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Book review: Environmentalism and the contemporary conundrum The Media Commons: Globalization and Environmental Discourses 书评:《环境主义与当代难题:媒体公地:全球化与环境话语》
IF 1.2 Q2 Arts and Humanities Pub Date : 2020-04-01 DOI: 10.1177/1742766520912177
Tabassum Khan
Baron NS (2015) Words Onscreen: The Fate of Reading in a Digital World. New York: Oxford University Press. Chartier R (1995) Forms and Meanings: Texts, Performances, and Audiences from Codex to Computer. Philadelphia, PA: University of Pennsylvania Press. Innis H (1951) The Bias of Communication. Toronto, ON, Canada: University of Toronto Press. Mullaney TS (2017) The Chinese Typewriter: A History. Cambridge, MA: MIT Press. Ong W (1982) Orality and Literacy: The Technologizing of the Word. London: Methuen & Co. Osborn JR (2017) Letters of Light: Arabic Script in Calligraphy, Print, and Digital Design. Cambridge, MA: Harvard University Press.
Baron NS(2015)《屏幕上的文字:数字世界中阅读的命运》。纽约:牛津大学出版社。Chartier R(1995)《形式与意义:从编码到计算机的文本、表演和受众》。宾夕法尼亚州费城:宾夕法尼亚大学出版社。Innis H(1951)《沟通的偏见》。加拿大安大略省多伦多:多伦多大学出版社。Mullaney TS(2017)《中国打字机:历史》。马萨诸塞州剑桥:麻省理工学院出版社。王(1982)口语与识字:文字的技术化。伦敦:Methuen&Co.Osborn JR(2017)《光之信:书法、印刷和数字设计中的阿拉伯文字》。马萨诸塞州剑桥:哈佛大学出版社。
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引用次数: 0
Rethinking China’s global ‘propaganda’ blitz 反思中国的全球“宣传”闪电战
IF 1.2 Q2 Arts and Humanities Pub Date : 2020-04-01 DOI: 10.1177/1742766519871694
Falk Hartig
China’s global communication activities are mainly perceived as sinister propaganda to mislead international audiences, and related discussions exemplify Western unease about China’s global communication efforts. While not trivializing these efforts, this article objects to some of the assessments and argues in favour of a critical but open-minded engagement with China’s global communication activities. Such an approach should pay attention to potential audiences and should closely scrutinize the real-life circumstances of China’s communicative practices and put them into perspective for its audiences. The article highlights these aspects by analysing the screening of a video in New York City’s Times Square in Summer 2016 and one version of the China Daily supplement, China Watch.
中国的全球传播活动主要被视为误导国际观众的险恶宣传,相关讨论体现了西方对中国全球传播努力的不安。虽然这篇文章并没有轻视这些努力,但它反对一些评估,并主张对中国的全球传播活动进行批判性但开放的参与。这种方法应该关注潜在的受众,应该仔细审视中国交际实践的现实情况,并为受众提供正确的视角。这篇文章通过分析2016年夏天在纽约时代广场放映的一段视频和《中国日报》副刊《中国观察》的一个版本,强调了这些方面。
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引用次数: 4
Book review: The Chinese Typewriter: A History 书评:《中国打字机的历史》
IF 1.2 Q2 Arts and Humanities Pub Date : 2020-03-27 DOI: 10.1177/1742766520912167
Matthew S. Lindia
This book is based on rich firsthand and secondhand materials. By weaving together a number of key actors in China’s informal and formal digital media economy, the book contributes to the field of Chinese Internet studies, digital labor studies, platform studies and, more broadly, communication and media studies. The author consistently and carefully links on-the-ground practices to macro-level political and socio-economic milieux where these practices take shape. By doing so, Zhao sheds light on the larger theoretical issues. Overall, the author should be applauded for writing such an excellent book.
