Pub Date : 2023-10-24DOI: 10.1080/03906701.2023.2263257
Jerome Krase
ABSTRACTAlthough many social scientists employ visual media in their research and teaching, the connection between the ‘visual’ and the ‘social science’ is often tenuous. Photographs often are reserved for illustrating textual concepts, or making standard findings more interesting to readers than the normal textual exposition in tables, pie charts, graphs, or other methods of data visualization. In my research about urban lives and cultures, I have extensively photographed what John Brinckerhoff Jackson called ‘vernacular landscapes.’ Although photojournalists, as well as documentary and street photographers, have also engaged in similar image capturing practices, as opposed to their more aesthetic and artistic accomplishments, I have tried to firmly connect my images to normal social science theories and methods. This visually enhanced essay will describe, discuss, and give examples from my own photographic studies of urban vernacular landscapes over several decades and across the globe. It is hoped that in this autobiographical process, the difference between artistic and scientific photography as to theories of class, globalization, race, and other social issues will be made clearer.KEYWORDS: artphotographysocial scienceurbanvernacular landscape AcknowledgementsSupport for some of the photographic research presented in this essay was provided by the PSCCUNY Faculty Research Awards, Kosciuszko Foundation, Polish Ministry of National Education, Murray Koppelman Foundation, J. William Fulbright Foreign Commission, University of Western Australia, University of Rome, La Sapienza, Rome, Italy, and the University Suor Orsola Benincasa, Naples, Italy.Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsJerome KraseJerome Krase, Emeritus and Murray Koppelman Professor at Brooklyn College of The City University of New York is an activist-scholar working with public and private agencies regarding urban community issues. His Bachelor’s Degree is from Indiana University and his PhD from New York University. He researches, lectures, photographs, and writes about urban life and culture globally. A sample of his books include Ethnic Landscapes in an Urban World (2006), edited with Ray Hutchison, Seeing Cities Change: Local Culture and Class (2012), Race, Class, and Gentrification in Brooklyn, with Judith N. DeSena (2016), Diversity in Local Contexts, edited with Zdenek Uhurek (2017), The Status of Interpretation in Italian American Studies, Gentrification around the World, Volume 1: Gentrifiers and the Displaced, and Volume 2: Innovative Approaches, Co-Editor with Judith N. DeSena (2020). He co-edits Urbanities and serves on the editorial boards of Visual Studies and the Journal of Video Ethnography. Professor Krase is an officer of ProBonoDesign Inc, and is active in the American, European, and International Sociological Associations, Commission on Urban Anthropology IUAES, Internatio
虽然许多社会科学家在他们的研究和教学中使用视觉媒体，但“视觉”和“社会科学”之间的联系往往是脆弱的。照片通常用于说明文本概念，或者使标准发现比表、饼图、图形或其他数据可视化方法中的普通文本说明对读者更有趣。在我对城市生活和文化的研究中，我大量拍摄了约翰·布林克霍夫·杰克逊(John Brinckerhoff Jackson)所说的“乡土景观”。虽然摄影记者、纪实摄影师和街头摄影师也从事类似的图像捕捉实践，而不是他们更多的审美和艺术成就，但我一直试图将我的图像与正常的社会科学理论和方法紧密联系起来。这篇视觉强化的文章将描述、讨论并给出我自己几十年来在全球范围内对城市乡土景观的摄影研究的例子。希望在这个自传式的过程中，艺术摄影与科学摄影在阶级、全球化、种族等社会问题理论上的区别能够更加清晰。致谢本文中提出的部分摄影研究得到了PSCCUNY教师研究奖、Kosciuszko基金会、波兰国家教育部、Murray Koppelman基金会、J. William Fulbright外交委员会、西澳大利亚大学、意大利罗马拉萨皮恩扎大学和意大利那不勒斯苏尔奥索拉贝南卡萨大学的支持。披露声明作者未报告潜在的利益冲突。其他信息关于投稿人的说明jerome Krase jerome Krase是纽约城市大学布鲁克林学院的荣誉教授和Murray Koppelman教授，他是一位活跃的学者，与公共和私人机构合作研究城市社区问题。他的学士学位来自印第安纳大学，博士学位来自纽约大学。他对全球城市生活和文化进行研究、演讲、摄影和写作。他的著作包括:《城市世界中的民族景观》(2006年)，与雷·哈奇森合作编辑;《目睹城市的变化:地方文化和阶级》(2012年);《布鲁克林的种族、阶级和士绅化》(2016年);《地方语境中的多样性》，与兹德内克·乌胡雷克合作编辑(2017年);《意大利美国研究中的阐释现状》，《世界各地的士绅化》，第一卷:士绅化者和流离失所者;《创新方法》，与Judith N. DeSena共同编辑(2020年)。他是《城市》杂志的共同编辑，并担任《视觉研究》和《视频人种学杂志》的编委会成员。Krase教授是ProBonoDesign Inc .的官员，活跃于美国、欧洲和国际社会学协会、城市人类学委员会(IUAES)、国际城市研讨会、H-NET人文在线和国际视觉社会学协会。
{"title":"Urban vernacular landscapes: toward a visual pedagogy of the ordinary","authors":"Jerome Krase","doi":"10.1080/03906701.2023.2263257","DOIUrl":"https://doi.org/10.1080/03906701.2023.2263257","url":null,"abstract":"ABSTRACTAlthough many social scientists employ visual media in their research and teaching, the connection between the ‘visual’ and the ‘social science’ is often tenuous. Photographs often are reserved for illustrating textual concepts, or making standard findings more interesting to readers than the normal textual exposition in tables, pie charts, graphs, or other methods of data visualization. In my research about urban lives and cultures, I have extensively photographed what John Brinckerhoff Jackson called ‘vernacular landscapes.’ Although photojournalists, as well as documentary and street photographers, have also engaged in similar image capturing practices, as opposed to their more aesthetic and artistic accomplishments, I have tried to firmly connect my images to normal social science theories and methods. This visually enhanced essay will describe, discuss, and give examples from my own photographic studies of urban vernacular landscapes over several decades and across the globe. It is hoped that in this autobiographical process, the difference between artistic and scientific photography as to theories of class, globalization, race, and other social issues will be made clearer.KEYWORDS: artphotographysocial scienceurbanvernacular landscape AcknowledgementsSupport for some of the photographic research presented in this essay was provided by the PSCCUNY Faculty Research Awards, Kosciuszko Foundation, Polish Ministry of National Education, Murray Koppelman Foundation, J. William Fulbright Foreign Commission, University of Western Australia, University of Rome, La Sapienza, Rome, Italy, and the University Suor Orsola Benincasa, Naples, Italy.Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsJerome KraseJerome Krase, Emeritus and Murray Koppelman Professor at Brooklyn College of The City University of New York is an activist-scholar working with public and private agencies regarding urban community issues. His Bachelor’s Degree is from Indiana University and his PhD from New York University. He researches, lectures, photographs, and writes about urban life and culture globally. A sample of his books include Ethnic Landscapes in an Urban World (2006), edited with Ray Hutchison, Seeing Cities Change: Local Culture and Class (2012), Race, Class, and Gentrification in Brooklyn, with Judith N. DeSena (2016), Diversity in Local Contexts, edited with Zdenek Uhurek (2017), The Status of Interpretation in Italian American Studies, Gentrification around the World, Volume 1: Gentrifiers and the Displaced, and Volume 2: Innovative Approaches, Co-Editor with Judith N. DeSena (2020). He co-edits Urbanities and serves on the editorial boards of Visual Studies and the Journal of Video Ethnography. Professor Krase is an officer of ProBonoDesign Inc, and is active in the American, European, and International Sociological Associations, Commission on Urban Anthropology IUAES, Internatio","PeriodicalId":46079,"journal":{"name":"International Review of Sociology-Revue Internationale de Sociologie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135266512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACTThis contribution presents the results of a qualitative research conducted on migrant settlement in rural Italy. It proposes moving beyond the concept of social integration to explore the potential of social emplacement of asylum seekers and refugees in non-urban areas. From this point of view, the results will be presented in the light of four analytical categories. The first is that of the influences of the specificities of Italian rural contexts on social emplacement processes. The second concerns the important issue of choice concerning migration paths in relation to non-urban areas. The third investigates the creation of social capital and the potentialities and limits observed in rural contexts. Finally, the contribution looks at the possibilities of access to services and forms of housing.KEYWORDS: Social emplacementsocial integrationmigrant settlementrural areasrefugees Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 The European Rural Vision 2040 is a long-term vision for the EU’s non-urban areas up to 2040 that identifies areas of action towards stronger, connected, resilient and prosperous rural communities: https://rural-vision.europa.eu/index_en, last accessed on 05/01/2022.2 https://whole-comm.eu/, last accessed on 02/01/2023.3 https://matilde-migration.eu/, last accessed on 02/01/2023.4 https://ec.europa.eu/eurostat/statistics-explained/index.php?title=Ageing_Europe_-_statistics_on_population_developments#Older_people_.E2.80.94_population_overview, last accessed on 06/01/2023.5 The Italian reception system is divided into first (extraordinary) and second (ordinary) reception. The first reception centers, called ‘Centri di Accoglienza Straordinaria’ [Extraordinary reception centers] (CAS), are placed under the responsibility of prefectures. The centres of the second level of reception (Systems of Reception and Integration – SAI) can be activated voluntarily by local authorities and in collaboration with the third sector to implement integrated reception projects. They refer to two levels of reception: the first level, accessed by asylum seekers, provides for material reception services, health, social and psychological assistance, linguistic-cultural mediation; the second level, accessed by holders of international protection, also includes job orientation and vocational training.6 https://www.welcomingspaces.eu/, last accessed on 06/09/2023.7 Bonding social capital refers to relations within a group or community that share similar characteristics (social class, age, gender, religion, etc.) whereas bridging social capital is between social groups and individuals with different characteristics.8 A ‘sanatoria’ is the legitimisation by the Italian authorities of an irregular state of affairs or an abnormal situation. On the subject of immigration, Italy regularly promotes these ‘amnesties’, which aim to regularise the irregular status of foreign workers and their employers. However, th
