首页 > 最新文献

MUSIC THEORY SPECTRUM最新文献

英文 中文
Formal Excess in the Opening Movement of Fanny Hensel’s String Quartet in E♭ Major (1834) 范妮·亨塞尔E大调弦乐四重奏开场乐章中的正式过度(1834年)
1区 艺术学 Q1 Arts and Humanities Pub Date : 2023-08-10 DOI: 10.1093/mts/mtad007
Catrina S Kim
Abstract This article analyzes the Adagio opening movement of Fanny Hensel’s sole string quartet by reading the ways in which it dialogues with several genres: the increasingly independent early nineteenth-century slow introduction; the slow first movement; eighteenth- and early nineteenth-century sonata form; and the fantasia. I build this generic context by considering the historical development of the slow introduction and drawing attention to such overlapping identities in two cello sonata movements by Ludwig van Beethoven and in Hensel’s Sonata o Fantasia in G minor for Piano and Cello (1829).
摘要本文分析了范妮·亨塞尔唯一的弦乐四重奏的慢板开场乐章,通过阅读它与几个流派的对话方式:十九世纪早期日益独立的慢引入;缓慢的第一乐章;18世纪和19世纪早期的奏鸣曲形式;还有幻想曲。我通过考虑缓慢引入的历史发展,并在路德维希·范·贝多芬的两个大提琴奏鸣曲乐章和亨塞尔的G小调钢琴和大提琴幻想曲(1829)中引起人们对这种重叠身份的注意,建立了这个一般背景。
{"title":"Formal Excess in the Opening Movement of Fanny Hensel’s String Quartet in E♭ Major (1834)","authors":"Catrina S Kim","doi":"10.1093/mts/mtad007","DOIUrl":"https://doi.org/10.1093/mts/mtad007","url":null,"abstract":"Abstract This article analyzes the Adagio opening movement of Fanny Hensel’s sole string quartet by reading the ways in which it dialogues with several genres: the increasingly independent early nineteenth-century slow introduction; the slow first movement; eighteenth- and early nineteenth-century sonata form; and the fantasia. I build this generic context by considering the historical development of the slow introduction and drawing attention to such overlapping identities in two cello sonata movements by Ludwig van Beethoven and in Hensel’s Sonata o Fantasia in G minor for Piano and Cello (1829).","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135492340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bins, Spans, and Tolerance: Three Theories of Microtiming Behavior 箱子、跨度和容忍:微计时行为的三种理论
IF 1 1区 艺术学 Q1 Arts and Humanities Pub Date : 2023-07-31 DOI: 10.1093/mts/mtad005
A. Danielsen, Mats Johansson, C. Stover
This study compares three recent theories of expressive microtiming in music. While each theory was originally designed to engage a particular musical genre—Anne Danielsen’s beat bins for funk, Neo-Soul, and other contemporary Black musical expressions, Chris Stover’s beat span for “timeline musics” from Africa and the African diaspora, and Mats Johansson’s rhythmic tolerance for Scandinavian fiddle music—we consider how they can productively coexist in a shared music-analytic space, each revealing aspects of musical structure and process in mutually reinforcing ways. In order to explore these possibilities, we bring all three theories to bear on a recording of Thelonious Monk’s “Monk’s Dream,” focusing on Monk’s piano gestures as well as the relationship between saxophonist Charlie Rouse’s improvised solo and Monk’s and bassist John Ore’s accompaniments.
