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Review: Feminist Worldmaking and the Moving Image, edited by Erika Balsom and Hila Peleg 《评论:女权主义世界的形成与运动影像》,埃里卡·巴尔森和希拉·佩勒格主编
IF 0.5 3区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2023-01-01 DOI: 10.1525/fq.2023.76.4.108
Hoor Elshafei
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引用次数: 0
Review: Sovereign Intimacy: Private Media and the Traces of Colonial Violence, by Laliv Melamed 《主权亲密:私人媒体与殖民暴力的痕迹》,拉利夫·梅拉米德著
IF 0.5 3区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2023-01-01 DOI: 10.1525/fq.2023.77.1.111
Roberto Filippello
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引用次数: 0
COVID-19 in Elderly Patients: Risk Factors for Disease Severity. 老年患者的 COVID-19:疾病严重程度的风险因素
3区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2022-03-10 eCollection Date: 2022-03-01 DOI: 10.36519/idcm.2022.93
Pınar Korkmaz, Duru Mıstanoğlu-Özatağ, Halil Aslan, Onur Toka, Aynur Gülcan

Objective: Determining the clinical characteristics associated with SARS-COV-2 infection may contribute to reducing mortality in elderly patients, considering the age-related sensitivity and the excess of complications. Our study aimed to evaluate the factors that determine the severity of the disease in elderly patients followed up in our hospital.

Materials and methods: The files of definite or probable COVID-19 patients over 65 years old who were followed up by the infectious diseases clinic of our hospital between March 15 and October 1, 2020, were evaluated retrospectively.

Results: A total of 134 patients were included in the study, 52.2% of the patients were male, and the mean age was 75.11±7.15 (min 65-max 94). Multimorbidity was detected in 42.5% of the patients, and the most common comorbidities were hypertension (53.7%) and diabetes mellitus (36.6%). Severe COVID-19 was present in 39.6% of patients. The most common complaints were fatigue (70.9%), cough (59.7%), and shortness of breath (59%). When the patients' computed tomography (CT) images of thorax were evaluated, ground-glass was observed in 94.8% (n=127), infiltration in 42.5% (n=57), and consolidation in 32.8% (n=44). Involvement was bilateral in 93.3% (n=125) of the patients. The most common antiviral treatment used for patients was favipiravir 73.1% (n=98). The average hospitalization period of the patients was 12±6.36 days, the rate of follow-up in the intensive care unit was 20.1% (n=27), and death occurred in 9.7% (n=13) of the patients. In the multivariate analysis, cough and shortness of breath at admission, atelectasis and pleural effusion on thorax CT were found to be significant for severe COVID-19 disease (p<0.05).

Conclusion: Providing early medical support to these patients, especially, in the presence of cough and shortness of breath on admission and the presence of pleural effusion and atelectasis on thoracic CT, may help reduce the poor clinical course.

目的考虑到与年龄相关的敏感性和并发症的多发性,确定与 SARS-COV-2 感染相关的临床特征可能有助于降低老年患者的死亡率。我们的研究旨在评估决定本院随访的老年患者病情严重程度的因素:回顾性评估我院传染病门诊在 2020 年 3 月 15 日至 10 月 1 日期间随访的 65 岁以上确诊或疑似 COVID-19 患者的档案:研究共纳入134名患者,其中52.2%为男性,平均年龄为(75.11±7.15)岁(最小65岁-最大94岁)。42.5%的患者患有多种疾病,最常见的合并症是高血压(53.7%)和糖尿病(36.6%)。39.6%的患者存在严重的 COVID-19。最常见的主诉是疲劳(70.9%)、咳嗽(59.7%)和气短(59%)。对患者的胸部计算机断层扫描(CT)图像进行评估后发现,94.8%(127 人)的患者出现磨玻璃,42.5%(57 人)的患者出现浸润,32.8%(44 人)的患者出现合并症。93.3%的患者(n=125)为双侧受累。患者最常用的抗病毒治疗是法非拉韦(favipiravir),占73.1%(98人)。患者平均住院时间为(12±6.36)天,重症监护室随访率为 20.1%(n=27),9.7%(n=13)的患者死亡。在多变量分析中发现,入院时的咳嗽和气短、胸廓 CT 上的肺不张和胸腔积液对重症 COVID-19 疾病有显著影响(p 结论:为这些患者提供早期医疗支持,尤其是在入院时出现咳嗽和呼吸急促以及胸部 CT 出现胸腔积液和无胸腔积液的情况下,可能有助于减少不良的临床病程。
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引用次数: 0
3D printing of multi-metallic microstructures by meniscus-confined electrodeposition. 通过月饼状封闭电沉积技术实现多金属微结构的三维打印。
3区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2022-02-01 DOI: 10.1063/5.0076677
Yutao Wang, Xin Xiong, Bing-Feng Ju, Yuan-Liu Chen

