Pub Date : 2024-02-07DOI: 10.1080/15295036.2024.2304935
Ahlam Muhtaseb
Published in Critical Studies in Media Communication (Ahead of Print, 2024)
发表于《媒体传播批判研究》（2024 年提前出版）
{"title":"An accounting from Dr. Ahlam Muhtaseb","authors":"Ahlam Muhtaseb","doi":"10.1080/15295036.2024.2304935","DOIUrl":"https://doi.org/10.1080/15295036.2024.2304935","url":null,"abstract":"Published in Critical Studies in Media Communication (Ahead of Print, 2024)","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139751127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-04DOI: 10.1080/15295036.2023.2276109
Anh Nguyen, Zhao Ding, Shinsuke Eguchi
{"title":"Asian American transnationalism: queer diasporic critique on Netflix’s\u0000 Bling Empire","authors":"Anh Nguyen, Zhao Ding, Shinsuke Eguchi","doi":"10.1080/15295036.2023.2276109","DOIUrl":"https://doi.org/10.1080/15295036.2023.2276109","url":null,"abstract":"","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2024-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139806156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-04DOI: 10.1080/15295036.2023.2276109
Anh Nguyen, Zhao Ding, Shinsuke Eguchi
{"title":"Asian American transnationalism: queer diasporic critique on Netflix’s\u0000 Bling Empire","authors":"Anh Nguyen, Zhao Ding, Shinsuke Eguchi","doi":"10.1080/15295036.2023.2276109","DOIUrl":"https://doi.org/10.1080/15295036.2023.2276109","url":null,"abstract":"","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2024-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139865935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-24DOI: 10.1080/15295036.2024.2304878
Cicada Inscoe
Published in Critical Studies in Media Communication (Ahead of Print, 2024)
发表于《媒体传播批判研究》（2024 年提前出版）
{"title":"Struggling for ordinary: media and transgender belonging in everyday life","authors":"Cicada Inscoe","doi":"10.1080/15295036.2024.2304878","DOIUrl":"https://doi.org/10.1080/15295036.2024.2304878","url":null,"abstract":"Published in Critical Studies in Media Communication (Ahead of Print, 2024)","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2024-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139584149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-08DOI: 10.1080/15295036.2023.2265982
Kelli S. Boling
ABSTRACTThrough three qualitative interviews with journalists who have produced and hosted true crime podcasts about domestic violence cases, this study examines the reciprocal interactions hosts can have with domestic violence survivors in their audiences. Also of significance is how these journalist-podcasters are working with their audience members to present counter-narratives that challenge the traditional media practice of silencing survivors, victims, and their loved ones. Building upon the interviews, a textual analysis of 43 episodes demonstrates how journalist-podcasters foreground stories of victims and advocacy for societal change to offer audiences a counter-narrative. In doing so, they generate awareness while simultaneously empowering victims to seek assistance and shed the stigma of shame that is prevalent in our society. These findings demonstrate the power of a reciprocal relationship between media producers and their audiences, specifically related to crime media coverage. This study demonstrates how true crime podcasters leverage audio storytelling to educate listeners and encourage systemic and societal change for survivors of domestic violence.KEYWORDS: True crimeadvocacycounter-narrativespodcastsdomestic violence Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 In this study, the term “victim” is used to identify someone who was killed or presumed killed during a domestic violence incident, and “survivor” is used to identify someone who experienced a domestic violence incident and lived. Other terms such as “victims’ families” and “victim-blaming” refer to both victims and/or survivors interchangeably.2 In this study, I use the term “host” and “producer” interchangeably. While those jobs have distinct duties, the podcasters I spoke to were hosts that crossed the producer line and had regular, significant input into production decisions. I also use the term “producer” as “someone who produces/makes a product,” not in specific reference to the job title. Additional informationNotes on contributorsKelli S. BolingKelli S. Boling (Ph.D., University of South Carolina) is an Assistant Professor in the College of Journalism and Mass Communications at the University of Nebraska-Lincoln. Her research focuses on audience reception and representation in the media, especially genre-specific media and traditionally marginalized audiences based on gender or race.
