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Pigment in Western Iberian Schematic Rock Art: An analytical approach 颜料在西伊比利亚示意图岩石艺术:分析方法
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2015-01-01 DOI: 10.5281/ZENODO.15050
H. Gomes, António A. Martins, G. Nash, C. Vaccaro, L. Volpe, H. Collado, P. Rosina
This paper explores the processes involved in the production of prehistoric paintings using inorganic pigmentation. The focus for discussion involves a number of rock-shelter sites that contain rock art within the western part of the Iberian Peninsula, with particular reference to the sites that contain Schematic rock art. A direct date cannot be obtained on rock art that is made with inorganic pigments. However, sampling and subsequent analysis has clearly shown that pigments were produced using tried and tested recipes that involved the use of sometimes organic binders. This paper will explore the chemical and mineralogical qualities of sampled pigments from a selected number of sites within Spain and Portugal and suggest that pigmentation was more than just applying paint to rock.
本文探讨了使用无机颜料制作史前绘画的过程。讨论的重点涉及伊比利亚半岛西部一些包含岩石艺术的岩石掩体遗址,特别是包含示意图岩石艺术的遗址。用无机颜料制作的岩石艺术无法获得直接的日期。然而,抽样和随后的分析清楚地表明,颜料是用经过试验和测试的配方生产的,有时会使用有机粘合剂。本文将探讨从西班牙和葡萄牙选定的一些地点取样的颜料的化学和矿物学质量,并提出颜料沉积不仅仅是将颜料涂在岩石上。
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引用次数: 11
SYSTEMATIC OBSERVATION OF THE CHANGE OF MARKS OF KNOWN BURIED ARCHAEOLOGI- CAL STRUCTURES: CASE STUDY IN THE PLAIN OF PHILIPPI, EASTERN MACEDONIA, GREECE
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2015-01-01 DOI: 10.5281/ZENODO.16606
D. Kaimaris, P. Patias
In aerial and remote sensing archaeology the determination of the best period for the image acquisition in each study area is of major importance. This allows for a large number of marks to be indentied in the selected studied area. The first step before the collection of images (archival and/or new image acquisitions) for the studied area is the identification of the Theoretically Best Period for Marks Detection (TBPMD) of the buried archaeological structures. The second step (before the supply of new image acquisitions) is to check the reliability of TBPMD. This study proposes a documentation methodology of TBPMD that is based on the results of a systematic observation (change of intensity) of marks of known archaeological structures. An image acquisitions system (remote control balloon) was used for the pilot study. Images were acquired every month for the period of one year in archaeological positions with known buried structures (Via Egnatia in the plain of Philippi, Eastern Macedonia, Greece). Analytical meteorological-climatic data of the area was collected and studied at the same time. The results of the study are encouraging, as they allow for further reduction of TBPMD in half days.
在航空和遥感考古中,确定每个研究区域的最佳图像采集时间是非常重要的。这允许在选定的研究区域中识别大量标记。收集研究区域图像(档案和/或新图像获取)之前的第一步是确定埋藏考古结构的理论最佳标记检测时间(TBPMD)。第二步(在提供新的图像采集之前)是检查TBPMD的可靠性。本研究提出了一种TBPMD的记录方法,该方法基于对已知考古结构标记的系统观察(强度变化)结果。一个图像采集系统(遥控气球)被用于试点研究。在一年的时间里,每个月都在已知埋藏结构的考古位置(希腊马其顿东部腓立比平原的Egnatia)获取图像。同时收集和研究了该地区的气象气候分析资料。这项研究的结果是令人鼓舞的,因为它们允许在半天内进一步减少TBPMD。
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引用次数: 4
THE DEVELOPMENT OF VOCABULARIES OF HISTORICAL PERIOD NAMES FROM WEB ACQUIRED CORPORA7 网络收购公司历史时期名称词汇的发展
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2014-05-08 DOI: 10.5281/ZENODO.13717
M. Mouroutsou, Stella Markantonatou, V. Papavassiliou
Periodization is a universal and very popular system of organizing History (Petras, et al., 2006) by arbitrary dividing time into periods such as “Δικτατορία” (dictatorship) in a way that is specific to places and communities. Structured collections of time period names and timelines are considered very useful in cultural content documentation and temporal information extraction. However, to the best of our knowledge, this is the first report on the systematic collection of period names of Greek History. New period names are constantly created or left out of use. Aiming to capture this combination of dispersed specificity and constant evolution, we used the Focused Monolingual Crawler (FMC) (Mastropavlos, et al., 2011) and an initial list of 25 “seed-terms” to develop corpora dense in period names with Web retrieved documents. Period names were manually retrieved from the accumulated corpora and were annotated for a set of features, including allomorphs that occurred in the collected corpora and whether the term denoted a fact or a time period or something else as well as for persons, places and other period names related with the term. The linguistic environments where the terms occurred were identified and some of them were fed to the (FMC) as new “seed-terms”. This cycle was repeated for three times and yielded 78 period names with an average of 16 paradigms per term and a corpus consisting of 3020 valid XML documents. Some first observations on the strategies employed by Greek communities to coin time period names are reported.