{"title":"From social integration to social emplacement: perspectives from Italian rural areas","authors":"Melissa Moralli, Pierluigi Musarò, Paola Parmiggiani","doi":"10.1080/03906701.2023.2259061","DOIUrl":"https://doi.org/10.1080/03906701.2023.2259061","url":null,"abstract":"ABSTRACTThis contribution presents the results of a qualitative research conducted on migrant settlement in rural Italy. It proposes moving beyond the concept of social integration to explore the potential of social emplacement of asylum seekers and refugees in non-urban areas. From this point of view, the results will be presented in the light of four analytical categories. The first is that of the influences of the specificities of Italian rural contexts on social emplacement processes. The second concerns the important issue of choice concerning migration paths in relation to non-urban areas. The third investigates the creation of social capital and the potentialities and limits observed in rural contexts. Finally, the contribution looks at the possibilities of access to services and forms of housing.KEYWORDS: Social emplacementsocial integrationmigrant settlementrural areasrefugees Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 The European Rural Vision 2040 is a long-term vision for the EU’s non-urban areas up to 2040 that identifies areas of action towards stronger, connected, resilient and prosperous rural communities: https://rural-vision.europa.eu/index_en, last accessed on 05/01/2022.2 https://whole-comm.eu/, last accessed on 02/01/2023.3 https://matilde-migration.eu/, last accessed on 02/01/2023.4 https://ec.europa.eu/eurostat/statistics-explained/index.php?title=Ageing_Europe_-_statistics_on_population_developments#Older_people_.E2.80.94_population_overview, last accessed on 06/01/2023.5 The Italian reception system is divided into first (extraordinary) and second (ordinary) reception. The first reception centers, called ‘Centri di Accoglienza Straordinaria’ [Extraordinary reception centers] (CAS), are placed under the responsibility of prefectures. The centres of the second level of reception (Systems of Reception and Integration – SAI) can be activated voluntarily by local authorities and in collaboration with the third sector to implement integrated reception projects. They refer to two levels of reception: the first level, accessed by asylum seekers, provides for material reception services, health, social and psychological assistance, linguistic-cultural mediation; the second level, accessed by holders of international protection, also includes job orientation and vocational training.6 https://www.welcomingspaces.eu/, last accessed on 06/09/2023.7 Bonding social capital refers to relations within a group or community that share similar characteristics (social class, age, gender, religion, etc.) whereas bridging social capital is between social groups and individuals with different characteristics.8 A ‘sanatoria’ is the legitimisation by the Italian authorities of an irregular state of affairs or an abnormal situation. On the subject of immigration, Italy regularly promotes these ‘amnesties’, which aim to regularise the irregular status of foreign workers and their employers. However, th","PeriodicalId":46079,"journal":{"name":"International Review of Sociology-Revue Internationale de Sociologie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135814878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-25DOI: 10.1080/03906701.2023.2237238
John Grady
ABSTRACTSingle-panel gag cartoons are behavioral records of the comic in society, or of how people manage what they find anxiety producing, annoying, or dismaying in their everyday affairs by transforming these experiences into humor, which is then used as a vehicle to manage difficult feelings and imagine new ways of conceptualizing their situation. Cartoons, thus, are products of the jokes and comic wit that are endemic in everyday life. Because most humor is evanescent, social scientists have not accorded the comic the full attention it deserves, conceiving it as merely a response to social forces – a type of situational adjustment – rather than acknowledging it as a social force in its own right produced by unconscious psychological dynamics that alert people to those aspects of the world, which invite attention and foster anxiety. Cartoons, therefore, are of value to social scientists not only as records of what large audiences in modern societies have found amusing at a given point in time, but also provide insight into various situations in mass society that create anxiety, and how people imagine defining and managing that anxiety.KEYWORDS: Cartoonscomedypictures as social indicatorsvisual sociologyvisual studies Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 One of the best accounts of this process of change is Vaclav Smil Creating the Twentieth Century (Citation2005); also instructive is Grady ‘Imagining the City as Home: Functional Prerequisites and Moral Challenges’ (Citation2023).2 One of the clearest documentations of editorial censorship are a series of books publishing selected cartoons by major artists that were rejected by The New Yorker (Diffee, Citation2006, Citation2007, Citation2022).3 While the ‘y-axis’ clearly represents a timeline, Tufte has chosen some odd labeling for the other two axes in his graph, which has diminished its utility among his many admirers. Stories are, by definition, based on utterances that combine