Pub Date : 1916-10-01DOI: 10.1086/bulldetmusart41934593
C. M.
{"title":"AN ENGRAVING BY ALDEGREVER","authors":"C. M.","doi":"10.1086/bulldetmusart41934593","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934593","url":null,"abstract":"","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"10 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125679785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-10-01DOI: 10.1086/bulldetmusart41934594
{"title":"FACSIMILE OF CHINESE MASTERPIECE","authors":"","doi":"10.1086/bulldetmusart41934594","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934594","url":null,"abstract":"","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133847438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-10-01DOI: 10.1086/bulldetmusart41934598
D. A. Robertson, Sascha Freudenheim
2011—Recent news reports about the turmoil in Egypt have varyingly reported that some damage was done to works of ancient art in Egyptian museums—and that those who attempted to do harm were stopped. Just as we worry about the safety of Egypt's citizens in this time of civil unrest, so, too, do we worry about the safety of the country's cultural heritage—works of art and material culture crucial to our understanding of world civilization and humanity. We, the representatives of the leading American museums and university art and art history departments, stand with the people of Egypt in their determination to protect 5,000 years of history, including those objects from history that remain unexcavated. Our members—more than 21,000 institutions and individuals—stand ready to assist in any way possible to secure the art and artifacts of Egypt.
{"title":"ASSOCIATION OF ART MUSEUM DIRECTORS","authors":"D. A. Robertson, Sascha Freudenheim","doi":"10.1086/bulldetmusart41934598","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934598","url":null,"abstract":"2011—Recent news reports about the turmoil in Egypt have varyingly reported that some damage was done to works of ancient art in Egyptian museums—and that those who attempted to do harm were stopped. Just as we worry about the safety of Egypt's citizens in this time of civil unrest, so, too, do we worry about the safety of the country's cultural heritage—works of art and material culture crucial to our understanding of world civilization and humanity. We, the representatives of the leading American museums and university art and art history departments, stand with the people of Egypt in their determination to protect 5,000 years of history, including those objects from history that remain unexcavated. Our members—more than 21,000 institutions and individuals—stand ready to assist in any way possible to secure the art and artifacts of Egypt.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122516129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-10-01DOI: 10.1086/BULLDETMUSART41934596
E. Q. M.
during the month of October, represent the major portion of the Exhibition of French and Belgian Art from the Panama-Pacific Exposition. These works were collected under the personal direction of Monsieur Jean Guifïrey, Conservateur au Louvre, Paris. Great difficulty was experienced in getting together a representative xhibition, as war had been declared, the artists were at the front and where it was impossible to obtain permission, studios were broken into and the pictures taken. However, the exhibition as a whole gives a very fair idea of contemporary artistic activity and achievement in France and Belgium. The Exhibition is arranged to excellent effect, in six galleries of the Museum. Gallery VI. is, however, the lodestone. In it are admirably shown a series of paintings of India, in gouache, by Albert Besnard, which are marvels of line and colour, for Besnard is preeminently a colourist, well known for his production of oriental character, subjects inspired by journeys to Algeria and India, and for his wonderful decorative paintings and subjects exhibiting effects of
{"title":"COLLECTION OF FRENCH AND BELGIAN ART","authors":"E. Q. M.","doi":"10.1086/BULLDETMUSART41934596","DOIUrl":"https://doi.org/10.1086/BULLDETMUSART41934596","url":null,"abstract":"during the month of October, represent the major portion of the Exhibition of French and Belgian Art from the Panama-Pacific Exposition. These works were collected under the personal direction of Monsieur Jean Guifïrey, Conservateur au Louvre, Paris. Great difficulty was experienced in getting together a representative xhibition, as war had been declared, the artists were at the front and where it was impossible to obtain permission, studios were broken into and the pictures taken. However, the exhibition as a whole gives a very fair idea of contemporary artistic activity and achievement in France and Belgium. The Exhibition is arranged to excellent effect, in six galleries of the Museum. Gallery VI. is, however, the lodestone. In it are admirably shown a series of paintings of India, in gouache, by Albert Besnard, which are marvels of line and colour, for Besnard is preeminently a colourist, well known for his production of oriental character, subjects inspired by journeys to Algeria and India, and for his wonderful decorative paintings and subjects exhibiting effects of","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130409898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-10-01DOI: 10.1086/bulldetmusart41934591
