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Continuum-Journal of Media & Cultural Studies最新文献

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The streets of Clovelly: Food, difference and place‐making Clovelly的街道:食物,差异和地方制造
IF 0.8 3区 文学 Q1 Arts and Humanities Pub Date : 1999-11-01 DOI: 10.1080/10304319909365802
J. Duruz
(1999). The streets of Clovelly: Food, difference and place‐making. Continuum: Vol. 13, Postcoloniality and Cultural Studies, pp. 305-314.
(1999)。Clovelly的街道:食物,差异和地方制造。《连续》:第13卷,后殖民与文化研究,第305-314页。
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引用次数: 8
Authors, scribes and owners: The sociology of nineteenth‐century aboriginal writing on Coranderrk and Lake Condah reserves 作者、抄写员和所有者:19世纪科兰德克和康达湖保护区土著文字的社会学
IF 0.8 3区 文学 Q1 Arts and Humanities Pub Date : 1999-11-01 DOI: 10.1080/10304319909365805
P. V. Toorn
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引用次数: 9
‘Must have been the Chinese I ate ‘: Food poisoning, migration and national indigestion “一定是我吃的中国人”:食物中毒、移民和民族消化不良
IF 0.8 3区 文学 Q1 Arts and Humanities Pub Date : 1999-11-01 DOI: 10.1080/10304319909365803
S. Ryan, L. Edwards, S. Occhipinti
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引用次数: 2
An Aboriginal Moomba: remaking history 一个土著蒙巴人:改写历史
IF 0.8 3区 文学 Q1 Arts and Humanities Pub Date : 1999-11-01 DOI: 10.1080/10304319909365806
S. Kleinert
the better part of this century it has been possible to erase the evidence of a dynamic Aboriginal presence in southeast Australia. Decimated by a long and intense history of colonization, Aborigines were subsequently erased from narratives of national identity, rendered invisible through policies of integration and assimilation. Yet despite their liminal position on the margins of white Australia, Aboriginal people in the southeast never ceased to act as historical agents and to engage in cultural representations that were at once an affirmation of cultural identity and difference and a means of entering into dialogue with mainstream Australians.
在本世纪的大部分时间里,有可能抹去澳大利亚东南部活跃的土著存在的证据。由于长期而激烈的殖民历史,土著居民遭到了严重破坏,随后从民族身份的叙述中被抹去,通过融合和同化政策变得不可见。然而,尽管他们处于澳大利亚白人的边缘,东南部的土著居民从未停止过作为历史代理人的角色,从未停止过参与文化表现,这些表现既是对文化认同和差异的肯定,也是与主流澳大利亚人对话的一种手段。
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引用次数: 14
Tracing the outline of nation: circling Australia by car 描摹国家轮廓:驾车环绕澳大利亚
IF 0.8 3区 文学 Q1 Arts and Humanities Pub Date : 1999-11-01 DOI: 10.1080/10304319909365807
G. Clarsen
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引用次数: 8
Information theory: From the post card to the telephone book and beyond 信息论:从明信片到电话簿等等
IF 0.8 3区 文学 Q1 Arts and Humanities Pub Date : 1999-07-01 DOI: 10.1080/10304319909365788
M. Mcquillan
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引用次数: 0
The carnivalesque, the internet and control of content: Satirizing knowledge, power and control 狂欢、网络与内容控制:讽刺知识、权力与控制
IF 0.8 3区 文学 Q1 Arts and Humanities Pub Date : 1999-07-01 DOI: 10.1080/10304319909365789
D. Theall
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引用次数: 6
Electronic space and public space: Museums, galleries and digital media 电子空间和公共空间:博物馆、画廊和数字媒体
IF 0.8 3区 文学 Q1 Arts and Humanities Pub Date : 1999-07-01 DOI: 10.1080/10304319909365791
M. Leggett
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引用次数: 3
Cinematic paradigms for hypertext 超文本的电影范例
IF 0.8 3区 文学 Q1 Arts and Humanities Pub Date : 1999-07-01 DOI: 10.1080/10304319909365794
A. Miles
This essay combines film and hypertext theory to reformula te a hypertextual question that, ro dare, has been poorly framed. This question addresses the particular relation that may exist between the discursive doma ins of film and hypertext in terms of a possible affinity between the c inematic edit and the hypertextual link, with a view to reimagining the genealogy char has been imposed upon hypertext as a reading and writing practice. It is hoped that along the way a productive recasting of the relation between c inema theory (of one sort or another) and hypertext can occur, and that chis will provide a possible methodology for a hypertext writing practice that is yet to be invented.
本文将电影与超文本理论结合起来,重新定义了一个超文本问题,尽管这个问题一直没有得到很好的框架。从电影编辑和超文本链接之间可能存在的亲缘关系的角度来看,这个问题解决了电影和超文本的话语域之间可能存在的特殊关系,以重新想象作为阅读和写作实践强加给超文本的谱系字符。我们希望,在此过程中,电影理论(某种或另一种)与超文本之间的关系能够发生富有成效的重塑,并为尚未发明的超文本写作实践提供一种可能的方法。
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引用次数: 22
Storming the interface: Hypertext, desire and technonarcissism 冲击界面:超文本、欲望和技术自恋
IF 0.8 3区 文学 Q1 Arts and Humanities Pub Date : 1999-07-01 DOI: 10.1080/10304319909365792
Belinda Barnet
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引用次数: 1
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Continuum-Journal of Media & Cultural Studies
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