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Globalization, glocalization and the ICT revolution 全球化、全球本地化和信息通信技术革命
IF 1.2 Q2 Arts and Humanities Pub Date : 2023-02-24 DOI: 10.1177/17427665231157287
Victor Roudometof
The article explores the relationship between globalization and the information and communications technology (ICT) revolution. The impact of ICTs does not conform to the globalization paradigm’s suggestions. To address this issue, this article argues that glocalization and localization should be viewed as autonomous processes. Glocalization offers a means for the interpretation of the ICT revolution in techno-social relationships. It leads to the reconstruction of places through digital means or newfound third spaces of glocality. In the first instance, ICTs often lead to a reconstruction of local places, whereas in the second instance, ICTs lead to glocalities.
本文探讨了全球化与信息通信技术(ICT)革命之间的关系。信息通信技术的影响并不符合全球化范式的建议。为了解决这个问题,本文认为全球本地化和本地化应该被视为自主的过程。全球本地化为在技术-社会关系中解释ICT革命提供了一种手段。它通过数字手段或新发现的全球局部性第三空间来重建地方。在第一种情况下,信息通信技术往往导致地方的重建,而在第二种情况下,信息通信技术导致地方。
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引用次数: 1
Book review: Wikipedia and the Representation of Reality 书评:维基百科与现实的再现
IF 1.2 Q2 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.1177/17427665221125590
Y. Arifani, Nur Hidayat, M. Kharis, Rosyidah
The book entitled Wikipedia and the Representation of Reality by McDowell and Vetter is intended to address an important gap in media communication and information technology by exploring the complex disconnect between formalized policy and the unspoken norms behind common knowledge-making processes. It is presented in five chapters and begins with the controversies tagging the popularity of the English Wikipedia (the 13th most visited website globally, which has more than six million articles and nine billion page views per month). Chapter 1 introduces the authors’ arguments behind the representation of Wikipedia as common knowledge. In the review, the authors explain the five pillars of the actual practice of how Wikipedia collects all branches of knowledge and distributes them to everyone for free. The first pillar tells the readers about the lofty goal of Wikipedia as an encyclopaedia that provides objective information and reality to its readers (Menking and Rosenberg, 2021). The second pillar states that ‘Wikipedia is written from a neutral point of view’ to remove ‘editors’ personal opinion and interpretation (pp. 3–5). The next pillar highlights one of the foremost features to be criticized but rarely well understood by the readers. They are Commons-Based Peer Production (CBPP) and Libre and Open-Source Software (FLOSS), where anyone has licence to compose, copy, edit and distribute all information freely under the attribute of the Creative Commons Attribution/Share-Alike (CC-BY-SA) copyright. The fourth pillar states, ‘please don’t bite newcomers’ (p. 10), indicating that all editors should treat each other with respect and courtesy. The last pillar says that ‘Wikipedia has no firm rules’ (pp. 11–12). Chapter 2 discusses what counts as reliable and verifiable information. It also addresses Gofman’s critiques of the crowd-sourced and errors revision models of Wikipedia information construction. These critiques came up because Gofman failed to understand the multitude of guidelines and policies Wikipedia has in place to protect against misinformation and errors. Therefore, McDowell and Vetter introduce the ‘Neutral Point of View’ and ‘Verifiability’ policies to guard against the insertion 1125590 GMC0010.1177/17427665221125590Global Media and CommunicationBook review book-review2022
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引用次数: 0
Mediatization and patterns of social interaction on social media 媒介化与社交媒体上的社会互动模式
IF 1.2 Q2 Arts and Humanities Pub Date : 2022-11-17 DOI: 10.1177/17427665221135094
W. A. Barry, Mamdouh Abdallah Mohamed Abdellatif, Haitham Gouda Moayad
There is a correlative relationship between mediatization and social interaction. Communication scholars have paid attention to this relationship. We argue that mediatization involves the incorporation of various patterns of interaction among users of social media platforms. We used two theoretical approaches, namely mediatization and symbolic interaction. We surveyed a purposive sample that we selected according to certain criteria. Regression analysis revealed the correlative relationship between the dimensions of mediatization over social media platforms and the patterns of symbolic interaction among users.
媒介化与社会互动之间存在着相关关系。传播学学者已经注意到了这种关系。我们认为,媒介化涉及社交媒体平台用户之间各种互动模式的整合。我们使用了两种理论方法,即媒介化和符号互动。我们调查了一个有目的的样本,我们根据一定的标准选择。回归分析揭示了社交媒体平台媒介化维度与用户符号交互模式之间的相关关系。
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引用次数: 0
Off limits: The role of news and social media in developing sexual assault and harassment as a campaign issue during the Indian parliamentary elections of 2019 禁区:2019年印度议会选举期间,新闻和社交媒体在将性侵犯和性骚扰发展为竞选议题方面的作用
IF 1.2 Q2 Arts and Humanities Pub Date : 2022-11-14 DOI: 10.1177/17427665221135110
Pallavi Guha
In September 2018, the second wave of #Metooindia resumed in India, opening up conversations on sexual assault. Surprisingly, this did not lead to the inclusion of sexual assault as a key campaign issue in the Indian parliamentary elections in early 2019. This study investigates the underlying role of news media and social media in building an anti-sexual assault agenda in the 2019 Indian Lok Sabha election campaign. It builds on past literature on rational choice decision-making theory, social media activism and rape as a political issue in campaigns. This mixed method study includes the analysis of political manifestos and Facebook posts during the campaign, news articles published in the two most circulated English newspapers in India and interviews with political journalists. The restrained mainstream media coverage of sexual assault and pan-Indian social media platforms helped to limit the issue from becoming a part of the campaign during the elections.
