States, with which Mr. Hunter has had long familiarity. The Museum is desirous of securing locally owned tapestries to include in this exhibit and Mr. Hunter will spend the week of April 1st, in Detroit, with a view of examining tapestries in Detroit collections suitable for inclusion in the exhibit. The Museum will greatly appreciate it if those who own important hangings of this nature will advise the Director of their willingness to co-operate. An important feature of Mr. Hunter's work will be his Lecture Promenades , similar to those which he has given in the Metropolitan Museum of Art, New York, for a number of years. He will give daily talks on the exhibition to study clubs, teachers, classes of school children, art students and any other groups of individuals who wish to hear him. These gallery talks will be free to the public, but it will be necessary to 'phone the Director for an appointment.
{"title":"ANNUAL EXHIBITION","authors":"Leland Hunter","doi":"10.1086/bulldetmusart41934801","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934801","url":null,"abstract":"Mr. Hunter, who is an acknowledged authority on the subject, will secure a group of wall hangings covering all the important periods of tapestry weaving. Loans for this exhibit will be made from the most important collections in the United States, with which Mr. Hunter has had long familiarity. The Museum is desirous of securing locally owned tapestries to include in this exhibit and Mr. Hunter will spend the week of April 1st, in Detroit, with a view of examining tapestries in Detroit collections suitable for inclusion in the exhibit. The Museum will greatly appreciate it if those who own important hangings of this nature will advise the Director of their willingness to co-operate. An important feature of Mr. Hunter's work will be his Lecture Promenades , similar to those which he has given in the Metropolitan Museum of Art, New York, for a number of years. He will give daily talks on the exhibition to study clubs, teachers, classes of school children, art students and any other groups of individuals who wish to hear him. These gallery talks will be free to the public, but it will be necessary to 'phone the Director for an appointment.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1919-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124211787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1919-03-01DOI: 10.1086/bulldetmusart41934798
{"title":"ADDITIONS TO THE COLONIAL ROOM","authors":"","doi":"10.1086/bulldetmusart41934798","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934798","url":null,"abstract":"","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"517 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1919-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134583570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1919-03-01DOI: 10.1086/bulldetmusart41934800
Mr. Hunter, who is an acknowledged authority on the subject, will secure a group of wall hangings covering all the important periods of tapestry weaving. Loans for this exhibit will be made from the most important collections in the United States, with which Mr. Hunter has had long familiarity. The Museum is desirous of securing locally owned tapestries to include in this exhibit and Mr. Hunter will spend the week of April 1st, in Detroit, with a view of examining tapestries in Detroit collections suitable for inclusion in the exhibit. The Museum will greatly appreciate it if those who own important hangings of this nature will advise the Director of their willingness to co-operate. An important feature of Mr. Hunter's work will be his Lecture Promenades , similar to those which he has given in the Metropolitan Museum of Art, New York, for a number of years. He will give daily talks on the exhibition to study clubs, teachers, classes of school children, art students and any other groups of individuals who wish to hear him. These gallery talks will be free to the public, but it will be necessary to 'phone the Director for an appointment.
{"title":"TAPESTRIES","authors":"","doi":"10.1086/bulldetmusart41934800","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934800","url":null,"abstract":"Mr. Hunter, who is an acknowledged authority on the subject, will secure a group of wall hangings covering all the important periods of tapestry weaving. Loans for this exhibit will be made from the most important collections in the United States, with which Mr. Hunter has had long familiarity. The Museum is desirous of securing locally owned tapestries to include in this exhibit and Mr. Hunter will spend the week of April 1st, in Detroit, with a view of examining tapestries in Detroit collections suitable for inclusion in the exhibit. The Museum will greatly appreciate it if those who own important hangings of this nature will advise the Director of their willingness to co-operate. An important feature of Mr. Hunter's work will be his Lecture Promenades , similar to those which he has given in the Metropolitan Museum of Art, New York, for a number of years. He will give daily talks on the exhibition to study clubs, teachers, classes of school children, art students and any other groups of individuals who wish to hear him. These gallery talks will be free to the public, but it will be necessary to 'phone the Director for an appointment.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1919-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123700908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1919-03-01DOI: 10.1086/bulldetmusart41934804
{"title":"OIL SKETCH BY DUVENECK","authors":"","doi":"10.1086/bulldetmusart41934804","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934804","url":null,"abstract":"","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"91 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1919-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125978847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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