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Isn’t All Environmental Humanities “Environmental Humanities in Practice”? 所有的环境人文学科不都是“实践中的环境人文学科”吗?
IF 2.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-03-01 DOI: 10.1215/22011919-9481561
Dolly Jørgensen
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引用次数: 3
Anthropozäne Literatur 人类世文学
IF 2.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-01 DOI: 10.1007/978-3-662-63899-6
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引用次数: 0
Glacial Deaths, Geologic Extinction 冰川死亡、地质灭绝
IF 2.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-01 DOI: 10.1215/22011919-9320156
Jeremy J. Schmidt
In 2019 several funerals were held for glaciers. If enough glaciers die, could they go extinct? Is there geologic extinction? Yes. This article develops three arguments to support this claim. The first revisits Georges Cuvier’s original argument for extinction and its reliance on geology, especially glaciers. Retracing connections to glaciers and the narrowing of extinction to biological species in the nineteenth century, the author argues that anthropogenic forcing on how the Earth system functions—the Anthropocene—warrants rethinking extinction geologically. The second argument examines the specificity of ice loss and multiple practices responding to this loss: from art exhibits at United Nations climate change meetings to anticolonial claims for the right to be cold. The third argument consolidates a theme built across the article regarding how Isabelle Stengers’s notion of ecologies of practices provides an approach to geologic extinction that recognizes both relational and nonrelational loss.
2019年,为冰川举行了几场葬礼。如果有足够多的冰川死亡,它们会灭绝吗?是否存在地质灭绝?是的。本文提出了三个论点来支持这一说法。第一篇文章回顾了乔治·居维叶(Georges Cuvier)最初关于物种灭绝的论点,以及它对地质学(尤其是冰川)的依赖。作者追溯了19世纪与冰川的联系,并将灭绝范围缩小到生物物种,他认为,人类对地球系统如何运作的强迫——人类世——值得从地质学上重新思考灭绝。第二个论点考察了冰损失的特殊性和应对这种损失的多种做法:从联合国气候变化会议上的艺术展览到反殖民主义对寒冷权利的主张。第三个论点巩固了贯穿全文的主题,即伊莎贝尔·斯坦厄斯的实践生态学概念如何为地质灭绝提供了一种认识到关系和非关系损失的方法。
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引用次数: 1
Defining Energy in Nineteenth-Century Native American Literature 19世纪美国原住民文学中的能量定义
IF 2.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-01 DOI: 10.1215/22011919-9320200
K. Linthicum, Mikaela Relford, J. C. Johnson
Native American authors in the first half of the nineteenth century—the dawn of the Anthropocene in some accounts—were witness to the rapid expansion of settler-colonialism powered by new ideologies of energy and fueled by fossil capitalism. These authors, though, resisted extractive metaphors for energy and fuel, offering more organic and intimate visions of energy instead. Using energy humanities theories developed by Warren Cariou (Métis) and Bob Johnson, among others, this article will analyze Mary Jemison’s (Seneca) autobiography; Jane Johnston Schoolcraft’s (Ojibwe) poem, “On the Doric Rock, Lake Superior”; and John Rollin Ridge’s (Cherokee) novel, The Life and Adventures of Joaquín Murieta. These works show how Native American authors defined energy as cyclical and intimate in contrast to the growing settler society’s vision of linear, unending extraction. This article argues that nineteenth-century Native American Anglophone literatures expand the scope of the energy humanities by describing energy intimacy while also extending the histories of Indigenous resistance to settler energy imaginaries. Nineteenth-century Native American literatures can make important contributions to the scope of the energy humanities and need to be integrated into the field to grasp the full scale of current environmental crises.
