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The Putin Predicament: Problems of Legitimacy and Succession in Russia by Bo Petersson (review) 普京困境:俄罗斯的合法性和继承问题Bo-彼得森(综述)
IF 0.3 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.1353/see.2023.a897281
D. Slider
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引用次数: 0
Revisioning Stalin and Stalinism: Complexities, Contradictions, and Controversies ed. by James Ryan and Susan Grant (review) 詹姆斯·瑞安和苏珊·格兰特主编的《修正斯大林和斯大林主义:复杂性、矛盾和争议》(综述)
IF 0.3 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.1353/see.2023.a897303
C. Knight
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引用次数: 0
The Culture of Samizdat: Literature and Underground Networks in the Late Soviet Union by Josephine von Zitzewitz (review) 《地下情报文化:苏联后期的文学与地下网络》作者:约瑟芬·冯·齐策维茨(书评)
IF 0.3 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.1353/see.2023.a897293
Polly Jones
Despite these niggles, it’s no surprise that Dragunoiu’s text has won the International Vladimir Nabokov Society’s 2022 Brian Boyd Prize for Best Second Book on Nabokov. Her monograph’s meta-argument that Nabokov’s texts are arenas where heteronomous feelings duel with autonomous thinking not only breathes new life into Nabokov’s championing of the values of curiosity, tenderness, kindness and ecstasy but, echoing Richard Rorty’s wonderful analysis in Contingency, Irony, Solidarity (Cambridge, 1989), demonstrates just how fertile philosophical interpretation of Nabokov’s oeuvre can be.
尽管有这些小问题,德拉古努的作品获得国际弗拉基米尔·纳博科夫协会颁发的2022年关于纳博科夫的最佳第二本书布莱恩·博伊德奖也就不足为奇了。她的专著的元论点,纳博科夫的文本是他的感情与自主思考的竞技场,这不仅为纳博科夫对好奇心,温柔,善良和狂喜的价值观的拥护注入了新的活力,而且与理查德罗蒂在《偶发,讽刺,团结》(剑桥,1989)中的精彩分析相呼应,表明纳博科夫的作品可以有多么丰富的哲学解释。
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引用次数: 0
Satire and Protest in Putin's Russia ed. by Aleksei Semenenko (review) 《普京俄罗斯的讽刺与抗议》阿列克谢·塞门年科主编(书评)
IF 0.3 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.1353/see.2023.a897297
S. Graham
in fact the staggering examples of representations of deaths in movies make them funeral instruments’ (p. 222). Leaving aside the oddity of opposing death to reality, realistic ‘ontologies’ like André Bazin’s (Pop’s apparent target here) were nothing if not death-haunted. Adding to the general untidiness, the use of terms like ‘philosophy’ and ‘thinking’ oscillates between the specialized and the colloquial senses. What has initially presented itself as a rigorous intervention in the filmphilosophy debates ends up with proclamations like this: ‘Whenever we feel like screaming at the screen [exasperated by Cristi Puiu’s endlessly bickering characters from Sieranevada], philosophical intuitions are never far behind’ (p. 221). For someone who had earlier sneered (p. 7) at the existence of a book called The Philosophy of Clint Eastwood (The University Press of Kentucky, 2014), Pop’s sense of the philosophical can sometimes feel rather loose, if not all-accommodating.
