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Join In: Voluntary Associations in America. Library of Congress, Washington, DC 加入:美国的志愿协会。美国国会图书馆,华盛顿特区
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1525/tph.2023.45.3.125
Shuhuan Ren
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引用次数: 0
Evangelical Heritage and Public History: Bridging an Artificial Divide 福音遗产与公共历史:弥合人为的鸿沟
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1525/tph.2023.45.3.89
Casey Haughin-Scasny
Historian and archivist Devin C. Manzullo-Thomas’s Exhibiting Evangelicalism is the first work dedicated to the history of evangelical history museums in the United States, standing as a call to action for public historians whose field has often ignored these museums because of their religious nature. This book tells a history of the public interpretation of conservative Protestant1 religious pasts “in the hopes that public historians will learn from and about the distinctive ways in which a particular segment of America’s faithful have crafted and deployed a usable past” (3). An installment in the series Public History in Historical Perspective from University of Massachusetts Press, Exhibiting Evangelicalism is a timely and necessary intervention for the discipline. Manzullo-Thomas begins his inquiry in the 1930s with the Billy Sunday Home and concludes with Museum of the Bible (MOTB) in the present to argue that conservative Protestant Christians developed ideologies about preserving the past for various ends, and terms this practice the construction of “evangelical heritage” (3). Manzullo-Thomas deploys evangelical heritage as a conceptual framework, involving a collection of myths, traditions, and narratives about the past that are constructed, consumed, and disseminated in public spaces to represent who evangelicals are in the present and who they should be in the future. Manzullo-Thomas argues that for conservative Protestants, this evangelical heritage is both instrumental and inspirational, as well as ultimately a means to build community and contribute to the broader goal of conversion.
历史学家和档案保管员Devin C. Manzullo-Thomas的《展示福音主义》是第一部致力于美国福音派历史博物馆历史的作品,它呼吁公共历史学家采取行动,因为这些博物馆的宗教性质,他们经常忽视这些博物馆。这本书讲述了对保守的新教宗教历史的公众解释的历史,“希望公共历史学家能够学习并了解美国信徒的特定部分精心制作和运用有用的过去的独特方式”(3)。马萨诸塞州大学出版社历史视角中的公共历史系列的一部分,展示福音主义是对该学科的及时和必要的干预。Manzullo-Thomas从20世纪30年代的比利星期日之家开始他的调查,并以现在的圣经博物馆(MOTB)结束,他认为保守的新教基督徒发展了关于为各种目的保存过去的意识形态,并将这种实践称为“福音遗产”的构建(3)。Manzullo-Thomas将福音遗产作为一个概念框架,包括关于过去的神话,传统和叙述的集合。在公共空间中被消费和传播,以代表福音派现在是什么样的人,未来应该是什么样的人。曼祖洛-托马斯认为,对于保守的新教徒来说,这种福音遗产既是工具,也是鼓舞人心的,最终也是建立社区和促进更广泛的皈依目标的一种手段。
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引用次数: 0
Madison Grant and the Dark Side of the Conservation Movement 麦迪逊·格兰特和环境保护运动的阴暗面
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1525/tph.2023.45.3.75
J. Wheeler
abstract:James B. Wheeler, a career Park Ranger/Interpreter with the National Park Service and interpreter in North Coast Redwoods State Parks, wrote a letter before retiring in 2017 to his superiors and other Parks employees about Madison Grant’s history, positive and negative. He asked for an adjustment to the stories told by the Prairie Creek memorial to Grant and the Founders Tree monument. His plea went unheard at the time, but it is central to the victory for historical truth and human decency that was achieved in more recent years. It is included here in its entirety as a necessary historical document (lightly edited for clarity and grammatical consistency).
