{"title":"House and Home in Georgian Ireland, Spaces and Cultures of Domestic Life","authors":"Helen McCormack","doi":"10.1093/jdh/epad022","DOIUrl":"https://doi.org/10.1093/jdh/epad022","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43442879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Carbon Technocracy: Energy Regimes in Modern East Asia","authors":"C. Fanning","doi":"10.1093/jdh/epad021","DOIUrl":"https://doi.org/10.1093/jdh/epad021","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48673747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Craft Culture in Early Modern Japan: Materials, Makers, and Mastery","authors":"M. Laver","doi":"10.1093/jdh/epad004","DOIUrl":"https://doi.org/10.1093/jdh/epad004","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42272107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The late-nineteenth century saw a flourishing of mosaic in British architecture. Both traditional and innovative methods of mosaic-making were deployed in a wide variety of contexts from the 1850s onwards: in domestic, public, sacred, and secular buildings; for interior and exterior decoration; at large and small scales. Widespread experimentation with new materials, facilitated by the affordability of energy-intensive manufacturing processes, was complemented by a growing body of scholarship on the history of mosaics. Opus sectile was a novel type of opaque glass for mosaic-making that was developed by glassmakers James Powell & Sons in the mid-1860s. This new material quickly gained in popularity and was used in a variety of architectural projects throughout the late-nineteenth and early-twentieth centuries (for a list see Dennis Hadley, Powell’s Opus Sectile Locations [Coventry: Tiles & Architectural Ceramics Society, 2018]). Through a discussion of the development of opus sectile and its use in the 1860s, 1870s, and 1880s, the article explores its place in a landscape of both technological innovation and stylistic revivalism.
{"title":"Innovation and Revivalism: Powell & Sons’ Opus Sectile Mosaic","authors":"Lily Crowther","doi":"10.1093/jdh/epad001","DOIUrl":"https://doi.org/10.1093/jdh/epad001","url":null,"abstract":"\u0000 The late-nineteenth century saw a flourishing of mosaic in British architecture. Both traditional and innovative methods of mosaic-making were deployed in a wide variety of contexts from the 1850s onwards: in domestic, public, sacred, and secular buildings; for interior and exterior decoration; at large and small scales. Widespread experimentation with new materials, facilitated by the affordability of energy-intensive manufacturing processes, was complemented by a growing body of scholarship on the history of mosaics. Opus sectile was a novel type of opaque glass for mosaic-making that was developed by glassmakers James Powell & Sons in the mid-1860s. This new material quickly gained in popularity and was used in a variety of architectural projects throughout the late-nineteenth and early-twentieth centuries (for a list see Dennis Hadley, Powell’s Opus Sectile Locations [Coventry: Tiles & Architectural Ceramics Society, 2018]). Through a discussion of the development of opus sectile and its use in the 1860s, 1870s, and 1880s, the article explores its place in a landscape of both technological innovation and stylistic revivalism.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47503242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"No More Giants: J.M. Richards, Modernism and the Architectural Review","authors":"Alborz Dianat","doi":"10.1093/jdh/epad017","DOIUrl":"https://doi.org/10.1093/jdh/epad017","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44968443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In his 1936 essay ‘La Crise de l’Objet’, André Breton identifies a volonté d’objectivisation; an unprecedented drive toward the concrete in contemporary art and science that underlies the surrealist endeavor to bring about ‘a total revolution of the object’.1 With reference to diverse artifacts displayed in the first Surrealist Exhibition of Objects,2 he elaborates on this new conception of the object and lists some of the strategies adopted by the surrealists to transcend an object’s ‘manifest life’ and liberate it from the ‘mad beast of conventional use [usage]’. Under such modes of engagement, Breton explains: […] this object, as complete as it is, reverts to an uninterrupted succession of latencies, not specifically bound to it and calling for its transformation. This object’s conventional value disappears behind its representational value and, by this means, brings to prominence its picturesque aspect, its evocative power3. In Moving Objects, Damon Taylor likewise identifies a notable tendency in our relationship to the material culture of everyday life, a particular understanding of domestic objects specifically, that is bringing about what he refers to as an ‘affective turn in design’ (p. 7). In this book, he assembles a compelling collection of objects under the banner of ‘emotive design’, artifacts that ‘operate in the realm of emotion for its own ends, because feeling is valuable in itself’ (p. 9). As with the objects considered by Breton, the emphasis is placed on their evocative power, and one of Taylor’s key aims is to examine the ways in which they are ‘manipulated [by designers] in an exploration of our emotional relationship to the physical matter of life’ (p. 10). By focusing his study on furniture and furnishings, the ‘intimate’ objects of everyday life that constitute ‘the landscape we inhabit’ (p. 10), he further aims to highlight ‘the affective space of the domestic as a site of expression and experimentation’ (pp. 11–12) and points toward its subversive potential.
