Abstract:The following interview with Frédéric Neyrat was conducted electronically in 2020. Mosaic is pleased to publish the interview here.
摘要:以下采访是在2020年以电子方式进行的。马赛克很高兴在这里发表采访。
{"title":"Crossings: A Conversation with Frédéric Neyrat","authors":"F. Neyrat, Shepherd Steiner","doi":"10.1353/mos.2021.0025","DOIUrl":"https://doi.org/10.1353/mos.2021.0025","url":null,"abstract":"Abstract:The following interview with Frédéric Neyrat was conducted electronically in 2020. Mosaic is pleased to publish the interview here.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":"39 1","pages":"15 - 34"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90655958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Subjectivity and a civil constitution, according to Kant, are both made possible by a certain power or ability, which the human being has in comparison with animals. This essay examines Derrida's reading of Kant's Anthropology from a Pragmatic Point of View, and explores its implications for constitutional democracy.
{"title":"Animal, Subject, Constitution","authors":"Jacques de Ville","doi":"10.1353/mos.2021.0007","DOIUrl":"https://doi.org/10.1353/mos.2021.0007","url":null,"abstract":"Abstract:Subjectivity and a civil constitution, according to Kant, are both made possible by a certain power or ability, which the human being has in comparison with animals. This essay examines Derrida's reading of Kant's Anthropology from a Pragmatic Point of View, and explores its implications for constitutional democracy.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":"12 1","pages":"113 - 128"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87827461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay analyzes the protagonist of Octavia Butler's Kindred as a multiracial character whose familial relationships define her identity. Examining conventions of genre and theories of race construction, I show that Butler uses Dana's hybridity to comment on contemporary constructions of identity in the United States.
{"title":"The Trouble: Family, Genre, and Hybridity in Octavia Butler's Kindred","authors":"K. L. Wiggs","doi":"10.1353/mos.2021.0008","DOIUrl":"https://doi.org/10.1353/mos.2021.0008","url":null,"abstract":"Abstract:This essay analyzes the protagonist of Octavia Butler's Kindred as a multiracial character whose familial relationships define her identity. Examining conventions of genre and theories of race construction, I show that Butler uses Dana's hybridity to comment on contemporary constructions of identity in the United States.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":"61 32 1","pages":"129 - 145"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74338219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay examines the connections between Rukeyser's poem sequence and Vanka's murals, arguing that these works from the 1930s subvert the New Deal call for women to espouse traditional domestic duties. Rather, they envision a public space where women, particularly mothers, take an active role in advocating for social justice.
{"title":"The Mother as Social Activist in Muriel Rukeyser's \"The Book of the Dead\" and Maxo Vanka's Murals","authors":"Aaron J. Rovan","doi":"10.1353/mos.2021.0003","DOIUrl":"https://doi.org/10.1353/mos.2021.0003","url":null,"abstract":"Abstract:This essay examines the connections between Rukeyser's poem sequence and Vanka's murals, arguing that these works from the 1930s subvert the New Deal call for women to espouse traditional domestic duties. Rather, they envision a public space where women, particularly mothers, take an active role in advocating for social justice.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":"34 1","pages":"37 - 56"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79776490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay examines cannibalism as used by Joyce and Mo Yan to allude to the Great Famines which the Irish and the Chinese suffered in common. The two authors suggest that not only structures of power but also individuals were responsible for the famines that caused a great number of deaths.
{"title":"Cannibalism in Joyce and Mo Yan: Famine Memory in Ulysses, The Republic of Wine, and Frog","authors":"H. Kil","doi":"10.1353/mos.2021.0005","DOIUrl":"https://doi.org/10.1353/mos.2021.0005","url":null,"abstract":"Abstract:This essay examines cannibalism as used by Joyce and Mo Yan to allude to the Great Famines which the Irish and the Chinese suffered in common. The two authors suggest that not only structures of power but also individuals were responsible for the famines that caused a great number of deaths.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":"44 1","pages":"75 - 91"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87804672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay investigates Malabou's notion of plasticity, confronting it with the visual or plastic arts. It shows how overlooking all surfaces of inscription allows Malabou to promote a purely dynamic notion of plasticity that she sees in both neurological and philosophical processes, purportedly going beyond aesthetics and philosophies of the trace.
