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Zerox machine: Punk, post-punk and fanzines in Britain, 1976–88 By Matthew Worley. Chicago, IL: The University of Chicago Press, 2024. pp. 360. $35.00 (pbk) 《归零机器：1976-88年英国的朋克、后朋克和狂热杂志》，作者：马修·沃利。芝加哥：芝加哥大学出版社，2024。360页。35.00美元(pbk)
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-07-30 DOI: 10.1111/jpcu.13368
Anna McCully Stewart
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引用次数: 0
Storytelling in Kabuki: An exploration of spatial poetics of comics By Steen Ledet Christiansen, Lincoln, NE: University of Nebraska Press. 2024. pp. 204. $30.00 (paperback) 《歌舞伎的叙事：漫画空间诗学的探索》，作者：Steen Ledet Christiansen，林肯，内布拉斯加州大学出版社，2024。204页。30.00美元(平装)
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-07-30 DOI: 10.1111/jpcu.13370
Misha Grifka Wander
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引用次数: 0
You are what you watch: How movies and TV affect everything By Walter Hickey, New York: Workman Publishing Company. 2023. pp. 240. $22.39 (hbk) 你看什么，你就是什么：电影和电视如何影响一切 作者：WalterHickey，纽约：Workman Publishing Company.2023. 第 240 页。22.39美元（平装本）
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-07-23 DOI: 10.1111/jpcu.13369
Zhimiao Yang
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引用次数: 0
Screening social justice: Brave new films and documentary activism By Sherry B. Ortner. Durham, NC: Duke University Press. 2023. pp. 160. $23.95 (pbk) 放映社会正义：勇敢的新电影和纪录片行动主义 作者：Sherry B.Ortner.北卡罗来纳州达勒姆：杜克大学出版社。2023. pp.23.95 美元（平装本）
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-07-23 DOI: 10.1111/jpcu.13366
Kathryn Burrell
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引用次数: 0
A cultural history of the Punisher. Marvel comics and the politics of vengeance By Kent Worcester. Bristol: Intellect, 2023. pp. 274. £ 29.95 (pbk) 惩罚者的文化史。漫威漫画与复仇政治 肯特-伍斯特著。布里斯托尔：第 274 页。29.95英镑（平装本）
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-07-11 DOI: 10.1111/jpcu.13365
Ana Rita Martins
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引用次数: 0
A history of cyber literary criticism in China By Youquan Ouyang, New York: Routledge. 2024. pp. 310. $180.00 (hbk) 中国网络文学批评史 作者：欧阳友权，纽约：Routledge.2024. pp.310.180.00美元（精装本）
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-07-10 DOI: 10.1111/jpcu.13364
Man Zhou
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引用次数: 0
“All creatures great and small, welcome”: Animating accessible world design "欢迎所有大小生物"：无障碍世界设计动画
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-07-07 DOI: 10.1111/jpcu.13362
Rebecca Rowe

Using four animated texts about anthropomorphic animals—Zootopia (2016), Sing (2016), Sing 2 (2021), and Zootopia+ (2022)—this article explores two related questions: How can animated films featuring cities for anthropomorphic animals rethink accessibility? How is accessibility sustained and/or adapted through continuations as seen in franchises and transmedia storytelling? I argue that the two series I analyze offer two different approaches to accessibility and the maintenance of it, one which works better than the other. This comparison suggests that accessibility needs to be an integral part of world design from the very beginning in order to stay stable over time.

本文通过《动物世界》（2016）、《歌唱》（2016）、《歌唱 2》（2021）和《动物世界+》（2022）这四部拟人化动物的动画片，探讨了两个相关的问题：以拟人化动物城市为特色的动画电影如何重新思考无障碍问题？在特许经营和跨媒体叙事中，无障碍环境是如何通过延续来维持和/或调整的？我认为，我分析的这两个系列提供了两种不同的方法来实现无障碍性和维护无障碍性，其中一种方法比另一种方法更有效。这种比较表明，无障碍环境需要从一开始就成为世界设计不可分割的一部分，以便随着时间的推移保持稳定。
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引用次数: 0
Anime's knowledge cultures: Geek, Otaku, Zhai By Jinying Li. Minneapolis, MN: University of Minnesota Press. 2024. pp. 344. $30.00 (paperback) 动漫知识文化：Geek, Otaku, Zhai 李金英著。明尼苏达州明尼阿波利斯市：明尼苏达大学出版社。2024. pp.344.30.00 美元（平装本）
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-07-03 DOI: 10.1111/jpcu.13363
Min Joo Lee
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引用次数: 0
The new Nancy: Flexible and relatable daily comics in the twenty-first century By Jeff Karnicky, Lincoln, NE: University of Nebraska Press. 2023. pp. 208. $30.00 (paperback) 新南希：杰夫-卡尼基（JeffKarnicky）著，林肯，内布拉斯加州：内布拉斯加大学出版社。2023. pp.30.00 美元（平装本）
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-07-03 DOI: 10.1111/jpcu.13361
Tanya Goyal
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引用次数: 0
Star wars: The hidden empire 星球大战隐藏的帝国
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-07-02 DOI: 10.1111/jpcu.13359
Azzan Yadin-Israel

The remarkable cultural vitality of Star Wars and the subsequent franchise is due in part to the way in which it simultaneously builds on and bolsters the Gramscian “common sense” that America is not an empire. Like the Western, Star Wars uses apolitical individualism to portray political actions as the result of individuals' search for freedom, while representing the galaxy as home to a single, evil Empire. These narrative mechanisms, invite the viewers of Star Wars to think of the United States as a ragtag group of fighters battling an oppressive empire, but not itself an empire.

星球大战》及其后续系列电影之所以具有非凡的文化生命力，部分原因在于它同时建立并强化了葛兰西的 "常识"，即美国不是一个帝国。与西部片一样，《星球大战》利用非政治的个人主义将政治行动描绘成个人寻求自由的结果，同时将银河系表现为一个单一、邪恶的帝国的家园。这些叙事机制让《星球大战》的观众认为美国是一群与压迫性帝国作战的弱小战士，但它本身并不是一个帝国。
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引用次数: 0
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