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Michel Foucault’s Rhetorical Practice: The 1961 Preface to History and Madness 米歇尔·福柯的修辞实践:1961年《历史与疯狂》序言
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.5325/philrhet.56.2.0142
Michael Ure
abstract:This article examines Foucault as a rhetorician rather than as a historian of parrhesia and rhetoric. It explores what we can learn about his philosophy by examining it through the lens of his rhetorical practices. Focusing on his famous 1961 preface to History and Madness, it suggests that Foucault’s model of philosophy entails a rhetoric of conversion or transformation.
本文将福柯视为修辞学家,而非直言与修辞学的历史学家。它探讨了我们可以通过他的修辞实践来研究他的哲学。重点关注他1961年著名的《历史与疯狂》的序言,它表明福柯的哲学模式需要一种转换或转化的修辞。
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引用次数: 0
Lockean Natural History and the Revivification of Post-Truth Objects 洛克自然史与后真理对象的复兴
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.5325/philrhet.56.2.0117
Piper Corp
abstract:Post-truth, understood as a turn from collective sense and judgment to nonpublic forms of epistemic justification, is a distinctly rhetorical problem. This article offers, in response, a theorization of knowledge making as the means by which affective and material impingements upon bodies become publicly legible and rhetorically available. For this, the author turns, perhaps unexpectedly, to John Locke. Locke’s works offer the foundations of an empirical theory of rhetoric that embraces the sensible realm not as a conduit to reality but as a space where social connection becomes possible. Locke engages this realm through natural historical inquiry. Tracing this inquiry to his commonplacing practices, the author presents the rhetorical-dialectical topics as a basis for the shared sense and judgment that he pursued and that post-truth demands. The topics, this article argues, guide and enlarge the senses, forming objects of knowledge with which to sustain public life—objects about which plural truths are possible.
摘要:后真理是一个明显的修辞问题,被理解为从集体的感觉和判断转向非公开形式的认识正当性。作为回应,这篇文章提供了一种知识制造的理论,通过这种方法,情感和物质对身体的影响可以公开阅读和修辞。为此,作者转向了约翰·洛克,也许是出乎意料的。洛克的作品为修辞学的实证理论奠定了基础,该理论将理性领域视为一个可能的空间,而不是通往现实的渠道。洛克通过对自然历史的探究来进入这个领域。作者将这一探索追溯到他的共同实践中,提出了修辞辩证主题,作为他所追求的和后真理所要求的共同感觉和判断的基础。本文认为,这些主题引导和扩大了感官,形成了维持公共生活的知识对象——关于这些对象,多元真理是可能的。
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引用次数: 0
Revisiting Reverse Eikos: Dialectical Evaluation of a Rhetorical Argument 反诘Eikos:对一个修辞论证的辩证评价
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.5325/philrhet.56.2.0168
H. Jansen
abstract:Reverse eikos (plausibility) arguments are notorious for reversing a reason that supports an accusation into a reason that denies this accusation. This article offers new insights on their analysis and evaluation, by reconstructing a reverse eikos argument’s line of reasoning as an argumentative pattern. The pattern reveals that this type of argument centers not only on the arguer’s claim that by doing the act of which they have been accused, they would risk becoming the likely suspect, but also on the connected reasoning that they would not want to risk this since that would be stupid and they are not stupid. The proposed analysis, which is illustrated with classic and modern examples of reverse eikos arguments, shows that the evaluation of these arguments boils down to estimating the arguer’s calculation of the costs and benefits of taking the risk, while taking into account the arguer’s character, intellect, and circumstances.
反似是而非的论点是臭名昭著的,因为它把支持一项指控的理由颠倒成否认这一指控的理由。本文通过重构反eikos论证的推理路线作为一种论证模式,对其分析和评价提供了新的见解。这种模式表明,这种类型的论证不仅集中在论证者的主张上,即通过做他们被指控的行为,他们可能会冒着成为可能的嫌疑人的风险,而且还集中在相关的推理上,即他们不想冒这个风险,因为那将是愚蠢的,而他们并不愚蠢。该分析通过经典和现代的反eikos论证的例子来说明,表明对这些论证的评价可以归结为评估论述者对承担风险的成本和收益的计算,同时考虑到论述者的性格、智力和环境。
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引用次数: 1
The Genres of Swahili Philosophy 斯瓦希里哲学流派
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.5325/philrhet.56.1.0008
Alena Rettová
abstract:This article maintains that African philosophy should consider those discourses that function as channels of important ideas in African cultures, without prejudice against their language and, especially, their genre. What are such philosophical discourses? This article starts from a case study, Swahili culture, and interrogates the communicative resources available to it to serve as vehicles of philosophical thought. The survey includes language itself, proverbs, musical performance (sung lyrics), metric and free-verse poetry, novelistic prose, theoretical writings, and translations. Based on this spectrum of genres, the article ventures some general observations about the relationship of African philosophy to language and genre.
