Pub Date : 2022-03-09DOI: 10.1007/s10824-022-09442-x
Ying Zhen
{"title":"Career challenges facing musicians in the United States","authors":"Ying Zhen","doi":"10.1007/s10824-022-09442-x","DOIUrl":"https://doi.org/10.1007/s10824-022-09442-x","url":null,"abstract":"","PeriodicalId":47190,"journal":{"name":"Journal of Cultural Economics","volume":"46 1","pages":"519 - 540"},"PeriodicalIF":2.7,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45916932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"经济学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-08DOI: 10.1007/s10824-022-09447-6
M. Alfano, A. L. Baraldi, Claudia Cantabene
{"title":"Eppur si muove: an evaluation of museum policy reform in Italy","authors":"M. Alfano, A. L. Baraldi, Claudia Cantabene","doi":"10.1007/s10824-022-09447-6","DOIUrl":"https://doi.org/10.1007/s10824-022-09447-6","url":null,"abstract":"","PeriodicalId":47190,"journal":{"name":"Journal of Cultural Economics","volume":"47 1","pages":"97-131"},"PeriodicalIF":2.7,"publicationDate":"2022-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43605369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"经济学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-28DOI: 10.1007/s10824-022-09444-9
Christian Handke, C. Dalla Chiesa
{"title":"The art of crowdfunding arts and innovation: the cultural economic perspective","authors":"Christian Handke, C. Dalla Chiesa","doi":"10.1007/s10824-022-09444-9","DOIUrl":"https://doi.org/10.1007/s10824-022-09444-9","url":null,"abstract":"","PeriodicalId":47190,"journal":{"name":"Journal of Cultural Economics","volume":"46 1","pages":"249 - 284"},"PeriodicalIF":2.7,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"52358168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"经济学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-08DOI: 10.1007/s10824-022-09441-y
Federico Etro, D. Noonan
{"title":"For a new cultural economics","authors":"Federico Etro, D. Noonan","doi":"10.1007/s10824-022-09441-y","DOIUrl":"https://doi.org/10.1007/s10824-022-09441-y","url":null,"abstract":"","PeriodicalId":47190,"journal":{"name":"Journal of Cultural Economics","volume":"46 1","pages":"1 - 2"},"PeriodicalIF":2.7,"publicationDate":"2022-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46446423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"经济学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-07DOI: 10.1007/s10824-022-09443-w
Patrik Wikstrom
The music industry is a dynamic and complex phenomenon that provides ample opportunity for fruitful economic analysis. Music is regularly covered by studies on the economics of the wider cultural economy, but there are few books that focus exclusively on the economics of music. Peter Tschmuck’s “The economics of music” in 2017 is; however, one rare exception. The book is published by Agenda Publishing and belongs to their series “The economics of big business” where other volumes cover businesses such as airlines, arms, and fishing. In 2021, a second edition was published. There were definitely good reasons to update this book, since over the second half of the 2010s, the recorded music industry has grown by 50% and its logic has been fundamentally transformed. This transformation, as well as the growth, was primarily driven by music streaming platforms (e.g. Apple Music, Spotify and Deezer), which expanded their combined share of the recorded music revenues from 20% in 2015 to 62% in 2020. One should not underestimate the challenge of keeping a volume on “the economics of music” up to date in such turbulent times, and Tschmuck, who teaches at the University of Music and Performing Arts, Vienna, deserves recognition and admiration for giving it a go. The publisher explains that the second edition includes a new analysis of the impact of the Covid-19 pandemic, “as well as trends in the industry, such as the increasing dominance of tech companies and big data”. So, how well is the book able to capture the economic workings of the contemporary music industry? As is commonplace in industry overviews, the introductory chapter discusses the definition of the music industry, its boundaries and sub sectors. The frameworks of the music industry and the wider music economy presented in this chapter are useful overviews of the complexities of the music business. Chapter one provides a brief historic overview of the music business. There is a plethora of such accounts in other volumes about the music industry, but Tschmuck
{"title":"Peter Tschmuck: The economics of music, 2nd edition","authors":"Patrik Wikstrom","doi":"10.1007/s10824-022-09443-w","DOIUrl":"https://doi.org/10.1007/s10824-022-09443-w","url":null,"abstract":"The music industry is a dynamic and complex phenomenon that provides ample opportunity for fruitful economic analysis. Music is regularly covered by studies on the economics of the wider cultural economy, but there are few books that focus exclusively on the economics of music. Peter Tschmuck’s “The economics of music” in 2017 is; however, one rare exception. The book is published by Agenda Publishing and belongs to their series “The economics of big business” where other volumes cover businesses such as airlines, arms, and fishing. In 2021, a second edition was published. There were definitely good reasons to update this book, since over the second half of the 2010s, the recorded music industry has grown by 50% and its logic has been fundamentally transformed. This transformation, as well as the growth, was primarily driven by music streaming platforms (e.g. Apple Music, Spotify and Deezer), which expanded their combined share of the recorded music revenues from 20% in 2015 to 62% in 2020. One should not underestimate the challenge of keeping a volume on “the economics of music” up to date in such turbulent times, and Tschmuck, who teaches at the University of Music and Performing Arts, Vienna, deserves recognition and admiration for giving it a go. The publisher explains that the second edition includes a new analysis of the impact of the Covid-19 pandemic, “as well as trends in the industry, such as the increasing dominance of tech companies