本研究比较了最近关于音乐中表达性微节拍的三种理论。虽然每个理论最初都是针对特定的音乐类型设计的——安妮·丹尼森的放克、新灵魂和其他当代黑人音乐表达的节拍箱,克里斯·斯托弗的来自非洲和非洲移民的“时间线音乐”的节拍跨度,以及马茨·约翰逊对斯堪的纳维亚小提琴音乐的节奏容忍——我们考虑它们如何在共享的音乐分析空间中有效地共存,每个理论都以相互加强的方式揭示了音乐结构和过程的各个方面。为了探索这些可能性,我们将这三种理论带到Thelonious Monk的“Monk’s Dream”的录音中,重点关注Monk的钢琴手势以及萨克斯管演奏家Charlie Rouse的即兴独奏与Monk和贝斯手John Ore的伴奏之间的关系。
{"title":"Bins, Spans, and Tolerance: Three Theories of Microtiming Behavior","authors":"A. Danielsen, Mats Johansson, C. Stover","doi":"10.1093/mts/mtad005","DOIUrl":"https://doi.org/10.1093/mts/mtad005","url":null,"abstract":"\u0000 This study compares three recent theories of expressive microtiming in music. While each theory was originally designed to engage a particular musical genre—Anne Danielsen’s beat bins for funk, Neo-Soul, and other contemporary Black musical expressions, Chris Stover’s beat span for “timeline musics” from Africa and the African diaspora, and Mats Johansson’s rhythmic tolerance for Scandinavian fiddle music—we consider how they can productively coexist in a shared music-analytic space, each revealing aspects of musical structure and process in mutually reinforcing ways. In order to explore these possibilities, we bring all three theories to bear on a recording of Thelonious Monk’s “Monk’s Dream,” focusing on Monk’s piano gestures as well as the relationship between saxophonist Charlie Rouse’s improvised solo and Monk’s and bassist John Ore’s accompaniments.","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44815014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Graphing Deep Hypermeter in the Scherzo Movement of Beethoven’s Ninth Symphony 贝多芬第九交响曲谐谑曲中的深超低音
IF 1 1区 艺术学 Q1 Arts and Humanities Pub Date : 2023-07-20 DOI: 10.1093/mts/mtad006
Richard Cohn
This paper reinterprets my 1992 analysis of the scherzo of Ludwig van Beethoven’s Ninth Symphony using more recently introduced modes of representation: ski-hill graphs, ski-path networks, and metric cubes. It provides a tutorial on the three metric modes of representation, while using those modes to reveal different aspects of the scherzo’s metric form. It presents evidence in support of the proposition that slow pulses and deep hypermeter can “exist,” be aesthetically relevant, and have analytical value.
本文重新解释了我1992年对路德维希·范·贝多芬第九交响曲的谐调的分析,使用了最近引入的表现模式:滑雪山图、滑雪路径网络和公制立方体。它提供了一个关于三种度量表现模式的教程,同时使用这些模式来揭示谐调的度量形式的不同方面。它提供的证据支持慢脉冲和深超度计可以“存在”的命题,具有美学相关性,并具有分析价值。
{"title":"Graphing Deep Hypermeter in the Scherzo Movement of Beethoven’s Ninth Symphony","authors":"Richard Cohn","doi":"10.1093/mts/mtad006","DOIUrl":"https://doi.org/10.1093/mts/mtad006","url":null,"abstract":"\u0000 This paper reinterprets my 1992 analysis of the scherzo of Ludwig van Beethoven’s Ninth Symphony using more recently introduced modes of representation: ski-hill graphs, ski-path networks, and metric cubes. It provides a tutorial on the three metric modes of representation, while using those modes to reveal different aspects of the scherzo’s metric form. It presents evidence in support of the proposition that slow pulses and deep hypermeter can “exist,” be aesthetically relevant, and have analytical value.","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48492778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Leitmotivic Strategies in Nobuo Uematsu’s Final Fantasy Soundtracks 植松伸夫《最终幻想》原声音乐的节奏策略
IF 1 1区 艺术学 Q1 Arts and Humanities Pub Date : 2023-07-17 DOI: 10.1093/mts/mtad009
Richard J. Anatone
This article discusses Nobuo Uematsu’s leitmotivic soundtracks to the 16-bit Final Fantasy role-playing games. I identify five distinct techniques within these soundtracks whereby a game’s main theme is musically connected to a single character theme: eponymous omission, motivic networking, thematic hybridization, associative troping, and the double main theme. I argue that these different techniques demonstrate how a character’s individual journey reflects the story’s underlying literary theme, which is itself represented by the musical main theme. I conduct topical, motivic, formal, and semiotic analyses of the soundtracks to FFIV–VI and discuss how their character themes, though mostly non-transformative, engage in a larger leitmotivic network of inter-related thematic families that interact with their main themes in dramatically meaningful ways. This analysis demonstrates subtle ways in which leitmotivic scoring can heighten one’s narratological understanding of a story, and may be useful for those seeking to arrange video game soundtracks into programmatic music that tells or retells a game’s story.