摘要:本文认为,非洲哲学应该考虑那些在非洲文化中充当重要思想渠道的话语,而不应损害其语言,尤其是其流派。什么是哲学话语?本文从一个案例研究,斯瓦希里文化开始,并询问可作为哲学思想载体的交流资源。调查内容包括语言本身、谚语、音乐表演(歌词)、韵律诗和自由诗、小说散文、理论著作和翻译。基于这一系列流派,本文对非洲哲学与语言和流派的关系进行了一些一般性的观察。
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引用次数: 0
After Philosophy, Black Thought: Sylvia Wynter and the Ends of Knowledge 《哲学之后,黑人思想:西尔维娅·温特与知识的终结》
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.5325/philrhet.56.1.0092
O. Ochieng
abstract:This article invites critical inquiry into the rhetorical form of Sylvia Wynter's thought. The author identifies the key to Wynter's thought as charting a cartography that is intransigently committed to a vision of the intellectual imagination at its most ambitious while staying true to the grain and detail of the liminal, the lumpen, and the particular. The upshot is that Wynter wants to open up a space for the imagination and labor of Black thought, one that comes after and beyond philosophy and theory.
本文对西尔维娅·温特思想的修辞形式进行了批判性的探讨。作者认为,温特思想的关键在于绘制一幅地图,这种地图毫不妥协地致力于最雄心勃勃的知识分子想象的愿景,同时忠实于阈值、粗糙和特殊的颗粒和细节。结果是,温特想要为黑人思想的想象和劳动开辟一个空间,一个超越哲学和理论的空间。
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引用次数: 0
Pan-African Pandemonium: Identities, Histories, and Constellations 泛非混乱:身份、历史和星座
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.5325/philrhet.56.1.0033
Bryan Mukandi
abstract:Fiston Mujila's Tram 83 provides a helpful point of departure for this philosophical treatment of pan-African subjectivity. His meditations on music resonate with continental and diasporic accounts of the musicality of African social organization. This in turn provides an opening into a discussion around the tension between conceptions of African identity tied to heritage and continuity on one hand, and considerations of the rupture brought about by the Middle Passage and colonialism on the other. Drawing on African philosophy and Black Studies more broadly, this article argues for a conception of African identity that, while taking seriously heritage and origins, ultimately emerges intersubjectively as a result of the movements and reverberations across the constellation of African worlds. Not only are these pan-African reverberations constitutive, the author argues that they are also key to our survival.
菲斯顿·穆吉拉的《电车83》为这种对泛非主体性的哲学处理提供了一个有益的出发点。他对音乐的思考与非洲大陆和散居者对非洲社会组织音乐性的描述产生了共鸣。这反过来为围绕与遗产和连续性相关的非洲身份概念与对中间通道和殖民主义带来的破裂的考虑之间的紧张关系展开讨论提供了一个机会。本文更广泛地借鉴了非洲哲学和黑人研究,主张一种非洲身份的概念,这种概念在认真对待遗产和起源的同时,最终因非洲世界的运动和反响而以主体间的方式出现。作者认为,这些泛非反响不仅是组成部分,也是我们生存的关键。
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引用次数: 0
To Make a Scholar Black: A Constructive Analysis of the Discursive Orientation Toward Blackness 让一个学者成为黑人:黑人话语取向的建构性分析
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.5325/philrhet.56.1.0076
Amir R. A. Jaima
abstract:Africana scholars often address their texts to a reader who is implicitly white. This tendency, which this article characterizes as the "discursive orientation toward whiteness," has the pernicious effect of limiting the range and rigor of scholars' research questions and proposal. This analysis examines the other discursive "face," following J. Saunders Redding's observation from almost eighty years ago, which remains unnervingly insightful: "Negro [sic] writers have been obliged to have two faces . . . to satisfy two different (and opposed when not entirely opposite) audiences, the [B]lack and the white." Scholars have described this second face in the text in a number of ways—variously as a temperament, a rhythm, or an "aesthetic." Through an analysis of a few exemplary texts, the current study will describe a few of the most salient characteristics, ultimately in the service of equipping the "Black" scholar with a few effective, liberatory rhetorical strategies.