2018年9月,第二波“我也是印度”运动在印度恢复,开启了关于性侵犯的对话。令人惊讶的是,这并没有导致性侵犯成为2019年初印度议会选举的一个关键竞选议题。本研究调查了新闻媒体和社交媒体在2019年印度人民院竞选活动中建立反性侵犯议程的潜在作用。它建立在过去关于理性选择决策理论、社交媒体行动主义和强奸作为竞选中的政治问题的文献基础之上。这项混合方法研究包括分析竞选期间的政治宣言和Facebook帖子,在印度发行量最大的两家英文报纸上发表的新闻文章,以及对政治记者的采访。主流媒体对性侵犯的报道受到限制,泛印度社交媒体平台也限制了这个问题在选举期间成为竞选活动的一部分。
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引用次数: 0
What drives journalists’ perceptions of media powers as political image-makers in the emerging democracy of Indonesia? 是什么驱使记者将媒体权力视为印尼新兴民主国家的政治形象塑造者?
IF 1.2 Q2 Arts and Humanities Pub Date : 2022-10-27 DOI: 10.1177/17427665221132183
Nyarwi Ahmad
This work explores what drives Indonesian journalists’ perceptions of media powers as political image-makers. The findings indicate that the following structural factors determined their perceptions: the journalists’ willingness to adopt the news media logic, journalists’ conceptions of the media as primary sources of political information and media and journalist independencies. The effects of these factors on journalists’ perceptions are defined by the types of media content, platform and media ownership with which they are associated and also the journalists’ age, gender, education level and position in the media organisation.
这部作品探讨了印尼记者将媒体权力视为政治形象塑造者的原因。研究结果表明,以下结构性因素决定了他们的看法:记者采用新闻媒体逻辑的意愿、记者将媒体视为政治信息的主要来源以及媒体和记者的独立性。这些因素对记者认知的影响取决于媒体内容的类型、平台和媒体所有权,以及记者的年龄、性别、教育水平和在媒体组织中的地位。
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引用次数: 1
Digital nationalism versus gender politics in post-reform China: Gender-issue debates on Zhihu 改革后中国的数字民族主义与性别政治:知乎上的性别问题辩论
IF 1.2 Q2 Arts and Humanities Pub Date : 2022-10-21 DOI: 10.1177/17427665221125537
Altman Yuzhu Peng
This article aims to determine how digital nationalism influences gender politics in the context of gender-issue debates on Chinese social media platforms. To this end, I present an original case study, collecting empirical data from the most popular Chinese community question-answering (CQA) website, Zhihu. By using a mixed-method research design, consisting of content analysis (CA) and critical discourse analysis (CDA), I explored gender-issue debates between Chinese internet users. The analysis reveals how such debates inform divided opinions between women and men internet users, and how misogynistic men invoke a nationalist discourse to distort the debates.
本文旨在确定在中国社交媒体平台上性别问题辩论的背景下,数字民族主义如何影响性别政治。为此,我提出了一个原始的案例研究,收集了最受欢迎的中文社区问答(CQA)网站知乎的实证数据。我采用内容分析(CA)和批评话语分析(CDA)的混合方法研究设计,探讨了中国互联网用户之间的性别问题争论。分析揭示了这样的辩论是如何让男女互联网用户产生意见分歧的,以及厌恶女性的男性是如何利用民族主义话语来扭曲辩论的。
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引用次数: 2
The spectacle of/as the state: The 2016 coup in Turkey and the performance of sovereignty 国家的奇观:2016年土耳其政变和主权的行使
IF 1.2 Q2 Arts and Humanities Pub Date : 2022-10-21 DOI: 10.1177/17427665221125541
C. Miles
Examining the settings of the 2016 coup attempt in Turkey, this paper traces the relationship between state power, agency and media. On 15 July 2016, reports emerged through social networking sites and other mainstream media of armoured military tanks blocking the entrances to the Bosphorus and Fatih Sultan Mehmet bridges in Istanbul. Appearing via FaceTime on CNN Türk, President Erdoğan called people onto the streets to confront the occupying forces. Following the foiled coup attempt, officials praised the public for using communication technology to topple the coup plotters. I juxtapose the different settings where the coup unfolded to argue these events are symbolic phenomena, underscoring how the imaginary of ‘national unity’ is mediated to (re)affirm state power.
