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Procrastination, Ordinary and Philosophical 拖延症,普通而哲学
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2020-07-14 DOI: 10.5325/philrhet.53.3.0267
P. Engel
abstract:Confinement is an experiment in procrastination. It used to be a vice, close to acedia, but we now take it as irrational. But it’s not clearly so. Procrastination is indeed vicious when a philosopher delays permanently explaining what his theses are. Derrida is a case in point.
禁闭是拖延症的实验。它曾经是一种恶习,接近于绝望,但我们现在认为它是非理性的。但事实并非如此。当一个哲学家永远地拖延解释他的论点时,拖延确实是有害的。德里达就是一个很好的例子。
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引用次数: 0
Feeling Takes Form: Recent Work in Affective Formalism 情感形成:最近的情感形式主义工作
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2020-06-19 DOI: 10.5325/philrhet.53.2.0181
L. Pierce
abstract:While claiming to be a much-needed corrective to the dual disappointments of structuralism and post-structuralism, one is starting to get the sense that affect may have simply inverted, rather than resolved, the binary of form/feeling. Yet emerging within and against the affective turn is a re-turn to structure as the condition of possibility for affectivity. From this re-turn, which I'll term affective formalism, is culled the transdisciplinary exemplars reviewed here: Ruth Leys's The Ascent of Affect, Gary Genosko's Critical Semiotics, Eugenie Brinkema's The Forms of the Affects, with a nod to Eve Sedgwick's Touching Feeling. Far from caging affect, these new (and not so new) books suggest a return to form, once again, with feeling.
虽然声称它是对结构主义和后结构主义双重失望的急需纠正,但人们开始意识到,情感可能只是简单地颠倒了形式/感觉的二元性,而不是解决了这种二元性。然而,在情感转向内部和反对情感转向的出现,是对结构作为情感可能性条件的回归。从这种回归中,我将其称为情感形式主义,这里将挑选出跨学科的范例:露丝·莱丝的《情感的上升》,加里·吉诺斯科的《批判符号学》,尤金妮·布林克玛的《情感的形式》,并向伊芙·塞奇威克的《感人的感觉》致敬。这些新书(也不是很新)远非牢笼式的感觉,而是再次带着感觉回归到形式。
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引用次数: 1
Suspending the World: Romantic Irony and Idealist System 悬疑世界:浪漫主义反讽与理想主义体系
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2020-06-19 DOI: 10.5325/philrhet.53.2.0111
Kirill Chepurin
abstract :This paper revisits the rhetorics of system and irony in Fichte and Friedrich Schlegel in order to theorize the utopic operation and standpoint that, I argue, system and irony share. Both system and irony transport the speculative speaker to the impossible zero point preceding and suspending the construction of any binary terms or the world itself—an immanent nonplace (of the in-itself, nothingness, or chaos) that cannot be inscribed into the world's regime of comprehensibility and possibility. It is because the philosopher and the ironist articulate their speech immanently from this standpoint that system and irony are positioned as incomprehensible to those framed rhetorically as incapable of occupying it. This standpoint is philosophically important, I maintain, because it allows one to think how the (comprehensibility of the) world is constructed without being bound to the necessity of this construction or having to absolutize the way things are or can be.
本文回顾了费希特和施莱格尔的制度和反讽修辞,以理论化制度和反讽所共有的乌托邦运作和观点。系统和反讽都将思辨的说话者运送到不可能的零点,在此之前,并暂停任何二元术语或世界本身的构建——一个内在的非场所(自性、虚无或混乱),它不能被铭刻到世界的可理解性和可能性的体制中。正是因为哲学家和讽刺家从这个观点出发,内在地表达了他们的言论,系统和讽刺被定位为无法理解的,对于那些被修辞框定为无法占据它的人来说。我坚持认为,这种观点在哲学上是重要的,因为它允许人们思考(世界的可理解性)是如何构建的,而不受这种构建的必要性的束缚,也不需要将事物的存在方式或可能方式绝对化。
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引用次数: 3
A Gramma of Motives: The Drama of Plato's Tripartite Psychology 动机的语法:柏拉图三方心理的戏剧
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2020-06-19 DOI: 10.5325/philrhet.53.2.0157
John J. Jasso
abstract:Rhetoricians usually consider Plato's Republic as a work dedicated to political philosophy. As such, it is ostensibly antidemocratic and thus antirhetorical. But if we focus on the reason for the political allegory—the investigation of justice in the soul—it is clear that Plato is interested in Burke's question: "What is involved, when we say what people are doing and why they are doing it?" Accordingly, this article employs the terms of Burke's pentad in order to articulate the rhetorical significance of Plato's own drama of psychic motivation. Ultimately, I read the degenerating constitutions of the Republic as a rhetorical typography that not only identifies audience types and how to influence them, but also offers a map of psychic transformation that addresses Socrates's famous challenge to rhetoric in the Phaedrus.