分期是一种普遍且非常流行的组织历史的系统(Petras等人,2006),它以特定于地方和社区的方式将时间任意划分为“Δικτατορία”(独裁)等时期。结构化的时期名称和时间线集合被认为在文化内容文档和时间信息提取中非常有用。然而,据我们所知,这是第一份系统收集希腊历史时期名称的报告。不断创建新的周期名称,或者不使用。为了捕捉这种分散特异性和持续进化的结合,我们使用了聚焦单语爬虫(FMC) (Mastropavlos等人,2011)和一个包含25个“种子术语”的初始列表,用Web检索的文档开发了密集的语料库。从累积的语料库中手动检索句式名称,并对其进行一系列特征注释,包括所收集的语料库中出现的异形体,以及该术语是否表示事实、时间段或其他内容,以及与该术语相关的人物、地点和其他句式名称。识别出术语出现的语言环境,并将其中一些作为新的“种子术语”馈送给FMC。这个循环重复了三次,产生了78个周期名称,平均每个术语16个范式,以及一个包含3020个有效XML文档的语料库。本文报道了一些关于希腊社会铸造时期名称所采用的策略的初步观察。
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引用次数: 1
THE ARCHITECTONIC ENCODING OF THE MINOR LUNAR STANDSTILLS IN THE HORIZON OF THE GIZA PYRAMIDS 小月亮的结构编码在吉萨金字塔的地平线上停滞不前
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2014-04-28 DOI: 10.5281/ZENODO.14336
H. Aboulfotouh
The paper is an attempt to show the architectonic method of the ancient Egyptian designers for encoding the horizontal-projections of the moon’s declinations during two events of the minor lunar standstills, in the design of the site-plan of the horizon of the Giza pyramids, using the methods of descriptive geometry. It shows that the distance of the eastern side of the second Giza pyramid from the north-south axis of the great pyramid encodes a projection of a lunar declination, when earth’s obliquity-angle was ~24.10°. Besides, it shows that the angle of inclination of the causeway of the second Giza pyramid, of ~13.54° south of the cardinal east, encodes the projection of another lunar declination when earth’s obliquity-angle reaches ~22.986°. In addition, it shows the encoded coordinate system in the site-plan of the horizon of the Giza pyramids.
本文试图展示古埃及设计师在设计吉萨金字塔地平线的场地平面图时,使用描述几何的方法,在两次小月球停滞期间对月球赤纬的水平投影进行编码的建筑方法。这表明,当地球的倾角为~24.10°时,吉萨第二金字塔东侧与大金字塔南北轴线的距离编码了月球赤纬的投影。此外,吉萨第二金字塔堤道的倾角在东经偏南~13.54°处,在地球的倾角达到~22.986°时,编码了另一个月球赤纬的投影。此外,还显示了吉萨金字塔地平面的编码坐标系。
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引用次数: 2
POLYBIUS' 'PREVIOUS LANDSLIDE': PROOF THAT HANNIBAL'S INVASION ROUTE CROSSED THE COL DE LA TRAVERSETTE 波利比乌斯的“先前的山崩”:证明汉尼拔的入侵路线穿过了特拉弗塞特山坳
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2014-04-10 DOI: 10.5281/ZENODO.14744
W. Mahaney, C. Allen, P. Pentlavalli, R. Dirszowsky, P. Tricart, Leslie Keiser, P. Somelar, B. Kelleher, B. Murphy, Pedro J. M. Costa, S. Jordan, S. O’Reilly, P. Juligj
Both Polybius and Livy described a landslide/landslip that blocked the Punic Army’s exfiltration from a high col on the water divide in the Western Alps. The landslide, more aptly termed rockfall, has been a source of contention amongst classicists for centuries despite the fact that only two cols—Clapier and Traversette—exhibit rockfall debris on the lee side of the Alps. While the Clapier rockfall is too small and too young to have provided blockage, the Traversette debris is nearly as Polybius described it when he retraced the invasion route some 60 years after the event. His ‘two-tier’ description of the deposit, a doublet of younger and older rock rubble, including measurements of width and volume are close to modern measurements and prove that he knew, in advance, the route Hannibal had followed. It would take a practiced eye to correctly identify the stratigraphic complexity inherent in the Traversette Rockfall. Here we present weathering ratios, soil stratigraphic, mineral, chemical and microbiological evidence in support of Polybius’ observations as a considerable background database for future geoarchaeological exploration.
