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Differences-A Journal of Feminist Cultural Studies最新文献

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The "Mere Fortuity" of Birth? Are Children Citizens? 出生“纯属偶然”?儿童是公民吗?
IF 0.3 4区 社会学 Q3 CULTURAL STUDIES Pub Date : 2004-07-09 DOI: 10.1215/10407391-15-2-91
J. Bhabha
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引用次数: 21
The Origin of the Specious 物种的起源
IF 0.3 4区 社会学 Q3 CULTURAL STUDIES Pub Date : 2004-04-23 DOI: 10.1215/10407391-15-1-24
Judith L. Goldstein
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引用次数: 2
The Wolf in the Dog: Animal Fables and State Formation 狗中的狼:动物寓言与国家形成
IF 0.3 4区 社会学 Q3 CULTURAL STUDIES Pub Date : 2004-04-23 DOI: 10.1215/10407391-15-1-69
Naomi Schor
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引用次数: 23
Animal Relatives, Difficult Relations 动物亲戚,困难的关系
IF 0.3 4区 社会学 Q3 CULTURAL STUDIES Pub Date : 2004-04-23 DOI: 10.1215/10407391-15-1-1
B. Smith
The title of this essay points to two sets of interrelated diffi culties.1 Those in the fi rst set arise chronically from our individual psychologically complex and often ambivalent relations to animals. The second set refl ects the intellectually and ideologically crisscrossed connections among the various discourses currently concerned with those relations, including the movement for animal rights, ecological ethics, posthumanist theory, and such fi elds as primatology and evolutionary psychology. I begin with some general observations on kin and kinds—that is, relations and classifi cations—and then turn to the increasingly complex play of claims and counterclaims regarding the so-called species barrier.
这篇文章的题目指出了两组相互关联的困难第一种是我们与动物之间复杂而矛盾的个人心理关系。第二组反映了目前与这些关系有关的各种话语之间在智力和意识形态上的交叉联系,包括动物权利运动、生态伦理学、后人类主义理论,以及灵长类动物学和进化心理学等领域。我从一些关于亲缘关系和种类的一般性观察开始——也就是关系和分类——然后转向关于所谓物种屏障的越来越复杂的主张和反诉。
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引用次数: 27
Our Animal Cousins 我们的动物表亲
IF 0.3 4区 社会学 Q3 CULTURAL STUDIES Pub Date : 2004-04-23 DOI: 10.1215/10407391-15-1-48
Harriet Ritvo
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引用次数: 6
"Portraits of Grief": Telling Details and the Testimony of Trauma “悲伤的肖像”:讲述细节和创伤的见证
IF 0.3 4区 社会学 Q3 CULTURAL STUDIES Pub Date : 2003-12-30 DOI: 10.1215/10407391-14-3-112
Nancy K. Miller
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引用次数: 23
The Close-Up: Scale and Detail in the Cinema 特写:电影中的比例和细节
IF 0.3 4区 社会学 Q3 CULTURAL STUDIES Pub Date : 2003-12-30 DOI: 10.1215/10407391-14-3-89
M. Doane
One of the earliest attempts to produce film theory, that of the French Impressionists in the 1920s, generated a concept—photogénie—which is usually considered to be theoretically incoherent. No doubt this is due to the fact that photogénie is designed to account for that which is inarticulable, that which exceeds language and hence points to the very essence of cinematic specificity. Photogénie names a supplementarity, an enhancement, that which is added to an object in the process of its subjection to a photographic medium. For Epstein, it is inextricably bound up with an ethics: “I would describe as photogenic any aspect of things, beings or souls whose moral character is enhanced by filmic reproduction” (Bonjour 20). The close-up is the privileged site for this experience of photogénie, and Epstein often labored to produce a language that would be adequate to this experience. Witness, for instance, the linguistic contortions in his description of the close-up of a face breaking into a smile:
最早尝试建立电影理论的人之一,是20世纪20年代的法国印象派,他们提出了一个通常被认为在理论上是不连贯的概念——photog。毫无疑问,这是由于这样一个事实,即photogsamnie旨在解释那些无法表达的东西,那些超越语言的东西,因此指出了电影特殊性的本质。photogsamnie将物体置于摄影媒介之下的过程中所添加的东西称为补充物或增强物。对于爱泼斯坦来说,它与一种伦理学有着不可分割的联系:“我将把事物、人或灵魂的任何方面描述为上镜的,这些方面的道德品质是通过电影的再现而增强的”(Bonjour 20)。特写镜头是这种“光身综合症”体验的特权场所,爱泼斯坦经常努力创造一种足以表达这种体验的语言。例如,他在描述一张突然露出微笑的脸的特写时,用了一些语言上的扭曲:
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引用次数: 162
The Tale of the Goldsmith's Floor 金匠地板的故事
IF 0.3 4区 社会学 Q3 CULTURAL STUDIES Pub Date : 2003-12-30 DOI: 10.1215/10407391-14-3-136
Mira Schor
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引用次数: 0
A Pearl's Plesaures and Perils: The Detail at the Foundation of Taste 珍珠的快乐与危险:品味基础的细节
IF 0.3 4区 社会学 Q3 CULTURAL STUDIES Pub Date : 2003-12-01 DOI: 10.1215/10407391-14-3-57
M. Roelofs
[D]oes the triumph of the detail signify a triumph of the feminine with which it has so long been linked? Or has the detail achieved its new prestige by being taken over by the masculine, triumphing at the very moment when it ceases to be associated with the feminine, or ceasing to be connoted as feminine at the very moment when it is taken up by the male-dominated cultural establishment? ( Reading 6)
D .细节的胜利是否意味着长久以来与之联系在一起的女性的胜利?或者,细节是否因为被男性所接受而获得了新的声望,在它不再与女性联系在一起的那一刻取得了胜利,或者在它被男性主导的文化机构所接受的那一刻,它不再被视为女性?(阅读6)
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引用次数: 0
Fragonard in Detail 弗拉戈纳尔的细节
IF 0.3 4区 社会学 Q3 CULTURAL STUDIES Pub Date : 2003-12-01 DOI: 10.1215/10407391-14-3-34
E. Lajer-Burcharth
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引用次数: 1
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Differences-A Journal of Feminist Cultural Studies
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