修辞学家通常认为柏拉图的《理想国》是一部政治哲学著作。因此,它表面上是反民主的,因此也是反修辞的。但如果我们关注政治寓言的原因——对灵魂正义的调查——很明显,柏拉图对伯克的问题很感兴趣:“当我们说人们在做什么以及他们为什么这么做时,涉及到什么?”因此,本文采用伯克的五行术语来阐明柏拉图自己的心灵动机戏剧的修辞意义。最后,我把《理想国》中退化的宪法视为一种修辞排版,它不仅确定了受众类型以及如何影响他们,而且还提供了一幅心灵转变的地图,解决了苏格拉底在《费德鲁斯篇》中对修辞的著名挑战。
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引用次数: 0
Slavoj Žižek and Dialectical Sophistics: On the Relationship between Dialectical Philosophy and Philosophical Rhetoric 斯拉沃日耶克与辩证复杂主义——兼论辩证哲学与哲学修辞学的关系
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2020-06-19 DOI: 10.5325/philrhet.53.2.0134
Alexander Stagnell
abstract:This article approaches the problem of post-truth and the opposition between philosophical dialectics and sophistic rhetoric. The antagonism is addressed through a reading of Žižek's depiction of the ongoing discussion between Alain Badiou and Barbara Cassin, the "new version of the ancient dialogue between Plato and the sophists," as stained by sexual difference, and the dialectics between Parmenides and Gorgias. The article argues that only through acknowledging the inescapable failure of these sides to ever establish a complete totality are we capable of overcoming the antagonism that resides at their core, thus making a dialectical sophistics, on the basis of Žižek's thought, possible. Thus, only by taking the path through post-truth can we attempt to reach the disavowed core of truth that haunts every failed system.
本文探讨了后真理问题以及哲学辩证法与诡辩修辞学的对立。这种对抗是通过阅读Žižek对阿兰·巴迪欧和芭芭拉·卡辛之间正在进行的讨论的描述来解决的,这是“柏拉图与诡辩家之间古代对话的新版本”,被性别差异所玷污,以及巴门尼德和戈尔吉亚斯之间的辩证法。本文认为,只有承认这些方面在建立一个完整的整体方面的不可避免的失败,我们才能克服存在于它们核心的对抗,从而使以Žižek思想为基础的辩证辩证法成为可能。因此,只有走上后真相的道路,我们才能试图触及困扰着每一个失败体系的被否认的真理核心。
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引用次数: 0
Editor’s Note: In the midst of . . . ? 编者按:在…之中?
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2020-06-01 DOI: 10.5325/philrhet.53.3.vi
Erik Doxtader
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引用次数: 1
Roots of (African American) Rhetorical Theory in Frederick Douglass’s My Bondage and My Freedom 弗雷德里克·道格拉斯《我的束缚与自由》中(非裔美国人)修辞理论的根源
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2020-02-11 DOI: 10.5325/philrhet.53.1.0051
D'Angelo A Bridges
abstract:This article explores the roots of (African American) rhetorical theory through an examination of Frederick Douglass’s My Bondage and My Freedom. Rhetorical theory in this case is a forcible call for antislavery unity between races that at the same time rejects notions of the body as a racial essence. This essay attempts to make Douglass’s rhetorical theory clear so that we can better understand how the key term functions today.
文摘:本文通过对弗雷德里克·道格拉斯的《我的束缚与自由》一书的考察,探讨了非裔美国人修辞理论的根源。在这种情况下,修辞理论是对种族之间反奴隶制团结的有力呼吁,同时拒绝将身体视为种族本质的概念。本文试图阐明道格拉斯的修辞理论,以便我们更好地理解这个关键术语在今天是如何发挥作用的。
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引用次数: 0
Theory Again 再次理论
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2020-02-11 DOI: 10.5325/philrhet.53.1.0062
S. Mailloux
abstract:Critical theory is motivated by exigencies internal and external to academic disciplines. This essay discusses some of these motivations, in particular the need to address extreme divisions and polarized conflicts within the wider culture, especially in the domains of politics and religion. Theory can articulate the conditions of possibility for dialogue across radical difference. Such rhetorical theorizing is illustrated in the work of Jacques Derrida and Gaston Fessard, both concerned with political theology. In these two figures, with their different relations to religion and ontotheology, we see notable ways that critical theory emerged out of secular late modernity and its others. That emergence includes a break with earlier forms of philosophical reflection on how communication is accomplished across cultural differences and how the boundary between the secular and the religious is traversed, but the particular content of this transformation also demonstrates a political-theological continuity.
摘要:批判理论是由学科内外的迫切需要所驱动的。本文讨论了其中的一些动机,特别是解决更广泛文化中极端分裂和两极分化冲突的必要性,特别是在政治和宗教领域。理论可以阐明跨越根本差异进行对话的可能性条件。这种修辞理论在雅克·德里达和加斯顿·费萨尔的作品中都有体现,他们都关注政治神学。在这两个人物身上,由于他们与宗教和本体论的不同关系,我们看到了批判理论从世俗的晚期现代性及其其他方面产生的显著方式。这种出现包括打破了早期形式的哲学反思,即如何跨越文化差异实现沟通,以及如何跨越世俗和宗教之间的界限,但这种转变的特殊内容也表明了政治神学的连续性。
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引用次数: 0
“Not Theory, Thought”: Collingwood’s Early Work on Art “不是理论,而是思想”:科林伍德早期的艺术作品
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2020-02-11 DOI: 10.5325/philrhet.53.1.0021
Nancy S. Struever
abstract:R. G. Collingwood’s strong, early, inventive interests in aesthetic experience and art activity were of fundamental importance to his lifelong engagement with philosophy and his critique of the available “academic” philosophies. And his work finds reinforcement in the current speculations in the philosophy of art of Alva Noë.
文摘:R。G.科林伍德早年对审美经验和艺术活动的强烈的、创造性的兴趣,对他毕生从事的哲学研究和对现有的“学院派”哲学的批判至关重要。他的作品在阿尔瓦Noë的艺术哲学中得到了强化。
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引用次数: 0
Why Theory Now? An Introduction 为什么现在理论?引言
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2020-02-11 DOI: 10.5325/philrhet.53.1.0001
D. Gross
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引用次数: 0
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