波利比乌斯和李维都描述了一次山崩/滑坡,阻止了布匿军队从西阿尔卑斯山分水岭的一个高冷处撤退。尽管只有克拉皮尔和特拉弗塞两个山脉在阿尔卑斯山的背风面出现了岩崩碎片,但这种滑坡,更恰当地称为落石,几个世纪以来一直是古典主义者争论的根源。克拉皮尔岩崩太小,也太年轻,不可能造成阻塞,而特拉弗塞特岩屑几乎就像波利比乌斯在事件发生约60年后追溯入侵路线时所描述的那样。他对矿床的“两层”描述,即年轻和古老的岩石碎石,包括宽度和体积的测量,与现代的测量接近,并证明他事先知道汉尼拔所走的路线。要正确识别特拉弗塞特岩崩所固有的地层复杂性,需要一双老练的眼睛。在这里,我们提出了风化比、土壤地层、矿物、化学和微生物证据,以支持波利比乌斯的观测,作为未来地质考古勘探的重要背景数据库。
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引用次数: 8
OPENDIG: CONTEXTUALIZING THE PAST FROM THE FIELD TO THE WEB Opendig:将过去从田野到网络的语境化
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2014-01-01 DOI: 10.5281/ZENODO.13711
Matthew L. Vincent, F. Kuester, T. Levy
Data recording is one of the primary requirements of any archaeological project. Some projects rely on the traditional pen-and-paper methods, while others have begun to employ field data recording applications through mobile computing platforms. The former method relies on later transcription of the data, while the later passes over this step, integrating the data from various devices at some later point. Many rely on commercial solutions to solve their data recording needs. Well-known platforms, which have had a long and successful track record with databases, are now being employed for archaeological databases. Although these robust platforms provide straightforward solutions, they are expensive and not easily extensible. OpenDig was developed with a focus on open source frameworks, with the idea that future expansion would be important for any archaeological database. By utilizing open source tools that were born in the World Wide Web, OpenDig provides a complete framework for archaeological data from the field and post-excavation studies. The three main tools that make up the OpenDig framework are: 1) a field recording application for describing archaeological contexts, associated photos, geospatial data, and find; 2) a lightweight data reader and editor for deployment in field laboratories; 3) a full web application for a more complete tool set for reviewing, analysing and disseminating these data acquired from the field. Three tools, on their own, may not seem very different from other solutions available to archaeologists today. However, OpenDig demonstrates the viability of using open source tools and open source data to create a complete system for data recording, analysis and dissemination. The future of archaeological data lays in finding ways to link disparate data sets from various projects and being able to make sensible comparisons. This can only be achieved by providing open access to these data and creating common interfaces that allow archaeologists to link their data with others.
