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When Poems are Quilts 当诗是被子
IF 0.3 4区 文学 Q1 Arts and Humanities Pub Date : 2020-08-03 DOI: 10.14288/CL.VI240.192405
E. Wall
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引用次数: 0
Diasporic (Be)longings 双孢子虫渴望
IF 0.3 4区 文学 Q1 Arts and Humanities Pub Date : 2020-08-03 DOI: 10.14288/CL.VI240.192112
B. Xiang
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引用次数: 0
Reclaiming Fossil Ghosts 回收化石幽灵
IF 0.3 4区 文学 Q1 Arts and Humanities Pub Date : 2020-08-03 DOI: 10.14288/CL.VI240.191977
M. Ingwersen
Against the backdrop of recent Anthropocene critiques, this article offers a discussion of Indigenous resistance to resource extraction in Warren Cariou’s “An Athabasca Story” (2012), Cherie Dimaline’s The Marrow Thieves(2017), and Nathan Niigan Noodin Adler’s Wrist (2016). Employing elements of gothic, horror, and science fiction, all three works invoke modes of human-geologic enmeshment to imagine Indigenous resistance to settler-colonial fossil fuel industries via the resurgence of fossils who refuse to be commodified. Building on the theoretical work of Kathryn Yusoff and others, I examine their mobilization of fossil metaphors as emancipatory expressions of a type of geologic subjectivity that generates a dislocation of Eurocentric demarcations between the human and the inhuman. Reclaiming fossils, I argue, implies a material-discursive dimension of decolonization that complements the physical repatriation of looted ancestral bones and Indigenous artifacts with the production of self-determined Indigenous narratives of geologic corporeality.
在最近人类世批评的背景下,本文在Warren Cariou的《阿萨巴斯卡的故事》(2012)、Cherie Dimaline的《骨髓窃贼》(2017)和Nathan Niigan Noodin Adler的《手腕》(2016)中讨论了土著人对资源开采的抵制。这三部作品都采用了哥特式、恐怖和科幻的元素,援引了人类地质融合的模式,想象土著人通过拒绝商品化的化石的复兴来抵抗定居者的殖民化石燃料工业。在Kathryn Yusoff和其他人的理论工作的基础上,我研究了他们对化石隐喻的动员,将其视为一种地质主体性的解放表达,这种主体性导致了人类和非人类之间以欧洲为中心的界限的错位。我认为,回收化石意味着非殖民化的物质话语层面,它与掠夺的祖先骨骼和土著文物的实物归还相补充,并产生了自决的土著地质实体叙事。
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引用次数: 0
Twenty-First-Century Novels 二十一世纪小说
IF 0.3 4区 文学 Q1 Arts and Humanities Pub Date : 2020-08-03 DOI: 10.14288/CL.VI240.192333
M. Fee
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引用次数: 0
Undertaking the Impossible 承担不可能的事
IF 0.3 4区 文学 Q1 Arts and Humanities Pub Date : 2020-08-03 DOI: 10.14288/CL.VI240.192115
Lisa Grekul
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引用次数: 0
Wayfinding in the Marginalia 在旁注中寻路
IF 0.3 4区 文学 Q1 Arts and Humanities Pub Date : 2020-08-03 DOI: 10.14288/CL.VI240.192380
Evangeline Holtz-Schramek
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引用次数: 0
A Terrifying Insularity of Mind 可怕的思想偏狭
IF 0.3 4区 文学 Q1 Arts and Humanities Pub Date : 2020-08-03 DOI: 10.14288/CL.VI240.192562
C. Omhovère
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引用次数: 0
Faces of Desperation 绝望的面孔
IF 0.3 4区 文学 Q1 Arts and Humanities Pub Date : 2020-08-03 DOI: 10.14288/CL.VI240.192395
Karen Charleson
Book review of The Dishwasher by Stephane Larue, Crow by Amy Spurway, and Claremont by Wiebke von Carolsfeld.
Stephane Larue的《洗碗机》、Amy Spurway的《乌鸦》和Wiebke von Carolsfeld的《克莱蒙特》书评。
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引用次数: 0
Walking Woman and Her Legacy 行走的女人和她的遗产
IF 0.3 4区 文学 Q1 Arts and Humanities Pub Date : 2020-08-03 DOI: 10.14288/CL.VI240.192122
V. Legge
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引用次数: 0
Hitched to Everything 与一切息息相关
IF 0.3 4区 文学 Q1 Arts and Humanities Pub Date : 2020-08-03 DOI: 10.14288/CL.VI240.192206
L. Ricou
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引用次数: 0
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CANADIAN LITERATURE
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