事实上,电影中对死亡的惊人表现使它们成为葬礼的工具”(第222页)。撇开将死亡与现实对立的古怪观点不谈,现实主义的“本体论”,比如安德烈·巴赞(andr Bazin)(波普在这里的明显目标),如果不是被死亡所困扰的话,就什么也不是。“哲学”和“思考”等术语的使用在专业化和口语化之间摇摆不定,这使总体上的混乱雪上加霜。最初表现为对电影哲学辩论的严格干预,最终以这样的宣言结束:“每当我们想对着屏幕尖叫(被克里斯蒂·普尤在《西拉内瓦达》中无休止争吵的角色激怒时),哲学直觉从来没有落后过”(第221页)。有人曾嘲笑过《克林特·伊斯特伍德的哲学》(the Philosophy of Clint Eastwood,肯塔基大学出版社,2014年)这本书的存在(第7页),波普的哲学感有时会让人觉得相当松散,如果不是完全包容的话。
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引用次数: 0
The Post-Soviet as Post-Colonial: A New Paradigm for Understanding Constitutional Dynamics in the Former Soviet Empire by William Partlett and Herbert Küpper (review) 后苏联即后殖民:理解前苏联帝国宪政动态的新范式作者:威廉·帕特利特和赫伯特·k<e:1>珀(书评)
IF 0.3 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.1353/see.2023.a897279
W. Butler
Sarajevo’s ‘Balkan manners’, and overcome a constant sense of ‘secondariness’ in Yugoslav identity vis-à-vis the capitalist West. In addition, Jovanovic interprets the Olympic boom in Sarajevo in the context of the contemporary paradigm change in the history of Socialist Eastern Europe, which saw the West through the lens of its consumer culture, rather than through the opposition between liberal democracy and socialism. Participation in popular consumer culture therefore took priority over any political needs. The book’s key argument is that Sarajevo’s success is an example of integration set against the dominant perception of fragmentation in 1980s Yugoslavia. Contrary to this deterministic outlook, Jovanovic shows how Yugoslav identity was celebrated (Slovene skiers were Yugoslavized, for example), new technologies, tourism and advertising were championed, and the benefits were real, not just a show. Sarajevo stood at the core of ‘New Yugoslavism’, a modern, futuristic, non-national identity. This compelling study of Sarajevo’s place in Yugoslavia during the 1980s sets the prevailing view of its history, characterized by the rise of ethnonationalism across the country, against an opposing trend that emerged in major Yugoslav cities and amongst the youth. The effect of Jovanovic’s book, therefore, is to overturn all the easily-drawn links between the two (or three) events that made Sarajevo globally famous (or notorious), to expose them as tenuous, or even tendentious.
萨拉热窝的“巴尔干礼仪”,并克服了对-à-vis资本主义西方的南斯拉夫身份的“次要”感。此外,Jovanovic在社会主义东欧历史上当代范式变化的背景下解释了萨拉热窝奥运会的繁荣,这是通过消费文化的视角看待西方,而不是通过自由民主和社会主义之间的对立。因此,参与大众消费文化优先于任何政治需要。这本书的主要论点是,萨拉热窝的成功是与20世纪80年代南斯拉夫分裂的主流观念相反的一体化的一个例子。与这种决定论的观点相反,约瓦诺维奇展示了南斯拉夫身份是如何被庆祝的(例如,斯洛文尼亚滑雪运动员被南斯拉夫化了),新技术、旅游业和广告得到了支持,这些好处是真实的,而不仅仅是一种表演。萨拉热窝站在“新南斯拉夫主义”的核心,这是一种现代的、未来的、非民族的认同。这项对1980年代萨拉热窝在南斯拉夫的地位的引人注目的研究确立了对其历史的普遍看法,其特点是民族民族主义在全国各地兴起,与南斯拉夫主要城市和青年中出现的相反趋势相反。因此,约万诺维奇的书推翻了使萨拉热窝在全球闻名(或臭名昭著)的两起(或三起)事件之间的所有容易建立的联系,揭露了它们是脆弱的,甚至是有倾向性的。
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引用次数: 0
Recording Russia: Trying to Listen in the Nineteenth Century by Gabriella Safran (review) 加布里埃拉·萨夫兰的《记录俄罗斯:尝试聆听十九世纪》(书评)
IF 0.3 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.1353/see.2023.a897289
D. Offord
family itself, and in particular on the contrasting treatment of brotherhood in the English and Russian novel. Part Two turns to ‘the historical factors that shaped the marriage plot’ (p. 21), with three chapters devoted to ideas about gender roles, the nature of courtship, and a particular Russian interest in the shortcomings of marriage as an institution. The two chapters constituting Part Three set aside conventional understandings of the family to address alternative models of kinship that go beyond blood and marriage, embracing instead ‘new kinds of family configurations’ (p. 23). If Berman’s overarching methodological claims lend her work its heuristic clarity, then her individual readings evince greater complexity and nuance. Alongside adroit and thoughtful readings of canonical family novels by Austen, Dickens and Trollope on the English side, and Tolstoi, Dostoevskii and Turgenev on the Russian, there are discussions of less familiar authors, particularly women. If female novelists have long been central to the English novel and its reputation, then Berman — generously building on the work of earlier generations of pioneering feminist critics — continues the important task of restoring writers such as Khvoshchinskaia and Tur to the canon. Some of the most productive readings proposed by Berman are those in which she draws on queer theory in order to arrive at a more complex and reflective understanding of relationship within and beyond the nuclear family. As she writes in her conclusion, ‘the nineteenth-century family novel can be a conservative story of marriage and reproductive fertility, but it can also be a story of breaking with the past and embracing the messy and unfinalizable present’ (p. 233). It is, perhaps, this gently disruptive spirit that best characterizes The Family Novel in Russia and England, 1800–1800. At a time when ‘traditional values’ are vigorously promoted by politicians around the globe and the nuclear family is vaunted as the essential building block of stable societies, Berman’s study reminds us of the messy contingency of human relations and the power of fiction to allow us to imagine alternative ways of understanding what really constitutes fellow feeling.