at the very least a subject (noun) with an action (verb). If each line is defined as a story, asserting that every point in every line so represented, includes both a noun and verb is a tautology. In fact, the very same graph would be more useful – and the metaphor more compelling – if the ‘x-axis’ represented a communicator, and the ‘z-axis’ a place in the world, whether defined locally, regionally, nationally or in some other fashion. In this way, it would move from being a conceit, to something closer to a model of how communication occurs in everyday life.4 Gregory Bateson is discussed in Norrick (Citation1993) on pages 142–144.Additional informationNotes on contributorsJohn GradyJohn Grady is Emeritus Professor of Sociology at Wheaton College (Norton, Massachusetts). He is a Past President of the International Visual Sociology Association (IVSA) and has written extensively on visual research and analysis. He has also co—produced a number of documentary films,
{"title":"‘I say it’s spinach, and I say the hell with it’: an exploratory study of the single-panel cartoon and the comic mode in society","authors":"John Grady","doi":"10.1080/03906701.2023.2237238","DOIUrl":"https://doi.org/10.1080/03906701.2023.2237238","url":null,"abstract":"ABSTRACTSingle-panel gag cartoons are behavioral records of the comic in society, or of how people manage what they find anxiety producing, annoying, or dismaying in their everyday affairs by transforming these experiences into humor, which is then used as a vehicle to manage difficult feelings and imagine new ways of conceptualizing their situation. Cartoons, thus, are products of the jokes and comic wit that are endemic in everyday life. Because most humor is evanescent, social scientists have not accorded the comic the full attention it deserves, conceiving it as merely a response to social forces – a type of situational adjustment – rather than acknowledging it as a social force in its own right produced by unconscious psychological dynamics that alert people to those aspects of the world, which invite attention and foster anxiety. Cartoons, therefore, are of value to social scientists not only as records of what large audiences in modern societies have found amusing at a given point in time, but also provide insight into various situations in mass society that create anxiety, and how people imagine defining and managing that anxiety.KEYWORDS: Cartoonscomedypictures as social indicatorsvisual sociologyvisual studies Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 One of the best accounts of this process of change is Vaclav Smil Creating the Twentieth Century (Citation2005); also instructive is Grady ‘Imagining the City as Home: Functional Prerequisites and Moral Challenges’ (Citation2023).2 One of the clearest documentations of editorial censorship are a series of books publishing selected cartoons by major artists that were rejected by The New Yorker (Diffee, Citation2006, Citation2007, Citation2022).3 While the ‘y-axis’ clearly represents a timeline, Tufte has chosen some odd labeling for the other two axes in his graph, which has diminished its utility among his many admirers. Stories are, by definition, based on utterances that combine at the very least a subject (noun) with an action (verb). If each line is defined as a story, asserting that every point in every line so represented, includes both a noun and verb is a tautology. In fact, the very same graph would be more useful – and the metaphor more compelling – if the ‘x-axis’ represented a communicator, and the ‘z-axis’ a place in the world, whether defined locally, regionally, nationally or in some other fashion. In this way, it would move from being a conceit, to something closer to a model of how communication occurs in everyday life.4 Gregory Bateson is discussed in Norrick (Citation1993) on pages 142–144.Additional informationNotes on contributorsJohn GradyJohn Grady is Emeritus Professor of Sociology at Wheaton College (Norton, Massachusetts). He is a Past President of the International Visual Sociology Association (IVSA) and has written extensively on visual research and analysis. He has also co—produced a number of documentary films, ","PeriodicalId":46079,"journal":{"name":"International Review of Sociology-Revue Internationale de Sociologie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135771160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-19DOI: 10.1080/03906701.2023.2259060
Reza Azarian
Places play a crucial role in the formation of both individual and collective identities. This article seeks to specify how a collective identity is constructed and sustained on the basis of the emotional bonds that the members of the group grow to the place. Drawing on the basic tenets of symbolic interactionism, the article argues that in order to function as the foundation of a group identity, a place needs to be perceived as a meaningful object of particular value. Furthermore, the article argues that the meaningfulness of the place occurs through the articulation of a narrative of uniqueness, that, drawing on the bulk of shared place-related life experiences, celebrates the special character of the place in question and shores up its unique meaning and value.