本文讨论植松伸夫为16位《最终幻想》角色扮演游戏创作的主题配乐。我在这些配乐中确定了五种不同的技术,即游戏的主主题在音乐上与单个角色主题相联系:同名省略、动机网络、主题混合、联想托平和双主主题。我认为,这些不同的技巧展示了一个角色的个人旅程是如何反映故事潜在的文学主题的,而文学主题本身就是由音乐主旋律代表的。我对《FFIV–VI》的配乐进行了主题、动机、形式和符号学分析,并讨论了他们的人物主题虽然大多是非变革性的,但如何参与到一个由相互关联的主题家族组成的更大的主旋律网络中,这些主题家族以极具意义的方式与他们的主旋律互动。这项分析展示了主旋律评分可以提高人们对故事叙述学理解的微妙方式,对于那些试图将电子游戏配乐编排成告诉或复述游戏故事的程序音乐的人来说,这可能很有用。
{"title":"Leitmotivic Strategies in Nobuo Uematsu’s Final Fantasy Soundtracks","authors":"Richard J. Anatone","doi":"10.1093/mts/mtad009","DOIUrl":"https://doi.org/10.1093/mts/mtad009","url":null,"abstract":"\u0000 This article discusses Nobuo Uematsu’s leitmotivic soundtracks to the 16-bit Final Fantasy role-playing games. I identify five distinct techniques within these soundtracks whereby a game’s main theme is musically connected to a single character theme: eponymous omission, motivic networking, thematic hybridization, associative troping, and the double main theme. I argue that these different techniques demonstrate how a character’s individual journey reflects the story’s underlying literary theme, which is itself represented by the musical main theme. I conduct topical, motivic, formal, and semiotic analyses of the soundtracks to FFIV–VI and discuss how their character themes, though mostly non-transformative, engage in a larger leitmotivic network of inter-related thematic families that interact with their main themes in dramatically meaningful ways. This analysis demonstrates subtle ways in which leitmotivic scoring can heighten one’s narratological understanding of a story, and may be useful for those seeking to arrange video game soundtracks into programmatic music that tells or retells a game’s story.","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43637914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Analytical Essays on Music by Women Composers: Concert Music, 1900–1960 女性作曲家的音乐分析论文:1900-1960年的音乐会音乐
1区 艺术学 Q1 Arts and Humanities Pub Date : 2023-06-19 DOI: 10.1093/mts/mtad014
Michèle Duguay
Journal Article Analytical Essays on Music by Women Composers: Concert Music, 1900–1960 Get access Analytical Essays on Music by Women Composers: Concert Music, 1900–1960. Edited by Laurel Parsons and Brenda Ravenscroft. New York: Oxford University Press, 2022, ix + 283 pages. Michèle Duguay Michèle Duguay mduguay@iu.edu Search for other works by this author on: Oxford Academic Google Scholar Music Theory Spectrum, mtad014, https://doi.org/10.1093/mts/mtad014 Published: 19 June 2023
期刊文章对女性作曲家音乐的分析论文:音乐会音乐,1900-1960获得对女性作曲家音乐的分析论文:音乐会音乐,1900-1960。劳雷尔·帕森斯和布伦达·拉文斯克罗夫特编辑。纽约:牛津大学出版社,2022,ix + 283页。mich Duguay mich Duguay mduguay@iu.edu搜索作者的其他作品:牛津学术谷歌学者音乐理论谱,mtad014, https://doi.org/10.1093/mts/mtad014出版日期:2023年6月19日