家庭本身,尤其是英俄小说中对兄弟情谊的对比处理。第二部分转向“塑造婚姻情节的历史因素”(第21页),共有三章专门讨论性别角色、求爱的性质以及俄罗斯人对婚姻制度缺陷的特殊兴趣。构成第三部分的两章抛开了对家庭的传统理解,讨论了超越血缘和婚姻的替代亲属关系模式,转而包括“新型家庭结构”(第23页)。如果伯曼的总体方法论主张使她的作品具有启发性的清晰度,那么她的个人阅读则表现出更大的复杂性和细微差别。除了对奥斯汀、狄更斯和特洛洛普(英语版)以及托尔斯泰、陀思妥耶夫斯基和屠格涅夫(俄语版)的经典家庭小说进行熟练而深思熟虑的阅读外,还有一些不太熟悉的作家,尤其是女性的讨论。如果说女性小说家长期以来一直是英国小说及其声誉的核心,那么伯曼——在前几代先锋女权主义评论家的作品基础上慷慨地发展——继续承担着让赫沃什钦斯卡娅和图尔等作家回归正典的重要任务。伯曼提出的一些最有成效的解读是,她借鉴了酷儿理论,以便对核心家庭内外的关系达成更复杂、更具反思性的理解。正如她在结论中所写,“这部19世纪的家庭小说可以是一个关于婚姻和生育能力的保守故事,但也可以是一部打破过去、拥抱混乱和无法确定的现在的故事”(第233页)。也许正是这种温和的破坏性精神,才是1800–1800年俄罗斯和英国家庭小说的最佳特征。当“传统价值观”受到全球政客的大力提倡,核心家庭被誉为稳定社会的重要组成部分时,伯曼的研究提醒我们,人际关系的混乱偶然性和小说的力量让我们能够想象其他方式来理解什么才是真正的同胞情感。
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引用次数: 0
Sergei Rachmaninoff by Rebecca Mitchell (review) 丽贝卡·米切尔《谢尔盖·拉赫玛尼诺夫》(书评)
IF 0.3 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.1353/see.2023.a897295
S. Morrison
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引用次数: 0
A Transnational History of Forced Migrants in Europe: Unwilling Nomads in the Age of Two World Wars ed. by Bastiaan Willems and Michal Adam Palacz (review) 欧洲被迫移民的跨国历史:两次世界大战时期不情愿的游牧民族,巴斯蒂安·威廉姆斯和迈克尔·亚当·帕拉兹主编(评论)
IF 0.3 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.1353/see.2023.a897302
E. A. Hatto
illustrations, ‘placates’ is surely meant to be ‘plates’ (p. 2); ‘whatever puzzling’ should presumably be ‘however puzzling’ (p. 7); ‘Morton Price, a correspondent to the Manchester Guardian’ (p. 24) is surely Morgan Philips Price; and ‘fatherfounders’ is more conventionally rendered as ‘founding fathers’ (p. 168). This frustration aside, Sergeev’s book is to be very much welcomed for its wellresearched and carefully rounded treatment of a complex subject.