and big data”. So, how well is the book able to capture the economic workings of the contemporary music industry? As is commonplace in industry overviews, the introductory chapter discusses the definition of the music industry, its boundaries and sub sectors. The frameworks of the music industry and the wider music economy presented in this chapter are useful overviews of the complexities of the music business. Chapter one provides a brief historic overview of the music business. There is a plethora of such accounts in other volumes about the music industry, but Tschmuck","PeriodicalId":47190,"journal":{"name":"Journal of Cultural Economics","volume":"286 5","pages":""},"PeriodicalIF":2.7,"publicationDate":"2022-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138507715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"经济学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-23DOI: 10.1007/s10824-021-09439-y
Martina Dattilo, F. Padovano, Yvon Rocaboy
{"title":"More is worse: the evolution of quality of the UNESCO World Heritage List and its determinants","authors":"Martina Dattilo, F. Padovano, Yvon Rocaboy","doi":"10.1007/s10824-021-09439-y","DOIUrl":"https://doi.org/10.1007/s10824-021-09439-y","url":null,"abstract":"","PeriodicalId":47190,"journal":{"name":"Journal of Cultural Economics","volume":"47 1","pages":"71-96"},"PeriodicalIF":2.7,"publicationDate":"2022-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45312150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"经济学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-22DOI: 10.1007/s10824-021-09436-1
H. N. Storm
{"title":"From Bilbao to Bodø: how cultural flagships are transforming local cultural life","authors":"H. N. Storm","doi":"10.1007/s10824-021-09436-1","DOIUrl":"https://doi.org/10.1007/s10824-021-09436-1","url":null,"abstract":"","PeriodicalId":47190,"journal":{"name":"Journal of Cultural Economics","volume":"46 1","pages":"723 - 746"},"PeriodicalIF":2.7,"publicationDate":"2022-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47048778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"经济学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-21DOI: 10.1007/s10824-021-09440-5
Anne-Sophie V. Radermecker
{"title":"Elisabetta Lazzaro, Nathalie Moureau, Adriana Turpin (Eds): Researching art markets. Past, present and tools for the future Routledge (Routledge Research in the Creative and Cultural Industries), Oxon, 2021","authors":"Anne-Sophie V. Radermecker","doi":"10.1007/s10824-021-09440-5","DOIUrl":"https://doi.org/10.1007/s10824-021-09440-5","url":null,"abstract":"","PeriodicalId":47190,"journal":{"name":"Journal of Cultural Economics","volume":"76 1","pages":"199-203"},"PeriodicalIF":2.7,"publicationDate":"2022-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138507714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"经济学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-14DOI: 10.1007/s10824-021-09438-z
Tin Cheuk Leung, Shi Qi
{"title":"Globalization and the rise of action movies in hollywood","authors":"Tin Cheuk Leung, Shi Qi","doi":"10.1007/s10824-021-09438-z","DOIUrl":"https://doi.org/10.1007/s10824-021-09438-z","url":null,"abstract":"","PeriodicalId":47190,"journal":{"name":"Journal of Cultural Economics","volume":"47 1","pages":"31-69"},"PeriodicalIF":2.7,"publicationDate":"2022-01-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46547245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"经济学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01Epub Date: 2021-06-01DOI: 10.1007/s10824-021-09421-8
Meg Elkins, Tim R L Fry
Street performers are able to contribute to a fabric of a city's creative dynamic. The exchange for money between a street performer and an audience is a changing landscape. As less cash is carried on people's person and audiences want to participate in exchange, the industry is ripe for disruption. The paper uses a unique data set from the online busking platform 'The Busking Project' to analyse individual donations to 3757 active buskers. Using a Heckman selection model, we find that the number of fans does influence the number of donations and the artist's genre matters for the likelihood of receiving donation and the amount received. Musicians are more likely to receive a donation; however, it is a smaller donation amount than other performers. The method of payment for receiving a donation and the anonymity of the donor also influences the amount received. The geographic location matters for receiving a donation but not the amount received.
{"title":"Beyond the realm of cash: street performers and payments in the online world.","authors":"Meg Elkins, Tim R L Fry","doi":"10.1007/s10824-021-09421-8","DOIUrl":"10.1007/s10824-021-09421-8","url":null,"abstract":"<p><p>Street performers are able to contribute to a fabric of a city's creative dynamic. The exchange for money between a street performer and an audience is a changing landscape. As less cash is carried on people's person and audiences want to participate in exchange, the industry is ripe for disruption. The paper uses a unique data set from the online busking platform 'The Busking Project' to analyse individual donations to 3757 active buskers. Using a Heckman selection model, we find that the number of fans does influence the number of donations and the artist's genre matters for the likelihood of receiving donation and the amount received. Musicians are more likely to receive a donation; however, it is a smaller donation amount than other performers. The method of payment for receiving a donation and the anonymity of the donor also influences the amount received. The geographic location matters for receiving a donation but not the amount received.</p>","PeriodicalId":47190,"journal":{"name":"Journal of Cultural Economics","volume":"46 1","pages":"231-248"},"PeriodicalIF":2.7,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8169402/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44242002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"经济学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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