这本书取材于丰富的第一手和二手资料。该书汇集了中国非正规和正规数字媒体经济中的一些关键参与者,为中国互联网研究、数字劳动研究、平台研究以及更广泛的传播和媒体研究领域做出了贡献。作者一贯谨慎地将实地实践与这些实践形成的宏观政治和社会经济环境联系起来。通过这样做,赵揭示了更大的理论问题。总的来说,作者写了一本如此优秀的书,应该受到赞扬。
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引用次数: 0
Book review: Digital China’s Informal Circuits: Platforms, Labor, and Governance 书评:《数字中国的非正式电路:平台、劳工和治理》
IF 1.2 Q2 Arts and Humanities Pub Date : 2020-03-27 DOI: 10.1177/1742766520912166
A. Li
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引用次数: 2
Beneath the bitter laughter: Online parodies, structures of feeling and cultural citizenship in China 苦笑之下:网络戏仿、中国的情感结构和文化公民身份
IF 1.2 Q2 Arts and Humanities Pub Date : 2020-02-25 DOI: 10.1177/1742766519900303
Sheng Zou
This article examines the practice of egao, or online parody, in China as an act of cultural citizenship. Looking at user-generated parodies derived from a viral meme called Mom Please Hit Me Once More, it explores how young netizens negotiate their collective identity, memory and social changes through participatory cultural production online. Broadening the purview of citizenship practice while highlighting its cultural and affective dimension, this article reveals how the Internet provides a space for creative modes of civic expression and lifestyle politics – a hybrid space where entertainment and politics converge, while tensions between tradition and modernity play out.
这篇文章探讨了在中国作为一种文化公民行为的恶搞行为。通过对一个名为“妈妈请再打我一次”(Mom Please Hit Me again)的病毒表情包的恶搞,它探讨了年轻网民如何通过参与式的网络文化生产来协商他们的集体身份、记忆和社会变革。本文拓宽了公民实践的范围,同时强调了其文化和情感维度,揭示了互联网如何为公民表达和生活方式政治的创造性模式提供了一个空间——一个娱乐与政治融合的混合空间,同时传统与现代之间的紧张关系也在发挥作用。
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引用次数: 7
Turkey’s communicative authoritarianism 土耳其的沟通式威权主义
IF 1.2 Q2 Arts and Humanities Pub Date : 2020-02-22 DOI: 10.1177/1742766519899123
Burçe Çelik
The majority of current political communication studies focus on discursive dimensions of communications and disregard how communications partake in the governing of populations through economic, material and institutional practices. By focusing on Turkey’s case, here I move beyond this approach and examine the role of communications in the development of neoliberal capital accumulation, authoritarian welfare politics, political repression and the production of popular support. The article provides an empirical analysis of policy developments and plans and the restructuring of ownership and control of networks between 2002 and 2016 in Erdoğan’s Turkey.
目前的大多数政治传播研究都集中在传播的话语层面,而忽视了传播如何通过经济、物质和制度实践参与人口治理。通过关注土耳其的情况,我在这里超越了这种方法,研究了传播在发展新自由主义资本积累、独裁福利政治、政治镇压和民众支持中的作用。本文对2002年至2016年间埃尔多安领导的土耳其的政策发展和计划以及网络所有权和控制权的重组进行了实证分析。
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引用次数: 3
One meta-media event, two forms of censorship: The Charlie Hebdo affair in the United Kingdom and Turkey 一个元媒体事件,两种形式的审查:英国和土耳其的《查理周刊》事件
IF 1.2 Q2 Arts and Humanities Pub Date : 2020-02-22 DOI: 10.1177/1742766519899118
Lyombe Eko, L. Hellmueller
This study analyses British and Turkish media conceptualizations of the Charlie Hebdo affair. Editorial decisions to republish or not to republish the Mohammed cartoon cover reflected the politico-cultural pressures on the journalistic fields in both countries. The controversy demonstrated that the editorial autonomy of the British media outlets enabled them to engage in ‘eclectic neutrality’, the right to decide to republish or not to republish the cartoons. Despite the severely constrained journalistic environment of Turkey, where expectations of respect for religion take precedence over freedom of expression, the Turkish media engaged in symbolic acts of resistance in furtherance of freedom of expression.