{"title":"Malabouian Plasticity Beyond Surfaces","authors":"J. Martell","doi":"10.1353/mos.2021.0006","DOIUrl":"https://doi.org/10.1353/mos.2021.0006","url":null,"abstract":"Abstract:This essay investigates Malabou's notion of plasticity, confronting it with the visual or plastic arts. It shows how overlooking all surfaces of inscription allows Malabou to promote a purely dynamic notion of plasticity that she sees in both neurological and philosophical processes, purportedly going beyond aesthetics and philosophies of the trace.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":"32 1","pages":"112 - 93"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72875936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:In 1928, artist Man Ray and poet Robert Desnos created the sixteen-minute L'Étoile de mer, an automatic-poem-turned-film noted for its visual experimentation. The cinepoem merges verbal and pictorial ways of seeing to instill in its audience an experience of the haptic, unveiling a new sensory epistemology.
摘要:1928年，艺术家曼·雷和诗人罗伯特·德斯诺斯创作了一部16分钟的电影《L'Étoile de mer》，这是一部以视觉实验而闻名的自动诗歌电影。电影诗歌融合了语言和图像的观看方式，向观众灌输一种触觉体验，揭示了一种新的感官认识论。
{"title":"Reimagining Vision in the Surrealist Cinepoem L'Étoile de mer","authors":"Lindsey Richter","doi":"10.1353/mos.2021.0002","DOIUrl":"https://doi.org/10.1353/mos.2021.0002","url":null,"abstract":"Abstract:In 1928, artist Man Ray and poet Robert Desnos created the sixteen-minute L'Étoile de mer, an automatic-poem-turned-film noted for its visual experimentation. The cinepoem merges verbal and pictorial ways of seeing to instill in its audience an experience of the haptic, unveiling a new sensory epistemology.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":"60 1","pages":"19 - 35"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84383963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay will read the poems in Wallace Stevens's Harmonium together with the philosophy of Martin Heidegger in order to examine how Stevens imparts philosophical gravity to his use of language in the early poetry in a Heideggerian way, through grounding the self in a fundamental attitude of worldly openness.
{"title":"The Sense of the Visible: Relational Poetics in Harmonium","authors":"Ian Y. H. Tan","doi":"10.1353/mos.2021.0004","DOIUrl":"https://doi.org/10.1353/mos.2021.0004","url":null,"abstract":"Abstract:This essay will read the poems in Wallace Stevens's Harmonium together with the philosophy of Martin Heidegger in order to examine how Stevens imparts philosophical gravity to his use of language in the early poetry in a Heideggerian way, through grounding the self in a fundamental attitude of worldly openness.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":"9 1","pages":"57 - 73"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79607658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Dylan Thomas's early poems shift the landmarks of sensory experience from the primacy of sight to a distribution of sensation throughout the body. They draw on Romantic poetics to recover the original impact of sensation, before the division of the senses, before the dissolution of sense data into mental images.
{"title":"The \"Flesh's Vision\": Dylan Thomas's Poetics of Sensation","authors":"Sophie Laniel-Musitelli","doi":"10.1353/mos.2021.0001","DOIUrl":"https://doi.org/10.1353/mos.2021.0001","url":null,"abstract":"Abstract:Dylan Thomas's early poems shift the landmarks of sensory experience from the primacy of sight to a distribution of sensation throughout the body. They draw on Romantic poetics to recover the original impact of sensation, before the division of the senses, before the dissolution of sense data into mental images.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":"57 1","pages":"1 - 17"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83121190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Photograph as Trace: Barthes, Benjamin, and the Intermediality of Photographic Discourse","authors":"Kathrin Yacavone","doi":"10.1353/mos.2020.0038","DOIUrl":"https://doi.org/10.1353/mos.2020.0038","url":null,"abstract":"","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82067189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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