Pub Date : 2022-01-01DOI: 10.1525/rep.2022.158.8.77
N. Richard
{"title":"Desajustar el marco del feminismo: una lectura de Judith Butler desde el Sur","authors":"N. Richard","doi":"10.1525/rep.2022.158.8.77","DOIUrl":"https://doi.org/10.1525/rep.2022.158.8.77","url":null,"abstract":"","PeriodicalId":47353,"journal":{"name":"Representations","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66930273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.1525/rep.2022.157.3.41
J. Fay
Anthropocene: The Human Epoch (2018) is a film that gives rise to productive confusion about the sight and state of our planet and the inadequacy of our current concepts and aesthetic categories. The Anthropocene, especially on film, is “conceptually devastating.” This phrase, from Susan Neiman’s reading of Hannah Arendt and modern evil, has philosophical and moral implications for what it means to see, know, and respond to nature “after” the human.
{"title":"Do I Know the Anthropocene When I See It?","authors":"J. Fay","doi":"10.1525/rep.2022.157.3.41","DOIUrl":"https://doi.org/10.1525/rep.2022.157.3.41","url":null,"abstract":"Anthropocene: The Human Epoch (2018) is a film that gives rise to productive confusion about the sight and state of our planet and the inadequacy of our current concepts and aesthetic categories. The Anthropocene, especially on film, is “conceptually devastating.” This phrase, from Susan Neiman’s reading of Hannah Arendt and modern evil, has philosophical and moral implications for what it means to see, know, and respond to nature “after” the human.","PeriodicalId":47353,"journal":{"name":"Representations","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66929930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.1525/rep.2022.157.7.142
Weihong Bao
This essay dwells on atmosphere as a mediating, climatic environment to consider climate as the nexus of mind, medium, and society. An inquiry into atmosphere, I argue, opens up climate from an objective entity into a constellation of aesthetic, infrastructural, and epistemological operations. I situate this richer notion of climate in China during the Second World War and its immediate aftermath by focusing on “doubt” as a unique atmosphere caught in the transnational traffic in media practices, psychological war, and genre film. Through an intimate conversation between aesthetics and technology, hermeneutics and media ecology, this essay conducts an experimental climatology to consider climate not simply as a physical milieu but as a method. Such a climatology—bringing together infrastructural analysis, aesthetic design, and sociopolitical projects—will allow us to engage “global climate change” and “affective climate change” as interconnected and integrated projects of sustainability.
{"title":"Hermeneutics of Doubt","authors":"Weihong Bao","doi":"10.1525/rep.2022.157.7.142","DOIUrl":"https://doi.org/10.1525/rep.2022.157.7.142","url":null,"abstract":"This essay dwells on atmosphere as a mediating, climatic environment to consider climate as the nexus of mind, medium, and society. An inquiry into atmosphere, I argue, opens up climate from an objective entity into a constellation of aesthetic, infrastructural, and epistemological operations. I situate this richer notion of climate in China during the Second World War and its immediate aftermath by focusing on “doubt” as a unique atmosphere caught in the transnational traffic in media practices, psychological war, and genre film. Through an intimate conversation between aesthetics and technology, hermeneutics and media ecology, this essay conducts an experimental climatology to consider climate not simply as a physical milieu but as a method. Such a climatology—bringing together infrastructural analysis, aesthetic design, and sociopolitical projects—will allow us to engage “global climate change” and “affective climate change” as interconnected and integrated projects of sustainability.","PeriodicalId":47353,"journal":{"name":"Representations","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66930043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.1525/REP.2021.156.5.115
Alma Steingart
{"title":"The Axiom of High Modernism","authors":"Alma Steingart","doi":"10.1525/REP.2021.156.5.115","DOIUrl":"https://doi.org/10.1525/REP.2021.156.5.115","url":null,"abstract":"","PeriodicalId":47353,"journal":{"name":"Representations","volume":"156 1","pages":"115-142"},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46652439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.1525/REP.2021.156.3.55
Andrei Pop
{"title":"The World as I found itOn the First-Person Point of View","authors":"Andrei Pop","doi":"10.1525/REP.2021.156.3.55","DOIUrl":"https://doi.org/10.1525/REP.2021.156.3.55","url":null,"abstract":"","PeriodicalId":47353,"journal":{"name":"Representations","volume":"156 1","pages":"55-84"},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42326507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.1525/REP.2021.156.2.27
Michael H. Lucey
{"title":"How You Read Madame Bovary","authors":"Michael H. Lucey","doi":"10.1525/REP.2021.156.2.27","DOIUrl":"https://doi.org/10.1525/REP.2021.156.2.27","url":null,"abstract":"","PeriodicalId":47353,"journal":{"name":"Representations","volume":"156 1","pages":"27-54"},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43128072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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