{"title":"Social construction of places as meaningful objects: a symbolic interactionist approach","authors":"Reza Azarian","doi":"10.1080/03906701.2023.2259060","DOIUrl":"https://doi.org/10.1080/03906701.2023.2259060","url":null,"abstract":"Places play a crucial role in the formation of both individual and collective identities. This article seeks to specify how a collective identity is constructed and sustained on the basis of the emotional bonds that the members of the group grow to the place. Drawing on the basic tenets of symbolic interactionism, the article argues that in order to function as the foundation of a group identity, a place needs to be perceived as a meaningful object of particular value. Furthermore, the article argues that the meaningfulness of the place occurs through the articulation of a narrative of uniqueness, that, drawing on the bulk of shared place-related life experiences, celebrates the special character of the place in question and shores up its unique meaning and value.","PeriodicalId":46079,"journal":{"name":"International Review of Sociology-Revue Internationale de Sociologie","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135014566","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1080/03906701.2023.2244170
Christian Schmidt-Wellenburg, Andreas Schmitz
{"title":"Divided we stand, united we fall? Structure and struggles of contemporary German sociology","authors":"Christian Schmidt-Wellenburg, Andreas Schmitz","doi":"10.1080/03906701.2023.2244170","DOIUrl":"https://doi.org/10.1080/03906701.2023.2244170","url":null,"abstract":"","PeriodicalId":46079,"journal":{"name":"International Review of Sociology-Revue Internationale de Sociologie","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81423075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.1080/03906701.2023.2244171
R. R. N. Setyowati, M. Yani, Rojil Nugroho Bayu Aji, Madlazim
{"title":"Managing violent behavior: a case study on the Bonek football club supporters in Indonesia","authors":"R. R. N. Setyowati, M. Yani, Rojil Nugroho Bayu Aji, Madlazim","doi":"10.1080/03906701.2023.2244171","DOIUrl":"https://doi.org/10.1080/03906701.2023.2244171","url":null,"abstract":"","PeriodicalId":46079,"journal":{"name":"International Review of Sociology-Revue Internationale de Sociologie","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88449036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-14DOI: 10.1080/03906701.2023.2233296
Jon Wagner
{"title":"Rediscovering visual sociology, once again","authors":"Jon Wagner","doi":"10.1080/03906701.2023.2233296","DOIUrl":"https://doi.org/10.1080/03906701.2023.2233296","url":null,"abstract":"","PeriodicalId":46079,"journal":{"name":"International Review of Sociology-Revue Internationale de Sociologie","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89296442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-04DOI: 10.1080/03906701.2023.2242648
O. Abbott, I. Burkitt
{"title":"Moral identity, identification and emotion: a relational and interactive approach","authors":"O. Abbott, I. Burkitt","doi":"10.1080/03906701.2023.2242648","DOIUrl":"https://doi.org/10.1080/03906701.2023.2242648","url":null,"abstract":"","PeriodicalId":46079,"journal":{"name":"International Review of Sociology-Revue Internationale de Sociologie","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2023-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87711481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-31DOI: 10.1080/03906701.2023.2233293
R. Chalfen
{"title":"‘Learning from photogaffes: a primer for home mode visual culture'","authors":"R. Chalfen","doi":"10.1080/03906701.2023.2233293","DOIUrl":"https://doi.org/10.1080/03906701.2023.2233293","url":null,"abstract":"","PeriodicalId":46079,"journal":{"name":"International Review of Sociology-Revue Internationale de Sociologie","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81111521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-19DOI: 10.1080/03906701.2023.2233286
E. Toscano, Andrea Grippo
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