摘要:非洲学者经常把他们的文章交给一位含蓄的白人读者。这种倾向被本文描述为“对白人的话语取向”,其有害影响是限制了学者研究问题和建议的范围和严谨性。这项分析考察了另一种话语性的“面孔”,这是继J·桑德斯·雷丁近80年前的观察之后的,该观察仍然令人不安地富有洞察力:“黑人作家不得不有两张面孔……以满足两个不同的(当不是完全相反时是对立的)观众,即黑人和白人。学者们在文本中以多种方式描述了这第二张脸——从气质、节奏或“美学”的角度来看。“通过对一些典型文本的分析,本研究将描述一些最显著的特征,最终为“黑人”学者提供一些有效的、解放性的修辞策略。
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引用次数: 0
Guest Editor's Introduction: The Time of Africana Philosophy 客座编辑简介:非洲哲学的时代
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.5325/philrhet.56.1.0001
O. Ochieng
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引用次数: 0
Watery Hauntings: A Glossary for African Philosophy in a Different Key 水的幽灵:非洲哲学词汇的另一个关键
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.5325/philrhet.56.1.0051
L. du Toit, Azille Coetzee
abstract:It is no secret that philosophy was historically established as the endeavor of white men and that this history continues to underpin and inform the workings of the institutionalized discipline in contemporary university spaces. The discipline's inherent preoccupation with the universal rather than the particular, the abstract rather than the material, has rendered philosophy particularly obtuse for certain kinds of thinking, and oblivious to large currents of political and aesthetic reflection that have shaped contemporary intellectual engagement with our world. In this article, the authors' aim is to read the epistemic erasures/foreclosures/violences associated with African philosophy differently, to ask whether it can change key. The article discusses Black African women's creative work as theory or as philosophy done on different terms. The creative text that the authors center in this regard is the poem bientang (2020) by Black Afrikaans writer Jolyn Phillips.
哲学在历史上被确立为白人的努力,这不是什么秘密,这段历史继续支撑和告知当代大学空间中制度化学科的运作。这门学科固有的对普遍而非特殊的关注,对抽象而非物质的关注,使得哲学对某些类型的思考特别迟钝,对政治和美学反思的大潮流视而不见,而这些潮流塑造了我们与世界的当代智力接触。在这篇文章中,作者的目的是以不同的方式解读与非洲哲学相关的认知抹除/丧失抵押品赎回权/暴力,并询问它是否可以改变关键。本文从理论和哲学两方面对非洲黑人妇女的创作进行了探讨。在这方面,作者所关注的创作文本是黑人南非荷兰语作家乔林·菲利普斯的诗《bientang》(2020)。
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引用次数: 0
The Democratic Sublime: On Aesthetics and Popular Assembly by Jason Frank (review) 民主的崇高:论美学与民众集会
IF 0.4 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.5325/philrhet.55.4.0418
R. Hariman
02/02/23 10:28 PM PR_55_4_04_Book_Reviews.indd Page 419 02/02/23 10:28 PM https://doi.org/10.5325/philrhet.55.4.0418 Philosophy and Rhetoric, Vol. 55, No. 4, 2022 Copyright © 2022 The Pennsylvania State University, University Park, PA The Democratic Sublime: On Aesthetics and Popular Assembly. By Jason Frank. New York: Oxford University Press, 2021. xvii + 255 pp. Paper $28.00. ISBN-10: 0190658169. ISBN-13: 9780190658168.
02/02/23下午10:28 PR_55_4_04_Book_Reviews.indd第419页02/02/23晚上10:28https://doi.org/10.5325/philrhet.55.4.0418《哲学与修辞学》,第55卷,2022年第4期版权所有©2022宾夕法尼亚州立大学,宾夕法尼亚州大学公园民主党崇高:论美学和大众集会。作者:杰森·弗兰克。纽约:牛津大学出版社,2021年。xvii+255页,论文28.00美元。ISBN-10:0190658169。ISBN-13:9780190658168。
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引用次数: 0
期刊
PHILOSOPHY AND RHETORIC
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