摘要本研究通过对制作和主持家庭暴力案件真实犯罪播客的记者进行三次定性访谈，探讨主持人与受众中家庭暴力幸存者之间的互动关系。同样重要的是，这些记者兼播客如何与听众合作，提出反叙事，挑战传统媒体让幸存者、受害者及其亲人沉默的做法。在采访的基础上，对43集的文本分析展示了记者播客如何突出受害者的故事和倡导社会变革，为观众提供一个相反的叙述。在这样做的过程中，他们提高了认识，同时赋予受害者寻求援助的能力，并摆脱了我们社会中普遍存在的耻辱的耻辱。这些发现证明了媒体生产者和受众之间互惠关系的力量，特别是与犯罪媒体报道有关。这项研究展示了真正的犯罪播客如何利用音频讲故事来教育听众，并鼓励家庭暴力幸存者进行系统和社会变革。关键词:真实犯罪倡导反叙事播客家庭暴力披露声明作者未报告潜在的利益冲突。注1在本研究中，“受害者”一词指在家庭暴力事件中被杀或推定被杀的人，而“幸存者”则指经历过家庭暴力事件并活了下来的人。其他术语如“受害者家属”和“指责受害者”可交替指受害者和/或幸存者在本研究中，我交替使用“宿主”和“生产者”这两个术语。虽然这些工作有不同的职责，但我采访的播客主持人都是跨越制作人界限的主持人，他们对制作决策有定期的、重要的投入。我也用“制作人”这个词来指代“生产/制作产品的人”，而不是专门指工作头衔。作者简介:kelli S. Boling(博士，南卡罗来纳大学)是内布拉斯加大学林肯分校新闻与大众传播学院的助理教授。她的研究重点是受众在媒体中的接受和表现，特别是特定类型的媒体和基于性别或种族的传统边缘化受众。
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Pub Date : 2023-11-08DOI: 10.1080/15295036.2023.2265995
Sananda Sahoo
ABSTRACTDuring the 2020–2021 farmers’ movement in India, the central government argued that its temporary internet shutdowns in specific areas associated with the protest aimed to prevent law and order violations. Scholars have analyzed internet shutdowns as a method to control speech, which amounts to an infringement on the freedom of speech and expression. Additional studies have pointed out that such shutdowns directly interfere with the right to assembly. This paper adds to the existing scholarship by positing that internet shutdowns during mass protest movements interfere with a fundamental democracy-related value of the right to assembly, which, to borrow Salát’s phrase, is “the formation of political will and opinion.” Drawing on Foucault’s concept of biopolitics, the paper argues that shutdowns associated with collective protest should also be understood as an interference in the formation of political will and opinion by trying to manage the circulation of information and control a particular behavior, that is, dissent.KEYWORDS: Internet shutdownsFoucaultbiopoliticsfreedom of assemblyfarmers movementIndia AcknowledgmentsI am grateful to Prof. Nick Dyer-Witheford at the University of Western Ontario for his feedback on an earlier version of this paper, and for offering the term “network collapse” to understand how the internet works and how it can fail.Disclosure statementNo potential conflict of interest was reported by the author(s).
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Pub Date : 2023-11-03DOI: 10.1080/15295036.2023.2264936
Zazil Reyes García, Claudia A. Evans-Zepeda
ABSTRACTJane the Virgin (JTV) and One Day at a Time (ODAAT) are contemporary U.S. American shows that intervene in a traditional media landscape that has largely ignored Latinas/os/x and allow for a re-envisioning of Latina women as substantive characters. Both shows focus on three generations of Latinas and present a matriarchy of characters that expand our understanding of a mujerista Latinidad. In this essay, we analyze the intergenerational representations of these two series to illustrate how gender roles, sexuality, and the Latina body are portrayed through media messages that take up socially progressive themes in refreshing ways. Our analysis highlights a significant disruption of the conventional tropes that stereotype Latinas as maids, mothers, and housewives, deviating from the hypersexual and virginal dichotomy. Jointly, these two shows add new dimensions to televised depictions of Latinas; as such, our critique tracks the evolution of Latina tropes.KEYWORDS: Latina/o/x media representationMujerista Latinidad; gender rolesJane the VirginOne Day at A Time Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 We use the term “progressive,” similarly to how it is invoked in the political domain, which is about working towards the goal of implementing social reform or liberal ideas. Within media, we refer to the value of social progress, while advancing under-represented voices in the mainstream.2 We italicize mujerista Latinidad throughout our paper to align with Báez’s (Citation2007) use of italics in her concept of Latinidades feministas.3 Although the Villanuevas are portrayed as Venezuelan-American, the three lead actresses are Puerto Rican-American and Puerto Rican.4 Although the Alvarez family is Cuban-American, the lead actresses are Puerto Rican-American, Puerto Rican, and Colombian-American.5 One Day at a Time was cancelled from Netflix in early 2019; we opted not to include the episodes from the fourth and final season which were aired on POP TV network.6 Alba’s dialogue is originally in Spanish.
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Pub Date : 2023-10-31DOI: 10.1080/15295036.2023.2271044
Steve Ingham
{"title":"Scandinavians in Chicago: the origins of white privilege in modern America <b>Scandinavians in Chicago: the origins of white privilege in modern America</b> , by Erika K. Jackson, Urbana, Illinois, University of Illinois Press, 2019, 233 pages, $9.99(eBook), ISBN 9780252083822","authors":"Steve Ingham","doi":"10.1080/15295036.2023.2271044","DOIUrl":"https://doi.org/10.1080/15295036.2023.2271044","url":null,"abstract":"","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135871836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-31DOI: 10.1080/15295036.2023.2271034
Jeremy R. Laughery
{"title":"Cosmic underground: a grimoire of black speculative discontent <b>Cosmic underground: a grimoire of black speculative discontent</b> , edited by Reynaldo Anderson and John Jennings, United States, Cedar Grove P, 2020, 241 pages, $26.96Paperback, 978-1941958780.","authors":"Jeremy R. Laughery","doi":"10.1080/15295036.2023.2271034","DOIUrl":"https://doi.org/10.1080/15295036.2023.2271034","url":null,"abstract":"","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135872315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-25DOI: 10.1080/15295036.2023.2268161
Aiden James Kosciesza
{"title":"The digital is kid stuff: making creative laborers for a precarious economy <b>The digital is kid stuff: making creative laborers for a precarious economy</b> , by Josef Nguyen, Minneapolis, University of Minnesota Press, 2021, 304 pp., $27 USDPaperback, ISBN 978-1-5179-1114-0","authors":"Aiden James Kosciesza","doi":"10.1080/15295036.2023.2268161","DOIUrl":"https://doi.org/10.1080/15295036.2023.2268161","url":null,"abstract":"","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135168251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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