数据记录是任何考古项目的主要要求之一。一些项目依靠传统的纸笔方法,而另一些项目已经开始通过移动计算平台使用现场数据记录应用程序。前一种方法依赖于稍后的数据转录,而后一种方法则跳过这一步,在稍后的某个时间点集成来自各种设备的数据。许多人依靠商业解决方案来解决他们的数据记录需求。在数据库方面有着长期成功记录的知名平台,现在正被用于考古数据库。尽管这些健壮的平台提供了直接的解决方案,但它们价格昂贵且不容易扩展。OpenDig的开发重点是开源框架,其理念是未来的扩展对任何考古数据库都很重要。通过利用万维网中诞生的开源工具,OpenDig为现场考古数据和挖掘后研究提供了一个完整的框架。构成OpenDig框架的三个主要工具是:1)用于描述考古背景、相关照片、地理空间数据和发现的现场记录应用程序;2)用于现场实验室部署的轻量级数据阅读器和编辑器;3)一个完整的web应用程序,用于更完整的工具集,用于审查,分析和传播从现场获得的这些数据。这三种工具,就其本身而言,可能与考古学家今天可用的其他解决方案没有太大区别。然而,OpenDig证明了使用开源工具和开源数据来创建一个完整的数据记录、分析和传播系统的可行性。考古数据的未来在于找到方法将来自不同项目的不同数据集联系起来,并能够进行合理的比较。这只能通过提供对这些数据的开放访问和创建允许考古学家将他们的数据与其他人联系起来的公共接口来实现。
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引用次数: 4
Photogrammetry in the field: Documenting, recording, and presenting archaeology 野外摄影测量学:记录、记录和呈现考古学
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2014-01-01 DOI: 10.5281/ZENODO.13710
Matthew D. Howland, F. Kuester, Thomas E. Levy
© 2014 MAA Printed in Greece. All rights reserved. The development of three-dimensional documentation technologies such as LiDAR and Structure from Motion (essentially digital photogrammetry) has led to a recording revolution, as these methods are increasingly applied to field archaeology. 3D methods have the potential to become an integral part of the archaeological toolkit, as they have the capability to produce spatially-referenced outputs, such as orthophotos and digital elevation models (DEMs), with greater efficiency than traditional methods. The combination of Structure from Motion and low-altitude aerial photography can facilitate the production of these GIS outputs, which can then be used for digitization or as basemaps. These methods allow for accurate and precise recording with a relative minimum of field time. As the existing body of 3D data increases in size, museums have the unique opportunity to be able to take advantage of these datasets to update their exhibits and display archaeological context and the process of excavation through visualizations of 3D models. The spread of 3D documentation and recording in archaeology may provide a unique opportunity for collaboration between these two professions, and allow for archaeology to improve its public outreach. The methodology presented here is based on field research in Jordan.
©2014 MAA印刷在希腊。版权所有。三维记录技术的发展,如激光雷达和运动结构(本质上是数字摄影测量),导致了一场记录革命,因为这些方法越来越多地应用于野外考古。3D方法有潜力成为考古工具包的一个组成部分,因为它们能够产生空间参考输出,如正射影像和数字高程模型(dem),比传统方法效率更高。运动结构和低空航空摄影的结合可以促进这些GIS输出的生产,然后可以用于数字化或作为底图。这些方法可以在相对最短的现场时间内进行准确和精确的记录。随着现有的3D数据体规模的增加,博物馆有独特的机会能够利用这些数据集来更新他们的展品,并通过3D模型的可视化来展示考古背景和挖掘过程。考古学中3D文档和记录的传播可能为这两个专业之间的合作提供了一个独特的机会,并允许考古学改善其公共宣传。这里提出的方法是基于在约旦的实地研究。
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引用次数: 23
Visualizing high resolution three-dimensional and two-dimensional data of cultural heritage sites 高分辨率文物遗址三维和二维数据可视化
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2014-01-01 DOI: 10.5281/ZENODO.13709
V. Petrovic, D. Vanoni, Ashley M. Richter, T. Levy, F. Kuester
The combination of 3D acquisition (terrestrial and airborne LiDAR, structured light, structure-from-motion) and 2D imaging (photographic, multispectral, panoramic, orthorectified, reflectance transformation) techniques allows the geometry, appearance and other aspects of culturally significant sites to be objectively documented. Traditionally, these data are usually transformed into models such as 3D textured meshes before they are visualized or analyzed—an often time- and effort-intensive process. We propose a system for the direct visualization and analysis of such data, allowing the different aspects recorded to be layered together, and co-visualized with annotations and other relevant information. We describe the required technical foundations, including gigapoint and gigapixel visualization pipelines that enable the dynamic layering of high-resolution imagery over massive minimally-processed LiDAR point clouds that serve as the base spatial layer. In particular, we introduce the pointbuffer—a GPU-resident viewdependent point cache—as the foundation of our gigapoint pipeline, and outline the use of virtual texturing for draping of gigapixel imagery onto point clouds. Finally, we present case studies from sites in Jordan and Italy.