{"title":"Analytical Essays on Music by Women Composers: Concert Music, 1900–1960","authors":"Michèle Duguay","doi":"10.1093/mts/mtad014","DOIUrl":"https://doi.org/10.1093/mts/mtad014","url":null,"abstract":"Journal Article Analytical Essays on Music by Women Composers: Concert Music, 1900–1960 Get access Analytical Essays on Music by Women Composers: Concert Music, 1900–1960. Edited by Laurel Parsons and Brenda Ravenscroft. New York: Oxford University Press, 2022, ix + 283 pages. Michèle Duguay Michèle Duguay mduguay@iu.edu Search for other works by this author on: Oxford Academic Google Scholar Music Theory Spectrum, mtad014, https://doi.org/10.1093/mts/mtad014 Published: 19 June 2023","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135336408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Focal Impulse Theory 焦脉冲理论
IF 1 1区 艺术学 Q1 Arts and Humanities Pub Date : 2023-06-11 DOI: 10.1093/mts/mtad013
B. Duinker
{"title":"Focal Impulse Theory","authors":"B. Duinker","doi":"10.1093/mts/mtad013","DOIUrl":"https://doi.org/10.1093/mts/mtad013","url":null,"abstract":"","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44332749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contributors 贡献者
1区 艺术学 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1093/mts/mtad004
Journal Article Contributors Get access Music Theory Spectrum, Volume 45, Issue 1, Spring 2023, Pages 179–180, https://doi.org/10.1093/mts/mtad004 Published: 26 April 2023
期刊文章贡献者获取音乐理论谱,卷45,第1期,2023年春季,179-180页,https://doi.org/10.1093/mts/mtad004出版:2023年4月26日
{"title":"Contributors","authors":"","doi":"10.1093/mts/mtad004","DOIUrl":"https://doi.org/10.1093/mts/mtad004","url":null,"abstract":"Journal Article Contributors Get access Music Theory Spectrum, Volume 45, Issue 1, Spring 2023, Pages 179–180, https://doi.org/10.1093/mts/mtad004 Published: 26 April 2023","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135518445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Take Care 当心
IF 1 1区 艺术学 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1093/mts/mtad001
Stephen Lett
In this rejoinder, I elaborate on the uncomfortable and foundational call of “Making a Home of the Society for Music Theory, Inc.”: the necessity of abolition as at once the destruction of our colonial/capitalist worlding and the building of a life-affirming world otherwise. Bringing to the fore a couple of backgrounds to my writing—early career transience and building community with unhoused residents of Norman, Oklahoma—I clarify that my call is not for inclusion (and enclosure) within this colonial/capitalist worlding, but our collective liberation from it. Ultimately, I hope this response might inspire readers to build life-affirming, abolitionist worlds wherever they find themselves.