We studied a multi-metallic microscale 3D printing based on the meniscus-confined electrodeposition (MCED). The composition of Cu/Pt alloys can be controlled by applying different bias voltages to the CuSO4/H2PtCl4 mixed solution in MCED. We find that a double-barrel system had higher Cu/Pt alloy purity (maximum 100% Cu or maximum 80% Pt) than a single-barrel system. A Λ-shaped microstructure was printed to verify the capability to multi-metal microstructures in a single printing process.

我们研究了一种基于半月板约束电沉积(MCED)的多金属微尺度三维打印技术。通过对 MCED 中的 CuSO4/H2PtCl4 混合溶液施加不同的偏置电压,可以控制铜/铂合金的成分。我们发现,双管系统比单管系统具有更高的铜/铂合金纯度(最高100%铜或最高80%铂)。我们打印了Λ形微结构,以验证在单一打印工艺中打印多金属微结构的能力。
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引用次数: 0
On the Necessity of Bad Trans Objects 论不良转换对象的必要性
IF 0.5 3区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.75.3.26
Cáel M. Keegan
Despite newly affirming images of transgender people proliferating across US visual media, there has been a concomitant rise in anti-transgender attitudes, transphobic legislation, and trans antagonistic violence. The assumption that more and better images of transgender people are key to achieving transgender equality strains under the weight of an emerging contradiction: “good” representation does not necessarily mean reduced social or political antagonism for transgender people. Rather, the emergence of “good” (i.e. marketable) trans media objects illustrates how the most politically challenging aspects of transgender identification are increasingly forced outside the horizon of representability. This essay turns away from “good” transgender representations and toward an archive of recently canceled “bad” transgender media objects, offering new assessments of their unexpected value. Claiming badness as a trans property that must be embraced to achieve sex and gender liberation, it defends bad trans objects as unrecognized sources of transformative potential.
尽管最近变性人的形象在美国视觉媒体上扩散,但反变性人的态度、反变性立法和反变性人暴力也随之上升。更多更好的跨性别者形象是实现跨性别平等的关键,这一假设在一个新出现的矛盾的重压下变得紧张起来:“好的”表现并不一定意味着减少对跨性别者的社会或政治对抗。相反,“好的”(即可销售的)跨媒体对象的出现说明了跨性别认同中最具政治挑战性的方面是如何越来越多地被迫超出可代表性的范围。这篇文章从“好的”跨性别表现转向最近被取消的“坏的”跨性别媒体对象的档案,对它们意想不到的价值提供了新的评估。它声称,坏是一种跨性别属性,必须被接受,才能实现性和性别解放,它为坏的跨性别对象辩护,称其为未被认识到的变革潜力来源。
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引用次数: 8
Queer African Cinemas 非洲酷儿电影院
IF 0.5 3区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.75.4.83
Bruno Guaraná
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引用次数: 0
Review: Diminished Faculties: A Political Phenomenology of Impairment, by Jonathan Sterne 书评:《削弱的能力:一种损害的政治现象学》,乔纳森·斯特恩著
IF 0.5 3区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.1.113
Slava Greenberg
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引用次数: 0
The Inclusions and Occlusions of Expanded Refugee Narratives 扩展难民叙事的包容与缺失
IF 0.5 3区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.1.23
Wazhmah Osman, Karen Redrobe