C. B.
{"title":"A PAINTING BY LEO PUTZ","authors":"C. B.","doi":"10.1086/bulldetmusart41934591","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934591","url":null,"abstract":"","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130500311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-05-01DOI: 10.1086/BULLDETMUSART41934586
The Detroit Museum of Art will wind up its exhibition season during the month of June with one of the most important collections that has ever been shown in Detroit, viz.: the Swedish Art Exhibition from the Panama-Pacific Exposition. The exhibits from San Francisco will be supplemented by others sent over from Sweden. They reveal in a splendid way the national art expression of Scandinavia. Over one hundred oils, fifty water colors, twenty-five sculptures in bronze and wood, and a print collection, will give a comprehensive summary of the contemporary art of Sweden which is little known in this locality. The charm of the Swedish Exhibition lies in the fact that the artists of Sweden, with the possible exception of Zorn, express in a technical language peculiarly their own, the national and racial characteristics of a country with which they have had life-long familiarity. Their snow scenes, of which there are a goodly number, have peculiar charm and rare individuality. Fj ass tad stands out pre-eminently among the snow painters. Bruno Liljefors interprets in his decorative way something of the bird and animal life. There are a number of figure painters, Anders Zorn among them. The Exhibition is making a circuit of the leading museums under the direction of William H. Fox of the Brooklyn Museum, who was a member of the international jury for Sweden at the PanamaPacific Exposition. The official catalogue, written by Dr. Christian Brinton, contains an introduction by this noted writer which is a very good guide to the appreciation of Swedish art and will become a valued work of reference on this subject. The Exhibition will further be interpreted to the people of Detroit through sixteen reels of motion pictures showing the life, topography, climatic conditions and habits and customs of the Swedish people. These pictures will be shown in the auditorium of the Museum at stated times and it is believed will be a great influence in revealing the art quality in the paintings and sculpture.
底特律艺术博物馆(Detroit Museum of Art)将在6月份结束其展览季，展出有史以来在底特律展出的最重要的藏品之一，即巴拿马太平洋博览会的瑞典艺术展。来自旧金山的展品将由瑞典送来的其他展品补充。它们以一种精彩的方式展示了斯堪的纳维亚民族艺术的表现形式。一百多幅油画、五十幅水彩画、二十五件青铜和木雕雕塑，以及一个版画收藏，将全面总结瑞典的当代艺术，这在这个地方是鲜为人知的。瑞典展览的魅力在于，瑞典的艺术家们，可能除了佐恩之外，用他们自己特有的技术语言来表达他们一生都熟悉的国家的民族和种族特征。他们的雪景，有很多，有独特的魅力和难得的个性。Fj ass tad在雪画家中脱颖而出。Bruno Liljefors用他的装饰方式诠释了一些鸟类和动物的生活。有很多人物画家，安德斯·佐恩就是其中之一。在布鲁克林博物馆(Brooklyn Museum)的威廉·h·福克斯(William H. Fox)的指导下，该展览正在主要博物馆巡回展出。福克斯曾是巴拿马太平洋博览会(panampacific Exposition)的瑞典国际评审团成员。由Christian Brinton博士撰写的官方目录包含了这位著名作家的介绍，这是一个非常好的瑞典艺术欣赏指南，将成为这一主题的有价值的参考作品。展览将通过16卷电影向底特律人民进一步阐释瑞典人民的生活、地形、气候条件和风俗习惯。这些照片将在规定的时间在博物馆的礼堂展出，相信这将对揭示绘画和雕塑的艺术品质产生重大影响。
{"title":"CONTEMPORARY SWEDISH EXHIBITION","authors":"","doi":"10.1086/BULLDETMUSART41934586","DOIUrl":"https://doi.org/10.1086/BULLDETMUSART41934586","url":null,"abstract":"The Detroit Museum of Art will wind up its exhibition season during the month of June with one of the most important collections that has ever been shown in Detroit, viz.: the Swedish Art Exhibition from the Panama-Pacific Exposition. The exhibits from San Francisco will be supplemented by others sent over from Sweden. They reveal in a splendid way the national art expression of Scandinavia. Over one hundred oils, fifty water colors, twenty-five sculptures in bronze and wood, and a print collection, will give a comprehensive summary of the contemporary art of Sweden which is little known in this locality. The charm of the Swedish Exhibition lies in the fact that the artists of Sweden, with the possible exception of Zorn, express in a technical language peculiarly their own, the national and racial characteristics of a country with which they have had life-long familiarity. Their snow scenes, of which there are a goodly number, have peculiar charm and rare individuality. Fj ass tad stands out pre-eminently among the snow painters. Bruno Liljefors interprets in his decorative way something of the bird and animal life. There are a number of figure painters, Anders Zorn among them. The Exhibition is making a circuit of the leading museums under the direction of William H. Fox of the Brooklyn Museum, who was a member of the international jury for Sweden at the PanamaPacific Exposition. The official catalogue, written by Dr. Christian Brinton, contains an introduction by this noted writer which is a very good guide to the appreciation of Swedish art and will become a valued work of reference on this subject. The Exhibition will further be interpreted to the people of Detroit through sixteen reels of motion pictures showing the life, topography, climatic conditions and habits and customs of the Swedish people. These pictures will be shown in the auditorium of the Museum at stated times and it is believed will be a great influence in revealing the art quality in the paintings and sculpture.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125955703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-05-01DOI: 10.1086/bulldetmusart41934585
Christian S. Brinton
In the article on Antonio Mancini, by Christian Brinton, in the Detroit Museum of Art bulletin for April, this phrase occurs: "The intermittent welcome accorded him by the Carnegie Institute, and the meagre representation vouchsafed him at the Panama-Pacific Exposition, are thus far the only signs of official recognition which he has found in our midst." Mr. Edward Robinson, Director of the Metropolitan Museum of Art, is so kind as to send this correction: "We have had for many years in this Museum, and still have on exhibition in one of our galleries, an early work of Mancini's, ' The Circus Boy ,' which came to us as part of a bequest from Mrs. Richard Coles in 1892. It is a charming picture and I do not like to think it has been neglected by such an authority as Mr. Brinton."