19世纪上半叶的美洲原住民作家——有些人认为这是人类世的开端——见证了移民殖民主义在新的能源意识形态和化石资本主义的推动下迅速扩张。然而,这些作者拒绝对能源和燃料进行提取性比喻,而是提供了更有机、更亲密的能源愿景。本文将运用沃伦·卡里奥(Warren Cariou)和鲍勃·约翰逊(Bob Johnson)等人提出的能源人文理论,分析玛丽·杰米森(Mary Jemison)的自传;简·约翰斯顿·斯库尔克拉夫特(Ojibwe)的诗《在苏必利尔湖的多利安岩石上》;以及约翰·罗林·里奇(切罗基)的小说《Joaquín穆列塔的生活与冒险》。这些作品展示了美国土著作家如何将能源定义为周期性的、亲密的,与日益增长的移民社会对线性的、无休止的开采形成鲜明对比。本文认为,19世纪美洲原住民英语文学通过描述能源亲密关系扩展了能源人文学科的范围,同时也扩展了土著对定居者能源想象的抵抗历史。19世纪的美洲原住民文学可以为能源人文学科的范围做出重要贡献,需要整合到该领域,以掌握当前环境危机的全面规模。
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引用次数: 2
The Inclusive Philosophy of Michel Serres for Our Time of Crisis 米歇尔·塞雷斯的危机时代包容性哲学
IF 2.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-01 DOI: 10.1215/22011919-9320244
Peter Johnson
Michel Serres’s philosophy is scantly known outside France. In this review essay the author takes up three books that Serres published late on in his life and that engage in different ways with the environmental emergency. These short eminently readable books appeal to a wide audience and at the same time draw together major concerns and approaches from his life’s work. In each of the three books, Serres explores the preconditions for, and the emerging sense of, a contract between humans and the rest of the natural world.
米歇尔·塞雷斯的哲学在法国以外鲜为人知。在这篇评论文章中,作者选取了塞雷斯晚年出版的三本书,这些书以不同的方式涉及环境紧急情况。这些短小精读的书吸引了广泛的读者,同时也汇集了他一生工作中的主要关注点和方法。在这三本书中,Serres探索了人类与自然世界之间契约的先决条件和新出现的感觉。
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引用次数: 3
Making the Environmental Humanities Consequential in “The Age of Consequences” 使环境人文学科成为“后果时代”的重要学科
IF 2.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-01 DOI: 10.1215/22011919-9320233
N. Castree
This article suggests that global environmental assessments (GEAs) may be a potent means for making the environmental humanities more consequential outside universities. So far most GEAs have been led by geoscientists, with mainstream social science in support. However, there is no reason why the concept of assessment cannot be elasticated to include the concerns of interpretive social science and the humanities. Building on the forty-year history and authority of GEAs as a means to bridging the gap between the research world and the wider world, this article identifies the potential that reformatted assessments hold for more impactful work by environmental humanists. It suggests some next steps for rethinking the means and ends of assessment toward a new paradigm that bridges geoscience, mainstream social science, and humanistic thinking about the nonhuman world. This paradigm would explore the human dimensions of environmental change fully. The timing is propitious: independently GEAs are undergoing change at the very moment that the “What next?” question is being asked by many environmental humanists. This article is intended to inspire debate and, ultimately, action. It both makes the case for more humanistic GEAs and offers examples of potential work packages.
这篇文章表明,全球环境评估(GEA)可能是一种强有力的手段,可以使大学以外的环境人文学科更加重要。到目前为止,大多数GEA都是由地球科学家领导的,并得到主流社会科学的支持。然而,评估的概念没有理由不能弹性地包括解释性社会科学和人文学科的关注。本文以GEA四十年的历史和权威为基础,将其作为弥合研究界和更广泛世界之间差距的一种手段,确定了重新调整的评估对环境人文主义者进行更有影响力的工作的潜力。它提出了一些下一步的步骤,以重新思考评估的手段和目的,建立一种新的范式,将地球科学、主流社会科学和对非人类世界的人文思考联系起来。这一范式将全面探讨环境变化的人的层面。时机是有利的:在许多环境人文主义者提出“下一步该怎么办?”问题的时刻,独立的GEA正在经历变革。这篇文章旨在激发辩论,并最终激发行动。它既为更人性化的GEA提供了理由,也提供了潜在工作包的例子。
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引用次数: 1
Roots
IF 2.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-01 DOI: 10.1215/22011919-9320255
H. Pitt
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引用次数: 0
Becoming Without 成为没有
IF 2.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-01 DOI: 10.1215/22011919-9320178
Luísa Reis-Castro
The Aedes aegypti mosquito, known as the vector for Zika, dengue, chikungunya, and yellow fever viruses, has historically been targeted by public health campaigns as an enemy to be eliminated. However, new strategies, such as the transgenic approach, biologically modify the A. aegypti so that they can be deployed to control their own population—here, mosquito breeding and mating is operationalized as an insecticide. In this case, the insect must be simultaneously a friend and an enemy, cared for and killed, and it must establish encounters and nonencounters. Drawing on ethnographic fieldwork at a “biofactory” in the northeast of Brazil dedicated to mass-producing these transgenic mosquitoes, this article investigates the new forms of labor and value produced through these contrasting human-mosquito relations. The author also examines how the project is implemented within broader geopolitics of experimentation and more-than-human gendered conceptions. Analyzing the multispecies relationships engendered under the premise that it is possible to produce nonencounters, she identifies the historical conditions and promissory claims of transforming the A. aegypti ’s reproductive capacity into labor for killing. Such recasting yields what the author calls the “nonencounter value” within the scientific remaking of mosquitoes, their becoming and being.