3D采集(地面和机载激光雷达、结构光、运动结构)和2D成像(摄影、多光谱、全景、正校正、反射变换)技术的结合,可以客观地记录重要文化遗址的几何形状、外观和其他方面。传统上,这些数据通常在可视化或分析之前被转换成3D纹理网格等模型,这通常是一个耗时费力的过程。我们提出了一个直接可视化和分析这些数据的系统,允许记录的不同方面分层在一起,并与注释和其他相关信息共同可视化。我们描述了所需的技术基础,包括千兆点和千兆像素的可视化管道,这些管道可以在作为基本空间层的大量最小处理的LiDAR点云上实现高分辨率图像的动态分层。特别地,我们介绍了点缓冲-一个gpu驻留的依赖于视图的点缓存-作为我们的千兆点管道的基础,并概述了使用虚拟纹理将千兆像素图像覆盖到点云上。最后,我们介绍了来自约旦和意大利的案例研究。
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引用次数: 27
THE ART OF IMPLEMENTING SFM FOR RECONSTRUCTION OF ARCHAEOLOGICAL SITES IN GREECE: PRELIMINARY APPLICATIONS OF CYBER-ARCHAEOLOGICAL RECORDING AT CORINTH 实施SFM重建希腊考古遗址的艺术:科林斯网络考古记录的初步应用
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2014-01-01 DOI: 10.5281/ZENODO.13713
T. Levy, Matthew L. Vincent, Matthew D. Howland, F. Kuester, Neil G. Smith
© 2014 MAA Printed in Greece. All rights reserved. Cyber-archaeology represents the marriage of archaeology, computer science, engineering, and the natural sciences with the aim of taking advantage of constantly evolving technologies for digital data capture, curation, analyses and dissemination. Digital data collection tools are perhaps the most rapidly changing arenas of development in cyber-archaeology and are becoming affordable tools for every archaeologist. In this paper, we examine two users’ approaches to produce point cloud models of archaeological sites using structure from motion (SfM) photography. The experiment took place at the Fountain of Peirene in ancient Corinth, Greece. Their implementation of the technology and their results are compared to highlight the very important role the photo-shooting session can play in the final outcome of the SfM reconstruction. We correlate the users’ approaches to the applied algorithms’ robust features and known limitations to provide a technical explanation of how archaeologists can significantly improve their success in SfM. As new algorithms and software emerge making SfM a common tool in archaeological documentation the methodology presented in this paper will enable archaeologists to meet the high demand for digital documentation on a global scale.
©2014 MAA印刷在希腊。版权所有。网络考古学代表了考古学、计算机科学、工程学和自然科学的结合,目的是利用不断发展的数字数据捕获、管理、分析和传播技术。数字数据收集工具可能是网络考古学发展中变化最快的领域,并且正在成为每个考古学家都负担得起的工具。在本文中,我们研究了两种用户使用运动结构(SfM)摄影来产生考古遗址点云模型的方法。实验在古希腊科林斯的佩雷尼喷泉进行。他们的技术实施和结果进行了比较,以突出照片拍摄环节在SfM重建的最终结果中可以发挥的非常重要的作用。我们将用户的方法与应用算法的鲁棒性特征和已知限制联系起来,为考古学家如何显著提高他们在SfM中的成功提供技术解释。随着新的算法和软件的出现,使得SfM成为考古文献中的通用工具,本文提出的方法将使考古学家能够满足全球范围内对数字文献的高需求。
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引用次数: 6
Polychromy of late gothic civil architecture: a world heritage monument case in Spain 晚期哥特式民用建筑的多色:西班牙世界遗产纪念碑案例
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2013-03-06 DOI: 10.5281/ZENODO.15440
M. Ramírez, María Begoña Saiz Mauleón, J. Curiel-Esparza, J. Llinares, M. Soriano
This work has been supported by Universidad Politecnica de Valencia’s Forum Unesco -University and Heritage and by Valencia City Council under the project: “Study and Diagnosis of Pathological Manifestations of the Stone and Project and Construction Management of Cleaning and Conservation of the Silk Exchange of Valencia "
这项工作得到了瓦伦西亚理工大学联合国教科文组织大学与遗产论坛和瓦伦西亚市议会的支持,项目为:“石头病理表现的研究和诊断以及瓦伦西亚丝绸交易所清洁和保护的项目和施工管理”。
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引用次数: 1
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Mediterranean Archaeology & Archaeometry
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