插图,“placates”肯定是指“盘子”(第2页);“无论什么令人费解”应该是“无论多么令人费解”(第7页);《曼彻斯特卫报》的记者莫顿·普赖斯(第24页)肯定是摩根·菲利普斯·普赖斯;而“fatherfounders”通常被译为“founding fathers”(第168页)。抛开这种挫败感不谈,谢尔盖夫的书因其对一个复杂主题的深入研究和细致全面的处理而广受欢迎。
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引用次数: 0
Losers of Modernization: The Decline of Burgher Shooting Societies in Hungary, 1867–1914 现代化的失败者:匈牙利市民射击协会的衰落,1867-1914
IF 0.3 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.1353/see.2023.a897284
Aliaksandr Piahanau
Abstract:Shooting societies organized by town citizens (burghers) were considered the traditional guardians of many autonomous settlements in Central Europe from the Middle Ages up to the late nineteenth century. In seeking to identify the causes of their decline in late Habsburg Hungary, this article draws attention to a variety of modernizing drives that undermined the stability of burgher marksmanship. One was the emerging Hungarian nation-state, which hindered the development of paramilitary citizen groups by limiting local self-governance and freedom of association. Another was the modern appeal to ethnic homogenization in the form of Magyarization. It aroused hostility towards the burgher riflemen because of their frequent use of the German language and loyalty to the Habsburgs, and not to the Magyar nation. Although the surviving burgher shooting societies had espoused Magyar nationalism by the early 1900s, they nonetheless maintained their elitism, excluding the growing urban populations from membership. At the same time, the burgher riflemen failed to engage sufficiently actively in rifle training to secure the support of the Defence Ministry and the radical Magyar nationalists. Instead, they remained traditional venues for socializing and networking for the increasingly isolated ennobled petty bourgeoisie. This created a situation where the burgher marksmen became marginal players not only in urban political life but also in Hungary's rapidly developing paramilitary culture. The story of the decline of the burgher shooting societies sheds new light on the ambiguities of modernization, but also demonstrates the weakness of societal militarization in pre-1914 Central Europe.
摘要:从中世纪到19世纪后期,由城镇公民(市民)组织的射击社团被认为是中欧许多自治聚落的传统守护者。在寻找哈布斯堡王朝晚期匈牙利衰落的原因时,这篇文章引起了人们对各种现代化驱动的关注,这些驱动破坏了市民射击的稳定性。其一是匈牙利民族国家的出现,它通过限制地方自治和结社自由,阻碍了准军事公民团体的发展。另一个是现代对种族同质化的呼吁,即马格尔化。它引起了对市民步枪手的敌意,因为他们经常使用德语,忠于哈布斯堡王朝,而不是马扎尔民族。尽管幸存下来的市民射击协会在20世纪初就支持马扎尔民族主义,但它们仍然保持着精英主义,将不断增长的城市人口排除在会员之外。与此同时,市民步枪兵未能充分积极地参加步枪训练,以获得国防部和激进的马扎尔民族主义者的支持。相反,它们仍然是日益孤立的贵族小资产阶级社交和建立关系网的传统场所。这造成了这样一种局面:市民射手不仅在城市政治生活中,而且在匈牙利迅速发展的准军事文化中,都成了边缘角色。市民射击协会衰落的故事为现代化的模糊性提供了新的视角,但也表明了1914年前中欧社会军事化的弱点。
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引用次数: 0
Ekho Avstralii: Australia's First Russian Newspaper and Its Revolutionary Reverberations 《澳大利亚回声报》:澳大利亚第一份俄文报纸及其革命反响
IF 0.3 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.1353/see.2023.a897285
Kevin Windle
Abstract:In June 1912, Fedor Sergeev, a Russian Revolutionary who had made his way from Siberian exile to Australia, launched a weekly newspaper in Brisbane. Entitled Ekho Avstralii, it would cater to a community of Russian immigrants then said to number approximately 11,000. Sergeev sought by this means to give the immigrants a sense of communal identity and common purpose, and 'uphold the interests of the Russian-speaking worker in Australia'. This article reviews the newspaper's contents and draws attention to some of its journalists and contributors, including the poet Nikolai Il´in and Petr Simonov (later to be Consul), in the Australian context of the time.
摘要:1912年6月,从西伯利亚流亡到澳大利亚的俄国革命家费多尔·谢尔盖耶夫在布里斯班创办了一份周报。这座名为“澳大利亚回声”(Ekho avaustralii)的建筑将迎合当时约有1.1万人的俄罗斯移民社区。谢尔盖夫试图通过这种方式给移民一种共同的认同感和共同的目标,并“维护在澳大利亚说俄语的工人的利益”。这篇文章回顾了报纸的内容,并在当时的澳大利亚背景下,提请注意一些记者和撰稿人,包括诗人尼古拉·伊林和彼得·西蒙诺夫(后来成为领事)。
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引用次数: 0
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SLAVONIC AND EAST EUROPEAN REVIEW
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