In this article, Wazhmah Osman and Karen Redrobe consider the storytelling conventions of the award-winning animated documentary Flee (2021) in light of the long history (in mainstream and popular media, as well as in academia) of marginalized peoples not being able to tell their own stories and of subaltern groups being positioned as the subjects of films in which white filmmakers and researchers drive the narrative. They consider the hierarchies of power involved with giving and taking voice and question whose perspective the film privileges, and to what effect. Their conversation is rooted in a working collaboration to think cross-culturally about media, gender, sexuality, and different types of violence.
在这篇文章中,Wazhmah Osman和Karen Redrobe考虑了获奖动画纪录片《逃离》(2021)的讲故事惯例,鉴于(主流和大众媒体以及学术界)长期以来边缘化人群无法讲述自己的故事,以及底层群体被定位为白人电影人和研究人员驱动叙事的电影主题。他们考虑了权力的等级制度,涉及到表达和质疑谁的观点是电影的特权,以及有什么影响。他们的对话根植于跨文化思考媒体、性别、性和不同类型的暴力的合作。
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引用次数: 0
Low Country Lamentations 低地哀歌
IF 0.5 3区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.2.69
M. Gillespie
Michael Boyce Gillespie interviews the multidisciplinary artist Jon-Sesrie Goff about his first feature film, After Sherman. He suggests that the film that can been understood as an inquiry that explores a question that has long preoccupied Goff: “What role does documentary play when it is documented or viewed outside of the experience and space it depicts?” Gillespie argues that After Sherman manifests an answer through its expansive and reflexive accounting of culture and place as well as its formal deliberation on blackness, the afterlives of slavery, land as material and cultural inheritance, and home as site of origin and foundation for possible futures.
迈克尔·博伊斯·吉莱斯皮采访了多学科艺术家乔恩·塞斯里·戈夫,谈论他的第一部故事片《谢尔曼之后》。他认为,这部电影可以被理解为对一个长期困扰戈夫的问题的探索:“当纪录片在它所描绘的经历和空间之外被记录或观看时,它扮演了什么角色?”吉莱斯皮认为,《谢尔曼之后》通过对文化和地域的广泛反思,以及对黑人、奴隶制的后遗症、作为物质和文化遗产的土地、作为起源和未来可能基础的家园的正式思考,给出了答案。
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引用次数: 0
Film and the Right to Privacy 电影与隐私权
IF 0.5 3区 艺术学 0 FILM, RADIO, TELEVISION Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.75.4.58
Caetlin Benson-Allott
FQ columnist Caetlin Benson-Allott examines the role of cinematographer Hélène Louvert’s in crafting narratives that protect the cinematic subject’s right to privacy in two recent films by female directors: Never Rarely Sometimes Always (Eliza Hittman, 2020) and The Lost Daughter (Maggie Gyllenhaal, 2021). Noting that the history of cinema has privileged the camera’s voyeuristic violation of privacy, particular of women and other minorities, Benson-Allott explores how Louvert employs different cinematic codes and conventions to instead protect and respect her characters’ interiority. These gestures call into question the presupposed right of both mainstream and art cinema to look, and encourage scholars’ long overdue attention to the role of the cinematographer in creating cinematic meaning.
《FQ》专栏作家Caetlin Benson-Allott研究了电影摄影师h l Louvert在最近两部女性导演的电影中所扮演的角色:《从不罕见,有时总是》(伊丽莎·希特曼,2020年)和《失踪的女儿》(玛吉·吉伦哈尔,2021年)。本森-阿洛特注意到电影史赋予了摄影机偷窥隐私的特权,尤其是对女性和其他少数族裔的隐私,他探讨了卢维尔如何使用不同的电影规范和惯例来保护和尊重她的角色的内在性。这些姿态对主流电影和艺术电影的预设权利提出了质疑,并鼓励学者们关注电影摄影师在创造电影意义中的作用。
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FILM QUARTERLY
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