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Journal of Cultural Economics最新文献

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Why the Impressionists did not create Impressionism 为什么印象派没有创造印象派
IF 2.7 2区 经济学 Q2 ECONOMICS
Journal of Cultural Economics
Pub Date : 2023-07-06 DOI: 10.1007/s10824-023-09479-6
Liesbeth De Strooper, Erwin Dekker
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引用次数: 0
The impact of social media activities on theater demand 社交媒体活动对剧院需求的影响
IF 2.7 2区 经济学 Q2 ECONOMICS
Journal of Cultural Economics
Pub Date : 2023-06-26 DOI: 10.1007/s10824-023-09480-z
A. Baldin, Trine Bille, R. Mukkamala, Ravikiran Vatrapu
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引用次数: 0
Hans Abbing: The economies of serious and popular art: how they diverged and reunited Hans Abbing：严肃艺术和大众艺术的经济：它们是如何分化和融合的
IF 2.7 2区 经济学 Q2 ECONOMICS
Journal of Cultural Economics
Pub Date : 2023-06-12 DOI: 10.1007/s10824-023-09478-7
Bronwyn Coate, E. Loots
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引用次数: 0
Two old masters and a young genius: the creativity of Francis Bacon, Lucian Freud, and Jean-Michel Basquiat 两位老大师和一位年轻天才:弗朗西斯·培根、卢西安·弗洛伊德和让-米歇尔·巴斯奎特的创造力
IF 2.7 2区 经济学 Q2 ECONOMICS
Journal of Cultural Economics
Pub Date : 2023-06-08 DOI: 10.1007/s10824-023-09476-9
David W. Galenson, Simone Lenzu
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引用次数: 1
How Monet became a millionaire: the importance of the artist’s account books 莫奈是如何成为百万富翁的:艺术家账簿的重要性
IF 2.7 2区 经济学 Q2 ECONOMICS
Journal of Cultural Economics
Pub Date : 2023-05-19 DOI: 10.1007/s10824-023-09473-y
Simon Kelly
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引用次数: 1
For those about to rock… is stability a determinant of rock bands success? 对于那些想要摇滚的人来说，稳定性是摇滚乐队成功的决定因素吗?
IF 2.7 2区 经济学 Q2 ECONOMICS
Journal of Cultural Economics
Pub Date : 2023-05-19 DOI: 10.1007/s10824-023-09477-8
Etienne Farvaque
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引用次数: 0
Foreign pop-culture and backlash: the case of non-fan K-pop Subreddits during the pandemic. 外国流行文化与反弹：疫情期间非粉丝K-pop Subredits的案例
IF 1.9 2区 经济学 Q2 ECONOMICS
Journal of Cultural Economics
Pub Date : 2023-04-07 DOI: 10.1007/s10824-023-09475-w
Byunghwan Son

Communication research establishes that when confronted with information contradicting their beliefs, people tend to 'backlash' by doubling down on their prior. Can international popular culture be the context of backlash? This paper analyzes two K-pop Subreddits (r/WeHateKpop and r/Cringetopia) populated by non-fans. A particular focus is given to their attitudinal changes upon being exposed to news stories about South Korea. I argue that a heavy dose of positive news stories about South Korea triggers non-fans as they associate K-pop with the country. This exposure leads to backlash, resulting in increased engagement with the posts critical of K-pop in the two Subreddits. I present a series of econometric evidence strongly supportive of this argument. The paper is a rare large-N study on the non-fans of K-pop. It offers implications for cultural economics, demonstrating how seemingly irrelevant news stories can have profound effects on individuals' engagement with foreign cultures.

传播学研究表明，当人们面对与其信念相悖的信息时，往往会 "反击"，加倍坚持其先前的信念。国际流行文化能否成为 "反弹 "的背景？本文分析了两个由非粉丝组成的 K-pop Subreddits（r/WeHateKpop 和 r/Cringetopia）。本文特别关注他们在接触到有关韩国的新闻报道后的态度变化。我认为，大量有关韩国的正面新闻报道会引发非粉丝对韩国的联想。这种接触会导致反弹，从而增加两个 Subreddits 中批评 K-pop 的帖子的参与度。我提出了一系列计量经济学证据，有力地支持了这一论点。本文是一项罕见的关于非 K-pop 粉丝的大 N 研究。它为文化经济学提供了启示，证明了看似无关的新闻报道是如何对个人接触外国文化产生深远影响的。
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引用次数: 0
Measuring nepotism and sexism in artistic recognition: the awarding of medals at the Paris Salon, 1850–1880 衡量艺术认可中的裙带关系和性别歧视:巴黎沙龙的奖牌颁发，1850-1880
IF 2.7 2区 经济学 Q2 ECONOMICS
Journal of Cultural Economics
Pub Date : 2023-04-05 DOI: 10.1007/s10824-023-09472-z
Claire Dupin de Beyssat, D. Greenwald, K. Oosterlinck
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引用次数: 2
Student loan debt and the career choices of college graduates with majors in the arts. 学生贷款债务与艺术类大学毕业生的职业选择
IF 1.9 2区 经济学 Q2 ECONOMICS
Journal of Cultural Economics
Pub Date : 2023-03-16 DOI: 10.1007/s10824-023-09474-x
Richard J Paulsen

