Pub Date : 1900-01-01DOI: 10.5040/9781350078666.0023
Else Marie Bukdahl
{"title":"Figuration and ‘Aesthetics of the Sublime’: Aspects of Their Interplay in Christian Art","authors":"Else Marie Bukdahl","doi":"10.5040/9781350078666.0023","DOIUrl":"https://doi.org/10.5040/9781350078666.0023","url":null,"abstract":"","PeriodicalId":448159,"journal":{"name":"Figurations and Sensations of the Unseen in Judaism, Christianity and Islam","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115337200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5040/9781350078666.0015
C. Gruber
{"title":"Real Absence: Imagining God in Turco-Persian Book Arts, 1300–1600 ce","authors":"C. Gruber","doi":"10.5040/9781350078666.0015","DOIUrl":"https://doi.org/10.5040/9781350078666.0015","url":null,"abstract":"","PeriodicalId":448159,"journal":{"name":"Figurations and Sensations of the Unseen in Judaism, Christianity and Islam","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132740899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5040/9781350078666.0017
Jens Kreinath
{"title":"Aesthetic Sensations of Mary: The Miraculous Icon of Meryem Ana and the Dynamics of Interreligious Relations in Antakya","authors":"Jens Kreinath","doi":"10.5040/9781350078666.0017","DOIUrl":"https://doi.org/10.5040/9781350078666.0017","url":null,"abstract":"","PeriodicalId":448159,"journal":{"name":"Figurations and Sensations of the Unseen in Judaism, Christianity and Islam","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129875315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5040/9781350078666.0014
K. Bland
{"title":"Visual Images in Medieval Jewish Culture before the Age of Art","authors":"K. Bland","doi":"10.5040/9781350078666.0014","DOIUrl":"https://doi.org/10.5040/9781350078666.0014","url":null,"abstract":"","PeriodicalId":448159,"journal":{"name":"Figurations and Sensations of the Unseen in Judaism, Christianity and Islam","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116356045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5040/9781350078666.0006
B. Meyer
{"title":"Introduction: Figurations and Sensations of the Unseen in Judaism, Christianity and Islam","authors":"B. Meyer","doi":"10.5040/9781350078666.0006","DOIUrl":"https://doi.org/10.5040/9781350078666.0006","url":null,"abstract":"","PeriodicalId":448159,"journal":{"name":"Figurations and Sensations of the Unseen in Judaism, Christianity and Islam","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127315262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5040/9781350078666.0026
Davis Morgan
Th e chapters comprising this book have productively explored a host of interrelated themes – imagination, sensation, fi guration, images, the destruction or banning of images, and the aesthetics of perception and feeling that organize this range of experience. Attentive readers will not have missed that a golden thread running through the fabric of work is embodiment as a fundamental feature of the three religions that occupy the authors: Judaism, Christianity and Islam. To be sure, the traditions diff er from one another in important ways on the treatment of the body as a culturally conditioned and historically constructed set of sensibilities and aff ordances. But in every case, the dynamics of sensation and representation, the use of and anxiety about imagery, and the forms of perception and imagination produce the matrix in which the sacred takes shape, in particular, how both transcendence and revelation are understood to operate. fi the separation the divine.
{"title":"Afterword: The Visual Culture of Revelation","authors":"Davis Morgan","doi":"10.5040/9781350078666.0026","DOIUrl":"https://doi.org/10.5040/9781350078666.0026","url":null,"abstract":"Th e chapters comprising this book have productively explored a host of interrelated themes – imagination, sensation, fi guration, images, the destruction or banning of images, and the aesthetics of perception and feeling that organize this range of experience. Attentive readers will not have missed that a golden thread running through the fabric of work is embodiment as a fundamental feature of the three religions that occupy the authors: Judaism, Christianity and Islam. To be sure, the traditions diff er from one another in important ways on the treatment of the body as a culturally conditioned and historically constructed set of sensibilities and aff ordances. But in every case, the dynamics of sensation and representation, the use of and anxiety about imagery, and the forms of perception and imagination produce the matrix in which the sacred takes shape, in particular, how both transcendence and revelation are understood to operate. fi the separation the divine.","PeriodicalId":448159,"journal":{"name":"Figurations and Sensations of the Unseen in Judaism, Christianity and Islam","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130464095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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