在他1936年的文章《客体的危机》中，安德列·布列东(andrer Breton)指出了一种自愿的客体化;在当代艺术和科学中，对具体的前所未有的推动，是超现实主义努力实现“对象的全面革命”的基础他以第一届超现实主义物品展览(Surrealist Exhibition of Objects)中展出的各种各样的物品为例，详细阐述了这种新的物品概念，并列出了超现实主义者所采用的一些策略，以超越物品的“明显生命”，并将其从“常规使用的疯狂野兽”中解放出来。在这样的参与模式下，布列塔尼解释说:[…]这个对象，尽管它是完整的，但它恢复到一个不间断的连续的延迟，而不是特别地约束它，并要求它的转变。这个物体的传统价值消失在它的具象价值背后，通过这种方式，突出了它的风景如画的一面，它的唤起力。在《移动的物体》(Moving Objects)一书中，达蒙·泰勒(Damon Taylor)同样指出了我们与日常生活的物质文化关系中的一个显著趋势，特别是对家用物品的一种特殊理解，这带来了他所说的“设计中的情感转向”(第7页)。在这本书中，他以“情感设计”为旗帜，收集了一系列引人注目的物品，这些物品“在情感领域中为自己的目的而运作，因为感觉本身是有价值的”(第9页)。与布列塔尼所考虑的对象一样，重点放在它们的唤起力上，泰勒的主要目标之一是研究它们“被(设计师)操纵的方式，以探索我们与生活物质的情感关系”(第10页)。通过将他的研究重点放在家具和陈设上，这些日常生活中的“亲密”物品构成了“我们居住的景观”(第10页)，他进一步强调了“作为表达和实验场所的家庭情感空间”(第11-12页)，并指出了其颠覆性的潜力。
{"title":"Moving Objects: A Cultural History of Emotive Design","authors":"Lina Hakim","doi":"10.1093/jdh/epad006","DOIUrl":"https://doi.org/10.1093/jdh/epad006","url":null,"abstract":"In his 1936 essay ‘La Crise de l’Objet’, André Breton identifies a volonté d’objectivisation; an unprecedented drive toward the concrete in contemporary art and science that underlies the surrealist endeavor to bring about ‘a total revolution of the object’.1 With reference to diverse artifacts displayed in the first Surrealist Exhibition of Objects,2 he elaborates on this new conception of the object and lists some of the strategies adopted by the surrealists to transcend an object’s ‘manifest life’ and liberate it from the ‘mad beast of conventional use [usage]’. Under such modes of engagement, Breton explains: […] this object, as complete as it is, reverts to an uninterrupted succession of latencies, not specifically bound to it and calling for its transformation. This object’s conventional value disappears behind its representational value and, by this means, brings to prominence its picturesque aspect, its evocative power3. In Moving Objects, Damon Taylor likewise identifies a notable tendency in our relationship to the material culture of everyday life, a particular understanding of domestic objects specifically, that is bringing about what he refers to as an ‘affective turn in design’ (p. 7). In this book, he assembles a compelling collection of objects under the banner of ‘emotive design’, artifacts that ‘operate in the realm of emotion for its own ends, because feeling is valuable in itself’ (p. 9). As with the objects considered by Breton, the emphasis is placed on their evocative power, and one of Taylor’s key aims is to examine the ways in which they are ‘manipulated [by designers] in an exploration of our emotional relationship to the physical matter of life’ (p. 10). By focusing his study on furniture and furnishings, the ‘intimate’ objects of everyday life that constitute ‘the landscape we inhabit’ (p. 10), he further aims to highlight ‘the affective space of the domestic as a site of expression and experimentation’ (pp. 11–12) and points toward its subversive potential.