克里斯汀·布林顿(Christian Brinton)在《底特律艺术博物馆》(Detroit Museum of Art) 4月刊上发表的一篇关于安东尼奥·曼奇尼(Antonio Mancini)的文章中，出现了这样一句话:“卡内基研究所(Carnegie Institute)断断续续地欢迎他，巴拿马-太平洋博览会(巴拿马-太平洋博览会)上他的出场机会寥寥无几，这是迄今为止他在我们中间得到官方认可的唯一迹象。”大都会艺术博物馆(Metropolitan Museum of Art)馆长爱德华·罗宾逊(Edward Robinson)先生好心地纠正了这一点:“我们博物馆收藏了多年，其中一个展厅仍在展出曼奇尼的早期作品《马戏团男孩》(the Circus Boy)，它是1892年理查德·科尔斯夫人(Richard Coles)遗赠给我们的。这是一幅迷人的画，我不愿认为像布林顿先生这样的权威忽视了这幅画。”
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Pub Date : 1916-05-01DOI: 10.1086/bulldetmusart41934582
{"title":"SELF PORTRAIT OF WILLIAM M. CHASE, Esq.","authors":"","doi":"10.1086/bulldetmusart41934582","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934582","url":null,"abstract":"","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134434628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-05-01DOI: 10.1086/BULLDETMUSART41934584
One hundred and ten pictures representing the work of eightyfour American painters are shown. The number of pictures, though smaller than last year, permits of a most satisfactory arrangement. Each picture is hung on the line with plenty of space about it and much thought has been given to the juxtaposition of the pictures. The exhibition is conservative. The artists are all men and women of established reputation and are represented by the best examples of their work available. While there is catholicity of thought and originality of expression, a common note of sincerity and fine craftsmanship characterizes the entire exhibition. In Gallery I is to be found the self-portrait of Whistler, wonderfully composed, reserved in treatment and beautiful in tone; Thomas W. Dewing's "Lute Player " loaned from the Charles L. Freer collection is near it; two fine canvasses by John Singer Sargent, " The Venetian Bead Stringers ," an early work loaned by the Buffalo Fine Arts Academy, and " The Tyrolese Crucifix ", one of his masterful and colorful late works are also to be seen here. J. Alden Weir is represented by four of his works. " A Reverie ," one of his most distinguished canvasses, and " Farm in Winter ," were loaned through the courtesy of Mr. Charles V. Wheeler of Washington, D. C., while "A Follower of Grolier" and " Harmony in Pink and Yellow " give additional insight into the precious quality of his work. Frank W. Benson's " Partrait of My Daughter Elizabeth "
展出了代表84位美国画家作品的110幅画。照片的数量虽然比去年少，但安排得很令人满意。每幅画都挂在绳子上，周围有足够的空间，并且对图片的并置给予了很多思考。展览是保守的。这些艺术家都是享有盛誉的男男女女，他们的作品都是最好的。虽然有思想的广泛性和表达的独创性，但真诚和精湛的工艺是整个展览的共同特点。在一号展厅里，可以看到惠斯勒的自画像，这幅画非常沉着，处理方式保守，语调优美;托马斯·w·杜因(Thomas W. Dewing)从查尔斯·l·弗里尔(Charles L. Freer)的收藏中借来的《鲁特琴师》(Lute Player)就在旁边;约翰·辛格·萨金特(John Singer Sargent)的两幅精美油画——布法罗美术学院(Buffalo fine Arts Academy)出借的早期作品《威尼斯珠子斯特林》(The Venetian Bead strers)，以及他的晚期杰作之一、色彩丰富的《蒂洛尔斯十字架》(The Tyrolese Crucifix)，也在这里展出。奥尔登·威尔的四件作品代表了他的作品。他最杰出的作品之一《梦幻》和《冬天的农场》是华盛顿特区的查尔斯·v·惠勒先生借给他的，而《格罗里耶的追随者》和《粉红与黄色的和谐》则让人们对他的作品的珍贵品质有了更多的了解。弗兰克·w·本森的《我女儿伊丽莎白的画像》
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Pub Date : 1916-04-01DOI: 10.1086/bulldetmusart41934571
{"title":"PAINTERS OF THE FAR WEST","authors":"","doi":"10.1086/bulldetmusart41934571","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934571","url":null,"abstract":"","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"552 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133590300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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