本研究分析英国和土耳其媒体对查理周刊事件的概念。再版或不再版穆罕默德漫画封面的编辑决定反映了两国新闻领域的政治文化压力。这场争议表明,英国媒体的编辑自主权使他们能够从事“折衷中立”,有权决定重新出版或不重新出版漫画。尽管土耳其的新闻环境受到严重限制,期望对宗教的尊重优先于言论自由,但土耳其新闻媒介为促进言论自由而采取了象征性的抵抗行动。
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引用次数: 0
Gazing past the glass ceiling: Indian and South African female journalists’ perceptions of their role and power in the newsroom 透过玻璃天花板凝视:印度和南非女记者对自己在新闻编辑室中的角色和权力的看法
IF 1.2 Q2 Arts and Humanities Pub Date : 2020-02-22 DOI: 10.1177/1742766519899116
S. Rao, Y. Rodny-Gumede
This article analyses female journalists’ perceptions of their own role, their power in the newsroom, their influence over the news agenda and the challenges they face on a daily basis in two large media-saturated countries and emerging democracies, India and South Africa. India and South Africa are both nations that are trying to overcome historical legacies of patriarchal structures and gendered attitudes about women’s role. The authors conclude that female journalists articulated their experiences of newsroom culture as hegemonically masculine. While it appears that female journalists believe that women have made some strides in covering political news, they still see their influence as limited and continue to battle pre-existing professional stereotypes.
本文分析了在印度和南非这两个媒体饱和的大国和新兴民主国家,女记者对自己角色的看法、她们在新闻编辑室的权力、她们对新闻议程的影响力以及她们每天面临的挑战。印度和南非都在努力克服父权制结构和对女性角色的性别态度的历史遗留问题。作者得出的结论是,女记者将她们在新闻编辑室文化中的经历表述为霸权男性化。尽管女记者似乎认为女性在报道政治新闻方面取得了一些进步,但她们仍然认为自己的影响力有限,并继续与先前存在的职业刻板印象作斗争。
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引用次数: 9
Whose voices? How media policy shapes minority language radio in Taiwan 谁的声音?媒体政策如何塑造台湾少数民族语言广播
IF 1.2 Q2 Arts and Humanities Pub Date : 2020-02-20 DOI: 10.1177/1742766519900308
Ya-Chi Chen
This article explores the interaction between media policy and the development of minority language media, in this case, Hakka language radio stations. It examines how media policy has been caught between neo-liberal economic development and election politics and delineates the extent to which media policy has impacted the establishment, programming and performance of minority language media, especially in the context of political democratization. This article argues that the mission to promote cultural diversity and to ‘make more voices heard’ should not fall on minority language media alone, and that the government and mainstream media ought to take the lead if this goal is to be achieved.
本文探讨媒体政策与少数民族语言媒体发展之间的互动关系,以客家语电台为例。它研究了媒体政策如何被夹在新自由主义经济发展和选举政治之间,并描述了媒体政策对少数民族语言媒体的建立、节目编排和表现的影响程度,特别是在政治民主化的背景下。这篇文章认为,促进文化多样性和“让更多的声音被听到”的使命不应该仅仅落在少数民族语言媒体身上,如果要实现这一目标,政府和主流媒体应该发挥带头作用。
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引用次数: 0
Globalization, neo-globalization and post-globalization: The challenge of populism and the return of the national 全球化、新全球化与后全球化:民粹主义的挑战与民族的回归
IF 1.2 Q2 Arts and Humanities Pub Date : 2020-02-19 DOI: 10.1177/1742766519900329
T. Flew
In the context of a perceived crisis of globalization, this article outlines key features of the globalization paradigm that bore influence in media and communication studies, observing two recurring and related weaknesses: underestimation of the continuing significance of nation-states, and overestimation of the extent to which cultures and identities had become ‘post-national’ and cosmopolitan. The rise of populism could lead to a post-global era, but it is more likely that it marks a reassertion of national policy and political priorities into the operations of global corporations and multilateral institutions. This raises the question of whether global communication studies need to be more concerned with national policy questions rather than with ‘the global’ as an entity in its own right.
在全球化危机的背景下,本文概述了在媒体和传播研究中具有影响力的全球化范式的主要特征,观察到了两个反复出现的相关弱点:低估了民族国家的持续重要性,以及高估文化和身份在多大程度上已经成为“后国家”和世界性的。民粹主义的兴起可能会导致一个后全球时代,但更可能的是,它标志着国家政策和政治优先事项重新纳入全球公司和多边机构的运作。这就提出了一个问题,即全球传播研究是否需要更多地关注国家政策问题,而不是“全球”作为一个实体本身。
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引用次数: 35
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Global Media and Communication
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