Pub Date : 2020-08-03DOI: 10.14288/CL.VI240.191977
M. Ingwersen
Against the backdrop of recent Anthropocene critiques, this article offers a discussion of Indigenous resistance to resource extraction in Warren Cariou’s “An Athabasca Story” (2012), Cherie Dimaline’s The Marrow Thieves(2017), and Nathan Niigan Noodin Adler’s Wrist (2016). Employing elements of gothic, horror, and science fiction, all three works invoke modes of human-geologic enmeshment to imagine Indigenous resistance to settler-colonial fossil fuel industries via the resurgence of fossils who refuse to be commodified. Building on the theoretical work of Kathryn Yusoff and others, I examine their mobilization of fossil metaphors as emancipatory expressions of a type of geologic subjectivity that generates a dislocation of Eurocentric demarcations between the human and the inhuman. Reclaiming fossils, I argue, implies a material-discursive dimension of decolonization that complements the physical repatriation of looted ancestral bones and Indigenous artifacts with the production of self-determined Indigenous narratives of geologic corporeality.
{"title":"Reclaiming Fossil Ghosts","authors":"M. Ingwersen","doi":"10.14288/CL.VI240.191977","DOIUrl":"https://doi.org/10.14288/CL.VI240.191977","url":null,"abstract":"Against the backdrop of recent Anthropocene critiques, this article offers a discussion of Indigenous resistance to resource extraction in Warren Cariou’s “An Athabasca Story” (2012), Cherie Dimaline’s The Marrow Thieves(2017), and Nathan Niigan Noodin Adler’s Wrist (2016). Employing elements of gothic, horror, and science fiction, all three works invoke modes of human-geologic enmeshment to imagine Indigenous resistance to settler-colonial fossil fuel industries via the resurgence of fossils who refuse to be commodified. Building on the theoretical work of Kathryn Yusoff and others, I examine their mobilization of fossil metaphors as emancipatory expressions of a type of geologic subjectivity that generates a dislocation of Eurocentric demarcations between the human and the inhuman. Reclaiming fossils, I argue, implies a material-discursive dimension of decolonization that complements the physical repatriation of looted ancestral bones and Indigenous artifacts with the production of self-determined Indigenous narratives of geologic corporeality.","PeriodicalId":44701,"journal":{"name":"CANADIAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45832458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-08-03DOI: 10.14288/CL.VI240.192380
Evangeline Holtz-Schramek
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Pub Date : 2020-08-03DOI: 10.14288/CL.VI240.192395
Karen Charleson
Book review of The Dishwasher by Stephane Larue, Crow by Amy Spurway, and Claremont by Wiebke von Carolsfeld.
Stephane Larue的《洗碗机》、Amy Spurway的《乌鸦》和Wiebke von Carolsfeld的《克莱蒙特》书评。
{"title":"Faces of Desperation","authors":"Karen Charleson","doi":"10.14288/CL.VI240.192395","DOIUrl":"https://doi.org/10.14288/CL.VI240.192395","url":null,"abstract":"Book review of The Dishwasher by Stephane Larue, Crow by Amy Spurway, and Claremont by Wiebke von Carolsfeld.","PeriodicalId":44701,"journal":{"name":"CANADIAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49205830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-08-03DOI: 10.14288/CL.VI240.192092
Alessandra Capperdoni
Roy Miki; Michael Barnholden, ed. Flow: Poems Collected and New. Talonbooks $29.95 Reviewed by Alessandra Capperdoni
Roy Miki;迈克尔·巴恩霍尔登主编:《流动:诗集与新编》。Talonbooks 29.95美元由Alessandra Capperdoni审核
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