本文考察了2016年土耳其政变的背景,追溯了国家权力、机构和媒体之间的关系。2016年7月15日,社交网站和其他主流媒体报道称,装甲军用坦克封锁了伊斯坦布尔博斯普鲁斯海峡和法提赫苏丹穆罕默德大桥的入口。埃尔多安总统通过FaceTime在美国有线电视新闻网Türk上露面,号召人们走上街头对抗占领军。政变未遂后,官员们赞扬公众利用通信技术推翻政变策划者。我将政变发生的不同背景并置,认为这些事件是象征性现象,强调了“民族团结”的想象是如何被调解以(重新)确认国家权力的。
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引用次数: 0
Counter-hegemonic collaborations or alliances of the underdogs? The case of TeleSUR with Al-Mayadeen, RT and CGTN 反霸权的合作还是弱者的联盟?TeleSUR与Al-Mayadeen、RT和CGTN的案例
IF 1.2 Q2 Arts and Humanities Pub Date : 2022-10-19 DOI: 10.1177/17427665221125549
P. Morales
This study explores how news channels from the Global South challenge western narratives by co-producing TV programmes. It focuses on Telesur (Venezuela) and its collaborations with RT (Russia), Al-Mayadeen (Lebanon) and CCTV/CGTN (China). By combining quantitative and qualitative methods, this paper examines the structure of these collaborations, the discursive construction of alternative narratives and their contribution to countering hegemonic discourses. The findings show that the efforts to construct counterhegemonic narratives are most evident in the co-productions with RT and Al-Mayadeen. Although the co-production with CGTN focusses on culture, it is nonetheless possible to identify the broadcasters’ distinct ideological agendas.
本研究探讨了全球南方的新闻频道如何通过联合制作电视节目来挑战西方叙事。它专注于Telesur(委内瑞拉)及其与RT(俄罗斯)、Al Mayadeen(黎巴嫩)和CCTV/CGTN(中国)的合作。通过定量和定性相结合的方法,本文考察了这些合作的结构、另类叙事的话语建构及其对对抗霸权话语的贡献。研究结果表明,构建反霸权叙事的努力在与RT和Al Mayadeen的联合制作中最为明显。尽管与CGTN的联合制作侧重于文化,但仍有可能确定广播公司不同的意识形态议程。
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引用次数: 1
Media usage and political trust among young adults in China: The role of media credibility, trust in sources and political membership 媒体使用与中国年轻人的政治信任:媒体可信度、来源信任和政治成员的作用
IF 1.2 Q2 Arts and Humanities Pub Date : 2022-10-17 DOI: 10.1177/17427665221125553
Qiong Gong, Marc Verboord, Yijing Wang
On the basis of an online survey conducted among young Chinese adults, this study examines how the association between media usage and political trust can be explained by three factors: the mediating roles of the perceived credibility of traditional and social media; the moderating roles of trust in sources – media and non-media sources alike; and Chinese Communist Party (CCP) membership. Analyses support the idea that (1) the perceived credibility of political information obtained from traditional and social media is a significant mediator, and that (2) traditional media credibility has a stronger effect than social media credibility.
本研究基于一项针对中国年轻人的在线调查,探讨了媒体使用与政治信任之间的关系如何通过三个因素来解释:传统媒体和社交媒体感知可信度的中介作用;信任对来源(媒体和非媒体来源)的调节作用;和中国共产党(CCP)成员。分析支持以下观点:(1)从传统媒体和社交媒体获得的政治信息的感知可信度是一个重要的中介;(2)传统媒体可信度比社交媒体可信度具有更强的影响。
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引用次数: 1
Audio-visual industry and digital platforms in India: A contribution from political economy of communication 印度的视听产业和数字平台:传播政治经济学的贡献
IF 1.2 Q2 Arts and Humanities Pub Date : 2022-09-21 DOI: 10.1177/17427665221125548
Philippe Bouquillion, Christine Ithurbide
This article examines the role played by digital platforms in the transformation of the audio-visual industry in India. Are video-on-demand platforms contributing to India’s growing dependence on global players or are they asserting the diversification of domestic players and the progress of Indian capitalism in the cultural and digital industries? To answer, we analyse the strategies of competition and collaboration between historical audio-visual players versus communication players, the dynamics of foreign ownership and the content localisation strategies of global players. We conclude that the study of digital platforms offers an important insight into new forms of economic and cultural hegemony in the cultural industries.
本文探讨数字平台在印度视听产业转型中所扮演的角色。视频点播平台是助长了印度对全球参与者的日益依赖,还是在推动国内参与者的多元化,以及印度资本主义在文化和数字产业中的进步?为了回答这个问题,我们分析了历史视听公司与传播公司之间的竞争与合作策略、外国所有权的动态以及全球公司的内容本地化策略。我们的结论是,对数字平台的研究为文化产业中经济和文化霸权的新形式提供了重要的见解。
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引用次数: 5
期刊
Global Media and Communication
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