在这篇答辩中,我详细阐述了“建立音乐理论协会的家园”这一令人不安的基本呼吁:废除奴隶制的必要性,即立即摧毁我们的殖民/资本主义世界,并建立一个肯定生命的世界。把我写作的一些背景带到前面——早期职业生涯的短暂和与俄克拉何马州诺曼无家可归的居民一起建立社区——我澄清我的呼吁不是要在这个殖民/资本主义世界中包容(和圈地),而是我们的集体解放。最后,我希望这篇文章能激励读者,无论他们身处何处,都能建立一个肯定生命、废除死刑的世界。
{"title":"Take Care","authors":"Stephen Lett","doi":"10.1093/mts/mtad001","DOIUrl":"https://doi.org/10.1093/mts/mtad001","url":null,"abstract":"\u0000 In this rejoinder, I elaborate on the uncomfortable and foundational call of “Making a Home of the Society for Music Theory, Inc.”: the necessity of abolition as at once the destruction of our colonial/capitalist worlding and the building of a life-affirming world otherwise. Bringing to the fore a couple of backgrounds to my writing—early career transience and building community with unhoused residents of Norman, Oklahoma—I clarify that my call is not for inclusion (and enclosure) within this colonial/capitalist worlding, but our collective liberation from it. Ultimately, I hope this response might inspire readers to build life-affirming, abolitionist worlds wherever they find themselves.","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41509506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Content Warning 内容警告
IF 1 1区 艺术学 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1093/mts/mtad003
{"title":"Content Warning","authors":"","doi":"10.1093/mts/mtad003","DOIUrl":"https://doi.org/10.1093/mts/mtad003","url":null,"abstract":"","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49098267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Correction: review of An Unnatural Attitude: Phenomenology in Weimar Musical Thought. By Benjamin Steege 更正:《一种不自然的态度:魏玛音乐思想中的现象学》评论。本杰明·斯蒂奇
IF 1 1区 艺术学 Q1 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1093/mts/mtad002
{"title":"Correction: review of An Unnatural Attitude: Phenomenology in Weimar Musical Thought. By Benjamin Steege","authors":"","doi":"10.1093/mts/mtad002","DOIUrl":"https://doi.org/10.1093/mts/mtad002","url":null,"abstract":"","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45919478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
期刊
MUSIC THEORY SPECTRUM
全部 Acc. Chem. Res. ACS Applied Bio Materials ACS Appl. Electron. Mater. ACS Appl. Energy Mater. ACS Appl. Mater. Interfaces ACS Appl. Nano Mater. ACS Appl. Polym. Mater. ACS BIOMATER-SCI ENG ACS Catal. ACS Cent. Sci. ACS Chem. Biol. ACS Chemical Health & Safety ACS Chem. Neurosci. ACS Comb. Sci. ACS Earth Space Chem. ACS Energy Lett. ACS Infect. Dis. ACS Macro Lett. ACS Mater. Lett. ACS Med. Chem. Lett. ACS Nano ACS Omega ACS Photonics ACS Sens. ACS Sustainable Chem. Eng. ACS Synth. Biol. Anal. Chem. BIOCHEMISTRY-US Bioconjugate Chem. BIOMACROMOLECULES Chem. Res. Toxicol. Chem. Rev. Chem. Mater. CRYST GROWTH DES ENERG FUEL Environ. Sci. Technol. Environ. Sci. Technol. Lett. Eur. J. Inorg. Chem. IND ENG CHEM RES Inorg. Chem. J. Agric. Food. Chem. J. Chem. Eng. Data J. Chem. Educ. J. Chem. Inf. Model. J. Chem. Theory Comput. J. Med. Chem. J. Nat. Prod. J PROTEOME RES J. Am. Chem. Soc. LANGMUIR MACROMOLECULES Mol. Pharmaceutics Nano Lett. Org. Lett. ORG PROCESS RES DEV ORGANOMETALLICS J. Org. Chem. J. Phys. Chem. J. Phys. Chem. A J. Phys. Chem. B J. Phys. Chem. C J. Phys. Chem. Lett. Analyst Anal. Methods Biomater. Sci. Catal. Sci. Technol. Chem. Commun. Chem. Soc. Rev. CHEM EDUC RES PRACT CRYSTENGCOMM Dalton Trans. Energy Environ. Sci. ENVIRON SCI-NANO ENVIRON SCI-PROC IMP ENVIRON SCI-WAT RES Faraday Discuss. Food Funct. Green Chem. Inorg. Chem. Front. Integr. Biol. J. Anal. At. Spectrom. J. Mater. Chem. A J. Mater. Chem. B J. Mater. Chem. C Lab Chip Mater. Chem. Front. Mater. Horiz. MEDCHEMCOMM Metallomics Mol. Biosyst. Mol. Syst. Des. Eng. Nanoscale Nanoscale Horiz. Nat. Prod. Rep. New J. Chem. Org. Biomol. Chem. Org. Chem. Front. PHOTOCH PHOTOBIO SCI PCCP Polym. Chem.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1