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135822320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Dressing Up: A History of Fancy Dress in Britain Get access Dressing Up: A History of Fancy Dress in Britain, Verity Wilson, Reaktion Books, 2022. 352 pp., 144 illus., 36 in color, cloth, £25.00. ISBN: 9781789145298. Johanna Lance Johanna Lance PhD Candidate University of Brighton, Brighton, UK Email: J.Lance2@brighton.ac.uk Search for other works by this author on: Oxford Academic Google Scholar Journal of Design History, epad007, https://doi.org/10.1093/jdh/epad007 Published: 27 March 2023
期刊文章Dressing Up: A History of Fancy Dressin Britain请查阅Dressing Up: A History of Fancy Dressin Britain, Verity Wilson, Reaktion Books, 2022。352页，144页。， 36色，布，25英镑。ISBN: 9781789145298。约翰娜·兰斯约翰娜·兰斯博士候选人布莱顿大学，布莱顿，英国电子邮件:J.Lance2@brighton.ac.uk搜索作者的其他作品:牛津学术谷歌学者设计历史杂志，epad007, https://doi.org/10.1093/jdh/epad007出版:2023年3月27日
{"title":"Dressing Up: A History of Fancy Dress in Britain","authors":"Johanna Lance","doi":"10.1093/jdh/epad007","DOIUrl":"https://doi.org/10.1093/jdh/epad007","url":null,"abstract":"Journal Article Dressing Up: A History of Fancy Dress in Britain Get access Dressing Up: A History of Fancy Dress in Britain, Verity Wilson, Reaktion Books, 2022. 352 pp., 144 illus., 36 in color, cloth, £25.00. ISBN: 9781789145298. Johanna Lance Johanna Lance PhD Candidate University of Brighton, Brighton, UK Email: J.Lance2@brighton.ac.uk Search for other works by this author on: Oxford Academic Google Scholar Journal of Design History, epad007, https://doi.org/10.1093/jdh/epad007 Published: 27 March 2023","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135822321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article International Design Organizations: Histories, Legacies, Values Get access Jeremy Aynsley, Alison J. Clarke, and Tania Messel(eds.), Bloomsbury, 2022. 352 pp., 65 bw illus, cloth. $103.50. ISBN: 9781350112513. H Alpay Er H Alpay Er Professor of Industrial Design, Özyeğin University, Orman Sok. Nişantepe, Çekmeköy, İstanbul, TurkeyRegional Advisor, World Design Organization (WDO), Montreal, Canada Email: alpay.er@ozyegin.edu.tr Search for other works by this author on: Oxford Academic Google Scholar Journal of Design History, epad008, https://doi.org/10.1093/jdh/epad008 Published: 27 March 2023
期刊文章:国际设计组织:历史，遗产，价值获取Jeremy Aynsley, Alison J. Clarke和Tania Messel(编)，Bloomsbury, 2022。352页，65磅，布。103.50美元。ISBN: 9781350112513。H Alpay Er工业设计教授，Özyeğin University, Orman Sok。ni antepe， Çekmeköy， İstanbul，土耳其区域顾问，世界设计组织(WDO)，蒙特利尔，加拿大电子邮件:alpay.er@ozyegin.edu.tr搜索作者的其他作品:牛津学术谷歌学者设计史杂志，epad008, https://doi.org/10.1093/jdh/epad008出版日期:2023年3月27日
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