埃及伊蚊是寨卡病毒、登革热病毒、基孔肯雅病毒和黄热病病毒的传播媒介,历来都是公共卫生运动的目标,被视为需要消灭的敌人。然而,新的策略,如转基因方法,对埃及伊蚊进行生物修饰,使它们可以用来控制自己的种群——在这里,蚊子的繁殖和交配是作为一种杀虫剂来操作的。在这种情况下,昆虫必须同时是朋友和敌人,照顾和杀死,它必须建立接触和不接触。通过对巴西东北部一家大规模生产转基因蚊子的“生物工厂”进行的人种学田野调查,本文研究了通过这些对比鲜明的人-蚊子关系产生的新的劳动形式和价值。作者还研究了该项目如何在更广泛的地缘政治实验和超越人类的性别观念中实施。她分析了在可能产生不期而遇的前提下产生的多物种关系,确定了将埃及伊蚊的生殖能力转化为杀戮劳动的历史条件和承诺主张。这种重铸产生了作者所说的科学重铸蚊子的“非相遇价值”,即它们的形成和存在。
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引用次数: 3
Albedo 反照率
IF 2.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-01 DOI: 10.1201/b12367-10
Julianne Yip
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引用次数: 0
Aesthetics in a Changing World—Reflecting the Anthropocene Condition through the Works of Jason deCaires Taylor and Robert Smithson 变化世界中的美学——从杰森·泰勒和罗伯特·史密森的作品看人类世的状况
IF 2.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-01 DOI: 10.1215/22011919-9320222
Philip Hüpkes, Gabriele Dürbeck
This article focuses on an important aspect of aesthetics in the context of the Anthropocene: the situatedness of aesthetic techniques and operations within earth’s (changing) materiality. Aesthetics is not only a way of making sensible but also contributes ontologically to the world it makes sensible. In this view aesthetics does not rely on a subject’s capacity to apprehend the world as a perceptually objectifiable entity. Focusing on works by Jason deCaires Taylor (Anthropocene and La Gardinera de la Esperanza) and Robert Smithson (Spiral Jetty), the authors interrogate how artistic engagements with anthropocenic materiality and temporality have the potential to articulate a double bind between aesthetics and ontology. Both artists not only allow recipients to be confronted with complex earthly entanglements but also have a material and aesthetic impact on their respective sites. Discussing deCaires Taylor’s and Smithson’s works, the authors argue that the artists’ aesthetics is not only a way of granting experiential access to an earth that resists objectification but also a manifestation of the processes through which earth’s materiality transforms throughout time.
本文聚焦于人类世背景下美学的一个重要方面:美学技术和操作在地球(不断变化)物质性中的地位。美学不仅是一种使人感觉到的方式,而且在本体论上对它所感知的世界做出了贡献。在这种观点中,美学并不依赖于主体将世界理解为一个可感知的客观实体的能力。以Jason deCaires Taylor(《人类世》和《埃斯佩兰萨花园》)和Robert Smithson(《螺旋码头》)的作品为中心,作者们探讨了与人类世物质性和时间性的艺术接触如何有可能阐明美学和本体论之间的双重束缚。两位艺术家不仅让接受者面对复杂的世俗纠葛,而且对他们各自的场地产生了物质和美学影响。在讨论德凯尔斯·泰勒和史密森的作品时,作者认为,艺术家的美学不仅是一种让人们体验到一个抵制物化的地球的方式,而且也是地球物质性在整个时间内转变的过程的表现。
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Environmental Humanities
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