詹姆斯·b·惠勒是美国国家公园管理局的职业公园护林员/口译员,也是北海岸红杉州立公园的口译员,他在2017年退休前给上级和其他公园员工写了一封信,讲述了麦迪逊·格兰特的历史,包括积极的和消极的。他要求对草原溪纪念格兰特的纪念碑和开国元勋树纪念碑所讲述的故事进行调整。他的请求在当时无人理睬,但这是近年来为历史真相和人类尊严取得胜利的核心。它作为一个必要的历史文件(为了清晰和语法的一致性稍作编辑)完整地包含在这里。
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引用次数: 0
Review: Where Are the Workers? Labor’s Stories at Museums and Historic Sites, edited by Robert Forrant and Mary Anne Trasciatti 回顾:工人在哪里?罗伯特·福兰特和玛丽·安妮·特拉西亚蒂编辑的《博物馆和历史遗址的劳工故事》
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1525/tph.2023.45.3.135
L. Mercier
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引用次数: 0
The Wren’s Nest 鹪鹩巢
3区 历史学 Q1 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1525/tph.2023.45.3.112
Laura A. Macaluso
Review| August 01 2023 The Wren’s Nest The Wren’s Nest, Joel Chandler Harris Association, Susan Lasby, Operations Manager. Atlanta, Georgia. https://www.wrensnest.org/ Laura A. Macaluso, PhD Laura A. Macaluso, PhD Search for other works by this author on: This Site PubMed Google Scholar The Public Historian (2023) 45 (3): 112–115. https://doi.org/10.1525/tph.2023.45.3.112 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Laura A. Macaluso; The Wren’s Nest. The Public Historian 1 August 2023; 45 (3): 112–115. doi: https://doi.org/10.1525/tph.2023.45.3.112 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentThe Public Historian Search Listening to a tale well told is a highlight when visiting The Wren’s Nest, named for the wrens who made a home in the mailbox at the house belonging to Joel Chandler Harris and his family. Set back from a hot, almost treeless street where buses and cars dominate, The Wren’s Nest—in need of some volunteer gardeners—is surrounded by leafy trees. There is shade, and a gate at the entrance to the sidewalk, which helps announce the site to those passing by. The Wren’s Nest, in Atlanta’s primarily Black West End Neighborhood, began life as a farmhouse and was Victorianized in the Queen Anne and Eastlake styles with an asymmetrical roofline, a deep wrap-around porch, and decorative siding. Harris (1848-1908), was a journalist associated with Atlanta’s New South movement, and the author of the wildly popular Uncle Remus stories. Featuring didactic animal tales passed down through African and Black American... You do not currently have access to this content.
《鹪鹩之巢》,乔尔·钱德勒·哈里斯协会,苏珊·拉斯比,运营经理。亚特兰大,乔治亚州。https://www.wrensnest.org/ Laura A. Macaluso,博士Laura A. Macaluso,博士搜索作者的其他作品:本网站PubMed谷歌学者公共历史学家(2023)45(3):112-115。https://doi.org/10.1525/tph.2023.45.3.112查看图标查看文章内容图表和表格视频音频补充数据同行评审分享图标分享Facebook Twitter LinkedIn电子邮件工具图标工具获得权限引用图标引用搜索网站引文劳拉A.马卡卢索;鹪鹩巢。公共历史学家2023年8月1日;45(3): 112-115。doi: https://doi.org/10.1525/tph.2023.45.3.112下载引用文件:Ris (Zotero)参考经理值得书挡Mendeley文件尾注RefWorks助理工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索汽车建议过滤你的搜索所有ContentThe公共历史学家听一个故事告诉是在参观一大亮点鹪鹩巢,命名的鹪鹩回家了邮箱的房子属于乔尔·钱德勒哈里斯和他的家人。鹪鹩巢位于一条炎热的、几乎没有树木的街道上,那里的公交车和汽车占主导地位,它需要一些志愿园丁,周围是茂密的树木。这里有树荫,人行道入口处有一扇门,这有助于向路过的人宣布这个地点。鹪鹩巢位于亚特兰大主要的黑人西区社区,最初是一个农舍,后来被维多利亚风格的安妮女王和东湖风格改造成不对称的屋顶,一个深环绕的门廊,还有装饰性的壁板。哈里斯(1848-1908)是一位与亚特兰大新南方运动有关的记者,也是广受欢迎的雷姆斯叔叔故事的作者。以非洲和美国黑人流传下来的说教动物故事为特色……您目前没有访问此内容的权限。
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引用次数: 0
The David J. Sencer CDC Museum 美国疾病控制与预防中心博物馆
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1525/tph.2023.45.3.96
K. Lovell
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引用次数: 0
The Wren’s Nest 鹪鹩巢
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1016/s0001-2092(07)62612-x
Laura A. Macaluso
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引用次数: 0
The Owens-Thomas House & Slave Quarters Owens Thomas House&Slave Quarters
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1525/tph.2023.45.3.100
E. C. Thompson
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引用次数: 0
Jimmy Carter Presidential Library and Museum 吉米卡特总统图书馆和博物馆
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1525/tph.2023.45.3.105
Allison Horrocks
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引用次数: 0
Emily Dickinson Museum, Amherst, Massachusetts 艾米莉·狄金森博物馆,阿默斯特,马萨诸塞州
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2023-08-01 DOI: 10.1525/tph.2023.45.3.122
Meghan Gelardi Holmes
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引用次数: 0
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