This study looks to test the impact of student loan debt on the career choices of college graduates with majors in the arts in the USA. As earnings are on average lower and more variable for arts graduates when compared to graduates of many other fields, I hypothesize that student loan debt will decrease the likelihood arts graduates will work in jobs related to their major fields of study. National Survey of College Graduates data is used to test this hypothesis. I find that for arts graduates, owing on student debt decreases the likelihood of working in jobs closely related to their major fields by over 25% and decreases the likelihood they work as artists by over 30%. For all college graduates, the negative impact of student debt on working in closely related jobs to their major fields is only 3%. Student debt may have potential distributional impacts on who works as artists, as Black and Hispanic graduates and those whose parents did not attend college are more likely to have student debt and less likely to be working in jobs closely related to their major field of study. Policies that help to alleviate the debt burden on arts graduates, like debt relief, could help to mitigate these negative distributional impacts.

本研究旨在检验学生贷款债务对美国艺术专业大学毕业生职业选择的影响。由于与许多其他专业的毕业生相比，艺术专业毕业生的平均收入较低，且收入变化较大，因此我假设学生贷款债务会降低艺术专业毕业生从事与其主修专业相关工作的可能性。全国大学毕业生调查数据被用来验证这一假设。我发现，对于艺术类毕业生来说，欠下学生债务会使他们从事与所学专业密切相关工作的可能性降低 25% 以上，使他们从事艺术家工作的可能性降低 30% 以上。对于所有大学毕业生而言，学生债务对从事与专业领域密切相关工作的负面影响仅为 3%。学生债务可能会对艺术家的分布产生潜在影响，因为黑人和西班牙裔毕业生以及父母没有上过大学的毕业生更有可能背负学生债务，也更不可能从事与其主修专业密切相关的工作。有助于减轻艺术类毕业生债务负担的政策，如债务减免，可以帮助减轻这些负面的分配影响。
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引用次数: 0
Displacement and complementarity in the recorded music industry: evidence from France 唱片业的替代与互补:来自法国的证据
2区 经济学 Q2 ECONOMICS
Journal of Cultural Economics
Pub Date : 2023-03-02 DOI: 10.1007/s10824-023-09471-0
Marc Ivaldi, Ambre Nicolle, Frank Verboven, Jiekai Zhang
Abstract Do new digital consumption channels of music depress sales in old physical ones, or are they complementary? To answer this question, we exploit product-level variation in sales and prices of over 4 million products, observed weekly between 2014 and 2017 for the entire French market. A unique feature of our data is that we observe sales for both physical and digital products, as well as streaming consumption. At the track-level, we find that streaming displaces digital sales. At the more aggregate artist-level, digital sales displace physical sales, but streaming implies a promotional effect on physical sales. This complementarity is driven by popular genres, i.e., Pop and Variety. Most of our findings are robust to whether we consider the hits or include the products that belong to the long tail. Our findings bridge two streams of literature as we show that displacement between consumption channels at the product level can coexist with complementarity at a more aggregate level.
新的数字音乐消费渠道是否会抑制旧的实体音乐消费渠道的销售，或者它们是互补的?为了回答这个问题，我们利用了2014年至2017年期间整个法国市场400多万种产品的销售和价格的产品级别变化。我们数据的一个独特之处在于，我们观察了实体和数字产品的销售，以及流媒体消费。在曲目层面，我们发现流媒体取代了数字销售。在更集中的艺术家层面，数字销售取代了实体销售，但流媒体意味着对实体销售的促销效应。这种互补性是由流行类型所驱动的，即流行和多样性。我们的大多数发现都是可靠的，无论我们是否考虑热门产品或包括属于长尾的产品。我们的发现弥合了两种文献流，因为我们表明，在产品层面上，消费渠道之间的位移可以与更总体层面上的互补性共存。
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引用次数: 0
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