{"title":"Jane Austen and vampires: Love, sex and immortality in the new millennium By Eric Parisot, New York, NY: Palgrave Macmillan. 2024. pp. 123. $65.95. (hbk)","authors":"Yiting Fan","doi":"10.1111/jpcu.13399","DOIUrl":"https://doi.org/10.1111/jpcu.13399","url":null,"abstract":"","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":"58 3","pages":"79-81"},"PeriodicalIF":0.2,"publicationDate":"2024-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144315353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How YouTube and TikTok conquered the world By John M. Jordan, University Park, PA: Pennsylvania State University Press. 2024. pp. 219. $99.95 (hbk)","authors":"Shuyi Liu, Xiaohui Liang","doi":"10.1111/jpcu.13397","DOIUrl":"https://doi.org/10.1111/jpcu.13397","url":null,"abstract":"","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":"58 1-2","pages":"55-56"},"PeriodicalIF":0.2,"publicationDate":"2024-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143822223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Moving pictures: A history of American animation from Gertie to Pixar and beyond By Darl Larsen, Lanham, MD: Rowman & Littlefield. 2024. pp. 321. $40.00 (hbk)","authors":"Yowei Kang","doi":"10.1111/jpcu.13400","DOIUrl":"https://doi.org/10.1111/jpcu.13400","url":null,"abstract":"","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":"58 1-2","pages":"59-60"},"PeriodicalIF":0.2,"publicationDate":"2024-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143822225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The uses of the past in contemporary Western popular culture By Tobias Becker and Dion Georgiou (Eds.), New York: Palgrave Macmillan. 2024. pp. 426. $ 242.00 (hbk)","authors":"Jie Guo","doi":"10.1111/jpcu.13398","DOIUrl":"https://doi.org/10.1111/jpcu.13398","url":null,"abstract":"","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":"58 1-2","pages":"57-58"},"PeriodicalIF":0.2,"publicationDate":"2024-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143822224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TikTok Broadway: Musical theater fandom in the digital age By Trevor Boffone, New York: Oxford University Press. 2024. pp. 232. $34.95 (hbk)","authors":"Lin Wu","doi":"10.1111/jpcu.13395","DOIUrl":"https://doi.org/10.1111/jpcu.13395","url":null,"abstract":"","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":"58 1-2","pages":"51-52"},"PeriodicalIF":0.2,"publicationDate":"2024-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143822085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pictures and the past: Media, memory, and the specter of fascism in postmodern art By Alexander Bigman, Chicago, IL: University of Chicago Press. 2024. pp. 256. £26.97(hbk)","authors":"Lin Wu","doi":"10.1111/jpcu.13396","DOIUrl":"https://doi.org/10.1111/jpcu.13396","url":null,"abstract":"","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":"58 1-2","pages":"53-54"},"PeriodicalIF":0.2,"publicationDate":"2024-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143822084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Two feminist icons of the 1990s returned to network television in 2018: Murphy Brown and Roseanne Conner. Neither rebooted character survived the reboot's first season. Despite their attempts to demonstrate that they were “woke,” the acting styles and strong personas of these two icons were, this paper argues, not appealing to a younger generation of television viewers and feminists and, simultaneously, too progressive for the older and more conventional audiences of the networks on which they aired. Moreover, both leading characters demonstrated the narrowmindedness associated with a toxic white feminism that overlooks issues of class and race.
{"title":"Woke women of the 90s return: Toxic white feminism and the Murphy Brown and Roseanne reboots","authors":"Amanda Konkle","doi":"10.1111/jpcu.13389","DOIUrl":"https://doi.org/10.1111/jpcu.13389","url":null,"abstract":"<p>Two feminist icons of the 1990s returned to network television in 2018: Murphy Brown and Roseanne Conner. Neither rebooted character survived the reboot's first season. Despite their attempts to demonstrate that they were “woke,” the acting styles and strong personas of these two icons were, this paper argues, not appealing to a younger generation of television viewers and feminists and, simultaneously, too progressive for the older and more conventional audiences of the networks on which they aired. Moreover, both leading characters demonstrated the narrowmindedness associated with a toxic white feminism that overlooks issues of class and race.</p>","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":"58 4","pages":"150-162"},"PeriodicalIF":0.2,"publicationDate":"2024-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144869330","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Work and labor in American popular culture: Representation in film, music and television in the 1970s and 1980s By Jason Russell, New York: Routledge. 2024. pp. 96. £48.99 (hbk)","authors":"Yuwei Huang, Li Lin","doi":"10.1111/jpcu.13387","DOIUrl":"https://doi.org/10.1111/jpcu.13387","url":null,"abstract":"","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":"58 1-2","pages":"37-38"},"PeriodicalIF":0.2,"publicationDate":"2024-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143822108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Imperiled whiteness: How Hollywood and media make race in “postracial” America By Penelope Ingram, Jackson, MS: University Press of Mississippi. 2023. pp. 392. $30.00 (pbk)","authors":"Ann M. Ciasullo","doi":"10.1111/jpcu.13392","DOIUrl":"https://doi.org/10.1111/jpcu.13392","url":null,"abstract":"","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":"58 1-2","pages":"45-46"},"PeriodicalIF":0.2,"publicationDate":"2024-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143822099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Disney + Kingdom: Essays on nostalgia, representation and branding By David Whitt and John Perlich (Eds.), Jefferson, NC: McFarland and Company. 2024. pp. 203. $49.95 (pbk)","authors":"Allison Wilson","doi":"10.1111/jpcu.13394","DOIUrl":"https://doi.org/10.1111/jpcu.13394","url":null,"abstract":"","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":"58 1-2","pages":"49-50"},"PeriodicalIF":0.2,"publicationDate":"2024-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143822109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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